scholarly journals Climatic Conscience for Dwelling Design

2021 ◽  
Author(s):  
◽  
Emily Newmarch

<p>In New Zealand, our residential architecture is built off the pragmatic approach of the instinctive farmer, and the desire to dissolve the boundary between architecture and landscape. In the search to create the dream home, many have packed up their beach houses to setup camp in the alpine environment surrounding Queenstown, causing the population and construction demand in the area to rise rapidly. As a result the building’s thermal envelope is put under pressure to perform both pragmatically and poetically as it faces one of New Zealand’s most extreme environments to live in. However, when put into action a pragmatic approach, to create a warm, dry and healthy home, often confronts conflict with a poetic approach that priorities the building’s relationship with the landscape through high amounts of glazing to dissolve the boundary.  In response, ‘Climate Conscience for Dwelling Design’ focused on the potential to exceed the minimum thermal envelope requirements, whilst actively engaging with the relationship between architecture and its environment. Quantitative and qualitative research methods were used to explore the dialectic between pragmatic and poetic approaches to design. The theoretical framework, background research and a systematic investigation into design precedents aided in sculpting a series of strategies and criteria that were refined throughout the design process. A series of cabins simulated and tested the strengths and weaknesses of the methodology and early design investigations to streamline the overall design investigation.  The developed design proposal builds off the aesthetic of an external structure to integrate the building with in its landscape, whilst removing the load-bearing requirements from the building’s thermal envelope. As a result the predicted amount of heating energy was reduced. The process of resolving the design continued to constructively build off both poetic and pragmatic approaches to develop critical building elements to the appearance, experience and performance. As a speculative and simulated design, it hopes to become an example of how much potential there is for designers and architects to push boundaries with aesthetic and performance-based design decisions.</p>

2021 ◽  
Author(s):  
◽  
Emily Newmarch

<p>In New Zealand, our residential architecture is built off the pragmatic approach of the instinctive farmer, and the desire to dissolve the boundary between architecture and landscape. In the search to create the dream home, many have packed up their beach houses to setup camp in the alpine environment surrounding Queenstown, causing the population and construction demand in the area to rise rapidly. As a result the building’s thermal envelope is put under pressure to perform both pragmatically and poetically as it faces one of New Zealand’s most extreme environments to live in. However, when put into action a pragmatic approach, to create a warm, dry and healthy home, often confronts conflict with a poetic approach that priorities the building’s relationship with the landscape through high amounts of glazing to dissolve the boundary.  In response, ‘Climate Conscience for Dwelling Design’ focused on the potential to exceed the minimum thermal envelope requirements, whilst actively engaging with the relationship between architecture and its environment. Quantitative and qualitative research methods were used to explore the dialectic between pragmatic and poetic approaches to design. The theoretical framework, background research and a systematic investigation into design precedents aided in sculpting a series of strategies and criteria that were refined throughout the design process. A series of cabins simulated and tested the strengths and weaknesses of the methodology and early design investigations to streamline the overall design investigation.  The developed design proposal builds off the aesthetic of an external structure to integrate the building with in its landscape, whilst removing the load-bearing requirements from the building’s thermal envelope. As a result the predicted amount of heating energy was reduced. The process of resolving the design continued to constructively build off both poetic and pragmatic approaches to develop critical building elements to the appearance, experience and performance. As a speculative and simulated design, it hopes to become an example of how much potential there is for designers and architects to push boundaries with aesthetic and performance-based design decisions.</p>


2015 ◽  
Vol 47 (3) ◽  
pp. 106-109 ◽  
Author(s):  
Jens Richard Giersdorf

Dance, Politics & Co-Immunity developed out of a symposium organized by the Master in Choreography and Performance at the Justus-Liebig-University Giessen, Germany, which was held with a joint symposium Thinking—Resisting—Reading the Political organized by the Graduate Center for the Study of Culture at the same university in 2010. Whereas the cultural studies symposium asked, “What specific perspectives and methodological consequences arise for the study of culture that are informed by recent deliberations on the relationship of the political and the aesthetic?” (2010), the dance symposium invited participants and contributors to the anthology “to think about the multiple connections between politics, community, dance, and globalization from the perspective of Dance and Theatre Studies, History, Philosophy, and Sociology” (13). As indicated by the title of the cultural studies symposium and some of the key speakers, including Jacques Rancière, Chantal Mouffe, and Judith Butler, the term political is not used as broadly as it might be used in U.S.-based dance studies discourse. Rather, the political is predominantly investigated by both symposia for its resistive potential and from a liberal or post-Marxist stance.


2020 ◽  
Vol 25 (1) ◽  
pp. 53-63 ◽  
Author(s):  
Andrew McPherson ◽  
Koray Tahıroğlu

It is widely accepted that acoustic and digital musical instruments shape the cognitive processes of the performer on both embodied and conceptual levels, ultimately influencing the structure and aesthetics of the resulting performance. In this article we examine the ways in which computer music languages might similarly influence the aesthetic decisions of the digital music practitioner, even when those languages are designed for generality and theoretically capable of implementing any sound-producing process. We examine the basis for querying the non-neutrality of tools with a particular focus on the concept of idiomaticity: patterns of instruments or languages which are particularly easy or natural to execute in comparison to others. We then present correspondence with the developers of several major music programming languages and a survey of digital musical instrument creators examining the relationship between idiomatic patterns of the language and the characteristics of the resulting instruments and pieces. In an open-ended creative domain, asserting causal relationships is difficult and potentially inappropriate, but we find a complex interplay between language, instrument, piece and performance that suggests that the creator of the music programming language should be considered one party to a creative conversation that occurs each time a new instrument is designed.


