scholarly journals TRANSFORMASI PENCAK SILAT PARIAN MENJADI TARI GARIGIAK DI ISTANO TUAN GADANG BATIPUAH KECAMATAN BATIPUAH KABUPATEN TANAH DATAR

2019 ◽  
Vol 8 (1) ◽  
pp. 137
Author(s):  
Auliana Mukhti Maghfirah ◽  
Erlinda Erlinda
Keyword(s):  
Performing Arts ◽  
Qualitative Method ◽  
Function Theory ◽  
Defense Style ◽  
Martial Art ◽  
Self Defense ◽  
The People ◽  
Form Theory ◽  
Traditional Arts ◽  
Special Meaning

AbstrakTari Garigiak adalah satu bentuk seni pertunjukan tradisi di Istano Tuan Gadang Batipuah Kabupaten Tanah Datar, yang gerak tarinya bersumber kepada gerakan Silek Parian. Silek Parian merupakan seni beladiri  yang berkembang di Nagari Baipuah Ateh yang di akuui oleh masyarakat keberadaan tari tersebut. Oleh karenanya tari Garigiak diakui pula sebagai produk budaya asli Kecamatan Batipuah, yang memiliki makna khusus dalam kehidupan masyarakat pendukungnya. Tari Garigiak, memiliki gaya gerak yang tidak jauh berbeda dari Silek Parian itu sendiri. Karena bila gaya Silek Parian masih memperlihatkan gaya beladiri yang berbentuk fisik maupun penyaluran tenaganya seperti pertarungan, namun dalam tarian ditampilkan terlihat lebih indah karena sudah mengalami proses stilisasi. Dengan demikian kesenian tradisional tari Garigiak dapat dikatakan sebagai hasil dari proses kreativitas, berupa produk baru yang diciptakan oleh keturunan Tuan Gadang Batipuah. Meskipun secara teks  merupakan adaptasi dari Silek Parian. Tujuan penelitian ini untuk melihat faktor penyebab terjadinya transformasi dalam Silek Parian menjadi tari Garigiak di Kecamatan Batipuah.  Metode yang digunakan adalah metode kualitatif, pengumpulan data dilakukan melalui observasi dan mengamati kesenian tradisional khususnya tari tari Garigiak, dokumentasi audio dan visual serta wawancara dengan sejumlah tokoh adat dan masyarakat. Penelitian ini dianalisis dengan teori bentuk, teori fungsi dan teori kreativitas. Secara umum, penelitian ini memperoleh hasil berupa sejauh mana kreativitas dan perwujudan gerak Silek Parian dalam kesenian tradisional masyarakat di Nagari Batipuah ateh yang terfokus pada tari Garigiak.Kata Kunci: Silek Parian, tari Garigiak, masyarakat.AbstractGarigiak dance is a form of traditional performing arts at Istano Tuan Gadang Batipuah Tanah Datar District, whose dance moves are sourced from the Silek Parian movement. Silek Parian is a martial art that developed in Nagari Baipuah Ateh which was acknowledged by the community where the dance was. Therefore Garigiak dance is also recognized as a genuine cultural product of the Batipuah District, which has special meaning in the lives of its supporting communities. Garigiak dance, has a style of motion that is not much different from the Silek Parian itself. Because if the style of Silek Parian still shows a self-defense style in the form of physical as well as channeling its energy like a fight, in the dance it appears to look more beautiful because it has undergone a stylization process. Thus the traditional arts of Garigiak dance can be said to be the result of the process of creativity, in the form of new products created by the descendants of Tuan Gadang Batipuah. Although text is an adaptation of Silek Parian. The purpose of this study was to look at the causes of the transformation in the Silek Parian into the Garigiak dance in Batipuah District. The method used is a qualitative method, data collection is done through observation and observing traditional arts, especially Garigiak dance, audio and visual documentation and interviews with a number of traditional leaders and the community. This research was analyzed by form theory, function theory and creativity theory. In general, this research obtained results in the form of the extent of the creativity and manifestation of the movement of Silek Parian in the traditional arts of the people in Nagari Batipuah ateh which focused on the Garigiak dance.  Keywords: Silek Parian, Garigiak dance, society. 

