scholarly journals Olbers’ paradox bijective solution

2020 ◽  
Author(s):  
Amrit S. Sorli
Keyword(s):  
Set Theory ◽  
The Earth ◽  
Universal Space ◽  
Finite Distance ◽  
Bijective Function ◽  
The Universe

The bijective research of the Olbers’ paradox based on the bijective function of set theory confirms that the paradox is fictitious. The set X is the universe and set Y is the model of the universe. Every element in the set X has exactly one correspondent model in the set Y. Elements in both sets are defined on the basis of the elementary perception. NASA has measured that the universal space has Euclidean shape, which means it is infinite. The luminosity of stars that are on a finite distance from the Earth is not strong enough to make the night a day.

‘A pinch of unseen, unguarded dust’: The World and Self in Thomas Hardy's Poems

2018 ◽  
Vol 8 (1) ◽  
pp. 49-66
Author(s):  
Monika Szuba
Keyword(s):  
The Body ◽  
The Self ◽  
Phenomenological Philosophy ◽  
The Earth ◽  
The World ◽  
The Universe ◽  
Recurrent Theme ◽  
Body Subject

The essay discusses selected poems from Thomas Hardy's vast body of poetry, focusing on representations of the self and the world. Employing Maurice Merleau-Ponty's concepts such as the body-subject, wild being, flesh, and reversibility, the essay offers an analysis of Hardy's poems in the light of phenomenological philosophy. It argues that far from demonstrating ‘cosmic indifference’, Hardy's poetry offers a sympathetic vision of interrelations governing the universe. The attunement with voices of the Earth foregrounded in the poems enables the self's entanglement in the flesh of the world, a chiasmatic intertwining of beings inserted between the leaves of the world. The relation of the self with the world is established through the act of perception, mainly visual and aural, when the body becomes intertwined with the world, thus resulting in a powerful welding. Such moments of vision are brief and elusive, which enhances a sense of transitoriness, and, yet, they are also timeless as the self becomes immersed in the experience. As time is a recurrent theme in Hardy's poetry, this essay discusses it in the context of dwelling, the provisionality of which is demonstrated in the prevalent sense of temporality, marked by seasons and birdsong, which underline the rhythms of the world.

Translocations In Space-Time and Simultaneous States of the Universe: Convergent Quantifications and Alternative Solutions from the Principles of Physics for the Challenges of “Time Travel” and “Parallel Universes”

2016 ◽  
pp. 4058-4069
Author(s):  
Michael A Persinger
Keyword(s):  
Single Photon ◽  
Rest Mass ◽  
Space Time ◽  
Hydrogen Line ◽  
Magnetic Forces ◽  
Universal Space ◽  
Potential Applications ◽  
Order Of Magnitude ◽  
Alternative Solutions ◽  
The Universe

                                Translation of four dimensional axes anywhere within the spatial and temporal boundaries of the universe would require quantitative values from convergence between parameters that reflect these limits. The presence of entanglement and volumetric velocities indicates that the initiating energy for displacement and transposition of axes would be within the upper limit of the rest mass of a single photon which is the same order of magnitude as a macroscopic Hamiltonian of the modified Schrödinger wave function. The representative metaphor is that any local 4-D geometry, rather than displaying restricted movement through Minkowskian space, would instead expand to the total universal space-time volume before re-converging into another location where it would be subject to cause-effect. Within this transient context the contributions from the anisotropic features of entropy and the laws of thermodynamics would be minimal.  The central operation of a fundamental unit of 10-20 J, the hydrogen line frequency, and the Bohr orbital time for ground state electrons would be required for the relocalized manifestation. Similar quantified convergence occurs for the ~1012 parallel states within space per Planck’s time which solve for phase-shift increments where Casimir and magnetic forces intersect.  Experimental support for these interpretations and potential applications is considered. The multiple, convergent solutions of basic universal quantities suggest that translations of spatial axes into adjacent spatial states and the transposition of four dimensional configurations any where and any time within the universe may be accessed but would require alternative perspectives and technologies.

An Interview with the Physicist that Her Head in the Universe and Both Feet on the Earth

2019 ◽  
Author(s):  
Adib Rifqi Setiawan
Keyword(s):  
Standard Model ◽  
Particle Physics ◽  
Space Time ◽  
Additional Dimension ◽  
The Earth ◽  
The Standard Model ◽  
The Universe

Put simply, Lisa Randall’s job is to figure out how the universe works, and what it’s made of. Her contributions to theoretical particle physics include two models of space-time that bear her name. The first Randall–Sundrum model addressed a problem with the Standard Model of the universe, and the second concerned the possibility of a warped additional dimension of space. In this work, we caught up with Randall to talk about why she chose a career in physics, where she finds inspiration, and what advice she’d offer budding physicists. This article has been edited for clarity. My favourite quote in this interview is, “Figure out what you enjoy, what your talents are, and what you’re most curious to learn about.” If you insterest in her work, you can contact her on Twitter @lirarandall.

