scholarly journals Incontri, scontri, confronti Appunti sulla ricezione della xilografia nordica in Italia tra XV e XX secolo

2020 ◽  
Author(s):  
Lorenzo Gigante
Keyword(s):  
Early Modern ◽  
20Th Century ◽  
14Th Century ◽  
Know How ◽  
15Th Century ◽  
Art Historians

Germany, France, Italy: the attribution of the first woodcut images has long been debated between several countries, to gain the technological primacy of the invention of reproductive printmaking, before Gutenberg’s movable type printing. Today we know how difficult it is, if not impossible, to establish a place and a date of origin of image printing in Europe. Impossible and probably unimportant. Printing was a European phenomenon in the 15th century, and we may ask ourselves whether a northern woodcut beyond the Italian borders was intended as something different than an Italian one. The contrast between northern and southern prints, which has been claimed by art historians from Vasari until the half of the 20th century, seems to be denied by early modern Italian sources. For example, a German woodcut from the first decades of the 15th century and a Florentine painting from the end of the 14th century can coexist as models for the illumination of the same manuscript. This unpublished case study of two Florentine 15th-century illuminations shows how a European cultural horizon was more common than we think today, and how much woodcut has been a fundamental tool for this broadening of horizons, since its very beginning.

scholarly journals Plague, Practice, and Prescriptive Text

2020 ◽  
Vol 8 (2-3) ◽  
pp. 152-178
Author(s):  
Moshe Dovid Chechik ◽  
Tamara Morsel-Eisenberg
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
16Th Century ◽  
15Th Century ◽  
Modern Period ◽  
The Status ◽  
Accepted Practice ◽  
At Home

Abstract This article studies the fate of a contradiction between practice and prescriptive text in 16th-century Ashkenaz. The practice was fleeing a plagued city, which contradicted a Talmudic passage requiring self-isolation at home when plague strikes. The emergence of this contradiction as a halakhic problem and its various forms of resolution are analyzed as a case study for the development of halakhic literature in early modern Ashkenaz. The Talmudic text was not considered a challenge to the accepted practice prior to the early modern period. The conflict between practice and Talmud gradually emerged as a halakhic problem in 15th-century rabbinic sources. These sources mixed legal and non-legal material, leaving the status of this contradiction ambiguous. The 16th century saw a variety of solutions to the problem in different halakhic writings, each with their own dynamics, type of authority, possibilities, and limitations. This variety reflects the crystallization of separate genres of halakhic literature.

The Earliest Eyewitness Depictions of Khoikhoi: Andries Beeckman in Africa

Itinerario ◽  
2005 ◽  
Vol 29 (1) ◽  
pp. 17-50 ◽  
Author(s):  
Erlend de Groot
Keyword(s):  
Early Modern ◽  
South African ◽  
The South ◽  
Know How ◽  
Art Historians ◽  
Travel Writers ◽  
Modern Image ◽  
Insight Into

Countless studies by historians, art historians and anthropologists have dealt with the early modern image of the South African Khoikhoi. Lacking everything that Europeans valued, they fell prey to the most contemptuous imagery available. The term ‘Hottentots’, by which they were known, was considered more or less synonymous with monstrous appearance, beastly habits and cultural ignorance. As such they were portrayed in official reports and travel journals, in prints and drawings. Few European artists and travel writers published their observations with any recourse to reality, however. They usually created their images in Europe in accordance with prevailing artistic and literary conventions, time and again reverting to stereotypes that were embedded in prejudice and based on incomplete and distorted knowledge. Thus far scholars have not discovered a single drawing by an eyewitness from the first two centuries of Khoikhoi-European encounters. As a consequence our insight into the mechanisms of stereotyping is far from complete. We neither know how the images were perceived by European viewers nor do we know if and how the stereotypes blurred the perception and judgement of eyewitnesses themselves.

