scholarly journals KONFLIK IDENTITAS PEREMPUAN DALAM TIGA CERPEN KALIMANTAN TIMUR TAHUN 1980-AN

SUAR BETANG ◽  
2020 ◽  
Vol 15 (2) ◽  
pp. 143-152
Author(s):  
Diyan Kurniawati
Keyword(s):  
Short Stories ◽  
Female Character ◽  
Female Characters ◽  
East Kalimantan ◽  
Patriarchal Culture ◽  
Identity Conflicts

Abstrak: Tulisan ini menampilkan posisi tokoh perempuan pada tiga cerpen karya pengarang Kalimantan Timur pada tahun 1980-an. Ketiga cerpen tersebut berjudul ”Perkawinan”, ”Buah Hati”, dan ”Luka Cinta” . Pada cerpen-cerpen tersebut posisi perempuan berada di tengah-tengah budaya patriarki. Kondisi itu menyebabkan perempuan mengadakan perlawanan dengan pola berbeda-beda. Perlawanan perempuan menimbulkan konflik identitas pada perempuan. Dengan teori feminisme, penelitian ini menganalisis sebab dan akibat tokoh perempuan mengalami konflik identitas.  Bentuk-bentuk konflik identitas yang dialami tokoh perempuan juga akan dianalisis. Relasi tokoh perempuan dengan tokoh-tokoh lain dengan demikian juga akan dianalisis lebih lanjut. Tokoh-tokoh tersebut meliputi tokoh-tokoh yang menjadi ikon patriarki dan tokoh-tokoh yang mendukung tokoh perempuan untuk melakukan perlawanan.  Analisis menunjukkan konflik identitas yang terjadi pada perempuan disebabkan patriarki yang secara terus menerus melakukan upaya agar perempuan merasa melakukan kesalahan apabila perlawanan tersebut berhasil. Analisis juga menunjukkan kondisi tersebut disebabkan pula oleh tidak kuatnya pertahanan perempuan untuk memilih identitasnya. Cerpen-cerpen Kalimantan Timur tahun 1980-an menunjukkan pergulatan perempuan dalam memilih identitasnya. Kata kunci: perempuan, identitas, patriarki Abstract:This paper presents the position of female characters in three East Kalimantan short stories   in the 1980s. The three short stories are "Marriage", "Baby", and "Luka Cinta". In these short stories, women are in patriarchal culture. This condition makes women deal with their condition differently. Women’s resistance creates identity conflicts. Using the theory of feminism, this study analyzes the the forms, causes, and effects of the conflicts and also  the connection between female character and the others, including patriarchal icons and others who support women to fight back. The analysis shows that identity conflicts are caused by patriarchy that continuously make women feel wrong if their struggle is successful and also caused by women's lack of strength in their struggling to choose their identity. East Kalimantan short stories in 1980s show women’s struggle in choosing their identity. Keywords: women, identity, patriarchy 

scholarly journals Die dialoog tussen die voorblad, die manneplot en die verhale in Dulle Griet van Riana Scheepers

Literator ◽  
2001 ◽  
Vol 22 (2) ◽  
pp. 113-132
Author(s):  
G.H. Taljaard
Keyword(s):  
Short Stories ◽  
Female Character ◽  
Female Characters ◽  
Survival Mechanism ◽  
Male Attitudes ◽  
The Way

The dialogue between image and text in Riana Scheepers's Dulle Griet This article examines the way in which the content and theme of Riana Scheepers’s Dulle Griet (1991) interact with the “manneplot” (traditional and/or stereotypical portrayal of female characters within novels) and with the cover illustration of the book – a detail of “Mad Meg” (as she is often referred to) from Pieter Brueghel’s Dulle Griet (1562). It explores how the women in Scheepers’s short stories are portrayed – not only as vulnerable, but also as evil and corrupt. They are abused victims; but they are also tyrannical abusers. They are innocent maidens and mothers, but also lovers, prostitutes, lesbians and murderers. The way in which the gradual degeneration of the anonymous central female character relates to Brueghel’s image of “Mad Meg” on her way to the jaws of hell is discussed in this article. But the article also demontrates Scheepers’s concern with feminist issues by using the cover as an ironic “frame”, and shows that the moral decline of the women portrayed in the text seems to be as a result of the actions of chauvinistic men, who appear in different forms throughout the text. Female degeneracy can thus be seen as a survival mechanism, in a world – and a text – dominated by the masculine paradigm, the “manneplot” of traditional male attitudes to women.

