scholarly journals The Unavoidable Suffering in Selected Literary Texts: Poems and Novels

2019 ◽  
Author(s):  
Amal Nasser Frag
Keyword(s):  
Literary Criticism ◽  
Literary Texts ◽  
Allen Ginsberg ◽  
Scarlet Letter ◽  
Minor Characters ◽  
The Scarlet Letter ◽  
Modern Psychology ◽  
Main Reflection ◽  
To Come ◽  
Almost All

The unavoidable suffering is an outstanding theme which has its impact to almost all literary texts. Typically, unavoidable suffering is the supreme touchstone in life and literature. Poets used its presence incessantly. They are always conscious of its inevitability. Investigation of this theme gives the reader a panoramic view of vital issues that are unusually linked to some extent with suffering; such as religion, God, nature, love and immortality. In the poems discussed in this study, unavoidable suffering reflects the effect of modern psychology has had upon both literature and literary criticism. The main reflection of suffering which is implied in the characters presented reveal the very contradictions, absurdities and complexities of our life. The poets and novelists chosen in this paper portray suffering, as “an abstract force, in an attempt to come to terms with it as well as to fathom it.” (Gurra, 2019, p.5) In the inexorable quest to comprehend it, poets do not offer a final view of suffering because it remains for them the great unknown mystery. This paper, however, is an attempt to meticulously examine and critically analyze the images of suffering in minor characters presented in selected poems. The selected poems are of Robinson Jeffers, Allen Ginsberg, and Maya Angelou. The characters selected from different novels are minor ones. Characters like: Roger Chiilingworth from The Scarlet Letter (1850), Walter Morel from Sons and Lovers (1913), Zeena Frome from Ethan Frome (1911), and Rezia Warren Smith from Mrs. Dalloway (1925). Different kinds of suffering are disscussed in order to gain a better understanding of the writers’ perception of unavoidable suffering as well as to understand the western philosophy of it.

scholarly journals Universal Psychological Mechanisms of Guilt and Redemption: An Analysis of the Scarlet Letter and Raja Gidh

2018 ◽  
Vol III (I) ◽  
pp. 78-96
Author(s):  
Shumaila Mazhar ◽  
Azka Khan ◽  
Durdana Khosa
Keyword(s):  
Literary Criticism ◽  
Human Mind ◽  
Human Society ◽  
Emotional States ◽  
Scarlet Letter ◽  
Freudian Psychoanalysis ◽  
The Scarlet Letter ◽  
Psychological Mechanisms ◽  
The Social ◽  
Spatial Dimensions

Freud’s trifurcated concept of human nature asserts that unlike other emotional states, guilt is a quite complicated feeling which requires a differentiated and powerful brain. A human brain, being cognizant of this uniqueness, is capable of self-appraisal and self-censure. The present study penetrates the intricacies of human mind through the study of protagonists of The Scarlet Letter and Raja Gidh. The concept of Freudian superego is used to examine the two characters, Dimmesdale and Qayyum, set in completely different temporal and spatial dimensions of human society. The parameters of psychoanalytical interpretation describes the human psychological distress and fight against the mental chaos after crossing the ethical boundaries of morality. It postulates that Freudian psychoanalysis contributes effectively to research in literary criticism beyond the social, cultural and linguistic boundaries as it highlights the universality of unique human feelings.

scholarly journals A Pragmatic-Semantic Study of Colour Symbolism in English and Arabic Literary Texts

2021 ◽  
Vol 58 (1) ◽  
pp. 2180-2185
Author(s):  
Asst. Prof. Qasim Abbas Dhayef, Noor Al-Huda Kadhim Hussein
Keyword(s):  
Nathaniel Hawthorne ◽  
Philosophy Of Language ◽  
Theoretical Background ◽  
Point Of View ◽  
Literary Texts ◽  
Connotative Meaning ◽  
Scarlet Letter ◽  
The Scarlet Letter ◽  
Model Based ◽  
Context Dependent

Symbolism in general and colour symbolism in particular have not received the linguists' attention in the same way studied by literary critics. Thus, the present study is an attempt to limit this gap by studying colour symbolism linguistically to answer the following questions: (1) What is the most flouted maxim in colour symbolism in literary texts in English and Arabic? (2) Is colour symbolism context-dependent in literary texts? (3) What are the semantic aspects of colour symbolism in the literary texts selected? Thus, the present study aims at: (1) Pinpointing the most flouted maxim in colour symbolism in literary texts in English and Arabic. (2) Determining whether colour symbolism is context-dependent in literary texts. (3) Investigating he semantic aspects of colour symbolism in the literary texts selected. To achieve its aims, the present study hypothesizes that: (1) The maxim of manner is the most flouted  maxim in colour symbolism in English and Arabic literary texts. (2) Colours symbolize different things in different contexts. (3) There are certain semantic aspects for colour symbolism manipulated in the literary texts such as using metaphor and conveying the connotative meaning of colours. Then, in order to achieve the aims of the study and test its hypotheses, the following procedures are adopted: (1) Presenting a theoretical background about colour symbolism in general and colour symbolism from a linguistic  point of view. (2) Analyzing (six) extracts of literary texts according to an eclectic model based on Eco’s (1984) model Semiotics and the Philosophy of Language and some semantic aspects. The data of the present study is collected from Nathaniel Hawthorne and Wassini Al-A'erj novels "The Scarlet Letter" and "انثى السراب" Ontha Al Sarab" respectively. The study has come up with certain conclusions that prove the above set hypotheses.

