scholarly journals «EVERYDAY LIFE» IN THE WORKS BY W. C. WILLIAMS AND J. JARMUSCH: FROM POETRY TO POETICS. INTERMEDIALITY

Author(s):  
Daria Munko

The article examines William Carlos Williams’ works that focus on the everyday, mundanity, and poetize daily life which was common in modernist literature. In our time, Williams’ poetry inspired director Jim Jarmusch to make a poetic film «Paterson» about everyday life and the poetic potential of ordinary routine life. The director reinterprets Williams’ ideas and makes a complex, postmodern film about everyday life in the small town Paterson, where he depicts the routine life of his main character, a bus driver. This life, despite its external simplicity and triviality, encourages the hero named Paterson to read modernist literature and write his own poems whose themes and images are intertwined with the work of the well-known Paterson resident, William Carlos Williams himself. In particular, we examine the intermedial interaction of Williams’ works («Paterson» and «This Is Just To Say») with the film and the indirect transition of one sign system into another. In addition to the more or less direct and explicit influence of literature on film through allusions or quotations from the work of the American modernist poet, Williams’ poetry becomes a precedent for the stylized poems of the film’s main character, written by a contemporary American poet Ron Padgett («Another One», «The Run», «Love Poem») and Jarmusch himself («Water Falls»). In this article, we also compare Padgett’s and Jarmusch’s poetry with some of Williams’ poems («Blizzard», «To A Poor Old Woman»), to demonstrate the similarity of motifs and imagery. Thedirector’s work can be interpreted as a manifestation of the idea of looking for poetry in the everyday, or that everyday life is already poetry. Jarmusch’s film about everyday life provides a possible answer to the question of literary anthropology «why is literature as a medium important in people’s lives» – creativity is the very meaning of life. This penetration of one art form (poetry) into another (cinema) gives grounds for speaking about the relevance of the themes of modernist poetry in the context of modernity and about the meaning and value of simplicity for creativity in general.

2006 ◽  
Vol 2 (1) ◽  
pp. 70-79 ◽  
Author(s):  
Ben Highmore

From a remarkably innovative point of departure, Ben Highmore (University of Sussex) suggests that modernist literature and art were not the only cultural practices concerned with reclaiming the everyday and imbuing it with significance. At the same time, Roger Caillois was studying the spontaneous interactions involved in games such as hopscotch, while other small scale institutions such as the Pioneer Health Centre in Peckham, London attempted to reconcile systematic study and knowledge with the non-systematic exchanges in games and play. Highmore suggests that such experiments comprise a less-often recognised ‘modernist heritage’, and argues powerfully for their importance within early-twentieth century anthropology and the newly-emerged field of cultural studies.


2020 ◽  
Vol 9 (3) ◽  
pp. 123-139 ◽  
Author(s):  
Katie Downs

This article highlights a time when Northern artists were no longer allowed to paint or carve holy images as they had done during the Middle Ages and the Renaissance. The Catholic Church banned this art form due to the interpretation of the second commandment: ‘Thou shalt make no graven image of thy God’. Genre paintings were the outcome of this banishment and a way to represent and depict an everyday life scene in a Dutch seventeenth-century household. The paintings would show the best of a situation and also its worst counterpart in almost a mocking comical way. By exploring these paintings, we come to understand how women were fed propaganda into becoming a better housewife, mother and bearing the weight of physical nourisher to all. Although amusing, the images have been celebrated and considered legendary during the Golden Age of the Netherlands. While taking a closer look at genre paintings and the everyday practices of the Dutch household, we can connect patterns to how these paintings affected women and influenced their domestic duties in the Golden Age.


2020 ◽  
Vol 18 (2) ◽  
pp. 238-259
Author(s):  
Natalya N. Starygina

<p>The article reveals the Christian meaning of the story <em>Christ Visits a Peasant</em> by Nikolay&nbsp;Leskov. Intended for children&rsquo;s reading, the story is unique in its ability to open new semantic horizons, which makes the work interesting for readers of any age. The plot-forming motif &ldquo;to descend in order to ascend&rdquo; can be interpreted as a motif of spiritual rebirth (or healing). The hero-narrator reproduces the story of the main character&rsquo;s spiritual struggle, the meaning of which is revealed in the context of the Christian teaching about the spiritual dispensation. The story forms a system of Christian motives (sin, forgiveness, the return of the prodigal son, meeting with God, the heart, etc.), indicated by precise instructions and allusions to biblical stories, images and symbols. In the motif complex of Leskov&rsquo;s story, the traditional Christmas and Yuletide prose motifs of miracle, teaching, threshold, meeting, guest, path, and home are organic. Creating the image of Christ, the writer reveals his divine properties with the help of numerous symbols: &ldquo;white hand&rdquo;, &ldquo;the divine fate&rdquo;, light, Cup, candle, Christmas cribs, monastery, etc. In the context of Christian content, everyday motives of family, friendship, reading, generations, etc., everyday events (building a house, celebrating the Nativity of Christ, reading books, traveling, etc.) acquire symbolic meaning. In the everyday life of the characters, spiritual reality manifests itself. Leskov teaches his reader to see the spiritual world behind habitual everyday phenomena, events, and relationships.</p>


Author(s):  
Khaled Hassan

To identify changes in the everyday life of hepatitis subjects, we conducted a descriptive, exploratory, and qualitative analysis. Data from 12 hepatitis B and/or C patients were collected in October 2011 through a semi-structured interview and subjected to thematic content review. Most subjects have been diagnosed with hepatitis B. The diagnosis period ranged from less than 6 months to 12 years, and the diagnosis was made predominantly through the donation of blood. Interferon was used in only two patients. The findings were divided into two groups that define the interviewees' feelings and responses, as well as some lifestyle changes. It was concluded that the magnitude of phenomena about the disease process and life with hepatitis must be understood to health professionals. Keywords: Hepatitis; Nursing; Communicable diseases; Diagnosis; Life change events; Nursing care.


