scholarly journals "Moonlight and Roses", and other things they played: Organ Recitals in New Zealand, 1870-1920

2021 ◽  
Author(s):  
◽  
Dianne Halliday
Keyword(s):  
New Zealand ◽  
World War I ◽  
Primary Source ◽  
Sheet Music ◽  
Musical Life ◽  
Study Approach ◽  
Regular Employment ◽  
Pipe Organs ◽  
Choral Societies ◽  
Primary Focus

<p>The early history of pipe organs in New Zealand, and the music which was played on them, has long been of interest to organists and domestic organ builders alike. The primary focus of this exegesis is the performers themselves and the repertoire they chose to present to the public through the medium of the organ recital during a fifty-year period from 1870–1920. A case study approach is adopted, where two centres, one metropolitan and one provincial, have been selected from each of the two main island of New Zealand. Using primary source materials, including contemporary newspapers and concert programmes, details of a significant selection of organ recitals held in Wellington, Christchurch, Southland, and Hawke’s Bay can be tabulated. This allows for some discernment of trends in musical preferences.  New Zealand was no exception to the world wide practice by organists of utilising in their performances works not originally written for their instrument. In a wider Australasian context, organ recitals were conduits for the dissemination of symphonic, operatic and chamber music, particularly on larger instruments. The balance between transcriptions and works for the organ in these recitals is one of the study’s areas of investigation. This also requires some discussion of the instruments themselves. Another is the extent to which music was considered a formative social influence, particularly since most nineteenth-century recitals were played in churches, rather than civic (secular) auditoria, and were considered to take on the character of the venue.  The research also uncovers details about the origins and career paths of the performers. Some were private teachers, choral and/or instrumental conductors or accompanists. Still others had regular employment as schoolteachers or purveyors of instruments and sheet music, and a third group found primary employment outside the musical sphere either as civil servants or in private enterprise.  Analysis of the wealth of surviving information (concerning organists and their performances) demonstrates that the organ recital was a ubiquitous and popular event in New Zealand prior to World War I. Alongside other musical activities these programmes play a role in the development of society’s musical life, both in its own right and as the accompanying instrument for various choral societies (before the development of fully-fledged orchestral groups). Society was changed with the advent of hostilities; after they ended, there were new norms and expectations.  Outside the main text, the collations of raw data are provided on an accompanying CD, along with biographical details of those who made small contributions to the recital scene, or were present in New Zealand for only a limited time.</p>

scholarly journals "Moonlight and Roses", and other things they played: Organ Recitals in New Zealand, 1870-1920

2021 ◽  
Author(s):  
◽  
Dianne Halliday
Keyword(s):  
New Zealand ◽  
World War I ◽  
Primary Source ◽  
Sheet Music ◽  
Musical Life ◽  
Study Approach ◽  
Regular Employment ◽  
Pipe Organs ◽  
Choral Societies ◽  
Primary Focus

<p>The early history of pipe organs in New Zealand, and the music which was played on them, has long been of interest to organists and domestic organ builders alike. The primary focus of this exegesis is the performers themselves and the repertoire they chose to present to the public through the medium of the organ recital during a fifty-year period from 1870–1920. A case study approach is adopted, where two centres, one metropolitan and one provincial, have been selected from each of the two main island of New Zealand. Using primary source materials, including contemporary newspapers and concert programmes, details of a significant selection of organ recitals held in Wellington, Christchurch, Southland, and Hawke’s Bay can be tabulated. This allows for some discernment of trends in musical preferences.  New Zealand was no exception to the world wide practice by organists of utilising in their performances works not originally written for their instrument. In a wider Australasian context, organ recitals were conduits for the dissemination of symphonic, operatic and chamber music, particularly on larger instruments. The balance between transcriptions and works for the organ in these recitals is one of the study’s areas of investigation. This also requires some discussion of the instruments themselves. Another is the extent to which music was considered a formative social influence, particularly since most nineteenth-century recitals were played in churches, rather than civic (secular) auditoria, and were considered to take on the character of the venue.  The research also uncovers details about the origins and career paths of the performers. Some were private teachers, choral and/or instrumental conductors or accompanists. Still others had regular employment as schoolteachers or purveyors of instruments and sheet music, and a third group found primary employment outside the musical sphere either as civil servants or in private enterprise.  Analysis of the wealth of surviving information (concerning organists and their performances) demonstrates that the organ recital was a ubiquitous and popular event in New Zealand prior to World War I. Alongside other musical activities these programmes play a role in the development of society’s musical life, both in its own right and as the accompanying instrument for various choral societies (before the development of fully-fledged orchestral groups). Society was changed with the advent of hostilities; after they ended, there were new norms and expectations.  Outside the main text, the collations of raw data are provided on an accompanying CD, along with biographical details of those who made small contributions to the recital scene, or were present in New Zealand for only a limited time.</p>

