scholarly journals Adaptive streaming media VOD system under the background of new media

Author(s):  
Yunxiang Zhang ◽  
Yunpeng He ◽  
Shengcan Jin
Author(s):  
Tommy Satriadi Nur Arifin

The purpose of this study is to discuss media convergence as the development of Information and Communication Technology (ICT). This study uses a historical perspective which is the first media age with the broadcast pattern and the second media age with interactivity patterns. Results of research Broadcast media that use radio frequency transmission can now be accessed through an Internet connection as streaming media. In conclusion, the public can access radio and television through an internet connection and reduce the need for these devices, using an internet connection when it is available for the network to access broadcasts. Keywords: Convergence, Broadcast Media, New Media, Streaming


2014 ◽  
Vol 701-702 ◽  
pp. 943-946
Author(s):  
Nian Fang Hong

In the wireless network environment, a large number of applications based on cell phone have emerged. But it has appeared some problems such as large amount of data and limited bandwidth and higher quality transmission in the mobile streaming media data transmission. To solve these problems, this paper designs a bandwidth adaptive streaming media real-time synchronization algorithm. Algorithm firstly analysis the state of the network, and then through real-time increase or decrease the factor method to effectively adjust the code flow rate, thus improve the QoS of streaming in transmission; to meet the learners' online learning, for subsequent teaching and interaction provides a good technical support.


2019 ◽  
Vol 23 (1) ◽  
pp. 102-120 ◽  
Author(s):  
Smith Mehta

In this article, I foreground the granular movements that determine the ubiquitous nature of India’s new media economy created by the advent of streaming media platforms and the emergence of regional online content creators in India. I argue that the increasing preference of Indian audiences to consume online content in their own language has led to a demand for ‘regional’ content, whereby streaming platforms and online creators are increasingly investing in ‘non-Hindi’ and ‘non-English’ language content to cater to the linguistically and culturally diverse Indian population. Through a primary focus on online content creation practices in Bengali and Marathi languages, the article explores their ‘local’, ‘regional’, ‘transnational’ and ‘global’ appeal, and subsequent blurring of boundaries between ‘regionalization’ and ‘localization’. The remainder of the article focuses on the emerging diaspora of regional online content creators who are adopting distinct content strategies to develop relationships with online communities based on commonalities of language and culture.


2021 ◽  
Vol 236 ◽  
pp. 05017
Author(s):  
Lin Liu ◽  
Jiaxin Wang

The survival mode of the font design has been changed to the mode of imaging design by the new-media technology. The Chinese character image could achieve different image effects of fonts including flow, page turning, rotation, and scrolling. Streaming media technology achieve the streaming playing approach to discuss the composition and dynamic effect of Chinese character image streaming. Based on the characteristics of digital-streaming media, particle and fluid technology, and Chinese character image streaming, this paper will analyze and sort out the formation and techniques of Chinese character image based on streaming media technology. This paper proposed the new concept of ‘Chinese character image streaming’. Since there is no systematic theories and no summarized experience about the practical works regarding the Chinese character image streaming, this paper compared and analyzed this new concept with above-mentioned technologies to provide new materials for the researches of Chinese character designs in the future.


First Monday ◽  
2014 ◽  
Author(s):  
Dan L. Burk

Copyright law is largely a response to new media: from the printing press through radio, photocopiers, and digital computers, changes in copyright reflect the increased public availability of information reproduction technologies. But while the exclusive rights conferred by copyright are shaped by the technologies they respond to, the opposite is also true: technology is shaped in response to the requirements of copyright, altering or innovating designs to either avoid or accommodate the demands of the law. Nowhere has this dynamic interaction been more apparent than in the 2001 copyright decision against Napster and in the succeeding impact of that case. The Napster case and its progeny reveal a pattern of creative “inventing around” previous definitions of formal copyright boundaries. Such interactive re–imagining of technical and legal standards continues in current legal controversies regarding digital delivery systems such as streaming media, digital lockers, and “cloud” services, extending the pattern present in Napster and its progeny into current copyright policy.


2016 ◽  
Vol 2016 ◽  
pp. 1-10
Author(s):  
Yepeng Ni ◽  
Qianjun Shuai ◽  
Cheng Yang ◽  
Jianbo Liu

We consider the problem of streaming media transmission in a heterogeneous network from a multisource server to home multiple terminals. In wired network, the transmission performance is limited by network state (e.g., the bandwidth variation, jitter, and packet loss). In wireless network, the multiple user terminals can cause bandwidth competition. Thus, the streaming media distribution in a heterogeneous network becomes a severe challenge which is critical for QoS guarantee. In this paper, we propose a context-aware adaptive streaming media distribution system (CAASS), which implements the context-aware module to perceive the environment parameters and use the strategy analysis (SA) module to deduce the most suitable service level. This approach is able to improve the video quality for guarantying streaming QoS. We formulate the optimization problem of QoS relationship with the environment parameters based on the QoS testing algorithm for IPTV in ITU-T G.1070. We evaluate the performance of the proposed CAASS through 12 types of experimental environments using a prototype system. Experimental results show that CAASS can dynamically adjust the service level according to the environment variation (e.g., network state and terminal performances) and outperforms the existing streaming approaches in adaptive streaming media distribution according to peak signal-to-noise ratio (PSNR).


2019 ◽  
Vol 20 (7) ◽  
pp. 686-701 ◽  
Author(s):  
Anne Gilbert

In scholarly and industry analyses of television’s expansion into online distribution, few have accounted for the specific negotiations required when old television content streams on new media. This article considers the economic consequences, viewer utility, and cultural position of television reruns as they expand from the pushed flows of legacy television to the pull contexts of digital streaming. The emergence of streaming outlets upsets conventions of off-network syndication yet introduces new licensing revenue to television markets, and streaming undermines the pleasures of familiar, passive entertainment offered by reruns. Reruns, as a concept, a cultural commodity, and as an archive of a televisual past and present, are reconfigured with the move toward streaming television. Internet distribution of television reruns provides a necessary case study to investigate the full scope of how streaming services are destabilizing the conventions of the U.S. television industries.


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