scholarly journals Cantone Grigioni. Architettura contemporanea e rigenerazione dei piccoli nuclei in val Bregaglia / Canton of Grisons. Contemporary architecture and regeneration of small villages in val Bregaglia

ARCHALP ◽  
2018 ◽  
pp. 109-117
Author(s):  
Armando Ruinelli

The Atelier Ruinelli is based in Soglio, Bregaglia, in the canton of Grisons. Development as a consequence of winter sports was unknown to the valley and it survived the 20th century almost intact. To exploit the inherent potential in places such as this, it is fundamental to reflect on questions of identity so that diversity can emerge. By preserving small villages, architecture can help create identity. But conservation, at least as it has been understood thus far, is ineffectual. Villages must be in a state of constant evolution and renewal, shelving some of those dogmas which regulate their transformation. Rather than make changes to building regulations, it would be useful to move to a consultation process with teams of architects. Whenever work is being carried out in a small village, it is important that this way of thinking should be immediately apparent. In the Grisons there is a multiplicity of examples of this type of quality architecture. One cannot really talk about a “school” as such, but the presence of a studio like Atelier Zumthor has a diffuse and widespread influence. Miriam Cahn’s “Il Magazzino” (warehouse) and the transformation of stalls and a barn in Isola are two recent works, presented as examples of the Atelier Ruinelli approach. Both projects address the themes of creating structures that fit the context, building on what has already been built and experimenting with materials..

Arts ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 66 ◽  
Author(s):  
Sara Izquierdo

Spanish architecture, towards the end of the 19th century and the beginning of the 20th, was characterized by the development of a variety of styles, including Neo-Muslim. The Alhambra of Granada, the Mosque of Cordoba, and the Giralda Tower of Seville, served as inspiration to the design of works that would follow these models, some to a greater extent than others, and would eventually give rise to an architectural trend that would make its way all across Spain. As such, this article attempts to provide some examples of said architecture found in different autonomous communities in Spain, examining them through four typologies, as well as to discuss the consideration and use of the Neo-Muslim style after the second half of the 20th century. The methodology behind this research involved extensive reading and analysis of both general and specific works on the subject, the study of archival materials relative to some of the selected buildings, about which preserved evidence was scarce, as well as taking photographs of the properties included in the text.


