scholarly journals HIGHLY FOCUSED ULTRASONIC DEVICE FOR WOMEN SAFETY APPLICATIONS

2017 ◽  
Vol 5 (4RACEEE) ◽  
pp. 111-117
Author(s):  
Raunak Agrawal ◽  
Rahul Dugar ◽  
Saurabh Surana
Keyword(s):  
Sound Wave ◽  
Ultrasonic Transducers ◽  
Virtual Source ◽  
Narrow Beam ◽  
Safety Device ◽  
Ultrasonic Device ◽  
Self Defense ◽  
The People ◽  
Safety Applications ◽  
Stun Gun

Sound is one of the most important medium used for delivering information. With rising crime in today’s society, especially against women, carrying some sort of effective weapon for self-defense purposes has become quite essential. This technology emits sound in a highly controlled, narrow beam, so that audio can be heard only when you are in the field of beam or in a position to hear the reflected sound from a virtual source .Sound wave in the audible range has a characteristic to spread in various directions while moving, but ultrasound is unidirectional. This characteristic of sound finds applications at a lot of different areas. Parametric loudspeakers can be used in the advertisement industry where audio is considered as a key influence but is abstained from use because the sound being multi-directional spreads and bothers even the people not in target.  Usually, in case of a riot, smoke grenades and tear gases are used to control the rioters, which on addition on controlling the target also affect the innocents. This study highlights on using an ultrasonic weapon rather than weapons like hand gun, which can be unsafe and might also initiate legal intrusion.Nowadays MEMS ultrasonic transducers have been put to use which has got very portable design outlet .The study uses the application of ultrasonic beams and sound focusing to build a portable women safety device similar to that of a stun gun.

scholarly journals CULT PLACES OF MARI AS A SYMBOL OF CULTURAL IDENTITY

2019 ◽  
Vol 13 (4) ◽  
pp. 678-687
Author(s):  
Vladimir Gennadyevich Kudryavtsev
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Landscape Design ◽  
Religious Organizations ◽  
Self Defense ◽  
The People ◽  
National Movements ◽  
The Creation ◽  
Local Traditions

The article is devoted to the study of places of worship in traditional Mari culture, which are in varying degrees of sacredness. They have so far preserved artifacts and symbols that form the cultural identity of the people. The Mari religion in the most complete local traditions preserves the system of pagan cults and rites. The trend towards the revival of pagan religion and the creation of religious organizations and communities is associated with a general upsurge in national identity. This became necessary in the context of national movements as a means of ethnic self-defense and a factor of ethnocultural revival. Original ethnocultural traditions and formative elements of folk architecture are relevant and important in the design of modern architectural complexes and the creation of small architectural forms in folk architecture, landscape design, and the formation of an ethnocultural environment. Further sacralization of places of worship will contribute to the preservation of natural monuments and the manifestation of artifacts and symbols of cultural identity.

scholarly journals Three Grotian Theories of Humanitarian Intervention

2015 ◽  
Vol 16 (2) ◽  
Author(s):  
Evan J. Criddle
Keyword(s):  
Human Rights ◽  
International Law ◽  
Natural Law ◽  
Humanitarian Intervention ◽  
First Century ◽  
Responsibility To Protect ◽  
Self Defense ◽  
The People ◽  
Hugo Grotius ◽  
Law Of Nations

AbstractThis Article explores three theories of humanitarian intervention that appear in, or are inspired by, the writings of Hugo Grotius. One theory asserts that natural law authorizes all states to punish violations of the law of nations, irrespective of where or against whom the violations occur, to preserve the integrity of international law. A second theory, which also appears in Grotius’s writings, proposes that states may intervene as temporary legal guardians for peoples who have suffered intolerable cruelties at the hands of their own state. Each of these theories has fallen out of fashion today based on skepticism about their natural law underpinnings and concerns about how they have facilitated Western colonialism. As an alternative, this Article outlines a third theory that builds upon Grotius’s account of humanitarian intervention as a fiduciary relationship, while updating Grotius’s account for the twenty-first century. According to this new fiduciary theory, when states intervene to protect human rights abroad they exercise an oppressed people’s right of self-defense on their behalf and may use force solely for the people’s benefit. As fiduciaries, intervening states bear obligations to consult with and honor the preferences of the people they seek to protect, and they must respect international human rights governing the use of force within the affected state. By clarifying the respective responsibilities of the Security Council and individual states for humanitarian intervention, the fiduciary theory also lends greater coherency to the international community’s “responsibility to protect” human rights.

