scholarly journals MAKNA SEMIOTIK BUSHU NIKUDZUKI (?) DALAM KAMUS KANJI TADASHIKU KAKERU TADASHIKU TSUKAERU CHUUGAKUKANJI 1130

mezurashii ◽  
2020 ◽  
Vol 2 (2) ◽  
Author(s):  
Yogi Andriant Inzaghi ◽  
Novi Andari

Abstrak: Kanji adalah salah satu huruf yang dipakai oleh masyarkat jepang dalam kehidupan sehari-hari. Salah satu unsur yang mempengaruhi bentuk kanji adalah bushu. Bushu memiliki peranan penting terhadap makna kanji karena masyarakat Jepang juga menggolongkan kanji berdasarkan bushu yang dimiliki kanji tersebut. Semua huruf kanji memiliki bushu yang berfungsi untuk mempermudah dalam memahami kanji. Salah satu bushu yang menarik adalah nikudzuki (?), karena bushu tersebut memiliki bentuk yang mirip dengan kanji tsuki (?) yang berarti “Bulan”, akan tetapi bushu nikudzuki malah tidak berhubungan dengan “Bulan” melainkan berhubugnan dengan “Daging”. Dalam penelitian ini akan mencari tahu makna kanji yang memiliki bushu nikudzuki yang terdapat pada kamus kanji Tadashiku Kakeru Tadashiku Tsukaeru Chuugakukanji 1130. Tujuan penelitian ini untuk memahami makna kanji yang memiliki bushu nikuduzuki. Peneitian ini menggunakan naritachi untuk mengetahui asal-usul pembentukan kanji. Dan menggunakan metode deskriptif sebagai desain penelitan dan kualitatif sebagai pendekatan. Dari semua data yang ditelaah menggunakan analisis semiotik 27 diantaranya memiliki arti yang berkaitan erat dengan bushu nikudzuki (?) atau daging. Sementara 2 data lainnyayaitu? (datsu) dan? (shou) tidak memiliki hubungan erat dengan nikudzuki (?).Kata kunci: Makna, Kanji, Bushu, Nikudzuki Abstract: Kanji is one of the letters used by Japanese people in everyday life. One element that affect the form of kanji is bushu. Bushu has an important part on the meaning of the kanji because Japanese people also classify the kanji based on the kanji’s bushu. All kanji have bushu which functions to make it easier to understand kanji. One interesting bushu is nikudzuki (?), because it has a shape similar to kanji tsuki (?) which means "Moon", but nikudzuki bushu is actually not related to "Moon" but relates to "Flesh". In this research will find out the meaning of the kanji that has the nikudzuki bushu contained in the Kanji dictionary Tadashiku Kakeru Tadashiku Tsukaeru Chuugakukanji 1130. The purpose of this study is to understand the meaning of the kanji that has nikuduzuki bushu. This research uses naritachi to find out the origin of the formation of kanji. And using descriptive methods as a research design and qualitative as an approach. Of all the data analyzed using semiotic analysis, 27 of them have a meaning that is closely related to nikudzuki (?). While 2 other data, ? (datsu) and ? (shou) do not have a close relation with nikudzuki (?). Keywords: Meaning, Kanji, Bushu, Nikudzuki

Author(s):  
Yeşim Kaptan

This article investigates how Turkish audiences conceptualize authenticity in their engagement with foreign television (TV) productions in the case of Danish TV dramas. The theoretical notion of authenticity is juxtaposed with empirical material from fieldwork interactions, focus group interviews, and one-on-one interviews conducted with Turkish audiences between 2016 and 2018. By employing a semiotic analysis of fieldwork data, I argue that Turkish audiences attribute authenticity to the Danish TV drama series according to a socially created modality (truth value of a sign). This article draws on accounts about modality markers in TV drama series such as authentic portrayals of Danish TV characters and plausible-realistic depictions as a verisimilitudinous representation of everyday life. In the context of cross-cultural television viewing practices, the way Turkish audiences attribute meaning to Danish TV series in terms of authenticity, realism, and modality reveals a distinct differentiation between Danish TV dramas and other nationally and globally circulating media products.


