scholarly journals Frogs and Feeling Communities: A Study in History of Emotions and Environmental History

Author(s):  
Andrea Gaynor ◽  
Susan Broomhall ◽  
Andrew Flack

This article offers an overview of some approaches from the history of emotions that environmental historians could employ in order to sharpen engagement with emotion, and applies some of these approaches to a long history of human–frog interactions, by way of example. We propose that emotions have played a key role in the constitution of human communities, as well as enabling or inhibiting particular kinds of human thoughts and actions in relation with the living planet. In tracing human–frog relations over time we tease apart the complex historic relationships between cultural frameworks, scientific expectations and conventions, and the texts and images emerging from these contexts, which operate explicitly or implicitly to train and discipline the emotional selves of human adults and children.

2020 ◽  
Vol 4 (1) ◽  
pp. 43-65
Author(s):  
Sarah-Maria Schober

Abstract This essay shows that early modern practices that used human bodily matter cannot be – as hitherto – explained by the absence of the emotion of disgust nor as being conducted in spite of disgust. Instead, it proposes to read those practices’ changing history as part of the history of the ‘paradox of disgust’. Four case studies (on anatomy, excrement, mummies and skulls) demonstrate that disgust was highly productive: it attracted fascination, allowed physicians to fashion themselves, and was even believed capable of healing. Over time and for complex reasons, however, the productive side of disgust declined. Combining current approaches in the history of emotions and material culture studies, this essay sets out not only to propose a new narrative for the changing role of disgust in early modern science and societies, but also to explore how variations in settings and human intervention changed the way emotions were used and perceived.


Kulturstudier ◽  
2013 ◽  
Vol 4 (2) ◽  
Author(s):  
Karen Vallgårda

<p>Følelseshistorie er et forskningsfelt i eksplosiv vækst. Med udgangspunkt i væsentlige nyere bidrag inden for historiefaget og kulturstudier diskuterer artiklen de centrale teoretiske problemstillinger, forskere konfronteres med, når de vil undersøge følelser i forskellige historiske kontekster: Hvordan skal vi definere følelser? I hvor høj grad er de socialt konstituerede og kulturelt specifikke? Er der noget naturgivent og universelt ved det menneskelige følelsesliv? Artiklen taler for at undersøge følelser som en form for praksis, der udspringer fra en social struktureret krop, og som påvirker de sociale sammenhænge, hvori de udøves.</p><p><strong><em>Abstract</em></strong></p><p><em>The history of emotions is currently a rapidly expanding field. Probing a number of important recent contributions to the field, this article discusses the central theoretical and methodological challenges that researchers must confront when interrogating emotions in different historical contexts: How should we define emotions? To what extent are they socially constituted and culturally contingent? Is there anything universal about human emotional experience? The article makes the case that the greatest challenge for historians of emotion is to conceptualize emotions in a way that captures their social constitution while at the same time implies a principle of emotional changes over time. Taking Monique Scheer’s concept of ”emotional practices” as a starting point, the article argues that it could productively be combined with theories that point to the sociopolitical effects of emotions. This conceptualization makes it possible to shift the theoretical focus away from the emotions’ ontological status towards an analysis of how emotions are done and with what effects. Examining different empirical examples from postcolonial studies, the article finally shows how the concept of emotional practices is useful to think with in analyses of the sociopolitical implications of emotions.</em></p>


2018 ◽  
Vol 2 (1) ◽  
pp. 113-131 ◽  
Author(s):  
Erin Sullivan

Abstract What role do the arts play in the study of the history of emotions? This essay reflects on the position that aesthetic works and arts-oriented methodologies have occupied in the field’s development since the early 2000s. It begins by connecting artistic sources to anxieties about impressionism within cultural history, before looking at examples from literature that help illustrate the advantages works of art can bring to the study of emotion over time. Chief among these benefits is the power of artistic sources to create emotional worlds for their audiences – including, of course, historians. Ultimately, in arguing for a greater use of aesthetic works in our field, the essay makes the case for a more overtly emotional history of the emotions.


