scholarly journals On Philosophical Themes in Marcel Proust’s Works

2018 ◽  
pp. 78-95
Author(s):  
I. I. Blauberg
Keyword(s):  
Personal Identity ◽  
Human Life ◽  
The Novel ◽  
Philosophical Psychology ◽  
Optical Instrument ◽  
The Past ◽  
States Of Consciousness ◽  
The World ◽  
Lost Time

Marcel Proust’s works contain a lot of ideas consonant with the ideas that were actively discussed by philosophers of his time. Many philosophers focused on the issues of perception, memory, will, freedom, personal identity, etc., which constituted an important part of academic curriculum. Proust familiarized himself with the issues studying philosophy at the Lyceum (he was taught by Alphonse Darlu) and at the Sorbonne. In his novel In Search of Lost Time, Proust describes an existential experience of his character viewing these issues from a particular perspective, through the prism of the main character’s lifelong search of his calling. He gradually proceeds from philosophical psychology exploring the interaction of memories and impressions in a particular perception, to philosophy proper, to metaphysics aimed at understanding the truth, at going beyond time. The article traces some moments of this transition, shows that for Proust it is not just the work of memory that is important but the emphasis on those states of consciousness where the present and the past coincide, merge, and thereby we go beyond time, to eternity. The author analyzes some images and signs that accompanied the character of the novel on the way to the realization of his calling. Particular attention is paid to the Proustian interpretation of the role of art in changing and enriching the perception of the world, as well as the importance in human life of a habit in which positive and negative aspects are highlighted. Proust himself believed that a work of art is an optical instrument through which the readers begin to discern in themselves what they would otherwise fail to see. His own novel was such an instrument.

scholarly journals Carnival Anthropocene: Myth and Cultural Memory in Monique Roffey's Archipelago // Antropoceno Carnaval: El mito y memoria cultural en Archipelago de Monique Roffey

2018 ◽  
Vol 9 (2) ◽  
pp. 41-55
Author(s):  
C. Parker Krieg
Keyword(s):  
Climate Change ◽  
Cultural Memory ◽  
Political Engagement ◽  
Memory Studies ◽  
Natural World ◽  
The Novel ◽  
The Past ◽  
The Social ◽  
The World

      This essay examines the role of myth in and as cultural memory through a reading of the novel, Archipelago (2013), by the Trinidadian-British author Monique Roffey. Against conceptions of the Anthropocene as a break from the past—a break that repeats the myth of modernity—I argue that Roffey’s use of cultural memory offers a carnivalesque relation to the world in response to the narrative’s account of climate change trauma. Drawing on Bakhtin’s classic study of the carnival as an occasion for contestation and renewal, as well as Cheryl Lousely’s call for a “carnivalesque ecocriticism,” this essay expands on the recent ecocritical turn to the field of Memory Studies (Buell; Goodbody; Kennedy) to illustrate the way literature mediates between mythic and historical relations to the natural world. As literary expressions, the carnivalesque and the grotesque evoke myth and play in order to expose and transform the social myths which govern relations and administrate difference. Since literature acts as both a producer and reflector of cultural memory, this essay seeks to highlight the literary potential of myth for connecting past traumas to affirmational modes of political engagement. Resumen     Este ensayo examina el papel del mito en y como memoria cultural analizando la novela Archipelago (2013), escrita por la autora trinitense-británica Monique Roffey. Frente a la idea del Antropoceno como una ruptura con el pasado—una ruptura que repite el mito de la modernidad—este trabajo argumenta que el uso de la memoria cultural de Roffey ofrece una relación carnavalesca con el mundo en respuesta al trauma del cambio climático detallado en la novela. Basando mi argumento en la teoría clásica de Bakhtin sobre el carnaval como una ocasión para la contestación y la renovación, así como la llamada de Cheryl Lousely por una “ecocrítica carnavalesca,” este ensayo amplía el reciente giro de la ecocrítica hacia el campo de los estudios de memoria (Buell; Goodbody; Kennedy) para ilustrar cómo la literatura media entre las relaciones míticas e históricas con el mundo natural. Como expresiones literarias, lo carnavalesco y lo grotesco evocan el mito y el juego para revelar y transformar los mitos sociales que gobiernan las relaciones y gestionan la diferencia. Ya que la literatura actúa tanto como productora y como espejo de la memoria cultural, este ensayo busca destacar el potencial literario del mito para conectar traumas del pasado con modos de compromiso político más afirmativos.