2019 ◽  
Vol 146 (2) ◽  
pp. 472-480
Author(s):  
Oksana Hodovanska
Keyword(s):  

Author(s):  
Aleksei S. Gulin ◽  

The article deals with actually little studied questions about the ways and methods of transporting political exiles to Siberia by rail, about the everyday life of that category of exiles in the new conditions of deporting in the 60–70s of the 19th century.


Author(s):  
Arto Penttinen ◽  
Dimitra Mylona

The section below contains reports on bioarchaeological remains recovered in the excavations in Areas D and C in the Sanctuary of Poseidon at Kalaureia, Poros, between 2003 and 2005. The excavations were directed by the late Berit Wells within a research project named Physical Environment and Daily Life in the Sanctuary of Poseidon at Kalaureia (Poros). The main objective of the project was to study what changed and what remained constant over time in the everyday life and in both the built and physical environment in an important sanctuary of the ancient Greeks. The bioarchaeological remains, of a crucial importance for this type of study, were collected both by means of traditional archaeological excavation and by processing extensively collected soil samples. This text aims to providing the theoretical and archaeological background for the analyses that follow.


Author(s):  
Admink Admink

Прослідковуються урбанізаційні та дезурбанізаційні процеси в моді ХХ ст. Звернено увагу на недостатню вивченість питань естетичних та культурологічних аспектів формування моди як видовища в контексті образного простору культури повсякдення. Визначено видовищні виміри модної діяльності як комунікативної сцени. Наголошено на необхідності актуалізації народних мотивів свята, творчості в гурті, певної стилізації у митців та дизайнерів моди мистецтва ностальгійного, втраченого світу з метою осягнення фольклорної, глибинної стихії моди як екомунікативного простору культури повсякдення. Ключові слова: міф, мода, етнокультура, етнос, свято, площа Ключові слова: міф, мода, етнокультура, етнос, свято, площа. According to E. Moren ethnic cultural influences take place in urbanized environment and turn it into "island ontology".Everyday life ethnic culture is differentiated, specified as a certain type of spectacle. However, all that powerful cosmologism, which used to exist as an open-air theater in settlements, near rivers, grasslands, roads, is disappearing. The everyday life culture loses imperatives, patterns, and cosmological designs, where, for example, the “plahta” contains rhombuses, squares, and rectangles - images of the earth, and the top of the costume symbolizes the sky. Yes, the symbolic marriage of earth and sky was a prerequisite for marrying young people. The article deals with traces of the urbanization and deurbanization processes in the twentieth century fashion.Key words: ethnic culture, culture of everyday life, ethnics, holidays, variety show, knockabout comedy, square.


Author(s):  
Yekaterina Babeiko

The article is devoted to the study of the dialect language worldview based on the material of «Smolensk ethnographic collection» by Vladimir Nikolayevich Dobrovolsky (1856–1920) who was an ethnographer, local historian,folklorist, and lexicographer. The article presents general characteristics of proverbs and sayings included in the collection, describes the ways of recording and distribution of the material collected by the researcher, provides examples of proverbs and sayings, dialogues and poems, sentences and superstitious beliefs that the ethnographer, for various reasons, included in the collection. There are not many works on the study of dialect phraseology, not all Russian territories have this priceless heritage like records of phraseological material compiled at the time of their live functioning. V. N. Dobrovolsky included these phraseological units into the collection after his trips to the Smolensk region. The article proves necessity and prospects of further study of ethnographic material and formulates tasks that modern researchers of V.N. Dobrovolsky’s heritage are facing. The description of phraseological material of the collection makes it possible not only recreate the everyday life of the Smolensk peasant of the XIXth century, his life and cultural attitudes, but also to identify the features of the Smolensk dialect language worldview, to characterize paroemiological units based on national and cultural stereotypes of the Smolensk region people’s behavior.


Author(s):  
Philipp Zehmisch

Chapter 2 contextualizes the Andaman Islands as a fieldwork location. It has two major objectives: First, it serves to introduce the reader to the Andamans as a geographical, ecological, and political space and as a site of imagination. This representation of the islands concentrates on the interplay of discourses and policies which have shaped their global, national, and local perception as well as the everyday life of the Andaman population. Second, the chapter underlines the conflation of anthropological theory, fieldwork, and biographical transformations. It demonstrates how recent theoretical trends and paradigm shifts in global and academic discourse have become enmeshed with the author’s experiences in and perceptions of the field. Elaborating on these intricate personal and professional ‘spectacles’ of the fieldworker, the author thus contextualizes the subjective conditions inherent in the production of ethnography as a type of literature.


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