2021 ◽  
Author(s):  
◽  
Alexandra Dekker

<p>The Wellington Acclimatisation Society was established in 1871, as part of a larger acclimatisation movement that featured the systematic introduction and exchange of many species across the world. After merging with other lower North Island societies, the Wellington Society began work on introducing trout to the streams and rivers of the district. Initially, the Society was made up of prominent members of the Wellington community, but over time these well-connected enthusiasts gave way to those with practical skills and knowledge. During the twentieth century the Society became an increasingly formalised group, working closely with the Government and other acclimatisation societies within New Zealand, as well as internationally. These networks, which were initially essential for trout introductions through imperial links, soon moved from an emphasis on importations and exchange to a focus on the continued maintenance of trout species throughout the Wellington district. The success of trout introductions relied on the ability of the Wellington Society to sufficiently modify the New Zealand environment. The close ties that existed between acclimatisation societies and the colonial Government meant the Wellington Society could undertake extensive environmental modification and management using a special authority, alongside a degree of involvement from the community. In this way, the introduction of trout had a significant impact on both the social and environmental history of New Zealand.</p>


The book pays tribute to Paul Slack’s work as a historian, and engages with the rapidly growing body of work on the ‘history of emotions’. The themes of suffering and happiness run through Paul Slack’s publications, the first being more prominent in his early work on plague and poverty, the second in his more recent work on conceptual frameworks for social thought and action. He himself has not written directly with the history of emotions, the editors of this volume have thought that assembling essays on these themes provides an opportunity and indeed an obligation to do that. The chapters explore in turn shifting discourses of happiness and suffering over time; the deployment of these discourses for particular purposes at specific moments; and their relationship to subjective experience. In their introduction, the editors note the very diverse approaches that can be taken to the topic; they suggest that it is best treated not as a discrete field of enquiry but as terrain in which many paths may fruitfully cross. It has much to offer as a site of encounter between historians with diverse knowledge, interests, and skills.


2021 ◽  
Author(s):  
◽  
Alexandra Dekker

<p>The Wellington Acclimatisation Society was established in 1871, as part of a larger acclimatisation movement that featured the systematic introduction and exchange of many species across the world. After merging with other lower North Island societies, the Wellington Society began work on introducing trout to the streams and rivers of the district. Initially, the Society was made up of prominent members of the Wellington community, but over time these well-connected enthusiasts gave way to those with practical skills and knowledge. During the twentieth century the Society became an increasingly formalised group, working closely with the Government and other acclimatisation societies within New Zealand, as well as internationally. These networks, which were initially essential for trout introductions through imperial links, soon moved from an emphasis on importations and exchange to a focus on the continued maintenance of trout species throughout the Wellington district. The success of trout introductions relied on the ability of the Wellington Society to sufficiently modify the New Zealand environment. The close ties that existed between acclimatisation societies and the colonial Government meant the Wellington Society could undertake extensive environmental modification and management using a special authority, alongside a degree of involvement from the community. In this way, the introduction of trout had a significant impact on both the social and environmental history of New Zealand.</p>


2018 ◽  
Vol 5 (2) ◽  
pp. 106-115
Author(s):  
Sindorela Doli Kryeziu

Abstract In our paper we will talk about the whole process of standardization of the Albanian language, where it has gone through a long historical route, for almost a century.When talking about standard Albanian language history and according to Albanian language literature, it is often thought that the Albanian language was standardized in the Albanian Language Orthography Congress, held in Tirana in 1972, or after the publication of the Orthographic Rules (which was a project at that time) of 1967 and the decisions of the Linguistic Conference, a conference of great importance that took place in Pristina, in 1968. All of these have influenced chronologically during a very difficult historical journey, until the standardization of the Albanian language.Considering a slightly wider and more complex view than what is often presented in Albanian language literature, we will try to describe the path (history) of the standard Albanian formation under the influence of many historical, political, social and cultural factors that are known in the history of the Albanian people. These factors have contributed to the formation of a common state, which would have, over time, a common standard language.It is fair to think that "all activity in the development of writing and the Albanian language, in the field of standardization and linguistic planning, should be seen as a single unit of Albanian culture, of course with frequent manifestations of specific polycentric organization, either because of divisions within the cultural body itself, or because of the external imposition"(Rexhep Ismajli," In Language and for Language ", Dukagjini, Peja, 1998, pp. 15-18.)


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