The Fall of Saddam Hussein: Security Council Mandates and Preemptive Self-Defense

2003 ◽  
Vol 97 (3) ◽  
pp. 576-585 ◽  
Author(s):  
Ruth Wedgwood
Keyword(s):  
Weapons Of Mass Destruction ◽  
Mass Destruction ◽  
Old Regime ◽  
Internal Security ◽  
Political Dissent ◽  
Civic Society ◽  
Self Defense ◽  
The People ◽  
Saddam Hussein ◽  
Military Campaign

At long last, the people of Iraq are freed from the brutality of Saddam Hussein. The swift success of the coalition’s military campaign has been followed by predictable difficulties in organizing a hew government, restoring an economy, rebuilding civic society, and quelling violence from remnants of the old regime. But these challenges are kept in scale by recalling a dictator who murdered three hundred thousand fellow citizens. Saddam chose weapons of mass destruction as the central symbol of his domestic and international swagger—using the same internal security apparatus to parry United Nations inspectors and to extinguish domestic political dissent. Removing Iraq’s Ba’athist regime has ended a looming danger to regional neighbors, including Kuwait and Saudi Arabia. The crucial hopes for Middle East peace may also be enhanced by the change. And a new government in Baghdad lessens the chance that weapons matériel will be transferred to ill-intentioned nonstate actors.

scholarly journals TRANSFORMASI PENCAK SILAT PARIAN MENJADI TARI GARIGIAK DI ISTANO TUAN GADANG BATIPUAH KECAMATAN BATIPUAH KABUPATEN TANAH DATAR

2019 ◽  
Vol 8 (1) ◽  
pp. 137
Author(s):  
Auliana Mukhti Maghfirah ◽  
Erlinda Erlinda
Keyword(s):  
Performing Arts ◽  
Qualitative Method ◽  
Function Theory ◽  
Defense Style ◽  
Martial Art ◽  
Self Defense ◽  
The People ◽  
Form Theory ◽  
Traditional Arts ◽  
Special Meaning

AbstrakTari Garigiak adalah satu bentuk seni pertunjukan tradisi di Istano Tuan Gadang Batipuah Kabupaten Tanah Datar, yang gerak tarinya bersumber kepada gerakan Silek Parian. Silek Parian merupakan seni beladiri  yang berkembang di Nagari Baipuah Ateh yang di akuui oleh masyarakat keberadaan tari tersebut. Oleh karenanya tari Garigiak diakui pula sebagai produk budaya asli Kecamatan Batipuah, yang memiliki makna khusus dalam kehidupan masyarakat pendukungnya. Tari Garigiak, memiliki gaya gerak yang tidak jauh berbeda dari Silek Parian itu sendiri. Karena bila gaya Silek Parian masih memperlihatkan gaya beladiri yang berbentuk fisik maupun penyaluran tenaganya seperti pertarungan, namun dalam tarian ditampilkan terlihat lebih indah karena sudah mengalami proses stilisasi. Dengan demikian kesenian tradisional tari Garigiak dapat dikatakan sebagai hasil dari proses kreativitas, berupa produk baru yang diciptakan oleh keturunan Tuan Gadang Batipuah. Meskipun secara teks  merupakan adaptasi dari Silek Parian. Tujuan penelitian ini untuk melihat faktor penyebab terjadinya transformasi dalam Silek Parian menjadi tari Garigiak di Kecamatan Batipuah.  Metode yang digunakan adalah metode kualitatif, pengumpulan data dilakukan melalui observasi dan mengamati kesenian tradisional khususnya tari tari Garigiak, dokumentasi audio dan visual serta wawancara dengan sejumlah tokoh adat dan masyarakat. Penelitian ini dianalisis dengan teori bentuk, teori fungsi dan teori kreativitas. Secara umum, penelitian ini memperoleh hasil berupa sejauh mana kreativitas dan perwujudan gerak Silek Parian dalam kesenian tradisional masyarakat di Nagari Batipuah ateh yang terfokus pada tari Garigiak.Kata Kunci: Silek Parian, tari Garigiak, masyarakat.AbstractGarigiak dance is a form of traditional performing arts at Istano Tuan Gadang Batipuah Tanah Datar District, whose dance moves are sourced from the Silek Parian movement. Silek Parian is a martial art that developed in Nagari Baipuah Ateh which was acknowledged by the community where the dance was. Therefore Garigiak dance is also recognized as a genuine cultural product of the Batipuah District, which has special meaning in the lives of its supporting communities. Garigiak dance, has a style of motion that is not much different from the Silek Parian itself. Because if the style of Silek Parian still shows a self-defense style in the form of physical as well as channeling its energy like a fight, in the dance it appears to look more beautiful because it has undergone a stylization process. Thus the traditional arts of Garigiak dance can be said to be the result of the process of creativity, in the form of new products created by the descendants of Tuan Gadang Batipuah. Although text is an adaptation of Silek Parian. The purpose of this study was to look at the causes of the transformation in the Silek Parian into the Garigiak dance in Batipuah District. The method used is a qualitative method, data collection is done through observation and observing traditional arts, especially Garigiak dance, audio and visual documentation and interviews with a number of traditional leaders and the community. This research was analyzed by form theory, function theory and creativity theory. In general, this research obtained results in the form of the extent of the creativity and manifestation of the movement of Silek Parian in the traditional arts of the people in Nagari Batipuah ateh which focused on the Garigiak dance.  Keywords: Silek Parian, Garigiak dance, society. 

