scholarly journals Human Fetal Development And The Ways Of Asthabrata As An Idea In The Creation Of Sinjang Batik Tulis

2020 ◽  
Vol 1 (2) ◽  
pp. 96-106
Author(s):  
Danang Priyanto ◽  
FP Sri Wuryani
Keyword(s):  
Fetal Development ◽  
Human Life ◽  
Human Beings ◽  
The Moon ◽  
Development Stages ◽  
The Sublime ◽  
The Creation ◽  
The Universe ◽  
Human Fetal Development ◽  
Full Protection

Human beings which are wired as leaders should live based on the practice of transcendent value and total clarity on noble deeds. It functions as a guideline in living to avoid the crisis of morality that often occurs today. One of the values in this leadershipquality is the teaching of asthabrata containing the noble deeds of a leader who symbolized in the elements of the universe: the fire, the ground, the water, the air, the moon, the clouds, the sun, and the stars. The stage of human fetal development occurs from the age of one to nine months. These stages, along with the teachings of asthabrata become the base of an idea in the creation of batik art. The idea comes from the question of how to process the development stages of human fetal and ways of asthabrata as a base on creating the batik artwork which conveys sublime values about leadership. The purpose of this batik artwork creation are:incorporating the concept of human fetal development as part of human life cycle with the tradition of batik; Conveying the sublime sublime of leadership based on the asthabrata which refers to human nature as a natural born leader. The creation processcovering the method of design exploration, design process, and batik as a result of design by establishing the combination ofhuman fetal development and the asthabrata. The result shows nine sinjang batik tulis artworks, covering; Hamasesa Tan Pilih Warna (manage without seeing the color), Sukci (sacred), Hanguripi Sagung Dumadi (give strength to all life), Girise Kang Samya Miyat (be who you want to see), Sorota Hayem Angayomi (make peaceful and full protection), Jembar Tanpa Pagut(sincerity without limit), Muntir Tan Ana Pedhote (infinite rotation), Panengeraning Keblad (signpost), and Ngudi Kasampurnan(sharpening perfection). 

A Rapture of the Nerds? A Comparison between Transhumanist Eschatology and Christian Parousia

2019 ◽  
Vol 24 (2) ◽  
pp. 343-367
Author(s):  
Roberto Paura
Keyword(s):  
Human Brain ◽  
Point Theory ◽  
The Body ◽  
Christian Theology ◽  
Human Beings ◽  
Human Species ◽  
The Future ◽  
The Creation ◽  
The Universe

Transhumanism is one of the main “ideologies of the future” that has emerged in recent decades. Its program for the enhancement of the human species during this century pursues the ultimate goal of immortality, through the creation of human brain emulations. Therefore, transhumanism offers its fol- lowers an explicit eschatology, a vision of the ultimate future of our civilization that in some cases coincides with the ultimate future of the universe, as in Frank Tipler’s Omega Point theory. The essay aims to analyze the points of comparison and opposition between transhumanist and Christian eschatologies, in particular considering the “incarnationist” view of Parousia. After an introduction concern- ing the problems posed by new scientific and cosmological theories to traditional Christian eschatology, causing the debate between “incarnationists” and “escha- tologists,” the article analyzes the transhumanist idea of mind-uploading through the possibility of making emulations of the human brain and perfect simulations of the reality we live in. In the last section the problems raised by these theories are analyzed from the point of Christian theology, in particular the proposal of a transhuman species through the emulation of the body and mind of human beings. The possibility of a transhumanist eschatology in line with the incarnationist view of Parousia is refused.

Education as Arikara Spiritual Renewal and Cultural Evolution

2014 ◽  
Vol 54 (3) ◽  
pp. 303-322 ◽  
Author(s):  
KuuNUx TeeRIt Kroupa
Keyword(s):  
Deep Understanding ◽  
Cultural Development ◽  
Human Beings ◽  
Old People ◽  
New Beginning ◽  
The People ◽  
History Of ◽  
The Creation ◽  
First Time ◽  
The Universe