What Makes Time Special?

2017 ◽  
Author(s):  
Craig Callender
Keyword(s):  
Human Life ◽  
Relativity Theory ◽  
The Novel ◽  
Natural Reaction ◽  
Physical Time ◽  
The Past ◽  
The World ◽  
The Many ◽  
And Behavior

As we navigate through life, we model time as flowing, the present as special, and the past as “dead.” This model of time—manifest time—develops in childhood and later thoroughly infiltrates our language, thought, and behavior. It is part of what makes a human life recognizably human. Yet if physics is correct, this model of the world is deeply mistaken. This book is about this conflict between manifest and physical time. The first half dives into the physics and philosophy to establish the conflict’s existence; but it also argues that the claim that physics “spatializes” time is overstated. Rather, even relativity theory makes time special in deep and significant ways. The second half turns to psychology, biology, and more, seeking to understand why creatures like us develop manifest time. The novel picture that results is that manifest time is a natural reaction to the many cognitive and evolutionary challenges that we face. For subjects embedded in our circumstances, it makes sense to develop—even if fundamentally wrong.

scholarly journals The idea of the eternal return in flash fiction of symbolists and the types of its functioning contexts

2019 ◽  
Keyword(s):  
Human Life ◽  
Outer Shell ◽  
Internal Conflict ◽  
The Novel ◽  
Flash Fiction ◽  
Eternal Return ◽  
The Past ◽  
Paradoxical Situation ◽  
World Development

The article identifies the types of contexts in which the idea of the eternal return in the small prose symbolists functions. The first type of contexts includes works based on pretext. F. Sologub transposes evangelical plots into modernity and, relying on the Nietzschean idea of eternal return, emphasizes their importance for the present. In the novel "Lohengrin" Sologub transposes R. Wagner's legendary mythological plot, borrowed from medieval German legends and tales, into the modern bourgeois world, revealing the correspondences between the past and the present. Appeal to allusions and reminiscences in characterizing the characters helps the author to show their difference from the characters of Wagner's opera. The second type of contexts is formed by novels in which writers create their own myths. This is “Princess Zara” by N. Gumilyov, “Inventions (Evening story)” by Z. Gippius and “The Marble Head” by V. Bryusov. In “Princess Zara”, author offers an elegant myth about the immaculate beauty of the Light Virgin of the forests, which periodically changes the outer shell. His myth Gumilyov interweaves in a picturesque view, rich in African exotic and actualizing the sight, hearing, touch and smell of the reader. In the novel "Fiction" Gippius creates a paradoxical situation where the heroine, on the threshold of adulthood, learns about it in every detail, which allows the writer to raise the question of whether a person needs or does not need to know her future and if it is possible to vary and comprehend own life. “The Marble Head” of Bryusov is a complex “text-myth”, written in the form of rondo, which is artistically organized by symbolist ideas about the role of Beauty / Art in human life and about contrasting Beauty with the gray prose of life. "Marble head" can be viewed as a novel of the insight conflict, revealing the moral and psychological crisis of hero. The development of the novel internal conflict is plotted by Bryusov in a form that is based on the representation of V. Solovyov on the triadic nature of world development: thesis – antithesis – synthesis.

scholarly journals Human in the face of global pandemics: historical and psychological review

2021 ◽  
Vol 9 (1 (32)) ◽  
pp. 7-17
Author(s):  
A.L. Ustinov ◽  
◽  
E.S. Naboichenko ◽  
S.V. Chuprakova ◽  
◽  
...  
Keyword(s):  
Middle Ages ◽  
Large Scale ◽  
Human Life ◽  
Medical Knowledge ◽  
Industrial Society ◽  
Psychological Review ◽  
The Past ◽  
The World ◽  
The Individual