scholarly journals TANGGUNG JAWAB PENDIDIK TERHADAP PENDIDIKAN FISIK DAN PSIKIS ANAK DALAM ISLAM

2017 ◽  
Vol 17 (1) ◽  
pp. 53-82
Author(s):  
Fu’ad Arif Noor
Keyword(s):  
The Other ◽  
Self Defense ◽  
The People ◽  
Definition Of ◽  
Do So

The meaning of the term is “ready to accept responsibility or duty obligations”.The sense of responsibility that should be very easy to understand by everyone. Butif asked to do so in accordance with the earlier definition of responsibilities, thereis often still find it hard, had a problem, there are even people who feel inadequateif given him a sense of responsibility. Most people dodge responsibility, because it'smuch easier to avoid responsibility, rather than accept responsibility. Many peopledodge responsibility, because it's easier to shift responsibility, rather than stand upboldly and declare unequivocally that, It's my responsibility. Many people are veryhappy with the throwing shoulder its responsibilities to other people.Hence came a proverb, hidden stone throwing hand. A proverb that mean someone who does not dare to be responsible for his own behavior, so he let others bearthe burden of responsibility. Could also be interpreted as some one who escaperesponsibility, and love looking for scapegoats to save himself from actions thatharm others. Some people, because they can not understand the meaning ofresponsibility; often in his life very fond of self-defense with the words, It was notmy fault. Too many people are in vain, to spend time to avoid responsibility byblaming the other person, rather than to accept responsibility, and bravely face anychallenge in front of him.Many events in this country, which is caused by people who are not responsible,instead often won or excessive relief granted by the environment with highlyimplausible. It's very sad. At the present time, many people who dodgeresponsibility, because they have gained from that attitude. More teragis again, offthat responsibility is often supported by a nearby neighborhood, his friends, hischildren, his boss, his son, even supported by his wife or her husband. Can be seen,for example, corruption, and manipulation. Most of the people in the nearbyenvironment were supportive, because they are all bound to feel the results of it'scorruption or manipulation. Prophet Muhammad Prophet's sayings: Everyone ofyou is a leader, and you are responsible for the leadership ". (Al-Hadith, SahihBukhari - Muslim).

scholarly journals The Study of Moccak Tatak Textual in Pakpak Community

2020 ◽  
Vol 3 (4) ◽  
pp. 3398-3412
Author(s):  
Sitti Rahmah ◽  
Yusnizar Yusnizar ◽  
Tuti Rahayu
Keyword(s):  
Martial Arts ◽  
Academic Research ◽  
Point Of View ◽  
Textual Studies ◽  
Way Of Life ◽  
Self Defense ◽  
The People ◽  
Dance Movements ◽  
History Of ◽  
Ancient Times

Tatak Moccak is one of the traditional dances in the Pakpak community which originates from pencak silat or martial arts. Moccak is a term of pencak silat or martial arts which is an element of art that is present in the daily activities of the people. Martial at the beginning of its appearance was closely related to human self-defense against nature. Moccak is adopted from the history of the way of life of the Pakpak people in ancient times who lived in the jungle in a nomadic manner, making humans often encounter wild animals in the forest.This research is an effort to preserve the Tatak Moccak from the Pakpak area through written documentation that discusses in detail the Moccak tatak from a dance point of view. The focus of discussion in this study is the Tatak Moccak in the Pakpak Society analyzed through textual studies. Textual analysis is a method used to obtain and analyze information in academic research. In this case, Moccak's tatak is seen as a text that can be read like a writing. Textual studies in the Moccak style include choreographical, structural, and symbolic studies. Choreography discusses dance movements, movement techniques, movement styles, number of dancers, gender and body posture, space in Moccak's style, time, dance accompaniment music, dramatic analysis, and stage techniques (lighting, make-up, and fashion) . includes the structure of the motion and structure of the presentation of the Moccak layout. Symbolic discusses symbols in movement, costumes, and make-up.

scholarly journals PENYIMPANGAN TEORI BROWN DAN LEVINSON DALAM TINDAK TUTUR PESERTA TALK SHOW INDONESIA LAWYERS CLUB (ILC) DI TV ONE DAN RELEVANSINYA TERHADAP PEMBELAJARAN BAHASA INDONESIA DI SMA

2017 ◽  
Vol 3 (1) ◽  
pp. 104-117
Author(s):  
Bukhori Muslim
Keyword(s):  
Language Learning ◽  
Speech Acts ◽  
Speech Act ◽  
Face Expression ◽  
Self Defense ◽  
The People ◽  
Face Threats ◽  
The Subject ◽  
Data Collection Technique ◽  
Negative Face

