scholarly journals A Syntactic- Semantic Study of Historical Present in Zaynab Novel

2021 ◽  
Vol 2 (139) ◽  
pp. 1-24
Author(s):  
Huda Ahmed Shakir ◽  
Bushra Ni'ma Rashid
Keyword(s):  
The Other ◽  
The Novel ◽  
Literary Works ◽  
Points Of View ◽  
Present Tense

This study tackles the historical present from a syntactic and semantic points of view. Historical present, in general, is a vital step to be used in the literary works. In this study, the researcher selects 'Zaynab' novel to be analyzed in terms of the historical present tense. By the end of the study, the researcher gives an answer to the following questions; Does Haykal employ the 'historical present' in his novel Zaynab?, does the use of the 'historical present' work as the other types of the present tense? This study aims to explore the use of the 'historical present' in Haykal's Zaynab novel and to clarify the idea that the use of 'historical present' does not work like the other types of the present tense. The study hypothesizes that Haykal makes a special use of the 'historical present' in his novel Zaynab. In addition, the use of 'historical present' does not work differently from the other types of the present tense.  The researcher adopts two models to analyze the novel. They are: Abdu Alḥamyd's (2006) and Porter's (1989). The results of the study show that Haykal employs the historical present through his narrative to accomplish his intended purposes.

Elementy poetyki ludowej w powieści Rzeczy uprzyjemniające. Utopia T. Bołdak-Janowskiej

2020 ◽  
pp. 182-197
Author(s):  
Agnieszka Goral
Keyword(s):  
Fairy Tales ◽  
Text Analysis ◽  
Literary Text ◽  
Source Material ◽  
Human Existence ◽  
The Other ◽  
The Novel ◽  
Literary Works ◽  
The One ◽  
Cultural Features

The aim of the article is to analyse the elements of folk poetics in the novel Pleasant things. Utopia by T. Bołdak-Janowska. The category of folklore is understood in a rather narrow way, and at the same time it is most often used in critical and literary works as meaning a set of cultural features (customs and rituals, beliefs and rituals, symbols, beliefs and stereotypes) whose carrier is the rural folk. The analysis covers such elements of the work as place, plot, heroes, folk system of values, folk rituals, customs, and symbols. The description is conducted based on the analysis of source material as well as selected works in the field of literary text analysis and ethnolinguistics. The analysis shows that folk poetics was creatively associated with the elements of fairy tales and fantasy in the studied work, and its role consists of – on the one hand – presenting the folk world represented and – on the other – presenting a message about the meaning of human existence.

“La marquise sortit à cinq heures”

PMLA ◽  
1969 ◽  
Vol 84 (6) ◽  
pp. 1644-1648
Author(s):  
Albert Chesneau
Keyword(s):  
Structural Analysis ◽  
The Other ◽  
Past Tense ◽  
First Person ◽  
The Novel ◽  
Other Hand ◽  
Third Person ◽  
Present Tense ◽  
Nouveau Roman ◽  
The Ideal

Simple structural analysis applied to passages cited from the works of André Breton elucidates the reasons for his condemnation of the statement La marquise sortit à cinq heures (see his Manifeste du surréalisme, 1924) as non-poetic. This study demonstrates the opposition existing between the above-mentioned realist sentence, essentially non-subjective (third-person subject), non-actual (past tense predicate), contextual (context can be supposed), and prosaic (lack of imagery), and on the other hand a theoretic surrealist sentence, essentially subjective (first-person subject), actual (present tense predicate), and non-contextual, producing a shock-image. In reality, Breton's surrealistic phrase does not always contain all of these qualities at once. However, in contrast to the condemned phrase which contains none at all, it does always manifest at least one of these characteristics, the most important having reference to the evocative power of the shock-image. A final comparison with a sentence quoted from Robbe-Grillet, the theoretician of the “nouveau roman”, proves that even though it may appear objective, the surrealist phrase is really not so. In conclusion, the four characteristics of the ideal surrealist sentence—subjectivity, actuality, non-contextuality, and ability to produce shock-images—create a poetics of discontinuity opposed to the classical art of narration as found traditionally in the novel. (In French)

scholarly journals CLIMATE AS CLIMAX IN ‘KING LEAR’