In May 2009, the Arikara returned to the land of their ancestors along the Missouri River in South Dakota. For the first time in more than a half century, a Medicine Lodge was built for ceremony. The lodge has returned from its dormant state to regain its permanent place in Arikara culture. This event will be remembered as a significant moment in the history of the Arikara because it symbolizes a new beginning and hope for the people. Following this historic event, Arikara spiritual leader Jasper Young Bear offered to share his experience and deep insight into Arikara thought: You have to know that the universe is the Creator's dream, the Creator's mind, everything from the stars all the way to the deepest part of the ocean, to the most microscopic particle of the creation, to the creation itself, on a macro level, on a micro level. You have to understand all of those aspects to understand what the lodge represents. The lodge is a fractal, a symbolic representation of the universe itself. How do we as human beings try to make sense of that? That understanding, of how the power in the universe flows, was gifted to us through millennia of prayer and cultural development… It is important for us to internalize our stories, internalize the star knowledge, internalize those things and make that your way, make that your belief, because we're going to play it out inside the lodge. It only lives by us guys interacting with it and praying with it and bringing it to life… We're going to play out the wise sayings of the old people… So you see that it's an Arikara worldview. A learning process of how the universe functions is what you're actually experiencing [inside the Medicine Lodge]. What the old people were describing was the functioning of how we believed the universe behaves. And we had a deep, deep understanding of what that meant and how it was for us. So that's what you're actually seeing in the Medicine Lodge.

scholarly journals GENETINIS DISKURSAS MEDIJŲ KULTŪROJE: GUNDYMAS PREKINIU NEMIRTINGUMU

Problemos ◽  
2009 ◽  
Vol 76 ◽  
pp. 52-65
Author(s):  
Vytautas Rubavičius
Keyword(s):  
Genetically Modified Organisms ◽  
Private Property ◽  
World View ◽  
Human Life ◽  
Media Culture ◽  
Human Beings ◽  
Proper Form ◽  
The Future ◽  
The Difference ◽  
The Universe

Straipsnyje grindžiama nuomonė, jog postmodernybė yra iš modernybės kylantis kapitalizmo sistemos būvis, kuriam būdinga gyvybės suprekinimas ir suišteklinimas. Postmodernybę charakterizuoja populiariosios ir medijų kultūros išplitimas. Tos kultūros apima ne tik kultūros prekes, bet ir vartojimo būdus, įgūdžius ir jų lavinimą. Pastaruoju metu jos kuria nemirtingumo vaizdiniams bei nuojautoms palankią kultūrinę, intelektinę ir pasaulėvaizdinę terpę, kurioje struktūriškai įsitvirtina genetinis diskursas ir jo nustatomos žmogaus ir jo gyvenamo pasaulio aiškinimo gairės. Svarbus šio diskurso bruožas yra technologinis inžinerinis jo pobūdis, išryškėjęs susiejant nano ir biotechnologijas, kuriomis tikimasi įveikti gyvąją ir negyvąją gamtą skiriančią prarają, iš reikalingų atomų bei molekulių kuriant reikalingų ląstelių dalis ir klonuojant gyvas būtybes. Gyvybė suprekinama ir suišteklinama patentuojant gyvybės elementus – genus ir su jais susijusius procesus. Daroma išvada, jog visi genetikos, informatikos ir kitų mokslų laimėjimai, teikiantys žmogaus gyvenimo ilginimo galimybių, kurios palaiko gundančią nemirtingumo idėją, jau yra persmelkti prekinių santykių, tad ir pats nemirtingumas įmanomas tik kaip prekė. Aptariami kai kurie evoliuciniai ir religiniai techno sapiens sampratos aspektai. Detaliau gvildenamos dvi „nemirtingumo“ versijos: Z. Baumano, kuris nemirtingumo pažadą sieja su kompiuterinės technikos plėtra prasidėjus „Antrajai medijų erai“, ir J. Baudrillard’o, tegiančio, jog klonavimo technologijos „apgręžia“ evoliuciją ir žmogų gundo virusiniu ar vėžiniu belyčiu nemirtingumu.Pagrindiniai žodžiai: genetinis diskursas, klonavimas, medijų kultūra, nanobiotechnologijos, nemirtingumas, suprekinimas.Genetic Discourse in Media Culture: Temptation by Commodified ImmoralityVytautas Rubavičius   SummaryPostmodernity is maintained as a stage of the development of capitalism. The difference between modernity and postmodernity is explained in relation to the new sphere of commodification and resourcification, namely, that of life and of all natural living processes. Postmodern media culture, or popular culture, is peopled by signs of immortality and various kinds of immortals – cyborgs, clones, zombies, immortal human beings and others. Thus, culture accustoms a consumer to immortals and immortality which is concidered as the main goal of a human being and evolution. By nano-bio-technologies and genetic discourse this goal is made scientifically valid, thus reachable. Genetic discourse is becoming the fundamental world-view providing focal landmarks for the emerging future. Media culture supports the spreading of genetic discourse and facilitates its understanding. The temptation by immortality can be considered as a version of modernist ideology of human liberation from various natural, social and heavenly bonds. This liberation, and also secularization, is supported by a scientific genetic technological discourse which is becoming a stimulating factor of postmodern media production. The genetic explanation of the world is particularly handy for technological reflexivity: the entire world is as if encapsulated into human genes, which become the principle explaining the mystery of life, evolution and the future of humanity, thus rendering power to produce the human proper form and the future of people. All the possibilities stemming from the new genetic and biotech discoveries fell under the regulation of property relations by patenting, thus making “immortality” – as a temptation and brand – not only an exeptional commodity, but also a political tool and a commodifying force. As the relationships of private property have penetrated natural biogenetic diversity and, having turned it into a resource, the cognitive subject has reached the goal to secularise the Universe, which he has set for himself: only he as the owner and producer of genes lures people with the eternal shapes of the clones and their genetic information, which will be sustained in any location of the Universe. The temptation by “immortality” will become even stronger when the genetic code is mastered. The future of humanity is related to the mixed forms of life, trans-genic or otherwise genetically modified organisms and techno-human forms that will help to postpone, and later to conquer, death. Even thinkers with religious tendencies perceive the technological improvement of human beings as their evolution towards the techno sapiens and consider such a development as an advancement towards the Kingdom of God. The technologization of human beings is imagined in terms of their divination. Yet in this case the character of contemporary science secularising God and obliterating the perception of divinity is overlooked. Two versions of immortality are analyzed more closely – that of Z. Bauman, who links it with the development of computer technologies, and that of J. Baudrillard, who gives a warning that by cloning technologies humanity is trying to inverse the evolution and to return to the undifferentiated state of cells. The conclusion is drawn that regardless of how we understand ‘immortality,’ argue over its reality or unreality, all possibilities to prolong human life granted by genetics, informatics and other advances in science and technologies, which support the tempting idea of immortality, have already been penetrated by commodity relationships; therefore, “immortality” itself will be available only as a commodity.Keywords: cloning, commodification, genetic discourse, immortality, media culture, nano-bio-technologies.