Abstract This research purpose to describe forms of deviation Brown and Levinson's theory of politeness in speech act participant Indonesia Lawyers Club on TV One and its relevance to the Indonesian language learning in high school. The theory is used to solve the problem in this research is the pragmatic theory. While the approach used is descriptive qualitative approach with data collection technique is a technique of documentation and observation. The results showed that the forms of deviations Brown and Levinson's theory of politeness that occur in the speech act participant Indonesia Lawyers Club edition of May 27, 2014 and 7 April 2015 consisted of threatening the positive face and negative face threats. Participants utterances that threaten positive face expression covers complaints, charges, disapproval, criticism, expressions that do not koopratif, embarrass opponents said, and words taboo. While the band is used in the expression of negative advance threatening the expression of rejection, suggestions, advice, requests, prohibitions, promises and praise. Types of speech acts band is used that speech acts directive, declarative, expressive, and refresentatif. Meanwhile, the offense Brown and Levinson’s theory in speech acts ILC participants more based on an awareness for justice, self-defense, solidarity groups, power, recognition of self and groups, law enforcement, the fight against corruption and advocacy on behalf of the people. Relevance of the research results can be applied in learning Indonesian in class XI SMA second half, KD 9. 2 with the subject matter by providing comments on the discussion.

scholarly journals Fuentes Díaz, Antonio y Daniel Fini (Coords.). (2018). Defender al pueblo. Autodefensas y Policías Comunitarias en México

2019 ◽  
pp. 108
Author(s):  
José Alfredo Zavaleta Betancourt
Keyword(s):  
Advocacy Groups ◽  
Community Police ◽  
Self Defense ◽  
The People ◽  
History Of ◽  
The Subject ◽  
Regional History ◽  
Self Protection

Defender al pueblo. Autodefensas y policías comunitarias en México, libro sugerente, controvertido y creativo, coordinado por Fuentes y Fini (México: buap, 2018), es lo mejor que se ha escrito hasta ahora sobre el tema. En su conjunto, la obra explica la historia regional de dos formas de autoprotección indígena, mestiza y comunitaria, que los coordinadores del texto han denominado “grupos de defensa”.Fuentes Díaz Antonio & Daniel Fini (Coords.). (2018). Defend the people. Armed Self-defenses and Community Police in MexicoAbstractDefend the people. Armed self-defense groups and community police in Mexico, an intriguing, controversial and creative book, coordinated by Fuentes & Fini (Mexico: BUAP, 2018), is the best that has been written so far on the subject. As a whole, the work explains the regional history of two forms of indigenous, mestizo and community self-protection, which the coordinators of the text have called "advocacy groups".Fuentes Díaz, Antonio et Daniel Fini (Coordinateurs). (2018). Défendre le peuple. Autodéfenses et Agents de Police Communautaires au MexiqueRésuméDéfendre le peuple. Autodéfenses et Agents de Police Communautaires au Mexique, livre suggestif, controversé et créatif, coordonné par Fuentes et Fini (México: buap, 2018), est le meilleur livre jamais écrit jusqu’à maintenant sur le thème. Dans son ensemble, l’œuvre explique l’histoire générale de deux formes d’auto protection indigène, métisse et communautaire, que les coordonnateurs du texte ont désigné « groupes de défense ».

scholarly journals pr THE DELUTION OF A MAN WHO IS NOT CONSIDERED AS A BELOVED ONE TO HIS LOVER IN JEAOLUS SONG’S BY LABRINTH

2020 ◽  
Vol 5 (01) ◽  
Author(s):  
Priyoto Priyoto ◽  
Ikbal Ramadhan
Keyword(s):  
Anxiety Disorder ◽  
Figurative Language ◽  
Defense Mechanism ◽  
Literal Meaning ◽  
Psychological Approach ◽  
Self Defense ◽  
The People

The objective of this study are: 1) to analyze the literal meaning and the figurative language in the lyrics of the jealous song; 2) to know the reflection of having excessive delusion based on the lyrics; and 3) to describe the emotional feelings of the speaker that implied on the lyric jealous song. This song tells about a man that once had a girlfriend but he lost her and cannot stand the fact that she is giving her love to someone else. He also feels jealous of all things around her, because they are closer than he could ever be. To analyze this song the writer uses psychological approach. In the society there is  someone who has the same feeling or experience that is implied from this song, and gives influence to people’s mindset. The mindset is directed with the intension that the people get the impression after listening and reading the lyrics. This song gives reaction delusion to be self defense mechanism and the anxiety disorder. Denial, compensation, displacement, identification, repression and emotional quantity become factors which give contribution to Labrinth in implied his delusion.

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