2018 ◽  
Vol 28 (7) ◽  
pp. 2349-2353
Author(s):  
Fatbardha Doko
Keyword(s):  
Weather Conditions ◽  
King Lear ◽  
The Other ◽  
Literary Works ◽  
Weather And Climate ◽  
Points Of View ◽  
Local Weather ◽  
Harsh Reality ◽  
Structured Play ◽  
The Way

Shakespeare’s tragedies are among the most analyzed and discussed literary works. In his tragedies Shakespeare follows the Aristotelian pattern of drama, so it is easy to notice there all the elements of a tragedy presented in Aristotle’s Poetics. In this paper I will define what climax in literature is and explore the climax of one of the four great tragedies of Shakespeare, that of King Lear. As a masterfully structured play, the central part of the play is the climax itself. But what is the climax of this play, how is it presented, does it have any impact on the characters, how does it change the course of events, etc? Answers to these questions will be given here. As an example of the interactions between men and weather conditions in Shakespeare’s drama, I will explore climate as climax. The climactic moment of the play is the storm, in the 3rd act, when we see the psychological rage of King Lear. Unsurprisingly, Shakespeare exposes the issue of how the local weather durably affects the nature of men as well as by the way their humours are temporarily changed by climate and environment. Yet, I will argue that this issue actually prompts him to reverse traditional points of view in order to show that things also work the other way round. Indeed, in some of his plays, the playwright insists on men’s unfortunate capacities to provoke violent climactic disorders and to generate chaos on earth. So, it is not only the weather and climate that affect the behaviour and humour of people, but the way people feel and behave. The case with King Lear is a perfect example of this problem. The storm that Lear finds himself is actually reflected in his inner state, in his psychological rage due to his disappointment with his two daughters, and facing with the harsh reality for a father, but mostly for being unjust to his younger daughter, Cordelia.

scholarly journals Figury grozy w literackiej i malarskiej twórczości Zdzisława Beksińskiego

2021 ◽  
pp. 141-170
Author(s):  
Bogna Kubińska
Keyword(s):  
The Other ◽  
Literary Works ◽  
Other Hand ◽  
Points Of View ◽  
Original Phenomenon

The author of this article focuses on the category of dread which is characteristic of Beksiński’s works. It is an original phenomenon because of the tools that create it and its influence on the poetics of the artistic text. The most important areas of the artist’s literary works and paintings in which he operated with dread, were space, characters and colors. Due to the similarity of means of expression shaping dread in stories and paintings, one can speak of transmedia figures of dread in Beksiński’s work, i.e. metaphor, exaggeration, oxymoron, repetition, animation, play with the perspective and points of view. These figures coexist with each other, interact with each other in the process of creating a unique world of dread, characteristic only to Beksiński. On the other hand, dread itself affects the tools that make it up and transforms the effect of their operation. The author of the article calls such a phenomenon ‘acquainted dread’ – the action of the figures used, initially causing dread, is reversed and means that the presented elements – despite the clear features causing fear – cease to be its source for the recipient.

scholarly journals Recursos genéricos de la novela de ciencia ficción de Pedro Salinas

2011 ◽  
pp. 531
Author(s):  
Fernando Angel Moreno Serrano
Keyword(s):  
Science Fiction ◽  
Spanish Literature ◽  
The Other ◽  
Literary Texts ◽  
The Novel ◽  
Main Subject ◽  
The Future ◽  
Points Of View ◽  
Poetic Visions ◽  
Pedro Salinas