Awe

2019 ◽  
pp. 120-152
Author(s):  
John Marsh
Keyword(s):  
Big Bang ◽  
Human Beings ◽  
James Agee ◽  
Grapes Of Wrath ◽  
Empire State Building ◽  
The Sublime ◽  
Long Jump ◽  
The Big Bang ◽  
Island Universes ◽  
The Universe

By awe, philosophers and psychologists mean the sensation that overcomes someone in the presence of something simultaneously vast, powerful, and, when compared to humans, strangely humbling. The chapter begins with a review of amazing discoveries such as island universes, the expanding universe, and the Big Bang that altered the understanding of the universe and made the solar system “seem but a speck of dust in infinite space.” It then turns to other sources of awe, or the Depression sublime: the Empire State Building; Jesse Owens’s record-setting long jump at the 1936 Berlin Olympics; the moral heroism of the Joads in John Steinbeck’s The Grapes of Wrath; and James Agee and Walker Evans’s deification of tenant farmers in Let Us Now Praise Famous Men. Whereas most accounts of the sublime involve the vastness of nature overwhelming human beings, during the Depression human beings themselves became a source of the sublime.

That “Fatty Lump”

NAN Nü ◽  
2012 ◽  
Vol 14 (2) ◽  
pp. 177-221 ◽  
Author(s):  
Jessey J.C. Choo
Keyword(s):  
Fetal Development ◽  
Filial Piety ◽  
Human Life ◽  
Negative Attitude ◽  
Han Dynasty ◽  
Child Relationship ◽  
Chinese Texts ◽  
Five Phases ◽  
Mother Child Relationship ◽  
The Universe

The fetus and fetal development were discussed in early imperial Chinese texts of various genres, which often approached these matters in one or more of the following terms: (1) the cosmic (human life begins and matures in the same way as the rest of the universe, following the interplay of yin and yang); (2) the correlative (the fetus grows according to the Five Phases, all things corresponding to them going through a cycle of changes that give rise to and diminish one another); and (3) the Indic-Buddhist (the fetus comes into being and suffers as a result of karma). These texts do not always present the perspective of the expectant parents on pregnancy; the perspective of the fetus on gestation in particular is prominent in the texts bearing Indic-Buddhist influences. This paper argues that over time the confluence of concepts and metaphors presented in these texts added up to an extremely negative attitude widely held toward the fetus and childbirth. This negativity in turn reinforced, and was reinforced by, the concepts and practices of filial piety that emerged in the centuries following the collapse of the Han dynasty, which were different from those that came before. It also profoundly transformed and enhanced the mother-child bond at the expense of that of the father and child. In particular, the salvational dimension of the mother-child relationship, introduced by Buddhism, made possible a women-centered interpretation of filial piety.

