scholarly journals “The theory of lights” by ‘Abd al-‘Aziz ad-Dabbagh as an example of the Sufi s’ comprehension of Hadith Quds

2022 ◽  
Vol 14 (4) ◽  
pp. 857-865
Author(s):  
A. I. Oliander
Keyword(s):  
Divine Revelation

 The article is related to “the theory of lights” which belongs to the Moroccan sheikh ‘Abd al-‘Aziz ad-Dabbagh (d. 1720/1). His concept resembles Illuminationism Philosophy and describes all the Divine Revelation granted to the Prophet Muhammad within the hierarchy of the “lights”. The main objective of the article is to defi ne the position of Hadith Qudsi in the framework of the abovementioned concept and to reveal the place of these texts in the Sufi ’s system of knowledge in general

The Vocabulary of Revelation: Divine Intent and Self-Disclosure in the Qur'an

2020 ◽  
Vol 22 (1) ◽  
pp. 192-215
Author(s):  
Asma Afsaruddin
Keyword(s):  
Divine Revelation ◽  
Self Disclosure ◽  
Islamic Theology ◽  
Direct Communication ◽  
Written Text ◽  
Arabic Word ◽  
Key Concepts ◽  
Divine Mercy ◽  
Divine Truth

This article explores how the uniqueness of the Qur'anic revelation has been perceived by primarily Sunnī Muslim commentators through time in the context of four main analytical aspects of revelation: (i) revelation as communication between God and humans that links language to divine truth; (ii) revelation as both oral and written text that points to complementary modes of divine discourse; (iii) revelation as purposeful manifestation of divine mercy and justice; and finally (iv) the idea of revelation as beautiful and inimitable text that invites the human recipient to ponder the aesthetics of divine self-disclosure which becomes reflected in Islamic theology as the doctrine of iʿjāz al-Qurʾān. These aspects are indicated by certain key concepts and terms derived from the Qur'anic vocabulary itself and are discussed in detail in order to illuminate the nature of the Qur'anic revelation—as adumbrated within the Qur'an itself and as elaborated upon by its human exegetes. The Arabic word for the phenomenon of revelation is waḥy and is, strictly speaking, applied to the Qur'an alone. In the Qur'an, the term wahy and its derivatives frequently occur with reference to God and His communication with humankind, although exceptions exist. Tanzīl is another Qur'anic lexeme that refers uniquely to God's direct communication with humanity. In the understanding of a number of influential commentators, both these terms also imply linguistic and rhetorical excellence as a component of divine revelation recognisable in all four of the aspects identified here.

Narrative, Intertext and Allusion in the Qur'anic Presentation of Job

1999 ◽  
Vol 1 (1) ◽  
pp. 1-25 ◽  
Author(s):  
A. H. Johns
Keyword(s):  
Key Words ◽  
Complex Network ◽  
Key Words And Phrases ◽  
Divine Revelation ◽  
Western Tradition ◽  
Islamic Tradition ◽  
The Impact ◽  
The Way

Job (Ayyūb) is a byword for patience in the Islamic tradition, notwithstanding only six Qur'anic verses are devoted to him, four in Ṣād (vv.41-4), and two in al-Anbiyā' (vv.83-4), and he is mentioned on only two other occasions, in al-Ancām (v.84) and al-Nisā' (v.163). In relation to the space devoted to him, he could be accounted a ‘lesser’ prophet, nevertheless his significance in the Qur'an is unambiguous. The impact he makes is achieved in a number of ways. One is through the elaborate intertext transmitted from the Companions and Followers, and recorded in the exegetic tradition. Another is the way in which his role and charisma are highlighted by the prophets in whose company he is presented, and the shifting emphases of each of the sūras in which he appears. Yet another is the wider context created by these sūras in which key words and phrases actualize a complex network of echoes and resonances that elicit internal and transsūra associations focusing attention on him from various perspectives. The effectiveness of this presentation of him derives from the linguistic genius of the Qur'an which by this means triggers a vivid encounter with aspects of the rhythm of divine revelation no less direct than that of visual iconography in the Western Tradition.