Un análisis sobre La bomba increíble, de Pedro Salinas, es interesante porque nos permite disfrutarla desde diferentes líneas. En primer lugar, no ha sido estudiada como el resto de sus textos literarios, aunque los valores de esta pequeña obra maestra merezcan una especial atención que no ha tenido. Por otra parte, es uno de los extraños casos de novela de ciencia ficción escrita por un autor canónico español. Por último, es sorprendente cómo el poeta mostró todas sus obsesiones, miedos y visiones poéticas con una novela con el futuro como tema. Un análisis de los mecanismos de construcción empleados por Salinas –especialmente ficcionales, pero también lingüísticos y simbólicos– nos permitirá entender y, por consiguiente, disfrutar mejor la novela, así como ponerla en el lugar que le corresponde.An analysis about Pedro Salinas’ La bomba increíble: una fabulación is interesting because we can enjoy it from different points of view. In the first place, it has not been studied as the rest of his literary texts, although the values of this little masterpiece deserve a special attention that has not taken place. On the other hand, it is a strange case of the science fiction novels in Spanish literature written by a Spanish canonic author. Finally, it is amazing how the poet showed all his obsessions, fears and poetic visions with a novel with the future as its main subject. An analysis of the mechanisms of construction used by Salinas –specially the fictional ones, but also the linguistic and symbolic ones– will allow us to understand the novel and consequently enjoy it more. Thus we will be able to put it in the place where it should be.

scholarly journals A Portrait of the Mehmandar: Accompanying Hajji Baba, of Ispahan, to England

2019 ◽  
Vol 32 (1) ◽  
pp. 36-51
Author(s):  
Alina Pelea
Keyword(s):  
The Other ◽  
The Novel ◽  
Literary Works ◽  
The World ◽  
The One ◽  
Insight Into

Abstract There are few professions and professionals to be constantly perceived as ambivalent. But for interpreting and interpreters, this seems to be the norm, rather than the exception. On the one hand, there has always been a sense of fascination for these extraordinary people who speak so many languages and have such a wide knowledge of the world. On the other, they have inspired reluctance, distrust or even fear. While literary works sometimes reflect one or the other perception, James Justinian Morier’s The Adventures of Hajji Baba, of Ispahan, in England (1828) reflects both and provides us with an insight into the nature and circumstances of the situation. By following the attitude towards the mehmandar throughout the novel, the present paper considers a set of memes that seem to be still valid today. The reasons this is so relate to features inherent in the profession, the privilege of understanding both sides ‘of the coin’, the power tamper with information, the risk of misunderstanding, etc.

scholarly journals Doświadczenie przemijania i starości w twórczości Wiktora Paskowa i Stanisława Stratiewa

2017 ◽  
Vol 163 ◽  
pp. 701-709
Author(s):  
Dorota Gołek-Sepetliewa
Keyword(s):  
Old Age ◽  
Human Life ◽  
Human Condition ◽  
The Other ◽  
Human Being ◽  
The Novel ◽  
Human Relations ◽  
Literary Works ◽  
Other Hand ◽  
The One

The experience of passing and old agein the works of Victor Paskov and Stanislav StratievThe literary works of famous Bulgarian authors Stanislav Stratiev 1941–2000 and Victor Paskov 1949–2009 may be viewed in terms of athorough study of the human being and the multidimensionality of its existence. Their reflections about existential problems also involve the experience of passing and old age that have ontological, social, cultural, symbolic and metaphorical dimension. The novel A Ballad for George Henig 1987 by Paskov and the drama On the Other Side 1994 by Stratiev include clear and ambiguous images of the end of the human life. The experience of passing and old age affects aparticular person as apersonality and its relationship with the other people. This subject reveals, on the one hand, the crisis of human relations and values in contemporary Bulgarian society, on the other hand it emphasizes the fragility of the human condition, expressed in the experience of pain, illness, passing, old age and death.Опитът на преходност и старост в творчествотона Виктор Пасков и Станислав СтратиевТворчествотo на известнитe български автори Станислав Стратиев 1941–2000 и Виктор Пасков 1949–2009 можe да бъдe разгледанo кaто по-задълбочено изучаване на човешкото същество и на множествотo измерения на неговия живот. Интересът към екзистенциалните проблеми включва и описание на опита на преходност и старост, който притежава онтологично, социалнo, културнo, символично и метафорично измерение. Романът на Пасков Балада за Георг Хених 1987 и драмата на Стратиев От другатa страна 1994 представят изразителни и нееднозначни картини зa крайния етап от човешкия живот. Опитът на преходност и старост засяга човешкия индивид като личност и отношенията мy с близкитe и по-далечнaтa социална среда. Тeматa разкрива, от една страна, кризата на човешките отношения и на ценноститe в съвременното българското общество, от друга страна — подчертава крехкостта на човешкото съществуване, което се изразява в опита на страдание, заболяване, преходност, старост и смърт.

