scholarly journals Holiday as an element of the intangible cultural heritage

2021 ◽  
Author(s):  
Maryna Kozlovska
Keyword(s):  
Cultural Heritage ◽  
Key Words ◽  
Research Methodology ◽  
Cultural Practices ◽  
Intangible Cultural Heritage ◽  
Historical Experience ◽  
Intangible Heritage ◽  
The People ◽  
General Scientific ◽  
Research Analysis

The purpose of the article is to analyze the main parameters according to which the holiday is classified as an intangible cultural heritage. Research methodology. General scientific and special methods of research analysis, synthesis, generalization, comparison are used. The use of scientific approaches integrated with culturology, history, and ethnography testifies to the interdisciplinarity of the research. The scientific novelty is to determine the main characteristics of the holidays as intangible cultural heritage and analyze the experience of their inclusion in the UNESCO Intangible Heritage List. Conclusions. Intangible cultural heritage is an intangible element of culture, mostly traditional, all that can be considered the spiritual and intellectual achievements of the people. Intangible cultural heritage includes holidays embodied in relevant cultural practices, which may have the most stable and unconditional parameters, enshrined in the minds of people as carriers of historical experience, ethnocultural identity, and various socio-cultural practices that allow distinguishing cultures from each other. The main significance of the holidays, which are already included in the UNESCO List of Intangible Cultural Heritage, is the preservation of traditions, communication, uniting communities around common rituals and values, passing on the relevant experience to the next generation. Key words: holiday, intangible cultural heritage, Convention for the Safeguarding of the Intangible Cultural Heritage, communicativeness, traditions.  

scholarly journals Intangible cultural heritage: a benefit to climate-displaced and host communities

2021 ◽  
Author(s):  
Gül Aktürk ◽  
Martha Lerski
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Climate Adaptation ◽  
Cultural Practices ◽  
Action Planning ◽  
Well Being ◽  
Living Environment ◽  
Intangible Cultural Heritage ◽  
Intangible Heritage ◽  
Resilient Communities

AbstractClimate change is borderless, and its impacts are not shared equally by all communities. It causes an imbalance between people by creating a more desirable living environment for some societies while erasing settlements and shelters of some others. Due to floods, sea level rise, destructive storms, drought, and slow-onset factors such as salinization of water and soil, people lose their lands, homes, and natural resources. Catastrophic events force people to move voluntarily or involuntarily. The relocation of communities is a debatable climate adaptation measure which requires utmost care with human rights, ethics, and psychological well-being of individuals upon the issues of discrimination, conflict, and security. As the number of climate-displaced populations grows, the generations-deep connection to their rituals, customs, and ancestral ties with the land, cultural practices, and intangible cultural heritage become endangered. However, intangible heritage is often overlooked in the context of climate displacement. This paper presents reflections based on observations regarding the intangible heritage of voluntarily displaced communities. It begins by examining intangible heritage under the threat of climate displacement, with place-based examples. It then reveals intangible heritage as a catalyst to building resilient communities by advocating for the cultural values of indigenous and all people in climate action planning. It concludes the discussion by presenting the implications of climate displacement in existing intangible heritage initiatives. This article seeks to contribute to the emerging policies of preserving intangible heritage in the context of climate displacement.

Intangible Cultural Heritage in a Modernizing Bhutan: The Question of Remaining Viable and Dynamic

2011 ◽  
Vol 18 (2) ◽  
pp. 179-200 ◽  
Author(s):  
Emma Lees
Keyword(s):  
Cultural Heritage ◽  
Cultural Practices ◽  
Intangible Cultural Heritage ◽  
Policy And Practice ◽  
Gross National Happiness ◽  
The People ◽  
Cultural Isolation ◽  
Cloth Production ◽  
History Of

AbstractThis article considers the measures being taken in Bhutan to support the cultural practices and traditions of weaving as Bhutan rapidly moves to modernize. Woven cloth is one of a number of artisan practices in Bhutan that contribute to a unique body of intangible cultural heritage, and a distinctive and instantly recognizable Bhutanese identity. Cloth and cloth production have come to have significant influence on the cultural, socioeconomic and political, as well as the ceremonial and religious life of the people of Bhutan. However with modernization and an increasingly global outlook, many socioeconomic transformations are taking place, challenging traditional cultural practices to remain relevant and viable to younger generations. Bhutan offers a unique case study as a country engaging only relatively recently with globalization after a long history of cultural isolation. Bhutan also offers up a unique policy response to modernization, its Gross National Happiness (GNH) measure, which attempts to embody a strong social, cultural, and environmental imperative within the development process. This article will analyze the various measures taking place to maintain cultural identity and cultural practices within the context of development policy and practice, and will link this discussion to measures and approaches taking place at an international level by agencies such as UNESCO.

