Plato’s Philebus

Classics ◽  
2018 ◽  
Author(s):  
Sylvain Delcomminette

The Philebus is almost unanimously considered as one of Plato’s last dialogues, probably written around the same time as the Timaeus. Unlike other late dialogues, however, it takes the more conventional form of a conversation between Socrates and two interlocutors: Philebus and Protarchus. Philebus in fact refuses to discuss and remains silent for most of the dialogue, leaving to Protarchus the task of defending hedonism against the attacks of intellectualism championed by Socrates. The Philebus is a particularly rich and difficult work, which has often been viewed as messy. Although it has received the subtitle “On pleasure” since Antiquity, it contains, besides a lengthy examination of pleasure that notably argues for the possibility of false pleasures, a reflection on the relations between unity and plurality, an exposition of dialectic presented as a “god-given” and “heavenly” method, a fourfold classification of “all there is,” a cosmological argument purported to show that the world is governed by intelligence, and a hierarchical classification of the different kinds of knowledge. All these elements are integrated in a quest for “the good,” which at the beginning of the dialogue is identified to the best human life, but at the end seems to gain greater generality and concern not only human beings but also the whole or the universe. Are all these themes supposed to connect somehow, and if they are, in what manner? This question was already debated by the Neoplatonist commentators and was taken over by modern scholarship since the 19th century. Another question that has provoked scholars is the relation between the “metaphysics” exposed in the dialogue and Plato’s “unwritten doctrines” referred to by Aristotle. However, the greatest part of scholarship on the Philebus is currently devoted to scrutinize a theme or a portion of the text itself. After a relative neglect, this dialogue has indeed become the focus of much scholarly work during the last decades. The present bibliography had consequently to be highly selective and favors the most useful starting-points for further explorations of the wealthy literature devoted to this fascinating text.

Author(s):  
David Morgan

Advocates of the ideology of modern progress and rationalism are fond of regarding human beings as rational agents and the universe as a collection of inanimate things that obey laws and do not exhibit agency. Yet evidence of nonrational practices of enchantment abounds in every part of human life: people commonly regard things as capable of independent action and expect the universe to respond to their desire for magic, miracles, and action at a distance. Clearly, rationalism is not as pervasive or singularly influential as some would insist. Enchantment consists of the things we do and how we do them to make the world go our way. This book argues that enchantment is not simply an irrational, primitive impulse that needs to be curbed or eliminated, but should be understood as problem solving. Images are ways of working on the world to achieve what people need. Images at Work explores how images operate, what their effects on viewers are, and how enchantment can be understood as visual dynamics that we need to take seriously. Enchantment is more than religion and is not identical with magic. And its effects are not fully discernible apart from its material culture because enchantment is about things and our engagement with them.


The dialogue between the Poet and Nature includes discussion of pure Soul with pure Reason since the late 18th century. The literary discussion was based on thesis of infinite and antithesis of the final human nature. Literary personifications and comparisons characterized a personality temperament as a type of universal nature and psychophysical parallelism. The Greek concept of cyclical time has been problematical for philosophers and poets and became concept of epoch in the work about Seasons, where Winter, Spring, Summer and Autumn symbolized the human life: birth, death, maturity and decline. The nature is represented in poetry on both directions vertically and horizontally. There also existed a tradition of allegorical interpretation of soul from pagan myths. Metamorphoses of soul have been observed in the mythopoetical paradigm of “death and life” including a medieval motif of tragic incompatibility between Man and God. In ancient tradition the universe and the natural laws are personified in allegorical terms, and the earth is represented as a giant living organism. The later poetry is similarly intended to illustrate these ideas assimilated into the concrete lived experience. Since the 19th century attention was given to human beings and to the soul in dissolution with nature.