2012 ◽  
Vol 36 (3) ◽  
pp. 222-238 ◽  
Author(s):  
Liutauras Nekrošius

The trends in Palanga architecture of the second half of the 19th – first half of the 20th century are represented in the National Cultural Heritage List by 10 villas, 14 residential houses, two hotels (Kurhauses of Nemirseta and Palanga), a pharmacy, a spa building, a ship rescue station and a bus station. But such heritage objects reflect the stages in the town development only partially. If the cultural heritage list of Palanga town is treated as a coherent and continuous collection reflecting different stages in architecture and culture of this town (as it should be), it would be relevant to add a few more samples of the mid and second half of the 20th century architecture to the list. Taking into consideration the presence of exclusive Soviet period architectural objects on the list (made according to recommendations of different professional and social communities), and recommendations of the list founders, the following two educational institutions realized less than 50 years ago that these may as well be enrolled as examples of specific historic period and acknowledged artistic style or trend, and as most progressive and/or artistic architectural solutions of the time, to be protected for public information and use purposes: the music school designed by architect I. Likšienė,1981, (Maironio St.8; see Fig. 1) and former Pioneers’ Palace designed by I. Likšienė and G. P. Likša,1985, (now the elementary school, at the address Virbališkės Takas 4; see Fig. 2). These buildings are distinctive examples of contemporary architecture development. At present managed by the local municipality, they are in good physical state, with retained initial qualities of space and volume structure, use of materials, environment and purpose. In the category of accommodation buildings the following may be marked out: the early architectural design works by A. Lėckas, namely, the Žilvinas hotel (Kęstučio St. 34; see Fig. 4, a.), designed and implemented in 1968 as a rest house for 45 guests (21 apartment) on commission of the Council of Ministers of the Soviet Socialist Republic of Lithuania and the Žilvinėlis apartment building for 24 guests implemented in 1970 (Birutės al. 44; see Fig. 4, b.). These objects still owned by the state have been prepared for privatization. Before privatization it is suggested to enroll them on the Cultural Heritage List, identify their valuable qualities, character and level of significance and perform any other required procedures. It is also recommended to make agreements for protection of cultural heritage objects with the new owners of such buildings. The initial protection is also needed for the Rąžė book shop and café building (Vytauto St.84; see Fig. 5) designed by R. V. Kraniauskas in 1967 and considered mature in the artistic sense. The building has retained its small scale, which is characteristic for the resort town, and thus enriches the spatial perspective of the street. Considering its physical shape, functional and aesthetical qualities and the use character, it is also highly recommended to grant the heritage protection status to the administration building Komprojektas (Gintaro St.30,30A; see Fig. 6) designed by G. P. and I. Likša in 1988. The collection of Palanga architecture may also be enriched by the conserved pavilions of the summer reading hall of the National Martynas Mažvydas Library (Vytauto St.72, (1968); see Fig. 7) and Kupeta (S.Daukanto/ S.Dariaus and S.Girėno St., (1969); see Fig. 8) designed by architect A. Čepys; an example of the original concrete plastics, the coffee shop Banga (J. Basanavičius St. 2; see Fig. 10) designed by G. J. Telksnys in 1976–77 and realized in 1979. The present shape and use character of these buildings cause serious threat to their preservation. There is little probability that within the context of the on-going reconstructions traditional acts for enrollment on the heritage list could somehow contribute to the conservation of values of the Vanagupė resort center, the laureate (1984) of prestigious prize by the USSR Council of Ministers (architects A. Lėckas, S. Šarkinas and L. Merkinas; see Fig. 3); the resthouse Guboja implemented only partially in 1976 (in Šventoji, Jūros St 65A., architect. R. Buivydas); resthouse Auska (presently, hotel, Vytauto St.11; architect J. Šipalis, 1977); and the resthouse Šiaulių Tauras (Vytauto St.116, architect G. P. Likša,1983). Nevertheless, the identified architectural, urban, landscape and engineering values of objects and analyzed possible forms for their conservation (ex-situ and in-situ) could become a basis for scientific study of contemporary architecture and urban planning in Palanga resort. Based on their design material, the initial concepts of such objects should be identified and their present as well planned for the future transformations should be analyzed. Such study to be presented publicly (for example, on the National Cultural Heritage List database) could ensure conditions for better understanding of past and present values of the objects, for both, specialists and public at large, and be a highly valuable source of information describing the architecture of the time to be used for information, scientific and professional purposes. Such study may also become a stimulus for preparation of complex regeneration design projects of objects and landscapes, which would comprise the conservation and development needs and add new artistic values. Santrauka Dėl pakitusių politinių, ekonominių ir kultūrinių sąlygų XX a. II pusės architektūros ir urbanistikos kūriniai dažnai nebeatitinka šiandienos naudotojų poreikių ir keliamų reikalavimų. Todėl apleidžiami, griaunami ar reikšmingai kinta. Dėl to ryškėja iniciatyvos siūlyti į KVR įtraukti kuo daugiau šio laikmečio kūrinių. Tačiau XX a. IX dešimtmetyje kultūros paminklais tapę naujosios architektūros kūriniai dėl neraiškios saugojimo strategijos, žmogiškųjų ir finansinių išteklių tvarkybai stokos vis tiek nyksta. Todėl kyla abejonių ar registro plėtra bus veiksminga. Straipsnyje Palangos miesto pavyzdžiu nagrinėjamos galimybės sudaryti vėlyvojo modernizmo architektūros kolekciją. Manoma, kad sistemingas kultūriškai vertingų architektūros objektų rinkinys formuojamas apjungiant skirtingus saugojimo metodus gali paskatinti atsakingas institucijas, vietos ir profesines bendruomenes susitelkti atsakingam architektūros paveldo puoselėjimo ir tvaraus naudojimo procesui.