2019 ◽  
Vol 10 (3) ◽  
pp. 13-23
Author(s):  
Kosti Joensuu ◽  
Sanna Ryynänen

Games and play are increasingly significant in everyday life. Thus, a philosophical and theoretical consideration of these concepts is needed. This article uses phenomenological hermeneutics to discuss games, play, and gamification; it also addresses the development of gamifying planes within gamification studies. It hypothesizes that the academic discussion of gamification becomes more valid, ontologically, by focusing on the phenomenon and lived experience of play and playing from a phenomenological perspective. It presents an upcoming practical intervention, an empirical research design of case study of playing a virtual game, to demonstrate how the essence of play and the integrated spheres of virtual and real worlds could be approached. Thus, it could provide valuable information that is needed in the fast-developing domain of interventions in gamification and the game-business. On the basis of this study's theoretical findings, a broader ontological notion is suggested to overcome the subjectifying notion of player and the objectifying notion of games and play.


KIRYOKU ◽  
2018 ◽  
Vol 2 (4) ◽  
pp. 38
Author(s):  
Sri Sudarsih

Bushido as a moral teaching contains the principles of virtue to form the soul of a knight. A typical Japanese knight is a Samurai. The moral teaching is inherited verbally from generation to generation until now. Japanese people practice these teachings seriously into everyday life. They live every principle with full sincerity, honesty, and wholeheartedly to form a patriotic soul. The principles of teaching are formulated in writing into seven principles that are inseparable from one another. Because every principle underlies and animates other principles. A Samurai cannot abandon one principle of teaching because if he abandons one principle the quality of a samurai will disappear so that he does not have a patriotic soul. Therefore, Bushido is able to form a patriot who is always superior.


2020 ◽  
Vol 5 (9) ◽  
Author(s):  
Nita Khairani Amanda ◽  
Yayu Sriwartini

<p align="center"><strong>ABSTRAK</strong></p><p>Media massa film dipilih sebagai media yang paling efektif dalam menyampaikan pesan, karena film dapat digunakan sebagai media pembelajaran melalui pesan yang direpresentasikan ke dalam adegan atau narasi cerita. Pelajaran yang dapat diambil berupa pesan moral, atau salah satunya tentang pesan moral pernikahan yang terkandung dalam Film <em>Wedding Agreement. </em>Film ini membahas sisi kehidupan pernikahan yang dipermainkan, dengan adanya perjanjian pernikahan yang menyebutkan pasangan akan bercerai usai satu tahun pernikahan.<em> </em>Jenis penelitian yang digunakan adalah kualitatif  dengan  sifat  penelitian  deskriptif.<em> </em>Penelitian ini mengunakan metode analisis semiotika Roland Barthes, dalam analisis ini terdapat tiga hal inti yang menjadi fokus yaitu makna Denotatif, Konotatif, dan Mitos yang digunakan peneliti sebagai panduan untuk melihat pengambaran terkait pesan moral pernikahan yang tergambar disetiap adegan film. Data yang didapatkan dalam penelitian ini bersumber dari aplikasi Iflix yang menayangkan Film <em>Wedding Agreement </em>dan<em> </em>digabungkan dengan buku-buku yang membahas mengenai film dan pesan moral pernikahan. Hasil penelitian yang menunjukan bahwa representasi pesan moral pernikahan yang tampil dalam film <em>Wedding Agreement, </em>adalah berupa pemenuhan hak dan kewajiban seorang suami istri. Seperti, kewajiban saling menjaga hubungan, mencintai satu sama lain, menghormati satu sama lain, dan memenuhi kebutuhan rumah tangga. Dalam film ini sutradara ingin menonjolkan sisi bagaimana cara seorang pasangan untuk menjaga hubungan mereka dengan menggabungkan nilai budaya pernikahan indonesia dan nilai-nilai pernikahan agama islam yang dapat dijadikan sebuah pembelajaran bagi penonton film <em>Wedding Agreement.</em> Selain itu, film ini tidak hanya memiliki pesan moral pernikahan, tetapi terdapat pesan moral lainnya yang berhubungan dengan kehidupan sehari-hari.</p><p> </p><p><strong>Kata Kunci : </strong>Kata Kunci : Semiotika, Film, Pesan Moral Pernikahan</p><p><strong> </strong></p><p align="center"><strong><em>ABSTRACT</em></strong></p><p><em>Film mass media was chosen as the most effective media in conveying messages, because film can be used as a learning medium through messages that are represented in scenes or narratives of stories. Lessons can be taken in the form of moral messages, or one of them is about the moral messages of marriage contained in the Film Wedding Agreement. This film discusses the side of married life being mocked, with a marriage agreement that says the couple will divorce after one year of marriage. This type of research is qualitative with the nature of descriptive research. This study uses Roland Barthes's semiotic analysis method, in this analysis there are three core things that are the focus, namely the Denotative, Connotative, and Mythical meaning used by researchers as a guide to see the depiction of marriage moral messages drawn in each film scene. The data obtained in this study is sourced from the Iflix application that shows Film Wedding Agreement and is combined with books that discuss the film and the moral message of marriage. The results showed that the representation of the moral message of marriage that appears in the film Wedding Agreement, is in the form of fulfilling the rights and obligations of a husband and wife. Like, the obligation to maintain mutual relations, love one another, respect each other, and meet the needs of the household. In this film the director wants to highlight the side of how a couple to maintain their relationship by combining the cultural values of Indonesian marriage and the values of Islamic religious marriage that can be used as a lesson for filmmakers of the Wedding Agreement. In addition, this film not only has a moral message of marriage, but there are other moral messages related to everyday life.</em></p><p><strong><em>Keywords: </em></strong><em>Semiotics, Film, Marriage Moral Message</em></p>


