scholarly journals Learning Media Applications and Introduction of Javanese Gamelan Musical Instruments Based on Android

2021 ◽  
Vol 1 (2) ◽  
Author(s):  
Muchammad Sofyan Ariefbillah ◽  
Cindy Taurusta
Keyword(s):  
Health Sector ◽  
Problem Formulation ◽  
Traditional Music ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Survey Method ◽  
The Times ◽  
Media Applications ◽  
Education Business

The role of technology, especially information technology, is very helpful in people's lives, from the aspects of education, business, to the health sector. In this day and age, many modern musical instruments have begun to shift the existence of traditional music, especially this typical Javanese musical instrument, namely Gamelan. With the development of the times, the public's interest in this traditional Gamelan instrument is decreasing. So that this application has a problem formulation, namely how to design and create an android application that concerns the introduction and learning of various types of gamelan musical instruments. This study aims to produce an application for the introduction of an Android-based gamelan instrument that can be used by all groups to be more familiar with and interested in learning and preserving gamelan instruments. This research was conducted with a survey method to obtain data or opinions to test this application. Based on the research that has been done, a conclusion can be drawn with this research which results in an application that can help and make it easier for people to know the various types of Javanese gamelan.

Who is playing that wonderful music? Exploring predictors of playing a musical instrument

2018 ◽  
Vol 48 (5) ◽  
pp. 642-656
Author(s):  
Stanislav Treger
Keyword(s):  
Individual Difference ◽  
Need For Cognition ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Openness To Experience ◽  
Cross Sectional ◽  
Individual Difference Variables ◽  
Number Of Factors ◽  
Almost All

Music is a phenomenon enjoyed by almost all people. Although music fans may believe that music is an important part of their lives, not every music appreciator decides to venture further by making music themselves. The purpose of this research was to investigate potential variables that may be associated with whether one plays a musical instrument. Specifically, I investigated the role of four individual difference variables that have previously been correlated with a number of factors related to music: openness to experience, self–music overlap (SMO), curiosity, and need for cognition (NFC). Results from two cross-sectional investigations ( ns = 369 and 295) revealed that all four variables were positively related to whether one plays a musical instrument. SMO mediated the relation between openness and whether one plays a musical instrument in all studies. Unlike hypothesized, curiosity and NFC did not serve as mediators to the openness–music link. Collectively, this research sheds light on the underexplored question of who plays musical instruments.

scholarly journals JURNAL INGGRIS ANGKLUNG TRAINING FOR PAUD TEACHERS

Empowerment ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 30
Author(s):  
Sulastri Sulastri
Keyword(s):  
Early Childhood ◽  
Data Collection ◽  
Professional Competence ◽  
Traditional Music ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Early Age ◽  
West Java ◽  
Childhood Education ◽  
Qualitative Descriptive

West Java is the area that is rich in traditional music, one of them is angklung, which is a musical instrument made of bamboo and played by shaking . As one of the traditional musical instruments, angklung as musical instrument should be maintained by the community so that it can still be heard and played and even preserved to the next generation. One effort to appreciate and preserve angklung traditional music, IGTKI (Bandung Kindergarten Teachers Association) held a Training to improve the professional competence of early childhood education teachers as a target audience in mastering traditional angklung music to be able to transfer knowledge to children early age in PAUD. The purpose of this study  analyzed the implementation of angklung extracurricular learning in PAUD in Bandung as a vehicle for the preservation of traditional music in West Java. This study uses qualitative descriptive as the method. Data collection techniques used were observation, interviews, and documentation. By preserving angklung traditional music, it is hoped that angklung music will remain a cultural heritage of West Java without fear of being seized by other countries.Keywords; Training, Education Teachers, PAUD, Angklung

scholarly journals Analysis Of The Factors That Influence The Achievement Of K1 In The Working Area at The Tirtoyudo Community Health Center

2020 ◽  
Vol 3 (2) ◽  
pp. 516-523
Author(s):  
Andariningsih Andariningsih
Keyword(s):  
Health Center ◽  
Quantitative Research ◽  
Community Health Center ◽  
Health Sector ◽  
Reliability And Validity ◽  
Sampling Technique ◽  
Likert Scale ◽  
Survey Method ◽  
Four Levels