Protection of Intangible Heritage

2021 ◽  
pp. 207-222
Author(s):  
Vinayak Jhamb ◽  
Konpal Kaur
Keyword(s):  
Cultural Heritage ◽  
Legal Aspect ◽  
Market Value ◽  
Intangible Cultural Heritage ◽  
Special Relationship ◽  
Natural Heritage ◽  
Intangible Heritage ◽  
Common Heritage Of Mankind ◽  
The People ◽  
Musical Traditions

The convention concerning the protection of cultural and natural heritage only emphasizes the protection of tangible cultural heritage. However, the present convention completely turned a blind eye and a deaf ear to the intangible cultural heritage. “Cultural heritage” as a term and its content are largely taken from other fields like anthropology and archaeology. The legal aspect of cultural heritage is most complex and difficult to understand. There also exist elements of intangible culture which would include songs or folklore musical traditions, ceremonial or ritual traditions, aspects of the life of ancient societies, and any special relationship between the people and the land that they inhabited. With the term property also comes the idea of assigning the artifact a market value whereas they are historically priceless. Cultural heritage has been made global and a part of universal heritage or “common heritage of mankind.”

scholarly journals Cultural rights and “Masterpieces” of Local and Translocal Actors

Ethnologies ◽  
2016 ◽  
Vol 36 (1-2) ◽  
pp. 297-324
Author(s):  
Hélène Giguère
Keyword(s):  
Cultural Heritage ◽  
Public Space ◽  
Cultural Practices ◽  
Freedom Of Expression ◽  
Local Development ◽  
Mediterranean Area ◽  
Customary Law ◽  
Intangible Cultural Heritage ◽  
Cultural Rights ◽  
Social Divisions

This paper deals with European experiences of inscription of traditional cultural practices on UNESCO’s Representative List of Intangible Cultural Heritage (ICH). It will first establish the institutional context of the UNESCO’s listing within the framework of reflections on cultural rights. Then, the author briefly presents four European masterpieces in the Mediterranean area. A comparative analysis follows which specifically focuses on the multiplication of practitioners and on translocality; on the overlapping between institutions and artisans; on the use of intangible cultural heritage as a driver for local development via cultural tourism; and on the multimedia “museification” of the intangible. The comparative study of the listing of these intangible cultural heritage traditions also questions the value of customary law versus freedom of expression and creation. It reveals the tensions between the “purity” and “impurity” of cultural practices and social agents, as well as exclusions related to ethnicity, sex or territory. These tensions create new social divisions and remodel the link people have with cultural practices. An examination of gender sheds light on the marginality of women in public space.

scholarly journals Blockchain Technology for Management of Intangible Cultural Heritage

2021 ◽  
Vol 2021 ◽  
pp. 1-7
Author(s):  
Shen Lvping
Keyword(s):  
Cultural Heritage ◽  
Management Systems ◽  
Intangible Cultural Heritage ◽  
Data Loss ◽  
Network Attacks ◽  
Malicious Software ◽  
Blockchain Technology ◽  
Intangible Heritage ◽  
Encryption Algorithms

With the development of information technology and network technology, digital archive management systems have been widely used in archive management. Different from the inherent uniqueness and strong tamper-proof modification of traditional paper archives, electronic archives are stored in centralized databases which face more risks of network attacks, data loss, or stealing through malicious software and are more likely to be forged and tampered by internal managers or external attackers. The management of intangible cultural heritage archives is an important part of intangible cultural heritage protection. Because intangible heritage archives are different from traditional official archives, traditional archive management methods cannot be fully applied to intangible heritage archives’ management. This study combines the characteristics of blockchain technology with distributed ledgers, consensus mechanisms, encryption algorithms, etc., and proposes intangible cultural heritage file management based on blockchain technology for the complex, highly dispersed, large quantity, and low quality of intangible cultural heritage files. Optimizing methods, applying blockchain technology to the authenticity protection of electronic archives and designing and developing an archive management system based on blockchain technology, help to solve a series of problems in the process of intangible cultural heritage archives management.

scholarly journals Heritales 2017 - Beyond the academia. Re-thinking Heritage trough cinema and others art forms

2020 ◽  
Author(s):  
Maria Zozaya-Montes ◽  
Nicola Schiavottiello
Keyword(s):  
Cultural Heritage ◽  
Cultural Practices ◽  
Early Stage ◽  
World Politics ◽  
Positive Feedbacks ◽  
The Public ◽  
Intangible Heritage ◽  
Future Events ◽  
And Performance ◽  
The University