scholarly journals BENTUK DAN FUNGSI TARI GATHOLOCO KELOMPOK SENI CIPTO BUDOYO KABUPATEN TEMANGGUNG

2019 ◽  
Vol 17 (2) ◽  
Author(s):  
Lenni Wulandari ◽  
Sri Rochana Widyastutieningrum
Keyword(s):  
Qualitative Method ◽  
Function Theory ◽  
Social Function ◽  
Literature Study ◽  
Form Function ◽  
The People ◽  
The Social ◽  
Depth Study ◽  
Form Theory ◽  
And Function

AbstrakTari Gatholoco adalah tari kelompok berjenis tradisi rakyat dalam sebuah kelompok seni di Desa Kembangsari. Tari Gatholoco belum diketahui siapa penciptanya dan digarap oleh Badrun tahun 1965 kemudian digarap oleh Tono tahun 1980. Tari Gatholoco menarik karena pola lantai membentuk formasi huruf (terbalik dari arah depan) yang menyusun sebuah kata Temanggung. Juga terdapat gerak penghubung antar gerak satu ke gerak berikutnya dan gerak penghubung untuk perpindahan pola lantai dengan senggakan “sukseskan pembangunan”. Tari Gatholoco memiliki fungsi sosial dalam masyarakat Desa Kembangsari. Penelitian ini menggunakan landasan teori bentuk oleh Suzanne K. Langer dan Sri Rochana Widyastutieningrum dan teori fungsi oleh Raymond Firth. Penelitian ini menggunakan metode kualitatif, merupakan metode penelitian yang menekankan pada telaah mendalam suatu fenomena yang terjadi dengan melakukan wawancara, dokumentasi, pengamatan langsung, pengamatan tidak langsung, dan studi pustaka. Presentasi yang disajikan berupa data dan visual. Hasil dari penelitian ini dapat diperoleh gambaran yang berkaitan dengan bentuk sajian dan fungsi sosial tari Gatholoco yang hingga kini masih hidup dan berkembang di kalangan masyarakat Desa Kembangsari. Bentuk sajian tari Gatholoco terdapat gerak yang menggambarkan aktivitas masyarakat sehari hari. Fungsi sosial tari Gatholoco yaitu sebagai sarana kepuasan batin, sarana bersantai dan hiburan, sarana ungkapan jati diri, sarana integratif dan pemersatu, dan sarana pendidikan amat positif di kehidupan masyarakat Desa Kembangsari.Kata kunci: Gatholoco, Bentuk, FungsiAbstractGatholoco Dance is a group dance of the folk-type tradition in an art group in Kembangsari Village. Not yet known who the creator of Gatholoco dance it was cultivated by Badrun in 1965 then tilled by Tono in 1980. Gatholoco dance is very interesting, because pattern floor as like alfabet (upside down from the front) which composes the word means like Temanggung. That dance also relational between one of the movement to the next movement, and then the relational connecting the other movement of the pattern floor it is mean that “successful development”. Gatholoco dance has a sociocultural function in the Kembangsari Village. This research uses the foundation of form theory by Suzanne K. Langer and Sri Rochana Widyastutieningrum and function theory by Raymond Firth. This research uses qualitative method, is a research method that emphasizes in depth study of a phenomenon that occurs by conducting interviews, documentation, direct observation, indirect observation, and literature study. Presentation is presented in the form of data and visual. The results of this study can be obtained a picture relating to the form of course and social function of Gatholoco dance which until now is still alive and growing among the people of Kembangsari Village. There is a movement that describes the daily activities of society in the form of Gatholoco dance course. The social function of Gatholoco dance is as a mean of inner satisfaction, means of relaxation and entertainment, means of expression of identity, integrative means and unifier, means of educational, means of healing, symbolic means of meaning and power, and means of integration in chaotic times are very positive in the life of the community of Kembangsari Village.Keywords: Gatholoco, Form, Function.

scholarly journals STRATEGI KOLABORASI DALAM SENI PERTUNJUKAN TRADISIONAL DI KABUPATEN SUBANG

2013 ◽  
Vol 5 (2) ◽  
pp. 294
Author(s):  
Irvan Setiawan
Keyword(s):  
Analytical Method ◽  
Performing Arts ◽  
Time Data ◽  
Time And Space ◽  
Secondary Sources ◽  
The People ◽  
Traditional Arts ◽  
Performing Art ◽  
Over Time