scholarly journals City Limits

2019 ◽  
Author(s):  
Alice Bilger
Keyword(s):  
Los Angeles ◽  
Urban Environment ◽  
Urban Space ◽  
The Other ◽  
The Sun ◽  
The Novel ◽  
Literary Works ◽  
Marginalised Groups ◽  
Racial Exclusion

This essay explores the idea of city limits, real and metaphorical walls, and boundaries raised within and around the urban environment. The focus is on American urban epicentres, and by analysing two literary works, John Fante’s Los Angeles novel Ask the Dust and Lorraine Hansberry’s Chicago play A Raisin in the Sun, it interrogates what form the walls within those spaces might take, why they are raised, and what effects they have on the city’s inhabitants – especially the marginalised groups who tend to be either excluded, restricted or enclosed by them. In this essay, I suggest that boundaries are created or enforced as a result of a fear of loss of space and power within the urban environment which leads to the consistent marginalisation of the Other as exhibited in both texts. In other words, the essay will demonstrate that the physical and fiscal boundaries represented in the novel and play are masking a more complex set of boundaries of racial exclusion and hierarchies in place within the American urban space.

scholarly journals REPRESENTASI PESANTREN DAN KESALAHAN BERBAHASA DALAM NOVEL “CIUMAN TERAKHIR AYAH” KARYA: MAUFIQURRAHMAN SURAHMAN

2020 ◽  
Vol 3 (1) ◽  
pp. 62-72
Author(s):  
Kadarisman Kadarisman
Keyword(s):  
Literary Work ◽  
The Other ◽  
The Novel ◽  
Literary Works ◽  
Other Hand ◽  
Linguistic Rules ◽  
The World ◽  
The Times ◽  
Building Elements ◽  
The Way

The novel is one type of prose literary work in which there are building elements such as plot, character, setting, and of course language. As part of literature, novels also have their own genre. Indonesian literature continues to evolve in accordance with the demands and development of the times, and in accordance with the situation and conditions in the community of writers and readers. In the novel Ciuman Terakhir, the work of Maufiqurrahman Surahman will be found in a portrait of the world of pesantren which is very thick. This indicates that the sociology of the author is very influential in constructing a literary work. This can be seen in the way the author chooses diction, plot, builds character, and creates a certain atmosphere in the novel. On the other hand, there are still some language errors in the novel The Last Kiss of the Father. Therefore understanding of linguistic rules is very important, because literary works use language as a medium of liaison between authors and readers.

Modal particles explained

Target ◽  
2009 ◽  
Vol 21 (1) ◽  
pp. 74-97 ◽  
Author(s):  
Marion Winters
Keyword(s):  
The Other ◽  
General Context ◽  
The Novel ◽  
Pragmatic Approach ◽  
Linguistic Feature ◽  
Modal Particles ◽  
Societal Issues ◽  
Character Study ◽  
Points Of View ◽  
The Individual

The present paper comprises a corpus-based study of translator style, comparing two German translations of the novel The Beautiful and Damned by Francis Scott Fitzgerald. The translations, by Hans-Christian Oeser and Renate Orth-Guttmann, were both published in 1998. The study isolates the linguistic feature of modal particles in which the individual styles of the translators manifest themselves on the textual level and investigates the influence the translators’ microlevel linguistic choices have on the macrolevel of the novel. An electronic corpus was compiled, comprising The Beautiful and Damned and its two translations, both entitled Die Schönen und Verdammten. A quantitative analysis was carried out to discover potential patterns of the use of modal particles by the translators, and the results showed that while both translators use modal particles to the extent and in the general context one would expect, they differ considerably in their choice and use of individual modal particles. The subsequent qualitative analysis takes a pragmatic approach, and discusses the selected modal particle wohl according to its communicative function, its role in speech and thought acts and in the narrative, and in the context of the respective narrative points of view. Finally it is argued that the two translators differ in their translation styles to an extent that affects the novel’s macrolevel in that one translator provides a character study while the other focuses on societal issues.

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