scholarly journals Axiology of dreams in Ob-Ugric literature

2020 ◽  
pp. 33-42
Author(s):  
A.N. Semenov

The article analyzes the peculiarity of the Ob-Ugric literature in the axiological aspect. This approach allows us to draw reasonable conclusions about the peculiarities of the worldview of the Northern peoples. It is possible to achieve this result by an appeal to the analysis of both – a single artistic work and a corpus of feature texts. The purpose of the article is to identify the uniqueness of the comprehension of the world by the peoples of Khanty and Mansi, their attitude to the values of the surrounding world, those, reflected in works of fiction. The essence of the article focuses on analyzing the existence of dreams in literature of the Ob-Ugric peoples in its axiological aspect, on showing the diversity of the presence and manifestations of dreams in the artistic consciousness of the peoples of Khanty and Mansi, on clarifying the question about the role of dream in their beliefs about past, present and future, about the meaning of life. The author of the article refers to the semantic analysis potential, seeking to identify the nature and role of such a sign as a dream in a specific artistic text. The reference to the texts of the Ob-Ugric literature, which can be defined as representative, shows that the dream is present in the artistic consciousness of the Northern peoples in a variety of manifestations: from mythological representations and heroes to everyday, related to the needs of real life, affairs and aspirations, and this is characteristic of both – the epic and the lyric texts. The conducted study suggests the conclusions that the dream as one of the manifestations of the individual and collective worldviews of the Khanty and Mansi peoples is evidence of their trust in metaphor, a propensity to metaphorical thinking, which, in its turn, is an indicator of the significant potential and richness of the aesthetic and artistic consciousness of these peoples.

2018 ◽  
pp. 35-44
Author(s):  
Юлія Юріївна Бродецька

The article deals with the ontological aspects of the consolidation of social being. As a fundamental reproduction mechanism, there is a phenomenon of meaning. The meaning produces, transmits the practice of connectivity and the unity of co-existence both at the individual and social levels. It is a connection, involvement that continues in the nature, quality, stability of human relations with the outside world. This connection gives the status of reality, the truth of human existence. In its ontological significance, reality as materiality, conformity, is only in experience. Thereby it is revealed that the social and individual being reality is in the space of experience that a human acquires in social interaction. «Significance of experience» forms a connection with reality, which acts as an ontological basis of meaning and grows out of its metaphysical nature. Thus, it fills the meaning itself, makes a true, real human being. The meaning connects, transforms and gives perspective to social relations. It is noted that the basis of meaning is its ontological characteristic, that is, a phenomenon arising from the real life relationships of an individual with the outside world. The nature of the meaning, which is an integral, consolidating, is determined by its transcendence. The meaning is always in the objective world. In other words, human does not choose and does not invent meaning, on the contrary, by selfrealization, it forms its connection with the world – its life meaning. Therefore, human existence requires direction to someone (something) other than herself. This metaphysical connection of being and meaning ensures the connection of human co-existence. So the true life meaning is always outside the human self, and therefore requires unity with other people. This logic reveals the phenomenon of comprehension as an integral being element, its symbolic component. Because of this, the main task of human is to go beyond the limits of their own selfishness, to feel their connection with the surrounding world. In this perspective, the meaning phenomenon is revealed in the space of sacral transformation, the personality birth. The more human overcomes the power of selfishness in themselves, the more he reveals the uniqueness of the surrounding world, the more he improves, realizes himself, acquires understanding of his own personality. In other words, self-realization itself does not foresee a direction. When in the human creativity field there is no orientation towards another human, when he «creatеs» for himself, a human must be prepared to be disappointed. Such «creativity» is empty, unclaimed, since it is devoid of its main content – love, that is, meaning. In other words, self-realization in itself should not and can not be the goal of human life. It is the result of the life meaning realization that is achieved only in the harmonious human connection with the outside world, only in productive relations with others. Therefore, self-realization is only a side effect of the man’s release beyond his own self. Consequently, meaningful life is not concentrated on its own «I», but is connected internally and externally with the lives of others. Moreover, this life is not only connected but it is also integral, since the nature of human relationship with the surrounding reality is a projection of the attitude towards himself. Thus, the analysis of the consolidation mechanisms of human existence, of its integrity, harmony, must focus in the space of the meaning problem. In other words, it is a matter of gaining a real individual experience of unity with the world. It is precisely this perspective of studying problems of integration of social and individual order that allows you to offer tools and ways to solve the issue.