The article attempts to analyze the historical and psychological aspects of the world pandemics of the past and present. The authors provide a detailed overview of the world's pandemics and their impact on society and the individual. Historical and psychological reviews allow us to draw a parallel between the large-scale pandemics of the past and the present, which is especially relevant in the light of the COVID-19 pandemic that has engulfed humanity. A logical and reasonable periodization of global pandemics is suggested, and the authors give a detailed description of each stage. The first stage includes the pandemics of traditional and early industrial society that raged in the ancient world, the middle ages, and early modern times. The authors highlight such features as a high mortality rate, localization in certain regions and continents, the connection of the spread of diseases with the processes of population migration, crusades, and great geographical discoveries. The second stage includes the pandemics of the industrial era, which occur in the context of globalization, urbanization and increasing crowding of the population, but become less destructive. The authors associate the third stage with modern pandemics generated by the transition to a post-industrial (information) society. The authors note the reduction in mortality from pandemics, and at the same time mutations of viruses, which forces scientists around the world to constantly search for and develop new vaccines. Historical, cultural and psychological analysis of past pandemics allows us to understand better the psychological features of human life in the context of a new coronavirus infection. The authors reveal the role of technological progress in the fight against global pandemics, the role of virus mutations in the development of medical knowledge.

scholarly journals Ecocriticism and Anthropocentrism in Yann Martel’s Life of Pi

2017 ◽  
Vol 12 (3) ◽  
pp. 883
Author(s):  
Biljana Vlašković Ilić
Keyword(s):  
Human Life ◽  
Main Idea ◽  
Natural World ◽  
The Novel ◽  
Central Idea ◽  
Human Personality ◽  
The World ◽  
The One

Yann Martel’s novel Life of Pi, the winner of numerous prestigious awards, was described as“very bold and extreme with a wonderful central idea” (Irish Examiner 2002). The “central idea” of the novel has been described differently by readers and literary critics around the world. For many, it is Pi’s relationship with the tiger, Richard Parker; for some, it is the decentering of humans in favour of animals; and yet for others, the central idea of Life of Pi lies in Martel’s unusual treatment of religions and their role in human life. In this paper we argue that that the main idea of the novel is Martel’s ecocriticism of humanity in general, and especially the tendency of humans to put themselves at the center of any story, whether about animals or gods. Martel creates a tangled web of many different stories which define Pi’s life in order to prioritize the role of fiction in the development of human personality and dissect the relations between the human, the natural world, and the text. Although he favors the animal story, the final chapter reveals that the only story humans find “real” is the one in which animals are seen as anthropomorphic.

Le premier moment de l’art dans À la recherche du temps perdu de Marcel Proust – une « leçon d’idéalisme » ?

2020 ◽  
pp. 25-40
Author(s):  
Larisa Botnari
Keyword(s):  
Essential Role ◽  
Marcel Proust ◽  
The Self ◽  
Philosophy Of Art ◽  
The Novel ◽  
Philosophical Interpretation ◽  
German Philosopher ◽  
Lost Time ◽  
Aesthetic Thinking

Although very famous, some key moments of the novel In Search of Lost Time, such as those of the madeleine or the uneven pavement, often remain enigmatic for the reader. Our article attempts to formulate a possible philosophical interpretation of the narrator's experiences during these scenes, through a confrontation of the Proustian text with the ideas found in the System of Transcendental Idealism (1800) of the German philosopher F. W. J. Schelling. We thus try to highlight the essential role of the self in Marcel Proust's aesthetic thinking, by showing that the mysterious happiness felt by the narrator, and from which the project of creating a work of art is ultimately born, is similar to the experiences of pure self-consciousness evoked and analyzed by Schellingian philosophy of art.

Ч. АЙТМАТОВДУН «ТООЛОР КУЛАГАНДА» РОМАНЫНДАГЫ ПЕЙЗАЖДЫК СҮРӨТТӨӨЛӨР

2020 ◽  
pp. 92-94
Author(s):  
Н. Алтыкеева ◽  
Б. Ниясалиева
Keyword(s):  
Full Moon ◽  
The Novel ◽  
Additional Tool ◽  
The Sublime ◽  
The World ◽  
State Of Mind ◽  
Inner World ◽  
Aesthetic Values