‘Unmistakeable Sauerkrauts’: Local Perceptions of Itinerant German Musicians in New Zealand, 1850–1920

2017 ◽  
Vol 15 (1) ◽  
pp. 37-49
Author(s):  
Samantha Owens
Keyword(s):  
New Zealand ◽  
World War I ◽  
World War ◽  
Local Perceptions ◽  
Musical Life ◽  
The Public ◽  
School Sports ◽  
The First World War ◽  
Street Corner ◽  
First World

Although largely forgotten today, bands of German musicians (generally from the Westpfalz region) were regular visitors to New Zealand’s shores from the 1850s up until the outbreak of World War I, making them among the earliest professional European musical ensembles to be heard in the country. Plying their trade on the streets and in other public spaces, German bands were also routinely hired to perform for garden parties, school sports days, dances and boat trips, as well as on countless other occasions. Yet despite their apparent popularity, contemporary comment published in newspapers of the day demonstrates that reactions to their performances were decidedly mixed. While some members of the public clearly enjoyed the contribution German bands made to local musical life, others were less than delighted by their (often noisy) presence. In 1893, for example, one Wellington resident complained that ‘a German Band … may be heard braying at every street corner at all hours of the day and night’, while noting also that ‘It is the genuine article, all the performers being wanderers from the “Vaterland”, unmistakeable “sauerkrauts”’ Within weeks of the outbreak of World War I, ten members of a German band had been arrested in Auckland and taken to Somes Island in Wellington harbour, where they were interned for the duration of the conflict. This article examines the New Zealand public’s changing perceptions of this particular brand of street musician from colonial times until shortly after the end of the First World War.

Beyond Bach

2017 ◽  
Author(s):  
Andrew Talle
Keyword(s):  
Visual Art ◽  
Close Friend ◽  
Sheet Music ◽  
Musical Life ◽  
Teenage Girls ◽  
Keyboard Music ◽  
Women And Children ◽  
Primary Focus ◽  
Musical Interests

This book investigates the musical life of Johann Sebastian Bach’s Germany from the perspectives of those who lived in it. The men, women, and children of the era are treated here not as extras in the life of a famous composer but rather as protagonists in their own right. The primary focus is on keyboard music, from those who built organs, harpsichords, and clavichords, to those who played keyboards recreationally and professionally, and those who supported their construction through patronage. Examples include: Barthold Fritz, a clavichord maker who published a list of his customers; Christiane Sibÿlla Bose, an amateur keyboardist and close friend of Bach’s wife; the Countesses zu Epstein, whose surviving library documents the musical interests of teenage girls of the era; Luise Gottsched, who found Bach’s music less appealing than that of Handel; Johann Christoph Müller, a keyboard instructor who fell in love with one of his aristocratic pupils; and Carl August Hartung, a professional organist and fanatical collector of Bach’s keyboard music. The book draws on published novels, poems, and visual art as well as manuscript account books, sheet music, letters, and diaries. For most music lovers of the era, J. S. Bach himself was an impressive figure whose music was too challenging to hold a prominent place in their musical lives.