Author(s):  
Abbas Mohammadi

Cinema consists of two different dimensions of art and instrument. A tool that mixes with art and represents society in which anything can be depicted for others. But art has always sought to portray the beauties of this universe. The beauty that lies within philosophy. Since the advent of human beings, men have always sought to dominate and abuse women for their own benefit. In the 19th century, cinema entered the realm of existence and found its place in the human world. With the empowerment of cinema in the world, filmmakers tried to achieve their goals by using this tool.Many filmmakers use women as a propaganda tool to attract a male audience. In many films, when the hero of a movie succeeds in reaching a woman, or in doing so, she is succeeded by a woman. In this way, of course, women themselves are not faultless and have helped men abuse women. Afghanistan, a traditional and male-dominated country, has not been the exception, and in many Afghan films women have been instrumental zed and used in various ways to benefit men, and we have seen fewer films in which women be a movie hero or a woman in a movie like a man. This kind of treatment of women in Afghan films has caused other young Afghan girls to not have a positive view of Afghan cinema.


2008 ◽  
Vol 4 (1-2 (5)) ◽  
pp. 112-119
Author(s):  
Gayane Petrosyan

The poetry of the world-renowned poetess Emily Dickenson received general acclaim in the fifties of the previous century, 70 years after her death. This country-dwelling lady who had locked herself from the surrounding world, created one of the most precious examples of the 19th century American poetry and became one of the most celebrated poets of all time without leaving her own garden.Her soul was her universe and the mission of Dickenson’s sole was to open the universe to let the people see it. Interestingly, most of her poems lack a title, are short and symbolic. The poetess managed to disclose the dark side of the human brain which symbolizes death and eternity.


Problemos ◽  
2009 ◽  
Vol 76 ◽  
pp. 52-65
Author(s):  
Vytautas Rubavičius

Straipsnyje grindžiama nuomonė, jog postmodernybė yra iš modernybės kylantis kapitalizmo sistemos būvis, kuriam būdinga gyvybės suprekinimas ir suišteklinimas. Postmodernybę charakterizuoja populiariosios ir medijų kultūros išplitimas. Tos kultūros apima ne tik kultūros prekes, bet ir vartojimo būdus, įgūdžius ir jų lavinimą. Pastaruoju metu jos kuria nemirtingumo vaizdiniams bei nuojautoms palankią kultūrinę, intelektinę ir pasaulėvaizdinę terpę, kurioje struktūriškai įsitvirtina genetinis diskursas ir jo nustatomos žmogaus ir jo gyvenamo pasaulio aiškinimo gairės. Svarbus šio diskurso bruožas yra technologinis inžinerinis jo pobūdis, išryškėjęs susiejant nano ir biotechnologijas, kuriomis tikimasi įveikti gyvąją ir negyvąją gamtą skiriančią prarają, iš reikalingų atomų bei molekulių kuriant reikalingų ląstelių dalis ir klonuojant gyvas būtybes. Gyvybė suprekinama ir suišteklinama patentuojant gyvybės elementus – genus ir su jais susijusius procesus. Daroma išvada, jog visi genetikos, informatikos ir kitų mokslų laimėjimai, teikiantys žmogaus gyvenimo ilginimo galimybių, kurios palaiko gundančią nemirtingumo idėją, jau yra persmelkti prekinių santykių, tad ir pats nemirtingumas įmanomas tik kaip prekė. Aptariami kai kurie evoliuciniai ir religiniai techno sapiens sampratos aspektai. Detaliau gvildenamos dvi „nemirtingumo“ versijos: Z. Baumano, kuris nemirtingumo pažadą sieja su kompiuterinės technikos plėtra prasidėjus „Antrajai medijų erai“, ir J. Baudrillard’o, tegiančio, jog klonavimo technologijos „apgręžia“ evoliuciją ir žmogų gundo virusiniu ar vėžiniu belyčiu nemirtingumu.Pagrindiniai žodžiai: genetinis diskursas, klonavimas, medijų kultūra, nanobiotechnologijos, nemirtingumas, suprekinimas.Genetic Discourse in Media Culture: Temptation by Commodified ImmoralityVytautas Rubavičius   SummaryPostmodernity is maintained as a stage of the development of capitalism. The difference between modernity and postmodernity is explained in relation to the new sphere of commodification and resourcification, namely, that of life and of all natural living processes. Postmodern media culture, or popular culture, is peopled by signs of immortality and various kinds of immortals – cyborgs, clones, zombies, immortal human beings and others. Thus, culture accustoms a consumer to immortals and immortality which is concidered as the main goal of a human being and evolution. By nano-bio-technologies and genetic discourse this goal is made scientifically valid, thus reachable. Genetic discourse is becoming the fundamental world-view providing focal landmarks for the emerging future. Media culture supports the spreading of genetic discourse and facilitates its understanding. The temptation by immortality can be considered as a version of modernist ideology of human liberation from various natural, social and heavenly bonds. This liberation, and also secularization, is supported by a scientific genetic technological discourse which is becoming a stimulating factor of postmodern media production. The genetic explanation of the world is particularly handy for technological reflexivity: the entire world is as if encapsulated into human genes, which become the principle explaining the mystery of life, evolution and the future of humanity, thus rendering power to produce the human proper form and the future of people. All the possibilities stemming from the new genetic and biotech discoveries fell under the regulation of property relations by patenting, thus making “immortality” – as a temptation and brand – not only an exeptional commodity, but also a political tool and a commodifying force. As the relationships of private property have penetrated natural biogenetic diversity and, having turned it into a resource, the cognitive subject has reached the goal to secularise the Universe, which he has set for himself: only he as the owner and producer of genes lures people with the eternal shapes of the clones and their genetic information, which will be sustained in any location of the Universe. The temptation by “immortality” will become even stronger when the genetic code is mastered. The future of humanity is related to the mixed forms of life, trans-genic or otherwise genetically modified organisms and techno-human forms that will help to postpone, and later to conquer, death. Even thinkers with religious tendencies perceive the technological improvement of human beings as their evolution towards the techno sapiens and consider such a development as an advancement towards the Kingdom of God. The technologization of human beings is imagined in terms of their divination. Yet in this case the character of contemporary science secularising God and obliterating the perception of divinity is overlooked. Two versions of immortality are analyzed more closely – that of Z. Bauman, who links it with the development of computer technologies, and that of J. Baudrillard, who gives a warning that by cloning technologies humanity is trying to inverse the evolution and to return to the undifferentiated state of cells. The conclusion is drawn that regardless of how we understand ‘immortality,’ argue over its reality or unreality, all possibilities to prolong human life granted by genetics, informatics and other advances in science and technologies, which support the tempting idea of immortality, have already been penetrated by commodity relationships; therefore, “immortality” itself will be available only as a commodity.Keywords: cloning, commodification, genetic discourse, immortality, media culture, nano-bio-technologies.