Abstrak Kesenian tradisional memegang peranan dalam pencirian dan menjadi kekhasan suatu daerah. Bagi wilayah administratif yang menjadi cikal bakal suatu kesenian daerah tentu saja tidak sulit untuk menyebut istilah kesenian khas dan menjadi milik daerah tersebut. Lain halnya dengan wilayah administratif yang tidak memiliki kesenian daerah sehingga akan berusaha menciptakan sebuah kesenian untuk dijadikan sebagai kesenian khas bagi daerahnya. Beruntunglah bagi Kabupaten Subang yang menjadi cikal bakal beberapa kesenian yang terlahir dan besar di daerahnya. Tidak hanya sampai disitu, Pelestarian dan pengembangan kesenian tradisional tampak serius dilakukan. Hal tersebut terlihat dari papan nama berbagai kesenian (tradisional) di beberapa ruas jalan dalam wilayah Kabupaten Subang. Seiring berjalannya waktu tampak jelas terlihat adanya perubahan dalam pernak pernik atau tahapan pertunjukan pada beberapa seni pertunjukan tradisional. Kondisi tersebut pada akhirnya mengundang keingintahuan mengenai strategi kolaborasi apa yang membuat seni pertunjukan tradisional masih tetap diminati masyarakat Subang. Penelitian ini dilakukan dengan menggunakan metode deskriptif analisis yang didukung dengan data lintas waktu baik dari sumber sekunder maupun dari pernyataan informan mengenai seni pertunjukan tradisional di Kabupaten Subang. Dari hasil penelitian diperoleh bahwa kolaborasi yang dilakukan meliputi kolaborasi lintas waktu dan lintas ruang yang masih dibatasi oleh seperangkat aturan agar kolaborasi tidak melenceng dari identitas ketradisionalannya.AbstractTraditional arts play a role in the characterization of a region. The Regency of Subang became the pioneer for inventing and creating some traditional arts. They were born and grew in the area, and their preservation and development are seriously taken into consideration. It is evident that some changes occurred over time, for example in the accessories or phase of performances at several traditional performing arts. ThisNaskah Diterima: 28 Februari 2013Naskah Disetujui: 2 April 2013condition makes the author curious about the strategy of collaboration that makes the people of Subang interested in traditional performing art. The author conducted descriptive analytical method supported by cross-time data either from primary or secondary sources. The result shows that the strategy of collaboration across time and space in traditional performing

scholarly journals Tradisi Jolenan Di Desa Somongari Kecamatan Kaligesing Kabupaten Purworejo

2020 ◽  
Vol 7 (1) ◽  
Author(s):  
Anggun Rafiqah Aushaf
Keyword(s):  
Human Resources ◽  
Performing Arts ◽  
Qualitative Method ◽  
Cultural Traditions ◽  
Central Java ◽  
The Earth ◽  
The People ◽  
Communication Approach ◽  
Communicative Actions ◽  
The Village