Opportunities for developing value-added brassica seed

2010 ◽  
Vol 14 ◽  
pp. 139-146
Author(s):  
Van De Jong ◽  
B.E. Braithwaite ◽  
T.L. Roush ◽  
A. Stewart ◽  
J.G. Hampton
Keyword(s):  
Biological Control ◽  
New Zealand ◽  
Xanthomonas Campestris ◽  
Cultural Practices ◽  
Effective Means ◽  
Value Added ◽  
Primary Source ◽  
Common Disease ◽  
Black Rot ◽  
Crop Losses

New Zealand produces approximately 5,500 tonnes of brassica seed per year, two thirds of which, valued at $13M, is exported. Black rot caused by Xanthomonas campestris pv. campestris is a common disease of brassicas, and while crop losses are not extensive in New Zealand, internationally total crop losses have been reported. Seeds are the primary source of inoculum and the ease with which this inoculum spreads means that even small traces can cause severe epidemics. Genetic resistance to black rot is a complex trait which makes breeding for resistance in brassicas challenging. The effectiveness of chemical and cultural practices is variable. Biological control with natural antagonistic microbes may provide a more effective means of controlling black rot and other pests and diseases, and create opportunities for increasing the export value of brassica seed. Current cultural practices and the potential for biological control for the management of black rot are reviewed. Keywords: biocontrol, Brassicaceae, crucifer

The Edwardians and the Making of a Modern Spanish Obsession

2020 ◽  
Author(s):  
Kirsty Hooper
Keyword(s):  
World War I ◽  
Primary Source ◽  
Source Material ◽  
Turn Of The Century ◽  
World War ◽  
Popular Imagination ◽  
Concert Halls ◽  
Material History ◽  
British People ◽  
Industrial Investment

What did the Edwardians know about Spain, and what was that knowledge worth? The Edwardians and the Making of a Modern Spanish Obsession draws on a vast store of largely unstudied primary source material to investigate Spain’s place in the turn-of-the-century British popular imagination. Set against a background of unprecedented emotional, economic and industrial investment in Spain, the book traces the extraordinary transformation that took place in British knowledge about the country and its diverse regions, languages and cultures between the tercentenary of the Spanish Armada in 1888 and the outbreak of World War I twenty-six years later. This empirically-grounded cultural and material history reveals how, for almost three decades, Anglo-Spanish connections, their history and culture were more visible, more colourfully represented, and more enthusiastically discussed in Britain’s newspapers, concert halls, council meetings and schoolrooms, than ever before. It shows how the expansion of education, travel, and publishing created unprecedented opportunities for ordinary British people not only to visit the country, but to see the work of Spanish and Spanish-inspired artists and performers in British galleries, theatres and exhibitions. It explores the work of novelists, travel writers, journalists, scholars, artists and performers to argue that the Edwardian knowledge of Spain was more extensive, more complex and more diverse than we have imagined.

scholarly journals Rijeka and its surroundings in 1918-1919

2019 ◽  
Vol 1 (1) ◽  
pp. 123-133
Author(s):  
Robert Doričić ◽  
Toni Buterin ◽  
Igor Eterović ◽  
Amir Muzur
Keyword(s):  
World War I ◽  
Primary Source ◽  
Primary Sources ◽  
Death Certificates ◽  
World War ◽  
City Center ◽  
Daily Newspapers ◽  
Specific Mortality ◽  
Spanish Flu ◽  
The City

The Spanish flu, one of the worst epidemics in history, appeared in 1918, on the eve of the end of the World War I. The characteristic of the epidemic on the territory of the city of Rijeka has been poorly studied. Certainly, the lack of primary sources, such as hospital registries, have made the understanding of the incidence and the course of the epidemic in the city more difficult. Therefore, the death certificates have emerged as the main primary source. The purpose of this paper is to explore and describe mortality caused by the (Spanish) flu during 1918 and at the beginning of 1919, using the death registers of those who lived in the area of the city center and the surrounding parishes. The results of the Spanish flu mortality research in the area of Rijeka are compared to the Spanish flu specific mortality on the territory of the three parishes situated in the wider area of Rijeka – Brseč, Mošćenice and Lovran. The elucidation of the characteristics of the Spanish flu epidemic and its impact on the quotidian life in the city of Rijeka is possible through the analysis of daily newspapers as well. In this paper, we have explored such articles in the La Bilancia, Rijeka’s newspaper published in Italian.

