scholarly journals The Politics of Time

2014 ◽  
Vol 9 (1) ◽  
pp. 24-49 ◽  
Author(s):  
Theo Jung
Keyword(s):  
Nineteenth Century ◽  
Case Studies ◽  
Political Discourse ◽  
Language Use ◽  
The Other ◽  
Early Nineteenth Century ◽  
Pragmatic Analysis ◽  
Late Eighteenth ◽  
The One ◽  
The Relationship

This article traces the uses of zeitgeist in early nineteenth-century European political discourse. To explain the concept's explosive takeoff in the late eighteenth and early nineteenth centuries, two perspectives are combined. On the one hand, the concept is shown to be a key element in the new, “temporalized” discourses of cultural reflection emerging during this time. On the other, its pragmatic value as a linguistic tool in concrete political constellations is outlined on the basis of case studies from French, British, and German political discourse. Developing this two-sided perspective, the article sheds light on an important aspect of early nineteenth-century political discourse while also pointing to some general considerations concerning the relationship between the semantic and pragmatic analysis of historical language use.

From Popular to Esoteric: Nikolaos Mantzaros and the Development of his Career as a Composer

2011 ◽  
Vol 8 (1) ◽  
pp. 101-126 ◽  
Author(s):  
Kostas Kardamis
Keyword(s):  
Nineteenth Century ◽  
Social Status ◽  
The Other ◽  
Early Nineteenth Century ◽  
Greek Poetry ◽  
National Anthem ◽  
The Sublime ◽  
Viable Solution ◽  
Late Eighteenth ◽  
The One

Nikolaos Halikiopoulos Mantzaros (1795–1872) was a noble from Corfu and is better known today as the composer of the Greek national anthem. However, recent research has proved his importance as a teacher and as one of the most learned composers of his generation, renowned, in Italy and France as well as Greece.The aim of this article is to present Mantzaros’ developing relationship as dilettante composer to the emerging European nineteenth-century music and aesthetics, as featured through his existing works and writings. In his early works (1815–27) Mantzaros demonstrates a remarkable creative assimilation of late eighteenth- and early nineteenth-century operatic idioms, whereas his aristocratic social status allowed him an eclectic relationship with music in general. From the late 1820s, Mantzaros also began setting Greek poetry to music, in this way offering a viable solution to the demand for ‘national music’.From the mid-1830s onwards, Mantzaros’ already existing interest in Romantic idealism was broadened, affecting his work and thoughts. He stopped composing opera-related works and demonstrated a dual attitude towards music. On the one hand he continued composing popular music for the needs of his social circle, but on the other he developed an esoteric creative relationship with music. The latter led him as early as the 1840s to denounce the ‘extremities of Romanticism’ and to seek the musical expression of the sublime through the creative use of ‘the noble art of counterpoint’. This way he attempted to propose a re-evaluation of nineteenth-century trends through an eclectic neoclassicism, without neglecting the importance of subjective inspiration and genius.

Between cosmopolitanism and nationhood: Italian opera in the early nineteenth century

Modern Italy ◽  
2014 ◽  
Vol 19 (1) ◽  
pp. 53-67 ◽  
Author(s):  
Carlotta Sorba
Keyword(s):  
Nineteenth Century ◽  
The Other ◽  
Early Nineteenth Century ◽  
International Context ◽  
Delicate Balance ◽  
Points Of View ◽  
The One ◽  
Opera Production ◽  
The Relationship ◽  
Romantic Narratives

The revival of interest in music evident in recent historiography has led to an investigation of the specifically transnational nature of musical languages and practices. This article explores the possibility of re-reading in a transnational perspective the classical theme of the relationship between the Risorgimento and opera. It focuses on two different points of view: on the one hand, the construction of the librettos as a delicate balance between European romantic narratives and dramatic themes evoking nationalistic sentiments; on the other, the fact that ideas and practices of the theatre as a vehicle of political mobilisation developed in a broad international context where Mazzini and many other nationalists found inspiration in multinational political experiences and discourses. The article concludes by saying that the meanings of terms such as cosmopolitanism and nationalism need to be carefully weighed when we look at nineteenth-century opera production. Only in the closing decades of the century did genuine competition between national traditions arise, which led in Italy to a veritable ‘obsession’ with ‘Italianness’ in music.