AbstractPurworejo is one of the districts in Central Java which is rich in natural and human resources. One of the various regional cultural traditions that is still preserved in Purworejo Regency, precisely in Somongari Village, Kaligesing District is merti-deso or village-cleansing and commonly called Jolenan. This study was dissected using a qualitative method with an ethnographic communication approach. For the deepening of the analysis observations and interviews were conducted with respondents who were involved in the Jolenan Customary Ceremony. The results showed that the communicative situation in the Jolenan Customary Ceremony was walking in a sacred manner. The traditional Jolenan ceremony is a tradition that is carried out every two years on the Javanese calendar, Seloso Wage Day in Sapar Month. Communicative events in Jolenan Traditional Ceremony are traditions that contain myths in them. Broadly speaking, the purpose of the Jolenan Traditional Ceremony is as an expression of gratitude and thanks to Allah SWT for the abundant produce of the earth and also as a tribute to the ancestors of the Sumongari Village, Eyang Kedono-Kedini. In the Jolenan Customary Rite there are ten stages in it namely: environmental cleanliness and tombs, making and decorating Jolen, tirakatan night, festivity of the Rukun Tetangga, installation of offerings, performing arts, welcoming events, Jolen carnival, large festivals, and tayuban. Communicative actions in the Jolenan Customary Ceremony namely regarding the statement of the people of Sumongari Village on the crops given by Allah SWT and the request of the people of Sumongari Village so that the village occupied is always given an abundance of crops continuously.Keywords: Traditional Communication, Jolenan Traditional Ceremony, values, social, religious, symbolic AbstrakPurworejo merupakan salah satu kabupaten di Jawa Tengah yang kaya akan sumber daya alam dan manusianya. Satu dari berbagai tradisi kebudayaan daerah yang sampai saat ini masih dilestarikan di Kabupaten Purworejo, tepatnya di Desa Somongari, Kecamatan Kaligesing adalah merti-deso atau bersih-desa dan biasa disebut Jolenan. Penelitian ini dibedah menggunakan metode kualitatif dengan pendekatan etnografi komunikasi. Untuk pendalaman analisis dilakukan observasi dan wawancara dengan para responden yang berperan dalam Upacara Adat Jolenan. Hasil penelitian menunjukkan bahwa situasi komunikatif dalam Upacara Adat Jolenan yaitu berjalan dengan sakral. Upacara adat Jolenan merupakan tradisi yang dilakukan setiap dua tahun sekali pada penanggalan Jawa yaitu hari Seloso Wage pada Bulan Sapar. Peristiwa komunikatif dalam Upacara Adat Jolenan merupakan tradisi yang mengandung mitos di dalamnya. Secara garis besar tujuan dilakukannya Upacara Adat Jolenan yaitu sebagai ungkapan rasa syukur dan terima kasih kepada Allah SWT atas hasil bumi yang melimpah dan juga sebagai penghormatan kepada leluhur Desa Sumongari yaitu Eyang Kedono-Kedini. Dalam ritual Upacara Adat Jolenan terdapat sepuluh tahapan di dalamnya yaitu: kebersihan lingkungan dan makam, membuat dan menghias Jolen, malam tirakatan, kenduri Rukun Tetangga, pemasangan sesaji, pentas kesenian, acara sambutan, kirab Jolen, kenduri besar, dan tayuban. Tindak komunikatif dalam Upacara Adat Jolenan yaitu mengenai pernyataan masyarakat Desa Sumongari atas hasil bumi yang diberikan Allah SWT dan permohonan masyarakat Desa Sumongari agar desa yang ditempati selalu diberikan kelimpahan hasil bumi secara terus menerus.Kata kunci: Komunikasi Tradisional, Upacara Adat Jolenan, nilai, sosial, religious, simbiolik

scholarly journals THE REPRESENTATION OF BEAUTY IN PANTENE SHAMPOO ADVERTISEMENT

CALL ◽  
2019 ◽  
Vol 1 (2) ◽  
Author(s):  
Mahdalena Mahdalena ◽  
Dedi Sulaeman ◽  
Pepen Priyawan
Keyword(s):  
Qualitative Method ◽  
Online Media ◽  
The Public ◽  
The People ◽  
Triadic Relation ◽  
Special Meaning

Advertisement is a persuasive media aimed to persuading and influencing the public. Every day, advertisement can be found anywhere, such as in newspaper, television, radio, and also magazine. Pantene is a shampoo product that is very famous especially among women. Its advertisement can be found almost in every media. In this research, the researcher focuses on the semiotics elements found on Pantene advertisement using Charles Sanders Pierce’s theory. The problem in this research then formulated into three questions: (1) How is the process symbol of shampoo advertisement in each text of tagline (2) How is the process of triadic relation in each picture on shampoo advertisement. (3) How are the relation between the text and its picture on every shampoo advertisement. This research used Peirce theory of semiotic to analyze Pantene advertisement. Based on Pierce theory of semiotics, there are representament, object and interpretant. This research uses qualitative method because the data consist of words and pictures. The data of this research are taken from online media. After collecting the data, the researcher analyzes the data about how is the process symbol of shampoo advertisement in each text of tagline, how is the process of triadic relation in each picture on shampoo advertisement, and how are the relation between the text and its picture on every shampoo advertisement using Pierce’s theory. The result of this research shows that both the symbol and also the picture on the Pantene’s advertisement have representament, object, and interpretant. The representament is something that enters into relation with its object, the second component of the sign, the object is something beyond the sign to which it refers, and interpretant is a concept of thinking from the people who use a sign and give it special meaning which is referred by the sign. By using many different of pictures on the advertisement, it will make people easier to understand and make them more interested to the product.Key words: Semiotic, Triadic Relation, Advertisement, Shampoo, Beauty.