Reclaiming the Past, Building a Future: Māori Identity in the Plays of Hone Kouka

2001 ◽  
Vol 26 (1) ◽  
pp. 15-24 ◽  
Author(s):  
William Peterson
Keyword(s):  
Twentieth Century ◽  
New Zealand ◽  
World War I ◽  
The Other ◽  
World War ◽  
The Past ◽  
Aotearoa New Zealand ◽  
Rural And Urban ◽  
The Future ◽  
The 1960S

Hone Kouka's historical plays Nga Tangata Toa and Waiora, created and produced in Aotearoa/New Zealand, one set in the immediate aftermath of World War I, and the other during the great Māori urban migrations of the 1960s, provide fresh insights into the way in which individual Māori responded to the tremendous social disruptions they experienced during the twentieth century. Much like the Māori orator who prefaces his formal interactions with a statement of his whakapapa (genealogy), Kouka reassembles the bones of both his ancestors, and those of other Māori, by demonstrating how the present is constructed by the past, offering a view of contemporary Māori identity that is traditional and modern, rural and urban, respectful of the past and open to the future.

Cost comparison of seismic damage resisting systems for modules in multi-storey buildings

2019 ◽  
Vol 17 (2) ◽  
pp. 330-346
Author(s):  
Danielle Ashcroft ◽  
Temitope Egbelakin ◽  
John Jing ◽  
Eziaku Onyeizu Rasheed
Keyword(s):  
New Zealand ◽  
Modular Design ◽  
Base Isolation ◽  
Seismic Damage ◽  
Economic Feasibility ◽  
Cost Comparison ◽  
Economic Viability ◽  
Friction Damper ◽  
Content Type ◽  
Study Approach

Purpose The purpose of this paper is to examine the economic viability of a new and innovative seismic damage resisting system (SDRS) device by conducting a feasibility study. The SDRS device has been patented and specifically designed to be implemented in multi-storey modular buildings in seismic regions such as New Zealand. Design/methodology/approach Using a case study approach, two sample modular multi-storey buildings were purposively selected for the study. A cost-comparison analysis was conducted using the SDRS device in the two buildings, by carrying out a measure and price exercise of the construction elements. Findings The research results showed that the SDRS device is an economically viable option for mitigating seismic damage in modular multi-storey buildings in New Zealand. There is an average of 7.34 per cent of cost reduction when SDRS is used in modular multi-storey buildings when compared to other seismic resistance systems such as base isolation, moment resisting frames and friction damper systems. Practical implications The economic viability of the SDRS presents an opportunity for its usage in modular design and construction of multi-storey buildings. SDRS system is also applicable to other building typologies and construction methods. The use of SDRS also aligns with the current national objective to provide more affordable and resilient housing within a limited time; the opportunity is considered significant in New Zealand, including for export and manufacturing. Originality/value The confirmation of the SDRS device’s economic feasibility is the original contribution of the authors.

Micro-Enterprise Internationalization without Support

2008 ◽  
Vol 9 (1) ◽  
pp. 5-10 ◽  
Author(s):  
Leo Paul Dana ◽  
Tiffany Chan ◽  
Daniel Chia
Keyword(s):  
New Zealand ◽  
Small Firm ◽  
International Entrepreneurship ◽  
Government Support ◽  
Case Study Approach ◽  
Study Approach

In New Zealand, where it is more common to export lamb, one micro-enterprise – consisting of an entrepreneur and two assistants – is exporting Angus beef. A case study approach was used to gain an understanding of the international entrepreneurship of such a small firm. The methodology adopted was in-depth interviewing. The article provides insights into what an entrepreneur faces when developing a new export venture in the absence of government support.

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