An Interview with the Physicist that Her Head in the Universe and Both Feet on the Earth

2019 ◽  
Author(s):  
Adib Rifqi Setiawan
Keyword(s):  
Standard Model ◽  
Particle Physics ◽  
Space Time ◽  
Additional Dimension ◽  
The Earth ◽  
The Standard Model ◽  
The Universe

Put simply, Lisa Randall’s job is to figure out how the universe works, and what it’s made of. Her contributions to theoretical particle physics include two models of space-time that bear her name. The first Randall–Sundrum model addressed a problem with the Standard Model of the universe, and the second concerned the possibility of a warped additional dimension of space. In this work, we caught up with Randall to talk about why she chose a career in physics, where she finds inspiration, and what advice she’d offer budding physicists. This article has been edited for clarity. My favourite quote in this interview is, “Figure out what you enjoy, what your talents are, and what you’re most curious to learn about.” If you insterest in her work, you can contact her on Twitter @lirarandall.

Much Ado about (Practically) Nothing

2010 ◽  
Author(s):  
David Fisher
Keyword(s):  
Energy Source ◽  
Atomic Nucleus ◽  
The Sun ◽  
Scientific Journals ◽  
Rare Gases ◽  
Important Work ◽  
The Earth ◽  
Wide Range ◽  
Life On Mars ◽  
The Universe

There are eight columns in the Periodic Table. The eighth column is comprised of the rare gases, so-called because they are the rarest elements on earth. They are also called the inert or noble gases because, like nobility, they do no work. They are colorless, odorless, invisible gases which do not react with anything, and were thought to be unimportant until the early 1960s. Starting in that era, David Fisher has spent roughly fifty years doing research on these gases, publishing nearly a hundred papers in the scientific journals, applying them to problems in geophysics and cosmochemistry, and learning how other scientists have utilized them to change our ideas about the universe, the sun, and our own planet. Much Ado about (Practically) Nothing will cover this spectrum of ideas, interspersed with the author's own work which will serve to introduce each gas and the important work others have done with them. The rare gases have participated in a wide range of scientific advances-even revolutions-but no book has ever recorded the entire story. Fisher will range from the intricacies of the atomic nucleus and the tiniest of elementary particles, the neutrino, to the energy source of the stars; from the age of the earth to its future energies; from life on Mars to cancer here on earth. A whole panoply that has never before been told as an entity.

scholarly journals III. On the nature and construction of the sun and fixed stars

1795 ◽  
Vol 85 ◽  
pp. 46-72 ◽  
Keyword(s):  
Central Body ◽  
Planetary System ◽  
Considerable Progress ◽  
The Sun ◽  
Great Satisfaction ◽  
The Earth ◽  
The World ◽  
Celestial Bodies ◽  
The Universe ◽  
Made In

Among the celestial bodies the sun is certainly the first which should attract our notice. It is a fountain of light that illuminates the world! it is the cause of that heat which main­tains the productive power of nature, and makes the earth a fit habitation for man! it is the central body of the planetary system; and what renders a knowledge of its nature still more interesting to us is, that the numberless stars which compose the universe, appear, by the strictest analogy, to be similar bodies. Their innate light is so intense, that it reaches the eye of the observer from the remotest regions of space, and forcibly claims his notice. Now, if we are convinced that an inquiry into the nature and properties of the sun is highly worthy of our notice, we may also with great satisfaction reflect on the considerable progress that has already been made in our knowledge of this eminent body. It would require a long detail to enumerate all the various discoveries which have been made on this subject; I shall, therefore, content myself with giving only the most capital of them.

Cosmic Deer as an Archaic Symbol in the Narratives and Rituals of the Tungus-Manchus

2020 ◽  
pp. 112-121
Author(s):  
Татьяна Юрьевна Сем
Keyword(s):  
Bronze Age ◽  
The Sun ◽  
Time Model ◽  
Space And Time ◽  
The Earth ◽  
Cosmic Scale ◽  
First Time ◽  
The Universe ◽  
The Bronze Age