Bahá’u’lláh’s Influence on the New York School of Painting: The “Unapprehended Inspiration” of Newman and Rothko

1991 ◽  
Vol 4 (1) ◽  
pp. 67-89
Author(s):  
Ross Woodman
Keyword(s):  
New York ◽  
Divine Revelation ◽  
New York School ◽  
The World ◽  
Mark Rothko ◽  
The Veil ◽  
The City

As members of the New York School of painters, Barnett Newman and Mark Rothko announced not only the passing away of an entire creation but also the bringing forth of a new one. Though unaware that they were living and painting in the City of the Covenant whose light would one day rise from darkness and decay to envelop the world even as their painting of light consciously arose from the void of a blank canvas, Newman’s and Rothko’s work may nevertheless be best understood as a powerful first evidence of what Bahá’u’lláh called “the rising Orb of Divine Revelation, from behind the veil of concealment.” Their work may yet find its true spiritual location in the spiritual city founded by ‘Abdu’l-Bahá on his visit to New York in 1912.

Dieva īpašību atainojums latviešu tautasdziesmās teopoētikas kontekstā

2020 ◽  
pp. 390-404
Author(s):  
Eva Mārtuža
Keyword(s):  
Personal Experience ◽  
Folk Songs ◽  
Literary Genre ◽  
Divine Revelation ◽  
Specific Expression ◽  
Late 20Th Century ◽  
Intellectual Activity ◽  
Religious Texts ◽  
Cultural Phenomenon ◽  
Perceptions Of God

An innovative view to theological texts as a literary genre has been established in research of the modern religions and designated as theopoetics, because, irrespective of whether a theological text is written in the poetic genre, in the form of a story or the style of a more dense, theoretical prose, it is based on the poesis: innovative, intuitive and an imaginary composition of the authors where the central figure is God. Therefore, approximately ten thousand recorded and published folk songs, as well as other Latvian folklore texts about God, are equal to theopoetics as a genre of creative writing with its specific expression tools. Folk songs are a product of purposeful human spiritual/intellectual activity and imagination, a typical cultural phenomenon of the relevant society, which helps to study the public’s views about the perception of God. To approach adequately to analysis and interpretation of such texts, in the late 20th century, a new method of research on religious texts – theopoetics – was established. Theopoetics is a method of analysing religious texts that encourages us to look at the ancient metaphors of God from another angle. It explores the language possibilities of figuratively creating God’s patterns, unlike the previous “scientific” God’s theories as the systematic attempt of theology to find God through the living (“incarnated”) God. Theopoetics theorists accept reality as a source of divine revelation as well as personal experience and metaphor-influenced divine understanding in various religions. This method allows to establish the essence and possible interpretations of the basic metaphors used in every individual religion: 1) critically weigh up the previous explanations of God; 2) study the interaction of applied metaphors, models and concepts within religion; 3) offers the potential of transformative, revolutionary models, using the language and metaphor layer that is widely understandable and used by people in everyday life. Research of metaphors does not impose objective or general criteria for assessing understanding of God; therefore, the aim of theopoetical discourse is not to prevent competing interpretations but to multiply the number of perceptions of God, to extend the emotional feeling, and to reveal new opinions. Folk songs figuratively represent God in metaphors and comparisons, but the theopoetics method has not been applied in the previous studies of God either because it is a relatively new methodological system, or because God’s perception in the folk songs has not been the focus of researchers of contemporary religions.

Divine Words, Female Voices

2018 ◽  
Author(s):  
Jerusha Tanner Lamptey
Keyword(s):  
Jesus Christ ◽  
Theological Anthropology ◽  
Feminist Theology ◽  
Muslim Women ◽  
Divine Revelation ◽  
The Bible ◽  
Women Scholars ◽  
Female Voices ◽  
Divine Words ◽  
Vital Resource

Interreligious feminist engagement is a legitimate and vital resource for Muslim women scholars seeking to articulate egalitarian interpretations of Islamic traditions and practices. Acknowledging very real challenges within interreligious feminist engagement, Divine Words, Female Voices: Muslima Explorations in Comparative Feminist Theology uses the method of comparative feminist theology to skillfully navigate these challenges, avoid impositions of absolute similarity, and propose new, constructive insights in Muslima theology. Divine Words, Female Voices reorients the comparative theological conversation around the two “Divine Words,” around the Qur’an and Jesus Christ, rather than Prophet Muhammad and Jesus Christ, or the Qur’an and the Bible. Building on this analogical foundation, it engages diverse Muslim and Christian feminist, womanist, and mujerista voices on a variety of central theological themes. Divine Words, Female Voices explores intersections, discontinuities, and resultant insights that arise in relation to divine revelation; textual hermeneutics of the hadith and Bible; Prophet Muhammad and Mary as feminist exemplars; theological anthropology and freedom; and ritual prayer, tradition, and change.