The problem of maternal death is still a major problem in the health sector. The health of a pregnant women is an important aspect to consider in a women’s life cycle because during her pregnancy there can be unexpected complications. Pregnancy checks should be done as early as possible, as soon as a woman feels she is pregnant. The purpose of the study was to determine the effect of partial and silmutan between the pregnant women’s knowledge, husbands support, and the role of cadres on the level of achievement of K1 in the work area at the health center of Tirtoyudo. The research   design used is quantitative research using “explanatory research. The sampling technique used is “proportional sampling” of 105 respondents. This study uses a survey method using a questionnaire that contains statements and the collection of dats by interview and questionnaire, then in the measurement technique of research data using a Likert scale. Likert scale has a gradation from very positive to very negative to four levels. Instruments that both must meet two requirements is important is valid and reliable. Validity is the level of reliability and validity of the tool measuring are used, while the test of reliability is useful to establish whether the instrument, in terms of this questionnaire, can be used more than one time, at least not by the respondents are the same and will generate data consistent. Results The study showed that 1) the knowledge Ibu Hamil has the effect of the positive and signiikan against keputusanIbu Pregnant To do Visits First (K1) three months of the first period of pregnancy , 2) support of husband does not have the effect that is significant to the decision of the mother pregnant to do the visit first (K1) three months of the first period of pregnancy and 3) the role of the CadreHealth has the effect that a positive and significant to the decision of the mother pregnant to do the visit first (K1) three months of the first period of pregnancy

scholarly journals TRANSKULTURASI MUSIK ANTARAGAMELAN JAWA, ANGKLUNG, DAN MUSIK TRADISI THAILAND

2020 ◽  
Vol 2 (2) ◽  
pp. 158
Author(s):  
Surasak Jamnongsarn
Keyword(s):  
Qualitative Method ◽  
Field Research ◽  
Traditional Music ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Material Object ◽  
New Development ◽  
The Impact

Javanese gamelan and angklung to Thailand music gives the impact on the development of Thailand traditional music. That musical transculturation exists in the musical instrument of angklung and the musical concept of Javanese gamelan that are then mixed with the system of Thailand traditional music involving gamut (tuning system), presentment method, and its function in society. This transculturation shows the understanding of cultural relation between Thailand traditional music that has the background of Buddhism philosophy and Gamelan that has the background of Kejawen syncretism. These two kinds of music have formed the new characteristic and identity of Thailand music. Angklung played with the concept of Javanese gamelan called as angklung Thailand that then becomes Thailand traditional music. The article aims at revealing the transculturation of Javanese gamelan and angklung into the traditional music and its impact on the development of Thailand traditional music. This research used qualitative method with the accentuation in field research that involved researcher with the material object to delve various musical experiences by participating as the player of those two musical instruments. The transculturation of Javanese gamelan and angklung with Thailand traditional music has given the new development in Thailand traditional music. Keywords: Transculturation, Javanese gamelan, angklung, and Thailand traditional music  ABSTRAKTranskulturasi gamelan Jawa dan angklung ke Thailand memberikan dampak pada perkembangan musik tradisi Thailand. Transkulturasi musik itu berwujud pada alat musik angklung dan konsep musikal gamelan Jawa, kemudian bercampur dengan sistem musik tradisi Thailand, yang mencakup pada tangga nada (tuning system), carapenyajian, dan fungsinya dalam masyarakat. Transkulturasi inimemunculkan pemahaman relasi kebudayaan antara musik tradisi Thailand yang berlatar belakang filosofi Buddhisme dan gamelan yang berlatar belakang sinkretis kejawen. Kedua musik ini telahmembentuk ciri dan identitas baru musik Thailand.Angklung yang dimainkan dengan konsep gamelan Jawa yang disebut angklung Thailand selanjutnya menjadi musik tradisi Thailand. Artikel bertujuan mengungkap transkulturasi gamelan Jawa dan angklung ke musik tradisi serta dampaknya pada perkembangan musik tradisi Thailand. Penelitian ini menggunakan metode kualitatif dengan penekanan pada penelitian lapangan yang melibatkan peneliti dengan objek materialuntuk menggali berbagai pengalaman musikal dengan ikut serta bermain kedua musik itu. Transkulturasi gamelan Jawa dan angklung dengan music tradisi Thailand telah memberikan perkembangan baru pada musik tradisi Thailand. Kata kunci: transkulturasi, gamelan Jawa, angklung, dan musik tradisi Thailand 