Author(s):  
Bart Vandenabeele

Schopenhauer explores the paradoxical nature of the aesthetic experience of the sublime in a richer way than his predecessors did by rightfully emphasizing the prominent role of the aesthetic object and the ultimately affirmative character of the pleasurable experience it offers. Unlike Kant, Schopenhauer’s doctrine of the sublime does not appeal to the superiority of human reason over nature but affirms the ultimately “superhuman” unity of the world, of which the human being is merely a puny fragment. The author focuses on Schopenhauer’s treatment of the experience of the sublime in nature and argues that Schopenhauer makes two distinct attempts to resolve the paradox of the sublime and that Schopenhauer’s second attempt, which has been neglected in the literature, establishes the sublime as a viable aesthetic concept with profound significance.


2021 ◽  

The COVID-19 pandemic forced physicians around the world to make tragic decisions: Whose life should be saved when it is apparent that available resources are insufficient to treat everyone? Under the heading of "triage" a broad societal debate ensued that also ignited the scientific community. This anthology unites voices from medicine, law, and philosophy for a conversation. It reveals controversies that are deeply rooted in ideas of law, morality, and the role of the individual in the state. Simultaneously, answers are being formulated to questions that have become sadly prominent in the COVID pandemic but could also valid beyond it.


2020 ◽  
pp. 81-91
Author(s):  
N.V. Khalikova

The purpose of the article is to compare the definitions of a stylistic device with modern philological ideas about the text and the image of the author as the main subject of cognition of reality in a feature. The methods of structural poetics make it possible to separate the stylistic means and methods as functionally different units of the artistic speech and the language of the writer. There is a steady connection between the worldview of the writer, their “image of the author” and their style. Autological and metalogical stylistic means are equally important for creating both an artistic and a non-artistic image (journalistic, scientific, everyday). Artistic means and techniques perform fundamentally different functions. Artistic means of image expressiveness contribute to the aesthetization of speech. Stylistic techniques organize the processes of meaning generation, preservation and transmission of meanings. The text records and reproduces artistic thinking, typical for this very writer, a set of ideas about a human, landscape, interior, ways of action and other classes of images. The artistic style is the same as the style of thinking, a level speech style of reflecting the perception of reality. The style can be adopted, it can be imitated and, thus, one can understand how the author thinks, what their manner of the aesthetic transformation of reality, forms of perception, is. The stylistic forms of the same author are reproduced from work to work, regardless of the plot and ideological content. To explain how the technique works is to identify the ways of the artistic thinking about the world (images). The stylistic device is closely connected with the intellectual book culture of society.


2017 ◽  
Vol 5 ◽  
pp. 889-895
Author(s):  
Frăguța Zaharia

The present European context challenges us to approach the issues of Romanian dignity, humanity and humanism. The purpose of this essay is to emphasize the interpretative and explanatory dimensions of Constantin Micu Stavila’s philosophical thinking focused on the meaning of life and the human destiny, no less on the significance of the Christian personalism that the Romanian-French philosopher has cultivated it. Some questions arise: What is the role of philosophy and religion in understanding the meaning of life? How do we have to consider the human being and by especially the characteristics defining the Human within the Romanian culture? Trying to provide an honest, coherent and enlightening response, the paper is organized into two parts: 1. The mission of Romanian philosophy – attempting to demonstrate that the Romanian culture is integrating itself in the world-wide one seeing that there is an intimate complementarity of philosophy and religion; and 2. Romanian cultural messianism – developing an interpretation of the Romanian folklore according to the topic of the paper.


2020 ◽  
Vol 27 (1) ◽  
pp. 239-259
Author(s):  
Valentina E. Vetlovskaya

<p>The article explores the role of logical connections in an epic text. It is these connections, according to the author of the article, that connect the individual components of the narrative (motifs, complexes of motifs) and make up in the reader&rsquo;s perception for the missing elements. The reticence and failures to mention, common in fiction, appear in the narrative for various reasons. Sometimes due to the aesthetic principles of the writer who prefers ambiguity to a completed statement depriving readers of the opportunity to finish thinking over a vague idea. And sometimes, due to the author&rsquo;s conviction that there is no need to explain the idea implied by what has been earlier said. But it also happens that the omissions in the narrative are engendered by the requirements for the presentation of a chosen topic, for example in crime fiction. But these reasons may go together as it occurs in Crime and Punishment. These ideas are illustrated by the analysis of one of the themes of the novel Crime and Punishment.</p>