Francis Bacon and the Origins of Christian Virtuosity

2017 ◽  
Author(s):  
Victor Nuovo
Keyword(s):  
Empirical Study ◽  
Royal Society ◽  
Natural Philosophy ◽  
Francis Bacon ◽  
Human Society ◽  
Divine Revelation ◽  
Intellectual Life ◽  
Natural Philosopher ◽  
Robert Boyle ◽  
The Mind

Although the vocation of Christian virtuoso was invented and named by Robert Boyle, Francis Bacon provided the archtype. A Christian virtuoso is an experimental natural philosopher who professes Christianity, who endeavors to unite empiricism and supernatural belief in an intellectual life. In his program for the renewal of the learning Bacon prescribed that the empirical study of nature be the basis of all the sciences, including not only the study of physical things, but of human society, and literature. He insisted that natural causes only be used to explain natural events and proposed not to mix theology with natural philosophy. This became a rule of the Royal Society of London, of which Boyle was a principal founder. Bacon’s rule also had a theological use, to preserve the purity and the divine authority of revelation. In the mind of the Christian virtuoso, nature and divine revelation were separate but complementary sources of truth.

Revelation, Tradition, and Inspiration

2018 ◽  
Author(s):  
Gerald O’Collins, SJ
Keyword(s):  
New Testament ◽  
Old Testament ◽  
Holy Spirit ◽  
The Self ◽  
Divine Revelation ◽  
Self Disclosure ◽  
Present Experience ◽  
Living Tradition ◽  
The Church

This chapter spells out the complex interrelationship between the divine self-revelation, the tradition that transmits the prophetic and apostolic experience of that revelation, and the writing of the inspired Scriptures. Primarily, revelation involves the self-disclosure of the previously and mysteriously unknown God. Secondarily, it brings the communication of hitherto unknown truths about God. Revelation is a past, foundational reality (completed with the missions of the Son and Holy Spirit), a present experience, and a future hope. Responding with faith to divine revelation, the Old Testament (prophetic) and then New Testament (apostolic) witnesses initiated the living tradition from which came the inspired Scriptures. Tradition continues to transmit, interpret, and apply the Scriptures in the life of the Church.

Revelation, Tradition, and Culture

2018 ◽  
Author(s):  
Gerald O’Collins, SJ
Keyword(s):  
Holy Spirit ◽  
Divine Revelation ◽  
Human History ◽  
Present Experience ◽  
Lower Case ◽  
The Holy Spirit ◽  
In Christ

Tradition as process and as object needs to be understood in the light of divine revelation and the inspired Scripture. Primarily interpersonal or relational and secondarily propositional or cognitive, revelation involves a past fullness in Christ, a present experience, and a future, definitive consummation. As process, tradition is pre-given and always part of us, collective, richly polymorphous, sacramentally communicated through words and actions, often in tension with present experience, open to change or reform, and ending only with the close of human history. At the heart of innumerable traditions (plural and in lower case) is the Tradition (singular and in upper case), the risen Christ made present through the Holy Spirit, not an object we possess but a reality by which we are possessed. While they frequently overlap, ‘culture’ differs from tradition by not being so clearly an ‘action word’.

Apocalyptic Ethics, End-Time Christians, and the Storming of the US Capitol

2021 ◽  
pp. 095394682110313
Author(s):  
Nancy J. Duff
Keyword(s):  
Human Life ◽  
Divine Revelation ◽  
Donald Trump ◽  
The Us ◽  
The World ◽  
Theological Foundation ◽  
The Cross ◽  
End Of The World

This article argues that an apocalyptic interpretation of divine revelation provides the theological foundation for discerning the appropriate space for human life to thrive. This apocalyptic theological ethic is contrasted with that of end-time Christians who have supported Donald Trump as God’s chosen one and who joined the storming of the US Capitol on 6 January 2021. It contrasts five features of apocalyptic thinking for both groups: (1) expectation of the end of the world, (2) ethics, (3) Christ, nation, and the first commandment (4) Christians and Jews, and (5) the cross. While the article seeks to give a fair description of the beliefs of end-time Christians, it argues that their beliefs have taken a heretical and dangerous turn.

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