2011 ◽  
Vol 19 (1) ◽  
pp. 1-18
Author(s):  
Volker Küster

AbstractAhn Byung-Mu was not only one of the leading theological thinkers of 20th century Korea, a mediator between Western, especially German theological tradition and Korean Christianity, but also a persistent regime critique under South Korea's development dictatorship of the 1970s and 80s. Originally a New Testament scholar he also became one of the founding fathers of minjung theology by giving this political theology in the Korean context a biblical foundation. In his studies on the Gospel of Mark, Ahn advocates the thesis that German historical-critical exegesis viewed the Markan ochlos from the perspective of form criticism as a dramatic element similar to the “antique choir”, thereby failing to acknowledge its social and theological significance. In contrast, he emphasizes Jesus' unconditional commitment to the ochlos, which is displayed in the Gospel of Mark. The Galilean ochlos, an amorphous, and in its membership varying group of people from the Galilean lower class, is the addressee of Jesus' mission. The article reconstructs Ahn Byung Mu's theological way of thinking and tackles the question how his legacy can be re-contextualized.


BUILDER ◽  
2021 ◽  
Vol 291 (10) ◽  
pp. 16-22
Author(s):  
Marek Pabich ◽  
Marta Piórkowska

Expressive buildings based on curvilinear geometry became one of many characteristic elements of contemporary architecture. A fascination with irregular, undulating forms has already been visible in the 20th century. However, the sources of the undulating motifs go back to the Baroque period, when buildings with curved façades were one of the best examples of the natural development of architectural thought. The evolution of this idea took place at the beginning of the 20th century. In the following years, the motif of the undulating lines was used by many architects who draw upon its regular or free character. The Authors using the analytical and interpretative method show the evolution of the undulating wall. The Authors use the terms of curved lines defined by Kandinsky. The analysis of selected examples shows the ideological, material, and constructional evolution of the undulating wall, as well as the way of transforming the idea of the undulating line, which returns to its baroque roots, but in a more modern version.


Author(s):  
Ryan J. Johnson

This book explores how Deleuze's thought was shaped by Lucretian atomism — a formative but often-ignored influence from ancient philosophy. More than any other 20th-century philosopher, Gilles Deleuze considers himself an apprentice to the history of philosophy. But scholarship has ignored one of the more formative influences on Deleuze: Lucretian atomism. Deleuze's encounter with Lucretius sparked a way of thinking that resonates throughout all his writings: from immanent ontology to affirmative ethics, from dynamic materialism to the generation of thought itself. Filling a significant gap in Deleuze Studies, this book tells the story of the Deleuze-Lucretius encounter that begins and ends with a powerful claim: Lucretian atomism produced Deleuzianism.


Author(s):  
Bigermaa R. ◽  

In this article the author examines the features of the poetry of the classic of contemporary Mongolian poetry of the 20th century D. Natsagdorzh. The main purpose of this article is to point out the innovations in the poet’s work. The author tried to characterize his poetry on the basis of an analysis of some poems that will allow to determine such moments of his poetic work as the composition of the basic concepts of rhythm, verse and prosody, which are the main units of the study of poetic works. In the works of D. Natsagdorzh, especially in his poems, there are no fixed ideas, traditional writing and stylistic influence of ancient written works, which had little impact on the literature of the beginning of the revolution time. It can be seen that he wrote his poems in the literary language, style and image of the modern Mongolian language, and this is very different from the written style, way of thinking and the influence of the style of the classical and oral Mongolian language of current writers and poets. There are practically no scholars who would study D. Natsagdorzh’s poems in the form of speech, there are few researchers who would determine whether this is a work or not. Dialogue is an important part of the system of fiction and is of great importance in solving new problems arising in the course of the narrative, increasing the intensity of the conflict, softening, uniting, correctly identifying the evolution of character, disclosing the mood and characteristics of the character’s behavior. Another key feature of the poet’s skill is that he uses dialogue primarily in the poem, expressing the general features of the composition in the verse in a unique way and creates sensual poems associated with certain events.