TRANSLATION AS MENTAL INTERPRETATION ACTIVITY IN LINGUISTICS AND LITERATURE

2019 ◽  
Vol 18 (28) ◽  
pp. 43-53
Author(s):  
Svitlana Gruschko
Keyword(s):  
Literary Criticism ◽  
Literary Work ◽  
Cross Cultural ◽  
Literary Translation ◽  
Literary Texts ◽  
Cultural Dimension ◽  
Cultural Communication ◽  
Original Text ◽  
Cross Cultural Communication ◽  
Cross Language

In the article the phenomenon of translation is regarded as mental interpretation activity not only in linguistics, but also in literary criticism. The literary work and its translation are most vivid guides to mental and cultural life of people, an example of intercultural communication. An adequate perception of non-native culture depends on communicators’ general fund of knowledge. The essential part of such fund of knowledge is native language, and translation, being a mediator, is a means of cross-language and cross-cultural communication. Mastering another language through literature, a person is mastering new world and its culture. The process of literary texts’ translation requires language creativity of the translator, who becomes so-called “co-author” of the work. Translation activity is a result of the interpreter’s creativity and a sort of language activity: language units are being selected according to language units of the original text. This kind of approach actualizes linguistic researching of real translation facts: balance between language and speech units of the translated work (i.e. translationinterpretation, author’s made-up words, or revised language peculiarities of the characters). The process of literary translation by itself should be considered within the dimension of a dialogue between cultures. Such a dialogue takes place in the frame of different national stereotypes of thinking and communicational behavior, which influences mutual understanding between the communicators with the help of literary work being a mediator. So, modern linguistics actualizes the research of language activities during the process of literary work’s creating. This problem has to be studied furthermore, it can be considered as one of the central ones to be under consideration while dealing with cultural dimension of the translation process, including the process of solving the problems of cross-cultural communication.

Double Thoughts

2018 ◽  
Author(s):  
Andrew Dean
Keyword(s):  
Literary Criticism ◽  
Jacques Derrida ◽  
Postcolonial Theory ◽  
Cape Town ◽  
Literary Texts ◽  
Paul De Man ◽  
Literature And Philosophy ◽  
De Man ◽  
University Of Cape Town ◽  
The University

Coetzee’s interest in destabilizing the boundaries of literature and philosophy is most evident in later fictions such as Elizabeth Costello. But as Andrew Dean argues in this chapter, this interest in moving across boundaries in fact originates much earlier, in Coetzee’s quarrel with the institutions and procedures of literary criticism. Coetzee used the occasion of his inaugural professorial lecture at the University of Cape Town (Truth and Autobiography) to criticize the assumption that literary criticism can reveal truths about literature to which literary texts are themselves blind. Influenced in part by such figures as Jacques Derrida and Paul de Man, Coetzee posed a series of challenging questions about the desires at stake in the enterprise of literary criticism. Developing these thoughts, Dean explores the way in which Coetzee’s earlier fiction, including such texts as Foe (1986), is energized by its quarrelsome relationship with literary criticism and theory, especially postcolonial theory.

scholarly journals Cardiac Amyloidosis Therapy: A Systematic Review

2021 ◽  
Vol 11 (1) ◽  
pp. 10-17
Author(s):  
Franco Iodice ◽  
Marco Di Mauro ◽  
Marco Giuseppe Migliaccio ◽  
Angela Iannuzzi ◽  
Roberta Pacileo ◽  
...  
Keyword(s):  
Heart Failure ◽  
Systematic Review ◽  
Cardiac Amyloidosis ◽  
Restrictive Cardiomyopathy ◽  
Novel Therapies ◽  
Preserved Ejection Fraction ◽  
Cardiac Damage ◽  
Transthyretin Amyloidosis ◽  
To Come ◽  
Almost All

Heart involvement in Cardiac Amyloidosis (CA) results in a worsening of the prognosis in almost all patients with both light-chain (AL) and transthyretin amyloidosis (ATTR). The mainstream CA is a restrictive cardiomyopathy with hypertrophic phenotype at cardiac imaging that clinically leads to heart failure with preserved ejection fraction (HFpEF). An early diagnosis is essential to reduce cardiac damage and to improve the prognosis. Many therapies are available, but most of them have late benefits to cardiac function; for this reason, novel therapies are going to come soon.

Romantic Capabilities

2020 ◽  
Author(s):  
Mike Goode
Keyword(s):  
New Media ◽  
Literary Criticism ◽  
Historical Context ◽  
Popular Media ◽  
Literary Texts ◽  
Reception Studies ◽  
Ecological Design ◽  
Conflicting Demands ◽  
Contemporary Media

Romantic Capabilities argues that popular new media uses of literary texts often activate and make visible ways the texts were already about their relationship to medium. Devising and modelling a methodology that bridges historicist literary criticism and reception studies with media studies and formalism, it contends that how a literary text behaves when it encounters new media reveals capabilities in media that can transform how we understand the text’s significance for the original historical context in which it was created. Following an introductory chapter that explains and justifies its approach to the archive, the book analyses significant popular “media behaviors” exhibited by three major Romantic British literary corpuses: the viral circulation of William Blake’s pictures and proverbs across contemporary media, the gravitation of Victorian panorama painters and stereoscopic photographers to Walter Scott’s historical fictions, and the ongoing popular practice of writing fanfiction set in the worlds of Jane Austen’s novels and their imaginary country estates. Blake emerges from the study as an important theorist of how viral media can be used to undermine law, someone whose art deregulates through the medium of its audiences’ heterogeneous tastes and conflicting demands for wisdom. Scott’s novels are shown to have fostered a new experience of vision and understanding of frame that helped launch modern immersive media. Finally, Austenian realism is revealed as a mode of ecological design whose project fanfiction grasps and extends.

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