Author(s):  
Teresa Yanitska-Panek

Literary education is very important in the process of forming the personality of the individual. It is necessary to implement a number of conditions in order to student’s contact with literature was a great experience. Reading can be seen as a way of man’s existence in the world of symbols and information. Reading can also be a medium through which cultural content reaches to the recipient and enrich and improve his language and engage him emotionally. Reading is an act of great importance, austerity and effort, and at the same time it is an act of preparing the reader and the recipient to the reflection.Many authors emphasize the value of reading, inspired many motives. The authors draw attention to the different attitudes towards reading of the text which have been described by Lech Witkowski, philosopher and pedagogue in 2007. Eight status of the text in the course of reading are specific hints for teachers and non-pedagogical readers how to treat the text. The philosopher’s look on the function of reading puts this ability in a variety of contexts and makes that people interested in reading can become seekers and creative.The reading is determined the following learning outcomes: student reads fluently, correctly, fluently and expressively aloud texts consisting of words discussed during classes. These texts relate to real-life experiences of children and cognitive expectations. A student also understands short texts read silently; student correctly reads aloud texts written own in a notebook and texts stored on a PC. The student working with text by searching for the most beautiful piece. He is also able to distinguish in literary texts the forms such as narrative, description and dialogue.


Author(s):  
Tat’yana V. Bychkova ◽  

The paper considers the role of the language personality in speech activity in neologizations of abbreviated SMS messages in the English discourse. Within the framework of the communicative-discursive direction in Russian linguistics, a paradigmatic approach to the study of the role of the language personality in the creation of new knowledge has been established. The language personality is able to participate in the process of nominating objects and actions of the world picture. Intralinguistic and extralinguistic factors influence language changes. Intralinguistic factors provide potential for language renewal, including its neologization, in accordance with the laws of dialectical development. Extra- linguistic factors are represented by numerous social and socio-political phe- nomena from the surrounding world. The high popularity of SMS messages is explained not only by the action of the law of saving speech efforts in the language, but also by the ability of language personality to express emotions in the language, thanks to the opportunities for innovations and improvisations inherent in it. The paper considers the language functions and stylistic features of abbreviated SNS messages in English discourse.


Author(s):  
Sten Ebbesen

‘Averroism’, ‘radical Aristotelianism’ and ‘heterodox Aristotelianism’ are nineteenth- and twentieth-century labels for a late thirteenth-century movement among Parisian philosophers whose views were not easily reconcilable with Christian doctrine. The three most important points of difference were the individual immortality of human intellectual souls, the attainability of happiness in this life and the eternity of the world. An ‘Averroist’ or ‘Radical Aristotelian’ would hold that philosophy leads to the conclusions that there is only one intellect shared by all humans, that happiness is attainable in earthly life and that the world has no temporal beginning or end. Averroists have generally been credited with a ‘theory of double truth’, according to which there is an irreconcilable clash between truths of faith and truths arrived at by means of reason. Averroism has often been assigned the role of a dangerous line of thought, against which Thomas Aquinas opposed his synthesis of faith and reason. The term ‘Averroism’ is also used more broadly to characterize Western thought from the thirteenth through sixteenth centuries which was influenced by Averroes, and/or some philosophers’ self-proclaimed allegiance to Averroes.


2019 ◽  
Vol 26 (3) ◽  
pp. 384-400 ◽  
Author(s):  
Héctor J Pérez ◽  
Rainer Reisenzein

The death of Jon Snow at the end of the fifth season of the TV serial Game of Thrones prompted an intense reaction among the fans of the serial on social media. Thousands of viewers all over the world contributed to the discussion of the meaning and implications of this event, turning it into a global event in the participatory culture of contemporary seriality. In this article, we propose an explanation of this remarkable cultural phenomenon. Based on a theory of plot twists as surprise structures, we argue that the reactions of fans can be understood as concrete, contextually adapted realizations of the characteristic cognitive reactions evoked by the emotions of surprise and shock caused by unexpected negative events. Our analysis focuses in particular on the contributions of viewers to the establishment of the beliefs disconfirmed by the plot twist and on the cognitive activities that served to adapt their minds to the new reality revealed by the twist, which also included reflections on the aesthetic aspects of the plot twist and the narrative in which it was embedded. By providing a public platform for these reflections, the fan forums allowed the individual attempts to adapt to the plot twist to become a collective endeavor. The study illustrates how universal cognitive mechanisms interact with culturally produced contents to generate similar reactions to a fictional event across the globe.


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