Pendampingan Siswa SMP Dan SMA Dalam Memainkan Alat Musik Tradisional Sasando Daun Untuk Melestarikan Alat Musik Tradisional Etnik Nusa Tenggara Timur

2020 ◽  
Vol 4 (1) ◽  
pp. 33
Author(s):  
Muntasyir Basri ◽  
Lewi Jutomo ◽  
Caro David Hadel Edon ◽  
Marline Mayners ◽  
Sri Prilmayanti Awaluddin
Keyword(s):  
High School ◽  
High School Students ◽  
Community Service ◽  
Monitoring And Evaluation ◽  
Traditional Music ◽  
Musical Instrument ◽  
Community Empowerment ◽  
Musical Instruments ◽  
School Students ◽  
Senior High School Students

This community service aims to empower junior and senior high school students to improve their knowledge, abilities and skills in playing NTT ethnic traditional musical instruments as an effort to preserve local culture, especially traditional musical instruments. Implementation methods are designed based on community empowerment methods including identification of schools and target participants, preparation of training tools and materials, provision of materials, introduction of sasando daun traditional musical instruments, recognition of tone and sound, training and use of playing sasando daun traditional musical instruments and monitoring and evaluation and sustainability. This activity is carried out on St. Catholic Catholic Middle School students Familia and Kupang Superior Generation Christian High School, each 20 students. The results of the activity showed that as many as 40 participants were able to play the Sasando Daun  traditional musical instrument skillfully, skillfully and well. It is expected that with the presence of 40 students the students will be able to direct and motivate other students to play the traditional Sasando Daun musical instrument so as to be able to preserve the NTT ethnic culture, especially maintaining the ability to play this instrument. For the continuation of the activities of all these students will be included in the appearance of the traditional Sasando Daun musical instrument play in various events in Kupang and outside Kupang and formed the Sasando Traditional Music Art Unit.

scholarly journals On the sacral meaning of the musical instrument and the role of prophet David in the scene of the Death of the Rigtheous man. A contribution to the study of the visual representations of musical instruments in the east-Christian sacral art

Muzikologija ◽  
2019 ◽  
pp. 277-302
Author(s):  
Andjela Gavrilovic
Keyword(s):  
Old Testament ◽  
Visual Representations ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Point Of View ◽  
King David ◽  
Byzantine Art ◽  
Christian Art ◽  
Sacred History

The Old Testament prophet David was known in sacred history as the King of Jews, as a prophet, the compiler of the Psalter, but also as a musician. Therefore, he is usually depicted with certain musical instruments in his hands in Eastern Christian art that illustrates sacred history or the biblical narrative. Although the representations of musical instruments in the art of the lands under the Byzantine cultural and spiritual influence have been minutely analysed, the existing art still provides opportunities for further research. Until present day most attention was given to the organographic analysis of the musical instruments (M. Velimirovic, D. Devic, R. Pejovic), while their meaning and the role in the scenes have remained insufficiently addressed. The scene analysed in this paper allows for both types of analysis. What is interesting from the iconographic and organographic point of view is the fact that the musical instruments with which Emperor David is portrayed in the scenes of the Death of the Righteous man are different. On this occasion, we will look at scenes of the Death of the Righteous man in the time span from the thirteenth to the seventeenth centuries in Byzantine art, as well as Serbian, Russian and Romanian ecclesiastical art after 1453 from the aspect of iconography. Special attention will be paid to the justification of the reasons for the appearance of certain instruments in the hands of King David, as well as their meanings.

scholarly journals National musical instrument; Timbre; Charm; Piano music

2018 ◽  
Vol 1 (4) ◽  
pp. 105
Author(s):  
Xiaolan Cui
Keyword(s):  
Music Education ◽  
20Th Century ◽  
Piano Music ◽  
Traditional Music ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Western Music ◽  
Social Activities ◽  
Music Culture ◽  
Chinese Music

At the beginning of the 20th century, Western music gradually integrated into Chinese music education institutions and various music social activities. The timbre, range and comprehensive expression of Western musical instruments have played an important role in promoting the performance of Chinese national musical instruments. At the same time, Chinese traditional music culture has also had an important impact on the localization of Western music in China, especially for the piano music.

scholarly journals Dynamics in Organization: Comparison Study of Learning Organization with Adaptive Organizations