Suffering in Art

2017 ◽  
Author(s):  
Ritchie Robertson
Keyword(s):  
Nineteenth Century ◽  
Early Nineteenth Century ◽  
Late Eighteenth ◽  
Words And Images ◽  
The Relationship

Ritchie Robertson situates Lessing’s text within debates over the proper depiction of extreme suffering in art, focusing on Goethe’s essay on the Laocoon group (1798), as well as other late eighteenth- and early nineteenth-century works on the representation of pain. The issue of suffering in art was of utmost significance to Goethe’s ideology of the classical, Robertson explains; more than that, the themes introduced in Lessing’s essay—above all, its concerns with how suffering can be depicted in words and images—proved pivotal within Goethe’s prescriptions about the relationship between idealism and individuality (or ‘the characteristic’) in art. As part of a larger campaign against what he called ‘naturalism’ in art, Goethe argued that the ancients did not share the false notion that art must imitate nature. For Goethe, responding to Lessing, the power of the Laocoon group lay precisely in its depiction of bodily suffering as something not just beautiful, but also anmutig (‘sensuously pleasing’).

Historical Research and Cultural History in Nineteenth-Century Austria: The Archivist Joseph Chmel (1798–1858)

2014 ◽  
Vol 45 ◽  
pp. 115-133 ◽  
Author(s):  
Christine Ottner
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Cultural History ◽  
Historical Research ◽  
The Other ◽  
Academic World ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Cultural Science ◽  
The One

During the nineteenth century, history developed into an independent discipline with important cultural and intellectual functions in both the academic world, as well as in society at large. Specific circumstances contributed to the rise in importance of this discipline: On the one hand, the emergence of an educated bourgeoisie and rising nationalist movements influenced the study of history; whereas on the other hand, public demands for assurances of continuity, as well as conservative efforts for restoration, also played an important role in history's growth in importance. Historicism, which began to establish itself in late-eighteenth-century Germany, had its forerunners in research approaches that grew out of the late Enlightenment. Concepts of cultural science [Kulturwissenschaft] developed by scholars of the late Enlightenment paved the way for the rise of the historical discipline during the first half of the nineteenth century.

scholarly journals Ars⪚ne Didn't See It: Coaching, Research and the Promise of a Discursive Psychology

2012 ◽  
Vol 7 (4) ◽  
pp. 615-645 ◽  
Author(s):  
Paul K. Miller
Keyword(s):  
Social Psychology ◽  
Case Studies ◽  
Political Discourse ◽  
Language Use ◽  
Psychological Perspective ◽  
Discursive Psychology ◽  
Medical Communication ◽  
Naturally Occurring ◽  
Wide Range ◽  
The Relationship

For twenty five years the discursive psychological perspective has been at the vanguard of innovative research in social psychology, producing highdetail systematic analyses of dynamic, constructive language use in a wide range of practical settings. To date, it has found applications in the study of medical communication, racism, political discourse, emotion and accounts of success and failure in sport, to highlight but a few. Its lack of headway in the specific study of coaching is perhaps, therefore, somewhat surprising given the transparently task-focused character of many naturally-occurring verbal activities in the domain. This article draws on salient literature and two brief case studies in illustrating some of the ways that the perspective can inform an approach to coaching interaction that does not draw on ontologically-problematic cognitivist assumptions regarding the relationship between thought and action. A foundational argument is then made for greater engagement with discursive psychology within the broader realm of coaching science.

Beyond control: Orientalist tensions and the history of the “upas tree” myth

2018 ◽  
Vol 55 (2) ◽  
pp. 173-189
Author(s):  
Tim Hannigan
Keyword(s):  
Nineteenth Century ◽  
Southeast Asia ◽  
Fourteenth Century ◽  
The Other ◽  
Early Nineteenth Century ◽  
Surrounding Atmosphere ◽  
History Of ◽  
The One

The “upas tree” is one of the most enduring European myths about Southeast Asia. Accounts of a tree so toxic that it renders the surrounding atmosphere deadly can first be identified in fourteenth-century journey narratives covering what is now Indonesia. But while most other such apocrypha vanished from later European accounts of the region, the upas myth remained prominent and in fact became progressively more elaborate and fantastical, culminating in a notorious hoax: the 1783 account of J. N. Foersch. This article examines the history of the development of the upas myth, and considers the divergent responses to Foersch’s hoax amongst scientists and colonial administrators on the one hand, and poets, playwrights, and artists on the other. In this it reveals a significant tension within the emerging “Orientalist” discourse about Southeast Asia in the early nineteenth century.