scholarly journals SERUNE KALEE DALAM UPACARA INTAT LINTO BARO DI BANDA ACEH

SELONDING ◽  
2019 ◽  
Vol 15 (1) ◽  
Author(s):  
Rusdi Asma
Keyword(s):  
Indigenous People ◽  
Young Women ◽  
Performing Arts ◽  
Qualitative Method ◽  
Main Approach ◽  
Family Relation ◽  
Primary Function ◽  
The People ◽  
Banda Aceh

Seurune kalee is an inflatable instrument that is still owned by the people of Aceh. The existence of seurune kalee untill now is used in the implementation of the intat linto baro ceremony, opening ceremonial event, welcoming guest, and celebrating Islamic holidays. The implementation of intat linto baro uses seurune kalee  as part of this implementation, so that the music played has function in the Acehnese comunity. Performing arts are divided into two groups, namely primary function groups and secondary groups. The main approach of this study is ethnomusicology aided by anthropology, sociology, and history. The metology used in this study is qualitative method. The implementation of intat linto baro uses accompanistment as a sign that a group of families and indigenous people from the linto baro party are connnecting with friendship and ratification of young man and young women in carrying out religious and customary family relation. The songs used are Peumulia Jamee and Ranup Lampuan. This implementation is a sacred ceremonial moment for the Aceehnese particular. Music function during the implementation of intat linto baroe is a means of traditional ceremonies, entertaiment facilities, and means of aesthetic presentation. The implementation of intat linto baro is a simbolic implementation in a society that is religiously and customarily held by a person who initiate and the songs played are known by Acehnese comunity

UPAYA PENINGKATAN MUTU PENDIDIKAN DI PONDOK PESANTREN HJ. HANIAH MAROS SULAWESI SELATAN

2012 ◽  
Vol 10 (2) ◽  
Author(s):  
Abdul Muin
Keyword(s):  
Qualitative Method ◽  
Healthy Lifestyle ◽  
Boarding School ◽  
Education Quality ◽  
Quality Of Education ◽  
The People ◽  
Interest And Motivation

AbstractThe purpose of this paper is to reveal how the quality of education in this Islamic boarding school is, particularly related to education facilities, curriculum and strategies of education quality improve­ments. This study used the qualitative method. Findings of this study are: first, education infrastructure and facilities are relatively complete and adequate, which are supported by the atmosphere of the Islamic boarding school that is full of simplicity and modesty by habituation in implementing clean and healthy lifestyle. Second, the tafaqquh fi-al din (understanding of religion)-based curriculum compiled by the Islamic boarding school occupies the same degree (equal) to the curriculum prepared by the Ministry of Religious Affairs, so that both tafaqquh fi-al din (understanding of religion) studies and general studi­es have high electability, which is able to increase the quality of education and also generates interest and motivation of the people (parents) to put their children to the Islamic boarding school. Third, education in the Islamic boarding school has a strong independency because it is supported by substantial financial resources.AbstrakTujuan tulisan ini untuk mengungkapkan bagaimana mutu pendidikan di pondok pesantren ini, khususnya berkaitan dengan sarana pendidikan, kurikulum dan sterategi peningkatan mutu pendidik­an. Penelitian ini menggunakan metode kualitatif. Hasil temuan studi ini adalah: Pertama, sarana dan fasilitas pendidikan relatif lengkap dan memadai, ini didukung oleh suasana kehidupan pondok pesan­tren yang penuh kesederhanaan dan kebersahajaan dengan pembiasaan menerapkan pola hidup bersih dan sehat. Kedua, kurikulum yang berbasis tafaqquh fi-al din yang disusun oleh pondok pesantren ini menempati derajat yang sama (equal) dengan kurikulum yang disusun Kementerian Agama, sehinga baik kajian tafaqquh fi al-din maupun pelajaran umum memiliki electabilitas yang tinggi, hal ini mampu meningkatkan mutu pendidikan dan sekaligus membangkitkan animo dan motivasi masyarakat (orangtua) untuk memasukkan anaknya ke pesantren ini. Ketiga, penyelenggaraan pendidikan di pon­dok pesantren ini memiliki kemandirian yang kuat, karena didukung oleh sumber dana yang besar.