The UNESCO World Heritage city of Évora (Portugal) hosted the second Heritales – International Heritage Film Festival in September 2017. In this edition the festival focused on current and past sustainable communities, selecting works that explored and problematized the relationship and coexistence of modernity and sustainability when applied to human groups and societies. The films presented the everyday life, knowledge, crafts and know-how of ordinary people highlighting the changes and challenges that the expansion of consumer-based economies, globalization and world politics have brought. As organizers, by focusing on sustainability in heritage context, we wanted to go beyond current preservation strategies of the tangible and intangible heritage, to promote a reflection on the “culture of sustainability” itself, looking at how sustainable ways-of-existence have characterized various communities and cultural practices worldwide. Since its first edition, the festival has been a space for the promotion of a critical understanding of cultural heritage, aimed to the broader public. By using emblematic historical places as stage, Heritales has challenged the mainstream cultural heritage scientific communication. Its proposal is to approach heritage’s issues through multiple types of media and artistic work such as films and documentaries but also cultural heritage’s games, exhibitions, theatre and performance, with talks and several communication strategies to facilitate the encounter between the authors and the public. Although the festival has received many positive feedbacks and the support of various entities such as the UNESCO Chair of the University of Évora (Portugal) and the FCT (Science and Technology Foundation, Portugal) it is still at its early stage of action. In this paper we would like to present the results of our experiment and analyse its concept and results, so that more collaborative and sustainable methodologies can also become a part of our plan of actionfor the organization of future events.

Artistic solution of aesthetic aura in the works of batik masters of modern Azerbaijan

2021 ◽  
Vol 66 (05) ◽  
pp. 154-159
Author(s):  
Asiya Xasay qızı Osmanova ◽  
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
Creative People ◽  
Non Profit ◽  
Modern Times ◽  
The People ◽  
Applied Art ◽  
Modern Era ◽  
Individual Style ◽  
Over Time

The people of Azerbaijan have created a rich and different culture, an important part of which is decorative and applied art. It can be said that the growing interest of young creative people in batik over time is the greatest support for the preservation of our national customs and traditions. Continuing the traditions of this art in their future activities is an indication that Azerbaijani national art and batik will always be in the center of attention. Considering that the art of kalagai is a UNESCO non-profit organization under the title "Traditional kalagai art and symbolism, preparation and use of women's silk headdresses". The Representative List of Intangible Cultural Heritage was included in the 9th session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage in Paris on November 24-28, 2014, and therefore in modern times batik and kalagai are already of interest to local scholars as well as foreign scholars. was. As we know, the breadth of opportunities created by art in the modern era, many artists express their individual style in different ways. Among such artists there are currently working batik masters. Key words: Batik, kalagai, modernity, tradition, plot, composition, color

Intangible Cultural Heritage and Management of Educational Tourism

2021 ◽  
pp. 199-216
Author(s):  
Burcu Toker ◽  
Hamed Rezapouraghdam
Keyword(s):  
Experiential Learning ◽  
Cultural Heritage ◽  
Exploratory Study ◽  
Local Food ◽  
Intangible Cultural Heritage ◽  
Learning Approach ◽  
Local Foods ◽  
Intangible Heritage ◽  
Educational Tourism ◽  
Tourism Experience

Travel has been advocated as a fortifying ground for experiential learning that can engage individuals in numerous experiences through the observation of the destination society and culture. In spite of the vast literature available about the link between tourism and experiential learning outcomes, there are limited studies that gauge educational tourists' familiarity with the intangible cultural heritage of their host communities. Particularly, this study focuses on local food, which is known as a marker of the destination culture and an intangible heritage that plays an inevitable role in almost any tourism experience. Correspondingly, the current exploratory study took an experiential learning approach to understand educational tourists' knowledge about local foods in Cyprus. The findings of the research revealed that educational tourists have very meager knowledge of local foods. The discussion is accordingly provided.

Segmentation in intangible heritage of humanity (ICH) events: the Oruro Carnival

2019 ◽  
Vol 10 (2) ◽  
pp. 81-94 ◽  
Author(s):  
Jesús Claudio Pérez-Gálvez ◽  
Gema Gomez-Casero ◽  
Juan Choque Tito ◽  
Carol Angélica Jara Alba
Keyword(s):  
Cultural Heritage ◽  
Design Methodology ◽  
Theoretical Models ◽  
Intangible Cultural Heritage ◽  
Content Type ◽  
Emotional Bonding ◽  
Cultural Event ◽  
Emotional Perception ◽  
Intangible Heritage

Purpose The purpose of this paper is to characterize the international tourists who visit a cultural event, such as the Oruro Carnival (Bolivia), that is catalogued as Intangible Cultural Heritage of Humanity by UNESCO. Design/methodology/approach To achieve this purpose, a segmentation is made based on the combination of two theoretical models used and contrasted in similar research: the model of McKercher (2002), based on the cultural motivations to go to a destination, and that of Poria et al. (2003), based on the emotional perception of the visitor in relation to the heritage they visit. Findings Four types of tourists are thus identified: alternative, cultural, emotional and patrimonial. Likewise, the research includes an assessment of the most relevant tourist attributes linked to the Oruro Carnival, which is much more positive among international tourists with greater cultural motivation and emotional bonding. Originality/value The principal originality factor and innovation is analysing the cultural motivations and the emotional perception of the visitor in relation to the heritage they visit.

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