Scene ◽  
2014 ◽  
Vol 2 (1) ◽  
pp. 89-105 ◽  
Author(s):  
Tamara Tomic-Vajagic

This article focuses on the aesthetic implications innate to the introduction of tight-fitting rehearsal-style costume, a leotard, to the dance studio and stage. In ballet, the pared-down and subtle design of such costumes is found in many dance works from the twentieth century until today, including the ‘black and white ballets’ by George Balanchine, or ‘ballet-ballets’ by William Forsythe. These works are also considered plotless and seem to deter the viewer from the theatrical conventions of plot lines, characters and narratives. This article is concerned with that which is highlighted in such works: the dancer’s moving body and the leotard as a costume that particularly refers to the performer at work and in own cultural setting. The look into the relationship between the dancers and leotard as a costume type communicates important information about the performer’s work and their development of roles in such repertoire. The closer consideration of this relationship in reference to the aesthetic of practice-clothes ballet also discloses plenty about the artistic potentials in such choreography and performance, revealing how the use of leotard as a stage costume has both furthered and challenged some of ballet’s traditions and cultural conventions.


2018 ◽  
Vol 29 (2) ◽  
pp. 162
Author(s):  
Ine Therese Berg

Home Visit Europe by Rimini Protokoll is a performance without performers, only an audience taking part in a game in a private home. As such, it is one example of the partici­patory strategies that currently have a strong presence in contemporary theatre practices changing how we, as audience, engage with theatre. It is emblematic then that ‘participation’ is an emergent concept in theatre and performance studies with a rapidly growing body of work on the topic. This article sets out to explore how the idiom of the popular can shed light on some of the central issues in the discourse on participa­tion: that is to say, the relationship between the artist and the audience, author­ship, and the relationship between the aesthetic and the social dimension of partici­patory work. I will be using Home Visit Europe in the context of Bergen Interna­tional Festival of 2015 as a case study, drawing on an audience research approach com­bined with a critical reading of the work. The conceptually stringent and tightly ordered dramaturgy of Home Visit Europe, where the audience take turns responding to a set of questions and tasks, demonstrates how problematic the concept of participa­tion can be to describe theatre practices, as the term risks overstating the influence that the audience have over the aesthetic product. In this sense, contemporary participa­tory strategies resemble popular theatre’s conflict between established aesthet­ics, critical standards and popular grounding. A resemblance that brings the paper right to the core of the discourse on participation, which concerns the ideological ramifications of the ‘participatory turn’.


2010 ◽  
Vol 15 (2) ◽  
pp. 121-131 ◽  
Author(s):  
Remus Ilies ◽  
Timothy A. Judge ◽  
David T. Wagner

This paper focuses on explaining how individuals set goals on multiple performance episodes, in the context of performance feedback comparing their performance on each episode with their respective goal. The proposed model was tested through a longitudinal study of 493 university students’ actual goals and performance on business school exams. Results of a structural equation model supported the proposed conceptual model in which self-efficacy and emotional reactions to feedback mediate the relationship between feedback and subsequent goals. In addition, as expected, participants’ standing on a dispositional measure of behavioral inhibition influenced the strength of their emotional reactions to negative feedback.


2016 ◽  
Vol 6 (2) ◽  
pp. 81-90 ◽  
Author(s):  
Kathleen Van Benthem ◽  
Chris M. Herdman

Abstract. Identifying pilot attributes associated with risk is important, especially in general aviation where pilot error is implicated in most accidents. This research examined the relationship of pilot age, expertise, and cognitive functioning to deviations from an ideal circuit trajectory. In all, 54 pilots, of varying age, flew a Cessna 172 simulator. Cognitive measures were obtained using the CogScreen-AE ( Kay, 1995 ). Older age and lower levels of expertise and cognitive functioning were associated with significantly greater flight path deviations. The relationship between age and performance was fully mediated by a cluster of cognitive factors: speed and working memory, visual attention, and cognitive flexibility. These findings add to the literature showing that age-related changes in cognition may impact pilot performance.


2016 ◽  
Vol 15 (2) ◽  
pp. 55-65 ◽  
Author(s):  
Lonneke Dubbelt ◽  
Sonja Rispens ◽  
Evangelia Demerouti

Abstract. Women have a minority position within science, technology, engineering, and mathematics and, consequently, are likely to face more adversities at work. This diary study takes a look at a facilitating factor for women’s research performance within academia: daily work engagement. We examined the moderating effect of gender on the relationship between two behaviors (i.e., daily networking and time control) and daily work engagement, as well as its effect on the relationship between daily work engagement and performance measures (i.e., number of publications). Results suggest that daily networking and time control cultivate men’s work engagement, but daily work engagement is beneficial for the number of publications of women. The findings highlight the importance of work engagement in facilitating the performance of women in minority positions.


2010 ◽  
Author(s):  
Julia S. Walsh ◽  
Bryan D. Edwards ◽  
Ana M. Franco-Watkins ◽  
Travis Tubre

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