2011 ◽  
Vol 3 (3) ◽  
pp. 77-85 ◽  
Author(s):  
Arnoldas Gabrėnas

Lithuanian architects are interested in Finnish architecture from the beginning of the 20th. century. Wooden architecture as the narrower field of creation is analyzed in this article. There are discussed some peculiarities of historical wooden architecture as base of the tradition in Lithuania and Finland. Specific examples illustrate aesthetical, constructional, functional congruencies and development similarities in historical wooden architecture of the both countries. Author is looking for the succession of the tradition in the various examples of contemporary architecture. In the last decade of the twentieth century it is possible to find more objects of wooden architecture and it is the sign of the tradition regeneration in Lithuania and Finland. These objects have various aesthetical and structural forms, in which architecture, wood is the main or integral constructional material and serves for the main artistic expression. There are often used wooden structures in the new buildings and architects are searching for the new interpretations in tradition of wooden architecture in Finland. Wood in the architecture of dominant buildings is like a forcible information about universality, aesthetics and semantics of the material. Also there are many smaller size wooden buildings like houses or public buildings which are considered to be positive in Lithuania and Finland. There are often used wooden structures in the new buildings, architects are searching for the new interpretations of traditional wooden architecture in Finland. A big attention is paid to a teaching process about this material in universities of Finland. Author notices some separate manifestations of wooden architecture in Finland which can be as a guide for creation of wooden architecture in Lithuania.


Tempo ◽  
2008 ◽  
Vol 62 (243) ◽  
pp. 36-41
Author(s):  
Rachel Beckles Willson

The project of introducing an unknown repertory into discourses on music can be approached in a range of ways. The writer can make a case about its regrettable neglect and its unjustified exclusion from a historical canon, or can argue for its (political) relevance to the present. Or s/he can simply try to persuade readers of its aesthetic qualities: this third desire might well drive the first two, however covertly. The path I take here is unabashedly more ambitious. In attempting to open the hearts and minds of the uninitiated reader to a composer little-known outside Switzerland and Hungary, I will suggest that he offers us a significantly new way of thinking about music history in the 20th century as a whole.


2015 ◽  
Vol 10 (1) ◽  
pp. 39-48
Author(s):  
Ilze Rukmane-Poča ◽  
Linda Leitāne-Šmīdberga

Abstract Different types of formal expression can be found in the modern architecture of the 21st century - in publications, internet resources and in the generalizations of critics. In the context of the synthesis of arts the styles of sculptural architecture and surface architecture are noteworthy. Characteristics of this synthesis are also noticeable in kinetic architecture where the styles of surface kinetic architecture and sculptural kinetic architecture are distinguished. The genesis of images of buildings constructed in these styles is the result of the synthesis of arts; it reflects the development of historical styles as well as the ways of formal expression and their influences in the end of the 20th century and in the 21st century. This paper provides an analysis of constructed objects and proposals put forth in architectural competitions in Latvia’s 21st century modern architecture.


2021 ◽  
pp. 386-398
Author(s):  
Priyanki Vyas ◽  
Daxa G. PateL

This research aims to focus upon the architecture of Gujarat from past till present times, here the researcher will give the combined information regarding traditional architectural forms of constructing the buildings, palaces, markets, schools and other important places where local people lived in ancient era. The phases of development from past to present times, in which creativity, imagination and culture mattered equally as climate and materials used. Different monuments such as Rani Ki Vav, Sun temple, Jhulta Minarets, Sidi Saiyyed mosque and others are discussed from past, while Sabarmati Riverfront, Statue of Unity, modern materials and homes are elaborated by the researcher. In the 20th century the classical architecture was replaced by modern and contemporary architecture. One while talking about the modern architecture of Ahmedabad the capital of Gujarat can never do without mentioning the works of Ar. B.V. Doshi the father of modern architecture.


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