scholarly journals Youth Action Against Moral Deterioration

2019 ◽  
Vol 10 (2) ◽  
pp. 14-18
Author(s):  
Mehedi Mala Mitu
Keyword(s):  
20Th Century ◽  
Mark Twain ◽  
Science And Technology ◽  
Moral Values ◽  
Vantage Point ◽  
Young Generation ◽  
Common People ◽  
14Th Century ◽  
15Th Century ◽  
The World

In Past, Chinese traveler Fa-hien (14th century) to Ibn batuta (14th century) or from Nicola Kanti (15th century) to Queen Elizabeth (20th Century), every travelers and scholars are attracted by the charms and fame of Bangladesh. Ibn batuta described Bengal as “a hell full of bounties” and “wealthiest” land of the world”. But now a day, along this progress anxiety has proportionately increased. In this present age, science and technology are the easily available to common people. The world has come to a handful but yet people are still not so happy. As if the demand is insatiable. So, anxiety, apathy, intolerance, fear and panic are increased. Morality is deemed declining. Why immorality among young increased is a concern? Mark Twain said, “Always do what is right, it will gratify half of mankind”. What is right? a vantage point is needed to know. Our moral values which guide us and aids us in our conscious mobility in life.  This article tries to find out the cause root of immorality among young generation and how to protect young generation from this moral deterioration.

Printing and the Book

2010 ◽  
Author(s):  
Erika Rummel ◽  
Mark Wilson ◽  
Milton Kooistra
Keyword(s):  
Early Modern ◽  
Intellectual History ◽  
20Th Century ◽  
Printing Press ◽  
Early Modern History ◽  
15Th Century ◽  
The Reformation ◽  
History Of ◽  
Opinion Maker ◽  
Agent Of Change

Until the 1980s, when periodization fell out of favor among historians, the development of printing was used as one of the markers for the onset of the Renaissance. Thus the significance of printing has long been recognized. In the late 20th and early 21st centuries, however, its impact on social and intellectual history moved to the center of research in early modern history. This interest may be explained by the fact that the last decades of the 20th century experienced a media shift that equals the importance of the shift in the 15th century. Elizabeth L. Eisenstein’s seminal 1979 book The Printing Press as an Agent of Change (see Eisenstein 1979 cited under General Overviews) was in the vanguard of this wave of research. Criticism of Eisenstein for placing too much emphasis on the revolutionary character of printing and its singular impact on the Reformation has prompted some modification in the approach to the history of printing, but the recognition of its significance for the dissemination of information and learning and as an opinion maker has remained unchanged.

The museum and temporalization

2020 ◽  
pp. 0961463X2096264
Author(s):  
François Hartog
Keyword(s):  
20Th Century ◽  
14Th Century ◽  
The Past ◽  
15Th Century ◽  
Starting Point ◽  
The Future ◽  
History Of ◽  
The One ◽  
Challenging Situation

More than any other institution, the museum is preoccupied with time, perpetually creating, contesting, and regaining it. From the collections of ancient art amassed in mid-14th-century Italy to the contemporary galleries without their own collections, the museum has always been a leading force in shaping Western civilization’s perceptions of time. After a survey of the history of Europe’s museums, the article traces the configurations of temporality that have arisen in different periods. Beginning in the 15th century, museums exhibited recent art alongside classical masterpieces, highlighting the cleavage between new and old. Three and a half centuries later, however, the art of the present was proclaimed a contemporary of the art of the past and the future, a notion upheld in spite of the outpourings of revolutionary pathos. It was in the second half of the 20th century that this synchronizing tendency yielded to the domination of the one and only present, which remains in force today. This new and challenging situation could be a starting point for the reassessment of contemporary museums’ role in influencing and realizing social temporality.