2021 ◽  
Vol 2 (1) ◽  
pp. 1-6
Author(s):  
Chu Yi-wei ◽  
Ho Meng-chian
Keyword(s):  
Information Technology ◽  
Organizational Performance ◽  
Organizational Development ◽  
Learning Organization ◽  
Survey Method ◽  
Level Of Activity ◽  
The Times ◽  
The Impact ◽  
Role Of Information

This article discusses the dynamics in organizations, specifically about the comparison of organizational learning with adaptive organizations. This study used a survey method by relying on observational reviews of Organizations X and Y. Data collection was carried out on all staff from 2 organizations totaling 100 people each, 50 respondents each. The results showed the level of activity in the use of Organizational Technology, especially during the COVID-19 era, the role of information technology was a challenge and an opportunity for organizational performance owners to adapt so that their organizational performance could remain productive and effective. The results showed that the dynamics of the organization require adaptive technology, information technology has an influence on organizational development. This condition requires organizations to continue to learn and provide training in accordance with the times, this is certainly relevant to the concept of learning organization with the impact that requires organizations to acquire and transfer organizational knowledge to individuals in the organization.

scholarly journals Exploration of Ethnomathematics of House and Traditional Music Tools Biak-Papua Cultural

2018 ◽  
Vol 8 (3) ◽  
Author(s):  
Alvian M Sroyer ◽  
Jonner Nainggolan ◽  
Ida M Hutabarat
Keyword(s):  
Research Method ◽  
Traditional Music ◽  
Qualitative Approach ◽  
Musical Instruments ◽  
Survey Method ◽  
Home Culture ◽  
Exploratory Survey ◽  
The Relationship

<p>This research is an ethnomathematics study of the Biak Papuan community. The ethnomathematics studied are houses and traditional musical instruments. The shape and style of the traditional Biak house still remain to this day. The purpose of this study was to examine and reveal the relationship between mathematics and the traditional home culture of the Biak community, namely rum Som, rum Sram and Sram Mankubui and traditional musical instruments namely Tifa. The research method used is an exploratory survey method with a qualitative approach. The results showed that the shape of the roof of rum Som, rum Sram, Sram Mankubui was rectangular, half elliptical and triangular trapezoid. Whereas Tifa's musical instruments look like the two most belted cones combined.</p>

scholarly journals Creativity and Innovation of Artist in Maintaining and Developing the Songah Tradition Art

2020 ◽  
Vol 20 (2) ◽  
pp. 213-222
Author(s):  
Ridwan Ridwan ◽  
Tati Narawati ◽  
Uus Karwati ◽  
Yudi Sukmayadi
Keyword(s):  
Creative Process ◽  
Positive Impact ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Musical Composition ◽  
Traditional Art ◽  
The People ◽  
The Times ◽  
Traditional Arts ◽  
Creativity And Innovation

Songah is one of the traditional arts originating from Citengah Village, Sumedang Regency. This art was formed from the creativity and innovation of the people of Citengah Village, Sumedang Regency to maintain the existence of traditional arts. Based on concern and love for their culture, the community continues to make reforms so that the existence of the songah art is maintained and can keep up with the times. This study aims to describe and analyze the creativity and innovation of society in utilizing existing natural resources as an effort to maintain and develop the songah traditional art. Through a qualitative approach and descriptive methods, the researchers reveal the creative process carried out by the people of Citengah Village in maintaining and developing the songah art. This study’s data were collected through observation, interviews, and strengthened by a literature review, which was then analyzed using descriptive qualitative techniques. The results showed that the creativity of the people of Citengah Village in maintaining and developing the songah traditional art can be seen in the aspects of natural resource management in the area. The community changed songong, which is a means of blowing fire in a furnace (Sundanese: Hawu), into an art tool called songah (songsong Citengah/songong kabungah). As a musical instrument having no tone, people who are members of the community collaborate songsong with other musical instruments to produce a unique musical composition. The development of the s art cannot be separated from the innovation of the community that collaborates songah with other musical instruments. This has a positive impact on the songah art so that it can be side by side and not less competitive with other traditional arts, including arts originating from abroad. Based on the results of existing research, the development of community’s creativity and innovation in maintaining the existence of art needs to be done continuously to anticipate being alienated and the loss of traditional arts.

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