Komparasi Unsur Budaya (Kepercayaan) pada Masyarakat Talaga, Majalengka dan Masyarakat Nagoya, Jepang

Metahumaniora ◽  
2017 ◽  
Vol 7 (3) ◽  
pp. 306
Author(s):  
Asri Soraya Afsari
Keyword(s):  
Qualitative Method ◽  
Field Method ◽  
The Other ◽  
Survey Method ◽  
Cultural Comparison ◽  
Other Hand ◽  
The People ◽  
Descriptive Qualitative

AbstrakPenelitian ini bertujuan mengkaji perbandingan kepercayaan masyarakat Talagadi Majalengka dan masyarakat Nagoya di Jepang. Kepercayaan yang dimaksud dalampenelitian ini adalah kepercayaan yang berhubungan dengan tabu atau pamali dankepercayaan yang berhubungan dengan keberuntungan pada kedua masyarakat tersebut.Untuk mencapai tujuan tersebut digunakan metode deskripstif kualitatif. Dalam memupudata digunakan metode lapangan karena peneliti terjun langsung ke masyarakat. Disamping itu, digunakan pula metode survey melalui penyebaran daftar kuesioner. Hasilpenelitian menunjukkan bahwa bentuk kepercayaan yang berhubungan dengan tabu ataupamali pada masyarakat Talaga dan Nagoya meliputi kegiatan yang dilakukan oleh manusia.Adapun kepercayaan yang berhubungan dengan keberuntungan pada kedua masyarakattersebut berkaitan dengan binatang, benda, dan kegiatan manusia. Sampai saat ini baikmasyarakat Talaga maupun Nagoya masih memegang teguh kepercayaan tersebut.Kata kunci: kepercayaan, Talaga, Nagoya, deskriptif kualitatif, komparasi budaya.AbstractThe aim of this research is to review the comparison of belief between the society ofTalaga in Majalengka and the society of Nagoya in Japan. The intended belief on this study isthe one related with a taboo or pamali, and the belief correlated to luck on both societies. Inachieving the goal, this research uses a descriptive qualitative method. To get the data, thewriter uses a field method that he (/she) directly involves with the people. On the other hand,the writer also uses a survey method by distributing questioners. The result shows that the beliefcorrelated with the taboo or pamali of Talaga and Nagoya societies covers the activities doneby human. Also with the belief related to luck of both societies corresponds to animals, things,and human’s activities. Until now, either Talaga society or Nagoya’s still keeps those beliefs.Keyword: belief, Talaga, Nagoya, descriptive qualitative, cultural comparison.

The Local Government of Kulon Progo Regency Innovation in Subduing Capitalism through Community Empowerment

2020 ◽  
Vol 4 (2) ◽  
pp. 229
Author(s):  
Muhammad Eko Atmojo ◽  
Helen Dian Fridayani
Keyword(s):  
Qualitative Method ◽  
Positive Impact ◽  
Community Empowerment ◽  
Case Study Approach ◽  
Study Approach ◽  
The Past ◽  
The People ◽  
District Government ◽  
The Government