Introduction

2020 ◽  
pp. 1-34
Author(s):  
Gerard Lee McKeever
Keyword(s):  
Nineteenth Century ◽  
Case Studies ◽  
Final Section ◽  
Literary Production ◽  
Environmental Condition ◽  
Early Nineteenth Century ◽  
Dialectical Approach ◽  
Late Eighteenth

This introduction clarifies the book’s contribution to the study of Scottish Romanticism, Enlightenment and improvement. Improvement, it argues, was sufficiently important as a modality, trope and environmental condition to be viewed plausibly as a defining feature of literary production in late eighteenth- and early nineteenth-century Scotland. The introduction includes a working genealogy of improvement and a survey of the motley field of scholarship on the topic. A section on the national implications of improvement in the Scottish context is next, followed by more detail on the book’s dialectical approach. There is then an analysis of the category of Scottish Romanticism as it has been treated elsewhere and as it is modified by the book’s own case studies, summaries of which form the final section.

Gothic Aesthetics

2018 ◽  
Author(s):  
Andrew Smith
Keyword(s):  
Nineteenth Century ◽  
Fin De Siecle ◽  
Late Nineteenth Century ◽  
Sensation Fiction ◽  
Early Nineteenth Century ◽  
Spiritual World ◽  
Late Eighteenth ◽  
Fin De Siècle ◽  
Late Nineteenth ◽  
The Relationship

This chapter examines the relationship between late eighteenth- and early nineteenth-century gothic, the sensation fiction of the middle decades of the nineteenth century, fin-de-siècle gothic works and modernism. It argues that in the late nineteenth century a distinctive, but implicit, gothic aesthetic developed which was characterised by a concern with divided selves, fragmented narratives and science. It also shows that this aesthetic was distinguished by optimistic narratives about adaptability and the presence of a mystical or spiritual world.

Narrative

2019 ◽  
pp. 23-46
Author(s):  
Michelle Burnham
Keyword(s):  
Nineteenth Century ◽  
Travel Narratives ◽  
Short Term ◽  
Early Nineteenth Century ◽  
Publication History ◽  
Late Eighteenth ◽  
History Of ◽  
The Relationship ◽  
Shared Narrative

This chapter reviews the publication history of the late eighteenth- and early nineteenth-century genre of Pacific travel narratives, and examines its narrative features. During this period, ships moved with increasing regularity on incredibly risky voyages between the world’s oceans. At the same time, novels came to dominate the literary world of fiction. These developments are related by their shared narrative dynamics, especially in the relationship between narrative suspense and numerical speculation, between words and numbers. The short-term risks and losses that attended these voyages were offset by their long-term profits, as the pleasure of accumulation concealed but also depended on the horrors of violence.

Socioeconomic Change, Peasant Household Structure and Demographic Behavior in a French Department

1992 ◽  
Vol 17 (2) ◽  
pp. 161-181
Author(s):  
James R. Lehning
Keyword(s):  
Nineteenth Century ◽  
Economic Structure ◽  
Household Structure ◽  
The Other ◽  
Socioeconomic Change ◽  
Demographic Behavior ◽  
Peasant Household ◽  
The One ◽  
The Relationship ◽  
Insight Into

The article focuses on the relationship between social and economic structure and household structure, on the one hand, and household structure and demographic behavior on the other. The analysis provides some insight into the factors that determined household structure and demographic behavior in the two nineteenth-century villages in the Loire district in France-one village agricultural and the other with a protoindustrial sector. Labor needs imposed on the household by the economy helped to determine the structure of that household, and, especially by way of nuptiality, such considerations could also affect reproduction. Nevertheless, it would be pressing the evidence much too far to suggest that only household structure determined demographic behavior.

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