Regulatory Valuation of Public Utilities: A Case Study of the 20th Century

2012 ◽  
Author(s):  
Paul A. Grout ◽  
Andrew Jenkins ◽  
Anna Zalewska
Keyword(s):  
20Th Century ◽  
Public Utilities

MapTap and Cornelia Slow Digital Art History and Formal Art Historical Social Network Research

2016 ◽  
Vol 79 (3) ◽  
pp. 315-330 ◽  
Author(s):  
Koenraad Brosens ◽  
Klara Alen ◽  
Astrid Slegten ◽  
Fred Truyen
Keyword(s):  
Social Networks ◽  
Social Network ◽  
Early Modern ◽  
Data Model ◽  
Art History ◽  
Digital Art ◽  
Unique Data ◽  
Network Research ◽  
Custom Made

Abstract The essay introduces MapTap, a research project that zooms in on the ever-changing social networks underpinning Flemish tapestry (1620 – 1720). MapTap develops the young and still slightly amorphous field of Formal Art Historical Social Network Research (FAHSNR) and is fueled by Cornelia, a custom-made database. Cornelia’s unique data model allows researchers to organize attribution and relational data from a wide array of sources in such a way that the complex multiplex and multimode networks emerging from the data can be transformed into partial unimode networks that enable proper FAHSNR. A case study revealing the key roles played by women in the tapestry landscape shows how this kind of slow digital art history can further our understanding of early modern creative communities and industries.

scholarly journals RADIOCARBON DATES FROM THE MONASTERY ON KOM H IN OLD DONGOLA (SUDAN) AND THE CHRONOLOGY OF MEDIEVAL NUBIAN POTTERY

Radiocarbon ◽  
2021 ◽  
pp. 1-21
Author(s):  
Dorota Dzierzbicka ◽  
Katarzyna Danys
Keyword(s):  
Historical Research ◽  
Crucial Importance ◽  
Radiocarbon Dates ◽  
14Th Century ◽  
15Th Century ◽  
History Of

ABSTRACT The paper presents and discusses a series of radiocarbon (14C) dates from a medieval Nubian monastery found on Kom H of Old Dongola, the capital of the kingdom of Makuria located in modern-day Sudan. The monastery was founded in the 6th–7th century AD and although it probably ceased to function in the 14th century, the site remained occupied until the beginning of the 15th century. The investigated courtyard of the monastery was in use from the 11th to the 14th century, as indicated by the ceramics and 14C analysis results presented here. The dates under consideration are the first published series of 14C dates from this site, which is of crucial importance for historical research on medieval Nubian Christianity and monasticism. They permit to begin building an absolute chronological framework for research on the archaeological finds from the site and region. A group of finds in particular need of such a framework are ceramics, and the implications of the 14C dates for pottery assemblages found in the dated contexts are discussed. The conclusions summarize the significance of the datings for the history of the site.

La Storia dell’Età Moderna nelle „Quellen und Forschungen aus italienischen Archiven und Biblioteken“: lo specchio di un secolo di ricerche

2020 ◽  
Vol 100 (1) ◽  
pp. 40-46
Author(s):  
Irene Fosi
Keyword(s):  
Early Modern ◽  
20Th Century ◽  
Middle Ages ◽  
Early Modern Period ◽  
Historical Events ◽  
Social Composition ◽  
Modern Period ◽  
The Social ◽  
History Of ◽  
Papal Court

AbstractThe article examines the topics relating to the early modern period covered by the journal „Quellen und Forschungen aus italienischen Archiven und Bibliotheken“ in the hundred volumes since its first publication. Thanks to the index (1898–1995), published in 1997 and the availability online on the website perpectivia.net (since 1958), it is possible to identify constants and changes in historiographical interests. Initially, the focus was on the publication of sources in the Vatican Secret Archive (now the Vatican Apostolic Archive) relating to the history of Germany. The topics covered later gradually broadened to include the history of the Papacy, the social composition of the Curia and the Papal court and Papal diplomacy with a specific focus on nunciatures, among others. Within a lively historiographical context, connected to historical events in Germany in the 20th century, attention to themes and sources relating to the Middle Ages continues to predominate with respect to topics connected to the early modern period.

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