Kulon Progo Regency is one of the districts that has many innovations, one of which is community empowerment in collaboration with a modern shop abbreviated as the shop name owned by the people (tomira). This research was motivated by the achievements of the Kulon Progo district government in carrying out development and innovation in the development of the Kulon Progo region by fully involving the Kulon Progo district community through community empowerment. This initiative was taken by the government of Kulon Progo Regency to improve community empowerment and protect the people of Kulon Progo Regency from various economic threats. Considering that in the past few years many modern shops have mushroomed in each district/city, so this is what makes Kulon Progo Regency move quickly to empower the community by collaborating between MSMEs or cooperative with modern shops. This study uses a qualitative method which case study approach. With the empowerment that has been done, the original products of Kulon Progo Regency or local products can be traded in modern stores so that local products in Kulon Progo Regency can compete with national products in these modern stores. The existence of such cooperation will indirectly improve the image of Kulon Progo Regency and lift the original products of Kulon Progo Regency. The lifting of the original products of Kulon Progo Regency will have a positive impact on the community, where indirectly the economy of the community will increase so that there will be prosperity for the community. Kabupaten Kulon Progo adalah salah satu kabupaten yang memiliki banyak inovasi, salah satunya adalah pemberdayaan masyarakat bekerja sama dengan toko modern disingkat nama toko yang dimiliki oleh masyarakat (tomira). Penelitian ini dilatarbelakangi oleh pencapaian pemerintah kabupaten Kulon Progo dalam melakukan pengembangan dan inovasi dalam pengembangan wilayah Kulon Progo dengan melibatkan sepenuhnya masyarakat kabupaten Kulon Progo melalui pemberdayaan masyarakat. Inisiatif ini diambil oleh pemerintah Kabupaten Kulon Progo untuk meningkatkan pemberdayaan masyarakat dan melindungi masyarakat Kabupaten Kulon Progo dari berbagai ancaman ekonomi. Menimbang bahwa dalam beberapa tahun terakhir banyak toko-toko modern telah menjamur di setiap kabupaten/kota, jadi inilah yang membuat Kabupaten Kulon Progo bergerak cepat untuk memberdayakan masyarakat dengan berkolaborasi antara UMKM atau bekerjasama dengan toko-toko modern. Penelitian ini menggunakan metode penelitian kualitatif dengan pendekatan studi kasus, dengan metode yang digunakan adalah dokumentasi. Dengan pemberdayaan yang telah dilakukan, produk asli Kabupaten Kulon Progo atau produk lokal dapat diperdagangkan di toko modern sehingga produk lokal di Kabupaten Kulon Progo dapat bersaing dengan produk nasional di toko modern ini. Adanya kerjasama tersebut secara tidak langsung akan meningkatkan citra Kabupaten Kulon Progo dan mengangkat produk asli Kabupaten Kulon Progo. Pencabutan produk asli Kabupaten Kulon Progo akan berdampak positif bagi masyarakat, di mana secara tidak langsung perekonomian masyarakat akan meningkat sehingga akan ada kesejahteraan bagi masyarakat.

MISTISISME TRADISI MAPPADENDANG DI DESA ALLAMUNGENG PATUE, KABUPATEN BONE

2020 ◽  
Author(s):  
Askar Nur
Keyword(s):  
Qualitative Method ◽  
Local Community ◽  
Descriptive Study ◽  
Ethnographic Approach ◽  
The People ◽  
Village People ◽  
Almost All ◽  
The Village

This research explains the mysticism of mappadendang tradition in Allamungeng Patue Village, Bone Regency, which is believed by the local community as a form of shielding from danger and can resist reinforcemen such as Covid-19 outbreak. This research is a descriptive study using qualitative method and an ethnographic approach. This research was carried out with the aim of identifying the mystical space in mappadendang tradition which was held in Allamungeng Patue Village. After conducting the tracing process, the researcher found that mappadendang tradition which was held in Allamungeng Patue Village, Bone Regency in July 2020 was not a tradition of harvest celebration as generally in several villages in Bone Regency, especially Bugis tribe, but mappadendang was held as a form of shielding from all distress including Covid-19 outbreak. This trust was obtained after one of the immigrants who now resides in the village dreamed of meeting an invisible figure (tau panrita) who ordered a party to be held that would bring all the village people because remembering that in the village during Covid-19 happened to almost all the existing areas in Indonesia, the people of Allamungeng Patue Village were spared from the outbreak. Spontaneously, the people of Allamungeng Patue Village worked together to immediately carry out the mappadendang tradition as a form of interpretation of the message carried by the figure.

Formulasi Rencana Pembangunan Jangka Menengah Desa (RPJMDes) Buluh Cina Kecamatan Siak Hulu Kabupaten Kampar Tahun 2011-2015

2013 ◽  
Vol 10 (1) ◽  
pp. 14
Author(s):  
Auradian Marta ◽  
Khairul Anwar ◽  
Hery Suryadi
Keyword(s):  
Qualitative Method ◽  
The People ◽  
Depth Interview ◽  
Pass Through

This research aims to describe of process or mechanism and formulation model of RencanaPembangunan Jangka Menengah Desa (RPJMDes) Buluh Cina 2011-2015. This research is descriptivetype with used qualitative method. The data on this research obtained are depth interview with informanand documentation study. From this research obtained result that on formulation Rencana PembangunanDesa (RPJMDes) Buluh Cina 2011-2015 pass through Musrenbangdes. Musrenbangdes involved allcomponent participation from institutional and the people. Thus, in formulation RPJMDes used democraticmodel.Keywords: formulation, democratic model, RPJMDes

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