scholarly journals Pakistani Women’s Dignity in Patriarchal Culture Reflected in Qaisra Shahraz’s A Pair of Jeans and Other Stories

2020 ◽  
Vol 9 (2) ◽  
pp. 57
Author(s):  
Indri Octarinanda ◽  
Seswita Seswita
Keyword(s):  
Short Stories ◽  
Role Models ◽  
Cultural Environment ◽  
Female Characters ◽  
Consciousness Raising ◽  
Literary Works ◽  
Patriarchal Culture

This article discusses the problems faced by women and their dignity to survive in the domination of a patriarchal cultural environment. This study uses prescriptive criticism from Cheri Register to analyze three short stories by Qaisra Shahraz entitled Zemindar’s Wife, A Pair of Jeans and The Elopement. The concept of prescriptive criticism from Cheri Register has four criteria that supposed to be found in literary works, namely serves as a forum for women, helps to achieve cultural androgyny, provides role-models, promotes health and augment consciousness-raising systems. The results showed that the main female characters; Noor, Miriam and Rubiya can survive in the dominant patriarchal culture with the dignity to resist in the patriarchal culture. These three stories successfully covered four prescriptive criteria by Register and can be classified as feminist stories. 

scholarly journals Pakistani Women’s Dignity In Patriarchal Culture Reflected In Qaisra Shahraz’s A Pair Of Jeans And Other Stories

2019 ◽  
Vol 8 (1) ◽  
pp. 26
Author(s):  
Indri Octarinanda ◽  
Seswita Seswita
Keyword(s):  
Short Stories ◽  
Role Models ◽  
Cultural Environment ◽  
Female Characters ◽  
Consciousness Raising ◽  
Literary Works ◽  
Patriarchal Culture

This article discusses the problems faced by women and their dignity to survive in the domination of a patriarchal cultural environment. This study uses prescriptive criticism from Cheri Register to analyze three short stories by Qaisra Shahraz entitled Zemindar's Wife, A Pair of Jeans and The Elopement. The concept of prescriptive criticism from Cheri Register has four criteria that supposed to be found in literary works, namely serves as a forum for women, helps to achieve cultural androgyny, provides role-models, promotes health and augment consciousness-raising systems. The results showed that the main female characters; Noor, Miriam and Rubiya can survive in the dominant patriarchal culture with the dignity to resist in the patriarchal culture. These three stories successfully covered four prescriptive criteria by Register and can be classified as feminist stories.

scholarly journals JERITAN PEREMPUAN YANG TERKUNGKUNG SISTEM PATRIARKI DALAM KUMPULAN CERITA PENDEK AKAR PULE: SUATU TINJAUAN FEMINISME RADIKAL

2018 ◽  
Vol 18 (2) ◽  
pp. 65
Author(s):  
Zahratul Umniyyah
Keyword(s):  
Short Stories ◽  
Research Method ◽  
Qualitative Method ◽  
Literary Work ◽  
Radical Feminism ◽  
Female Character ◽  
Female Characters ◽  
Patriarchal System ◽  
Male Characters

Abstrak : Kajian ini membahas dua cerita pendek dalam Kumpulan Cerita Pendek Akar Pule karya Oka Rusmini. Tulisan ini bertujuan mengungkap, menganalisis, dan mendeskripsikan penderitaan fisik dan penderitaan psikis yang dihadapi perempuan. Metode penelitian yang digunakan dalam penelitian ini adalah metode penelitian kualitatif. Pengarang menyuarakan pemikirannya melalui kemunculan tokoh-tokoh perempuan dan berbagai permasalahan yang bersumber dari laki-laki. Posisi perempuan selalu dianggap lemah, sistem patriarki yang tumbuh subur di Bali semakin menekan kedudukan perempuan sehingga perempuan semakin tidak berdaya dan harus tunduk dengan aturan adat yang sangat merugikan pihak perempuan. Kata kunci: sastra, feminisme radikal, sistem patriarki   Abstract : This study discusses two short stories part of Akar Pule anthology written by Oka Rusmini. In this study, the writer attempts to reveal, analyze, dan describe physical and psychological oppressions experienced by the female character. In this study the writer uses qualitative method as research method. The author voices her thoughts by presenting the female characters and their problem caused by male characters (men). In these short stories female characters (women) are placed in weaker position than men. The patriarchal system which is deeply rooted in Balinese culture gives more oppression towards women making Balinese women more powerless and forcing them to obey the customs that disadvantage them. Keywords: literary work, radical feminism, patriarchal system