Аннотация. Макалада романдын мазмунунан орун алган пейзаждык сүрөттөөлөр талкууланат. Пейзаждык сүрөттөөлөр чыгарманын көркөмдүүлүгүн, эстетикалык баалуулугун арттыруу менен катар эле каармандардын образын тереңден ачып берүүдө, окуялардын өнүгүп-өсүшү жана алдыда боло турган окуялар тууралуу окурманга маалымат берүүдө кошумча каражат катары колдонулат. Жазуучу романда пейзаждык сүрөттөөлөрдү өтө кылдат колдонгону байкалат. Алсак, тоо адамдагы улуулук жана бийиктикти айгинелейт, толукшуган ай жан- дүйнөнүн бөксөрбөй толуп турушун көрсөтөт, ачык асмандын алай-дүлөй түшкөн көрүнүшкө айланышы - каармандын ички сезими, уйгу-туйгу ойлонуусу, жан дүйнөсүнүн бурганак болушун ачып көрсөтүүдө маанилүү болсо, чабалекейлердин тынымсыз учуп чабалакташы, жан алакетке түшүп чыйпылдашы – алдыда боло турган кырсыктуу окуя тууралуу кабар берсе, согуштун апааты жашыл шибердин, бак-дарактардын күлгө айланышы, чымчык-куштардын күздү күтпөй кайдадыр учуп кетип жатышы менен түшүндүрүлөт. Tүйүндүү сөздөр: пейзаж. роман, идея, легенда, эпилог, каарман, негизги окуялар. Аннотация. В статье дается пейзажное описание. Пейзажное описание используется в произведении как дополнительное средство эстетических ценностей и помогает раскрыть образы героев, и действия произведения. Писатель в романе тонко использует пейзажное описание. Например горы возвышенное и самое ценное в человеке, а полная луна – счастливое душевное состояние человека, а превращение безоблачного неба в бущующий вид – указывает, как неспокойно в душе главного героя, его беспокойные мысли, как бушует его внутренний мир, а ласточки неспокойно летающие, предвещают несчастье, птицы улетающие раньше времени, превращение зелёной травы, деревьев в пепел предвещают ужасы войны. Ключевые слова: пейзаж. роман, идея, легенда, эпилог, герой, главное событие Annotation. The article discusses the landscape description. The landscape description is used in the work as an additional tool for aesthetic values and helps to reveal the images of heroes, and in the development of the action of the work/ The writer in the novel subtly uses the landscape description. The mountains are the sublime and the most valuable in a person, and the full moon is a happy state of mind of a person, and the transformation of a cloudless sky into a raging view indicates how restless the soul of the protagonist is, his restless thoughts. How his inner world is raging, and the swallows are restlessly flying, foreshadow the misfortune, the birds flying away ahead of time, the transformation of green grass, trees in the forehead the horrors of war. This article describes the idea of the story "Do not kill" which is given instead of the epilogue in the novel "When the mountains fall" which was written by Ch.Aitmatov. It considers the role of a story that calls to live in peace and to end wars that are occurring in the world. Keywords: Landscapе, novel, idea, legend, epilogue, hero, main event.

COVID-19: implications for NHS Staff

2020 ◽  
Vol 14 (4) ◽  
pp. 193-197
Author(s):  
Alan Glasper
Keyword(s):  
World Health ◽  
The Novel ◽  
Emeritus Professor ◽  
The World ◽  
Clinical Environments ◽  
Public Health Institutions ◽  
Health Institutions ◽  
Health Organization ◽  
The University

In light of the emergence in China of COVID-19, the novel corona virus, emeritus professor Alan Glasper, from the University of Southampton discusses the role of the World Health Organization and other public health institutions in responding to potential new global pandemics and deliberates on the role of NHS staff in coping with infectious disease in clinical environments.

Camus's Absurd and the World of Melville's Confidence-Man

PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer
Keyword(s):  
Careful Analysis ◽  
The Other ◽  
The Novel ◽  
The Past ◽  
The World ◽  
Critical Attention ◽  
Confidence Man ◽  
Ugly Duckling ◽  
History Of ◽  
The One

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”

scholarly journals Where Does the World Historian Write From? Objectivity, Moral Conscience and the Past and Present of Imperialism

2011 ◽  
Vol 46 (3) ◽  
pp. 671-685 ◽  
Author(s):  
Richard Drayton
Keyword(s):  
Iraq War ◽  
Imperial History ◽  
The Public ◽  
The Past ◽  
Academic Subject ◽  
The World ◽  
The Future ◽  
Ethical Responsibilities

The contemporary historian, as she or he speaks to the public about the origins and meanings of the present, has important ethical responsibilities. ‘Imperial’ historians, in particular, shape how politicians and the public imagine the future of the world. This article examines how British imperial history, as it emerged as an academic subject since about 1900, often lent ideological support to imperialism, while more generally it suppressed or avoided the role of violence and terror in the making and keeping of the Empire. It suggests that after 2001, and during the Iraq War, in particular, a new Whig historiography sought to retail a flattering narrative of the British Empire’s past, and concludes with a call for a post-patriotic imperial history which is sceptical of power and speaks for those on the underside of global processes.

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