Author(s):  
Kim Schrøder

Taking its point of departure in the upheavals in the Danish newspaper market spawned by the emergence, in two waves 2001 and 2006, of national free dailies, this research project argues four points: 1. The free newspapers accelerate an emerging division between ‘overview newspapers’ and ‘depth newspapers’. 2. This process is both part of, and a driving force in, a general division between overview and depth news media, across print, broadcasting and net media. 3. An understanding of these complex developments in news provision depends on the empirical exploration of the consumption of news media and genres among consumer-citizens in everyday life. 4. In order to reach specific insights about newspapers in the age of media convergence, such exploration must aim to develop a general map of news consumption across media. At the end, the paper outlines a research design, anchored in theories of civic agency and public connection, that will use the concept of ‘perceived worthwhileness’ to explore the patterns of media use among Danish citizenconsumers with an innovative methodology. The research project has the dual aim of understanding our contemporary media culture and feeding insights into the editorial processes of the news media.


2016 ◽  
Vol 2 (1) ◽  
Author(s):  
Sri Mulyani

The aims of this research is to describe the kind of symbols used on internet chatting. Besides elaborating the relation between the symbol and the signee. And the last one of study is to describe the meaning of the symbols used in internet chatting. Since the research explores the symbols used in the internet chatting, qualitative approach is deemed to be the precise research design. The data obtained are described comprehensively by classifying the symbols, analyzing the representation of the symbols based on semiotic approach, and interpreting the meaning of symbols based on the context of the internet chatting text. The findings show that the symbols consists of number, letter, combination of number and letter, and the emoticons or smiley. The sample of the number, consist of ‘2’ and ‘4’. For the letter consist of ‘R’, ‘U’, ‘b’, ‘Ur’, ‘ASL’, ‘btw’, and so on. For emoticons consist of ‘:-)’, ‘:-(‘, ‘:-P’, ‘:-D’, ‘:-C’, ‘;-)’, ‘:- ))’, ‘:~’, ‘|-)’, ‘(-_-)’, ‘^_^’, ‘:-|’, and ‘8-O’. Those symbols have different meaning or references with different interpreters because they can be interpreted in denotative level as signifier or in connotative level as signified.