Статья посвящена мифологическому образу космического оленя в традиционной культуре тунгусо-маньчжуров. В работе рассматриваются материалы фольклора, шаманства, промысловых и календарных ритуалов, а также искусства. Впервые систематизированы материалы по всем тунгусо-маньчжурским народам. Образ космического оленя в фольклоре эвенов имеет наиболее близкие аналогии с амурскими народами, которые представляют его с рогами до небес. Он сохранился в сказочном фольклоре с мифологическими и эпическими элементами. В эвенском мифе образ оленя имеет космические масштабы: из тела его происходит земля и всё живущее на ней. У народов Амура образ оленя нашел отражение в космогенезе, отделении неба от земли. Своеобразие сюжета космической охоты характеризует общесибирскую мифологию, относящуюся к ранней истории. В ней наиболее ярко проявляется мотив смены старого и нового солнца, хода времени, смены времен года, календарь тунгусо-маньчжуров. В результате анализа автор пришел к выводу, что олень в тунгусо-маньчжурской традиции моделирует пространство и время Вселенной, характеризует образ солнца и хода времени. Космический олень является архетипичным символом культуры тунгусо-маньчжуров, сохранившим свое значение до настоящего времени в художественной культуре This article is devoted to the mythological image of cosmic deer in traditional Tungus-Manchu culture. It examines materials of folklore, shamanism, trade and calendar rituals as well as art and for the first time systematizes materials from all of the Tungus-Manchu peoples. The image of cosmic deer in the folklore of the Evens has its closest analogy in that of the Amur peoples, reflected in the image of a deer with horns reaching up to the sky. This image is preserved in fairytales with mythological and epic elements. In the Even myth, the image of a deer is on a cosmic scale, as the cosmos issues from its body. Among the Amur peoples, the image of a deer is also related to cosmogenesis, to the separation of the earth from the sky. The plot of a cosmic hunt is reflected in pan-Siberian mythology, dating back to the Bronze Age. It clearly illustrates the motif of the change of the old and new sun, the passage of time, the change of seasons, the Tungus-Manchu calendar. The author comes to the conclusion that deer in the Tungus-Manchu tradition, in depicting the image of the sun and the passage of time, model the space and time of the Universe. The cosmic deer is an archetypal symbol of Tungus-Manchu culture, which has retained its significance in artistic culture to the present day.

THE COSMIC JOURNEY OF ODYSSEUS

Numen ◽  
2001 ◽  
Vol 48 (4) ◽  
pp. 381-416 ◽  
Author(s):  
Nanno Marinatos
Keyword(s):  
Iron Age ◽  
Mediterranean Region ◽  
Near East ◽  
British Museum ◽  
Polar Axis ◽  
The Sun ◽  
East Mediterranean ◽  
The Earth ◽  
The Universe ◽  
East Mediterranean Region

AbstractIn vain have scholars tried to produce a coherent geographical picture of Odysseus' travels. It is argued here that Odysseus makes a cosmic journey at the edges of the earth (perata ges), a phrase used in the text to describe several lands that the hero visits. The cosmic journey was a genre current in the East Mediterranean region in the Iron Age. It was modeled on the Egyptian the journey of the sun god who travels twelve hours in the darkness of the underworld and twelve hours in the sky. Evidence of similar concepts in the Near East is provided by a Babylonian circular map (now in the British Museum) as well as by Phoenician circular bowls. Gilgamesh seems to perform a cosmic journey. As well, Early Greek cosmology utilizes the concept of a circular cosmos. Odysseus' journey spans the two cosmic junctures of the universe: East, where Circe resides, and West, where Calypso lives. Another polar axis is the underworld and the island of the sun.

Aristotle's Unmoved Movers

Traditio ◽  
1946 ◽  
Vol 4 ◽  
pp. 1-30 ◽  
Author(s):  
Philip Merlan
Keyword(s):  
Middle Ages ◽  
The Other ◽  
World Picture ◽  
The Earth ◽  
Concentric Spheres ◽  
The One ◽  
The Universe ◽  
The Middle Ages

According to Aristotle all heavenly movement is ultimately due to the activity of forty-seven (or fifty-five) ‘unmoved movers'. This doctrine is highly remarkable in itself and has exercised an enormous historical influence. It forms part of a world-picture the outlines of which are as follows. The universe consists of concentric spheres, revolving in circles. The outermost of these bears the fixed stars. The other either bear planets or, insofar as they do not, contribute indirectly to the movements of the latter. Each sphere is moved by the one immediately surrounding it, but also possesses a movement of its own, due to its mover, an unmoved, incorporeal being. (It was these beings which the schoolmen designated as theintelligentiae separatae.) The seemingly irregular movements of the planets are thus viewed as resulting from the combination of regular circular revolutions. The earth does not move and occupies the centre of the universe. Such was Aristotle's astronomic system, essential parts of which were almost universally adopted by the Arabic, Jewish, and Christian philosophers of the Middle Ages.

scholarly journals “Misschien is dit de betekenis van deze Schriftpassage.”

1970 ◽  
Vol 63 ◽  
pp. 99-118
Author(s):  
Nienke Roelants
Keyword(s):  
Divine Providence ◽  
Biblical Authority ◽  
The Earth ◽  
The Absolute ◽  
The One ◽  
The Universe

In the early 1540ies G.J. Rheticus wrote an anonymous treatise entitled both Epistola deTerrae Motu and Dissertatio de Hypoth[esibus] Astron[omiae] Copernicanae. In thisletter he discusses why proclaiming the motion of the earth does not need to beconsidered as an impious act incompatible with the words of Holy Scripture. Based onan analysis of authorities mentioned by the author in this letter, I conclude thatRheticus’ strategy on the one hand consists in playing down the importance of thetraditional Aristotelian-Ptolemaic notions on the universe in the field of astronomy andby emphasizing the indirect character of Biblical authority in these matters. On the otherhand, he claims the absolute, immediate authority of mathematics in astronomy bywhich he consequently challenges the traditional medieval hierarchy of sciences.Rheticus considers the achievements of Copernicus to be part of divine providence.

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