2020 ◽  
Vol 1 (2) ◽  
pp. 96-106
Author(s):  
Danang Priyanto ◽  
FP Sri Wuryani

Human beings which are wired as leaders should live based on the practice of transcendent value and total clarity on noble deeds. It functions as a guideline in living to avoid the crisis of morality that often occurs today. One of the values in this leadershipquality is the teaching of asthabrata containing the noble deeds of a leader who symbolized in the elements of the universe: the fire, the ground, the water, the air, the moon, the clouds, the sun, and the stars. The stage of human fetal development occurs from the age of one to nine months. These stages, along with the teachings of asthabrata become the base of an idea in the creation of batik art. The idea comes from the question of how to process the development stages of human fetal and ways of asthabrata as a base on creating the batik artwork which conveys sublime values about leadership. The purpose of this batik artwork creation are:incorporating the concept of human fetal development as part of human life cycle with the tradition of batik; Conveying the sublime sublime of leadership based on the asthabrata which refers to human nature as a natural born leader. The creation processcovering the method of design exploration, design process, and batik as a result of design by establishing the combination ofhuman fetal development and the asthabrata. The result shows nine sinjang batik tulis artworks, covering; Hamasesa Tan Pilih Warna (manage without seeing the color), Sukci (sacred), Hanguripi Sagung Dumadi (give strength to all life), Girise Kang Samya Miyat (be who you want to see), Sorota Hayem Angayomi (make peaceful and full protection), Jembar Tanpa Pagut(sincerity without limit), Muntir Tan Ana Pedhote (infinite rotation), Panengeraning Keblad (signpost), and Ngudi Kasampurnan(sharpening perfection). 