scholarly journals THE PORTRAYAL OF FEMALE CHARACTER IN “LADY ELEANORE’S MANTLE” BY NATHANIEL HAWTHORNE

2021 ◽  
Vol 19 (1) ◽  
pp. 6-10
Author(s):  
Putri Ramadhani
Keyword(s):  
Short Stories ◽  
Nathaniel Hawthorne ◽  
Female Character ◽  
Special Treatment ◽  
Female Characters ◽  
High Position

This research concern with the analysis of female character in Lady Eleanore’s Mantle by Nathaniel Hawthorne. The purpose of the research is to describe the female character of Lady Eleanore’s Mantle by Nathaniel Hawthorne short stories by analyzing the main female characters to the development of the plot. This research using two methods, which are qualitative and descriptive. The problem of research is want to desribe the portrayal of female character in Lady Eleanore’s Mantle. The woman is a beautiful, rich, and has high position in her community. Always get more attention and special treatment from other people and make her became to an arrogant girl. At the end, the woman get punishment and died tragically

scholarly journals Classification of Setswana short stories

Literator ◽  
2007 ◽  
Vol 28 (2) ◽  
pp. 145-166
Author(s):  
M.J. Mojalefa ◽  
M.M. Makgato
Keyword(s):  
Short Stories ◽  
Physical Violence ◽  
Extended Family ◽  
Female Character ◽  
Female Characters ◽  
Experimental Phase ◽  
Literary Works ◽  
Working Together

The aim of this article is to reclassify Setswana short stories according to their treatment of female characters. Critics such as Ranamane have classified Setswana literary works according to year of publication, without giving any valid reasons for this type of classification. This article, focusing on the development of the characterisation of women in Setswana short stories, classifies stories based on three periods, namely the phase of womanism, the experimental phase and the phase of feminism. In the phase of womanism, the outstanding features of characterisation of females include oppression and illtreatment, discrimination and segregation, ignorance, physical violence against females and limitation of the role of women to caring for the extended family. In the experimental phase, features include liberation of a female character, freedom of the whole society, agreement on marriage and working together as a team to solve the problems of society. The phase of feminism is identified by features of characterisation of females such as eradication of oppression, the fight for equality between women and men, removal of segregation and discrimination and also change across the whole of society.

scholarly journals Das unheimliche and women: The case of the tales of Hoffmann

New Sound ◽  
2015 ◽  
pp. 65-75
Author(s):  
Mariela Cvetić
Keyword(s):  
Short Stories ◽  
Female Body ◽  
Main Issue ◽  
Female Character ◽  
Female Characters ◽  
New Year’S Eve ◽  
The Subject

This paper analyses Freud's concept of Das Unheimliche used to describe a strange proximity between the known and the unknown, whether as something acquainted represents itself with an extraneous shape or as something extraneous discovers an element of intimacy in itself. Freud inaugurated this concept in the text Das Unheimliche in 1919 referring to cases in which the subject in relation to objects or events has feelings that range from usual closeness to the point of utter automated perception, when an object or event appears strange. The automatism of repetition is only one of manifestations of Das Unheimliche. Freud wrote this text responding to the text by Ernest Jentsch's "On the Psychology of Des Unheimlichen" ("Uber die Psychologie des Unheimlichen") from 1906 arguing on the importance and significance of the doll Olympia in Hoffmann's story "The Sandman". The position of Olympia - whether she was seen as alive or as a machine - remained the main issue in late discussions of various authors. Therefore, Das Unheimliche and women are very closely related, not only because the concept is based on the female character of Olympia from the story, but also because Freud himself emphasized the Das Unheimliche character of the female body. The paper discusses the relation between Das Unheimliche and women, and reconsiders the relation between Das Unheimliche aspects of female characters in The Tales o f Hoffmann. Short stories "The Sandman", "Councillor Krespel" and "A New Year's Eve Adventure" were also chosen by Jules Barbier and Michel Carré for the opera "Tales of Hoffmann" by Jacques Offenbach, in which the leading roles of Stela, Olympia, Antonia and Giulietta are in fact one woman who takes a variety of forms.