2012 ◽  
Vol 40 (3) ◽  
pp. 473-489 ◽  
Author(s):  
James Dawson

Ethnicity is found in real-world contexts where non-ethnic forms of identification are available. This conclusion is drawn from an empirical study carried out in the multiethnic town of Kurdzhali in Southern Bulgaria, where members of the Bulgarian majority live alongside the Turkish minority. Drawing on the “everyday nationhood” agenda that aims to provide a methodological toolkit for the study of ethnicity/nationhood without overpredicting its importance, the study involved the collection of survey, interview, and ethnographic data. Against the expectations of some experienced scholars of the Central and Eastern Europe region, ethnic identity was found to be more salient for the majority Bulgarians than for the minority Turks. However, the ethnographic data revealed the importance of a rural–urban cleavage that was not predicted by the research design. On the basis of this finding, I argue that the “everyday nationhood” approach could be improved by including a complementary focus on non-ethnic attachments that have been emphasized by scholarship or journalism relevant to the given context. Rather than assuming the centrality of ethnicity, such an “everyday identifications” approach would start from the assumption that ethnic narratives of identity always have to compete with non-ethnic ones.


2016 ◽  
Vol 2 (1) ◽  
pp. 49
Author(s):  
Sri Mulyani

The aims of this research is to describe the kind of symbols used on internet chatting. Besides elaborating the relation between the symbol and the signee. And the last one of study is to describe the meaning of the symbols used in internet chatting. Since the research explores the symbols used in the internet chatting, qualitative approach is deemed to be the precise research design. The data obtained are described comprehensively by classifying the symbols, analyzing the representation of the symbols based on semiotic approach, and interpreting the meaning of symbols based on the context of the internet chatting text. The findings show that the symbols consists of number, letter, combination of number and letter, and the emoticons or smiley. The sample of the number, consist of ‘2’ and ‘4’. For the letter consist of ‘R’, ‘U’, ‘b’, ‘Ur’, ‘ASL’, ‘btw’, and so on. For emoticons consist of ‘:-)’, ‘:-(‘, ‘:-P’, ‘:-D’, ‘:-C’, ‘;-)’, ‘:- ))’, ‘:~’, ‘|-)’, ‘(-_-)’, ‘^_^’, ‘:-|’, and ‘8-O’. Those symbols have different meaning or references with different interpreters because they can be interpreted in denotative level as signifier or in connotative level as signified.Keywords: symbols; internet; chatting; semiology


Author(s):  
Raouf Aminzadeh

This   article is an attempt to focus on Interior by Maeterlinck in the light of Absurd tradition. Maeterlinck employed symbols to illuminate nature, spirituality, existence, and the innumerable and invisible forces that shape our existence. Maeterlinck uses symbolism to explore the theme of death that is omnipotent in everyday life. The Interior 's central theme is death. Maeterlinck generates suspense by juxtaposing the characters' uneasiness in the garden with the family's peace and ignorance within the house. In order to reach this aim, the researchers decide to explain the theatre of the Absurd and its elements. Maeterlinck distrust of language is shown in his distrust of words, using repetitions, silences, pauses and some other tactics. The existential theme and contents used in selected play are discussed. Themes such as: death, lack of individuality and lack of communication in mentioned play is discussed. Moreover, this article also contains a comparative study of the structure of the two.


2014 ◽  
Vol 5 (1) ◽  
pp. 203
Author(s):  
Andrea Pitasi

<p>The concept of complex systems is one of the most common and abused by sociological semantics. Both complexity and system are epistemological terms which contribute to reshape the scientific research design and conceptual frames. Nevertheless, complexity and system are often used by everyday life in several misleading ways: for example complex is often meant by common sense as a synonym for difficult, complicate, hard to understand, obscure and system is used by common sense as a synonym of “way “ or mechanism and is often geographically rooted (the Italian political system, for instance). Common sense generates misleading uses and affects public opinion about the understanding of science. This paper is not focused on the history and evolution of the concept of complex system it rather is aimed at reconstructing this concept in the current sociological depistemology to let complex systems fully express their revolutionary and reconfigurational powers for social and political science research</p>


Sign in / Sign up

Export Citation Format

Share Document