scholarly journals Laurence Housman’s The Moon-Flower and Victorian Mystic Imagination

2017 ◽  
Vol 52 (3) ◽  
pp. 377-392
Author(s):  
Emilia Wieliczko-Paprota
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
The Moon ◽  
Religious Traditions ◽  
Mystical Union ◽  
The Sublime ◽  
Open The Doors ◽  
The Universe ◽  
The Doors

Abstract The paper explores the theme of mysticism in Laurence Housman’s fairy tale “The Moon-Flower” (1895). It presents the main assumptions of a Victorian inner journey toward a mystical union and analyses symbols which construct the inner landscape which undergoes a mystic transformation. The author attempts to show the metamorphosis of the fairy tale’s main characters and identify its roots in both fairy tale and religious traditions. It is argued that Victorian fairy tales reflect a credible quintessence of the universe. The retold tales of an archetypical quest full of powerful symbols uncover the sublime world hidden under the dull reality. Hence, “The Moon-Flower” is believed to tell the story of inner transformation and open the doors to the myriad stories which were told before and create countless possibilities of interpretation.

scholarly journals Angelic Dynamism: Humanity in Paul Klee’s Drawing Series of 1939–1940

2021 ◽  
Vol 11 (3) ◽  
pp. 512-531
Author(s):  
Sergey P. Purgin ◽  
Keyword(s):  
Walter Benjamin ◽  
Human Life ◽  
Time History ◽  
Main Theme ◽  
Human Beings ◽  
Temporal Dimension ◽  
Artistic Style ◽  
European Tradition ◽  
The Moment ◽  
The Universe

Since Walter Benjamin in “The Theses on the Philosophy of History” showcased Paul Klee’s angels, they remain mysterious figures that represent time, history or soul. The article focuses on the series of drawings that were created in the artist’s later period (1939−1940). The series can be regarded as the artist’s final will and testament as it expresses Klee’s condensed philosophy and mature views on man’s place in the universe. It also reflects the master’s cherished artistic methods and techniques, consistently honed in on during the course of his life. The author studies the relations within the series and the series relation to other artworks by Klee. It is demonstrated that it is humankind that is the main theme of the series. By contrasting human and angelic forms in his drawings Klee reinvigorates the European tradition of defining humanity through its relation to angelic orders and through its position on the hierarchy of creation. However, Klee strives to re-imagine the universe as a whole, for him it is not the ladder of perfections, which rises to angels and God. Therefore, the relations between human and angelic creatures are intimately familial rather than hierarchical. The author highlights that the artistic style and techniques emphasize visual dynamic and form creation (“formation”). In depicting angels, the artist brings forth his concern with temporal dimension of human nature and its significance in human life. Thus, in this dynamic interrelation, human beings become “angelic grotesque” with their own ontic temporality. This temporality specific to human creatures is defined as the “moment that transcends itself ” — since the latter is essentially “ecstatic” and “self-propelling”.

scholarly journals PSYCHOLOGICAL USE OF COLORS IN THE FIELD OF MEDICINE

2014 ◽  
Vol 2 (3SE) ◽  
pp. 1-3
Author(s):  
Ashish Kumar Tomar
Keyword(s):  
Human Brain ◽  
Human Life ◽  
The Sun ◽  
Human Beings ◽  
The Moon ◽  
Human Happiness ◽  
Deep Relationship ◽  
The Mind ◽  
Definite Role