Analysis of Female Implicates in the Video “Cara Kodein Cowok Biar Cepet Merid” by Last Day Production

2021 ◽  
Vol 1 (1) ◽  
pp. 14-20
Author(s):  
Hesti Nurlaeli
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
Female Character ◽  
Note Taking ◽  
Female Characters ◽  
Pragmatic Theory ◽  
Research Results ◽  
Analysis Techniques ◽  
Qualitative Descriptive ◽  
Data Collection Technique

A speech can also lead to a description of the principles of conversation. This also happened in Las Day Production's video “Cara Kodein Cowok Biar Cepet Merid”. This research aims to find out and describe the female characters’ utterances or the implicit forms of the in the video "Cara Kodein Cowok Biar Cepet Merid" by Last Day Production. The approach in this research uses pragmatic and qualitative descriptive. The data collection technique in this study was using the note-taking technique. The data analysis techniques used in this study were data triangulation, theory triangulation, and source triangulation. Triangulation of data was generated by recording the speech of a female character in the video "Cara Kodein Cowok Biar Cepet Merid" by Last Day Production. The theory triangulation refers to pragmatic theory, while the source triangulation is the video "Cara Kodein Cowok Biar Cepet Merid" by Last Day Production, which is downloaded on YouTube. The research results in the video "Cara Kodein Cowok Biar Cepet Merid” have 8 stories of female characters that contain implicatures.

scholarly journals Seen through his eyes: The representation of female characters in Béla Bartok's stage works

New Sound ◽  
2015 ◽  
pp. 39-54
Author(s):  
Mina Božanić
Keyword(s):  
Cultural Studies ◽  
Female Character ◽  
Gender Representation ◽  
Female Characters ◽  
Personal View ◽  
Specific Relationship ◽  
Images Of Women

The question of gender representation in Béla Bartok's (1881-1945) stage works is discussed through the prism of cultural studies, with reference to the intellectual, social and political atmosphere in which the composer shaped his ideas. In this sense, it is provocative to question how the stereotyped images of women influenced/merged with Bartok's personal view on women, or is it, maybe, possible that one intimate conception of female characters, reflected the composer's specific relationship toward women? The treatment of the female character will be shown through the analysis of the plot and key scenes in Bartok's stage work.

scholarly journals Across community barriers: female characters in Vimala Devi’s short stories

2019 ◽  
Vol 41 (2) ◽  
pp. e45888
Author(s):  
Cielo Griselda Festino
Keyword(s):  
Short Stories ◽  
Women Characters ◽  
Cultural Identity ◽  
Short Story ◽  
Main Argument ◽  
Female Characters ◽  
Short Story Cycle ◽  
Short Story Collection ◽  
Story Cycle ◽  
Story Collection

This article brings a reading of the short-story collection Monção [Monsoon] ( 2003) by the Goan writer Vimala Devi (1932-). The collection can be read as a short-story cycle, a group of stories related by locality, Goa, character, Goans, from all walks of life, and theme, in particular women´s milieu, among other literary categories. In her book, written from her self-imposed exile in Portugal, Devi recreates Goa, former Portuguese colony, in the 1950s, before its annexation to India. A member of the Catholic gentry, Devi portrays the four hundred years of conflictive intimacy between Catholics and Hindus. Our main argument is that Devi´s empathy for her culture becomes even more explicit in Monção when her voice becomes one with that of all her women characters. Though they might be at odds, due to differences of caste, class and religion, Devi makes a point of showing that they are all part of the same cultural identity constantly remade through their own acts of refusal and recognition. This discussion will be framed in terms of Sidonie Smith and Julia Watson’s theory of autobiography (2001) as well as the studies on Goan women by the Goan critics Propércia Correia Afonso (1928-1931), Maria Aurora Couto (2005) and Fátima da Silva Gracias (2007).

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