2020 ◽  
Vol 3 (2) ◽  
pp. 1-23
Author(s):  
Bharat Prasad Badal

 Gandhian Model of Community Development (GMCD) is a sustainable development model for governments in the central, provincial, and local levels of democratic federal countries in the world by the scientific analysis of Gandhian ideology in a specified community. Community Development is a method, a strategy, and a campaign to uplift human life settlements and to solve the community problems from a simple local perspective. The human settlement with local communal acceptance, local norms, and values, environmental protection, help and cooperation, trusteeship, health, education, sanitation, training, transportation, marketing, etc. are the major components of the Gandhian Model of Community Development. The global acceptance with local initiation, norms, knowledge and practices in the positive changes on human life is Gandhian Community Development. It is the core ideological view of the great leader of south Asia-Mahatma Gandhi. Mahatma Gandhi is also pronounced as second Buddha of the world. The main objective of the study is to develop a Gandhian Model of Community Development with the incorporation of thoughts and ideologies of Mahatma Gandhi. The study is the collection of Gandhian ideology with a programmatic model for the future development of the human being specified within the boundary with the specified indicators of the Gandhian Model of Community Development. It is a hermeneutic and historical interpretation of three universal truths- Generation, Operation, and Destruction for the liberation of human beings from a sustainable development strategy guided by Mahatma Gandhi. His ideas are herminuted in contemporary sustainable community development. In conclusion, the Gandhian Model of Community development is a model having Balance Sheet of Production and Consumption within the specified municipality and Gandhian Development Indicators for human liberation or development toward ultimate freedom.


Author(s):  
Abdul Rasheed

"The history of religion is as old as the world itself. That is why from Hazrat Adam to date, we find no age without divine guidance.Guidance is necessary for all human beings as the Creator of the universe, Almighty Allah addressed the first human couple while sending it to this earth:"We said," Get down from here, all of you. So, whenever 'the guidance' from ME comes to you; and whoever follows MY' guidance', they do not have to fear and they do not have to regret".Meaning: "Gm here; ate you down all frond if, as is sure, there comes to you guidance from Me, whosoever follows My guidance, on them shall be no fear, nor shall they grieve". It means the success of Allah's vicegerents, human beings, depends on their following the laws given by the creator of this world.


Author(s):  
Aleksei V. Sosnin ◽  
◽  
Yuliya V. Balakina ◽  

The article examines the metaphor London-as-the-World in the structure of the London text of English linguistic culture (i.e., an emic or invariant text for a group of texts related to the British capital). Such an analysis makes it possible to update the most important dimension of the London text: its objects turns out to be a key component of Englishness, being conceptualized as a model of all-English and world processes, as an analogy of the civilized world and the universe. The metaphorical realizations of the London text are seen as the result of conceptual fusion. The research cited in the article is carried out at the junction of the cognitive and semiotic approaches, according to which socially significant mental entities are examined via a semantic analysis of corresponding supertexts. The integration of the cognitive and the semiotic is effected within the framework of unified semantics. Thereby a semiotic analysis of text consists in singling out propositions of diverse degrees of similarity in it, in the selection and classification of predicates with which characters and “things” are endowed in the text, and in the inclusion of individual entities from the text in the general categories, what reveals the picture of the world deep structure from the standpoint of that text. The article draws on the literary canon of New English, and a study into that material educes a continuity in the metaphors and the means of their linguistic expression that were used by the English-speaking community to structure the reality. The article thus postulates the relative stability of London text as a supertextual entity.


Author(s):  
Helmuth Plessner ◽  
J. M. Bernstein

“Centric positionality” is a form of organism-environment relation exhibited by animal forms of life. Human life is characterized not only by centric but also by excentric positionality—that is, the ability to take a position beyond the boundary of one’s own body. Excentric positionality is manifest in: the inner, psychological experience of human beings; the outer, physical being of their bodies and behavior; and the shared, intersubjective world that includes other human beings and is the basis of culture. In each of these three worlds, there is a duality symptomatic of excentric positionality. Three laws characterize excentric positionality: natural artificiality, or the natural need of humans for artificial supplements; mediated immediacy, or the way that contact with the world in human activity, experience, and expression is both transcendent and immanent, both putting humans directly in touch with things and keeping them at a distance; and the utopian standpoint, according to which humans can always take a critical or “negative” position regarding the contents of their experience or their life.


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