Color is an integral part of our life. Colors have such a deep relationship with human life that one cannot realize human happiness in a colorless world. It is only through colors that we can see from the greenery of the nature to the golden light of the sun, the blue of the sky, the black of the clouds and the light of the moon. The seven-color rainbow line drawn in the clouds tells a beautiful story of each color. Seeing which the mind becomes a part of the colorful world. Colors also have a definite role in the multi-colored life of human beings. Colors have a profound effect on the human brain. Modern psychologists believe that the likes of color and influence affect the entire equation of a man's life. This strength of colors has also made it useful for healing. There are many diseases, colors are used for the treatment of them. Due to these characteristics, it has been named color therapy. रंग हमारे जीवन का एक अभिन्न हिस्सा है। रंगों का मानव जीवन के साथ इतना गहरा रिश्ता है कि बेरंग दुनिया में मानव खुशियों का एहसास ही नहीं कर सकता। रंगों के माध्यम से ही प्रकृति की हरियाली से लेकर सूरज की सुनहरी रोशनी, आसमान का नीलापन, बादलों की काली घटाएं और चन्द्रमा का उजलापन देख पाते है। बादलों में खिंचती सात रंगों की इन्द्रधनुषी रेखा प्रत्येक रंग की सुन्दर कहानी बयां करती है। जिसे देखकर मन रंगीन दुनिया का हिस्सा बन जाता है। मनुष्य के बहुरंगों जीवन में रंगों की भी एक निश्चित भूमिका होंती है। रंग मनुष्य के मस्तिष्क पर गहरा असर डालते है। आधुनिक मनोवैज्ञानिकों की मान्यता है कि रंगों की पसन्द व प्रभाव से आदमी की जिन्दगी का पूरा समीकरण प्रभावित होता है। रंगों की इस ताकत ने उसे उपचार के लिए भी उपयोगी बना दिया है। कईं सारी बीमारियाँ है, जिनके उपचार के लिए रंगों का इस्तेमाल किया जाता है। इन खूबियों के कारण इसे कलर थेरेपी यानी रंग चिकित्सा का नाम दिया गया है।

Plato’s Philebus

Classics ◽  
2018 ◽  
Author(s):  
Sylvain Delcomminette
Keyword(s):  
Human Life ◽  
Hierarchical Classification ◽  
Cosmological Argument ◽  
Scholarly Work ◽  
Human Beings ◽  
The World ◽  
Relative Neglect ◽  
The 19Th Century ◽  
The Universe

The Philebus is almost unanimously considered as one of Plato’s last dialogues, probably written around the same time as the Timaeus. Unlike other late dialogues, however, it takes the more conventional form of a conversation between Socrates and two interlocutors: Philebus and Protarchus. Philebus in fact refuses to discuss and remains silent for most of the dialogue, leaving to Protarchus the task of defending hedonism against the attacks of intellectualism championed by Socrates. The Philebus is a particularly rich and difficult work, which has often been viewed as messy. Although it has received the subtitle “On pleasure” since Antiquity, it contains, besides a lengthy examination of pleasure that notably argues for the possibility of false pleasures, a reflection on the relations between unity and plurality, an exposition of dialectic presented as a “god-given” and “heavenly” method, a fourfold classification of “all there is,” a cosmological argument purported to show that the world is governed by intelligence, and a hierarchical classification of the different kinds of knowledge. All these elements are integrated in a quest for “the good,” which at the beginning of the dialogue is identified to the best human life, but at the end seems to gain greater generality and concern not only human beings but also the whole or the universe. Are all these themes supposed to connect somehow, and if they are, in what manner? This question was already debated by the Neoplatonist commentators and was taken over by modern scholarship since the 19th century. Another question that has provoked scholars is the relation between the “metaphysics” exposed in the dialogue and Plato’s “unwritten doctrines” referred to by Aristotle. However, the greatest part of scholarship on the Philebus is currently devoted to scrutinize a theme or a portion of the text itself. After a relative neglect, this dialogue has indeed become the focus of much scholarly work during the last decades. The present bibliography had consequently to be highly selective and favors the most useful starting-points for further explorations of the wealthy literature devoted to this fascinating text.

Images at Work

2018 ◽  
Author(s):  
David Morgan
Keyword(s):  
Problem Solving ◽  
Material Culture ◽  
Human Life ◽  
Human Beings ◽  
Independent Action ◽  
Rational Agents ◽  
The World ◽  
Action At A Distance ◽  
The Universe

Advocates of the ideology of modern progress and rationalism are fond of regarding human beings as rational agents and the universe as a collection of inanimate things that obey laws and do not exhibit agency. Yet evidence of nonrational practices of enchantment abounds in every part of human life: people commonly regard things as capable of independent action and expect the universe to respond to their desire for magic, miracles, and action at a distance. Clearly, rationalism is not as pervasive or singularly influential as some would insist. Enchantment consists of the things we do and how we do them to make the world go our way. This book argues that enchantment is not simply an irrational, primitive impulse that needs to be curbed or eliminated, but should be understood as problem solving. Images are ways of working on the world to achieve what people need. Images at Work explores how images operate, what their effects on viewers are, and how enchantment can be understood as visual dynamics that we need to take seriously. Enchantment is more than religion and is not identical with magic. And its effects are not fully discernible apart from its material culture because enchantment is about things and our engagement with them.

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