"SHACKLE (KANDALNY) PATH" TO SIBERIA BY RAIL IN 60-70S OF THE 19TH CENTURY. THE DEPORTATION SYSTEM AND EVERYDAY LIFE OF POLITICAL EXILES

Author(s):  
Aleksei S. Gulin ◽  

The article deals with actually little studied questions about the ways and methods of transporting political exiles to Siberia by rail, about the everyday life of that category of exiles in the new conditions of deporting in the 60–70s of the 19th century.

2019 ◽  
pp. 85-92
Author(s):  
Maryna Budzar

The publication of the document is devoted to the anniversaries of two well-known representatives of the Ukrainian elite of the 19th century — 200th anniversary of the birth of Hryhorii Pavlovych Galagan and the 215th anniversary of the birth of Mykola Andriiovych Markevych. Published letter depicts the serious events of the family history of Markevyches — the disease and the death of the father of historian Andrii Markevych. The text contains a detailed description of the events leading up to the event and the circumstances of the death of A. Markevych. The author addresses to Pavlo Galagan, who is the husband of his aunt (mother’s sister). He fully trusts this man. This leads to the frankness of the story. The text includes people from the immediate surroundings of related families of Markevyches — Galagans. This allows us to clarify the personal and psychological characteristics of individual representatives of the Markevyches family. We can notice from the text the remarkable details of the everyday life of the middle-income family of the beginning of the 19th century. We see the arrangement of everyday life, the traditions of everyday communication, the level of provision of medical aid, etc. The contents of the document reveals the attitude of the nobility Left Bank Ukraine to the problem of disease and death, to the ethics of family communication, to property and financial problems.


2021 ◽  
pp. 26-33
Author(s):  
ROMAN A. EVTEKHOV ◽  

The article examines the everyday details of the life of the Skoptsy of the Irkutsk province in the 30s-40s of the 19th century. The study is based on information from two cases of 1832 and 1848 on the disclosure by the priests of the local parish of a secret community of the Skoptsy in the village of Golumet’. Despite the rather close attention to the topic of non-traditional religious movements, many archival materials on this topic are still not in demand. The article presents the ritual and medical aspects of the life of Skoptsy: descriptions of methods of emasculation, characteristic self-restraints in everyday life, and even individual ideological views of eunuchs. Thanks to archival materials, it was possible to determine common, characteristic features of behavior for all members of the sect, their social portrait. According to the author, their survival was of particular importance for the sect, therefore, the issue of secrecy during meetings, conversations, ritual actions was given the greatest importance...


2021 ◽  
Vol 2 (1) ◽  
pp. 15-28
Author(s):  
Maria Tarasova ◽  
◽  
Sabina Maremkulova

The aim of the study is to reveal the ways of representing the concept of “society” in the works of the genre art in the Russian painting of the 1860-1870s. The research is carried out using the method of philosophical and art history analysis of works of fine art. The main object of the study is the painting “Rural procession on Easter” by Vasiliy G. Perov. The study describes the specific features of the genre art in the Russian painting of the 19th century. The research shows how works of the genre art realize their didactive and educating functions. A theoretical analysis of the concepts of “everyday life”, “being”, “society” made it possible to conclude how genre painting of the 19th century models both an ideal person who is in co-existence with the absolute spirit, and a person who is far from the ideal. In the research the authors reveal two worldview models that developed in Russian painting in the 1860-1870s: a model of a perfect human being and a model of a person who is mired in everyday life. The study proves that the latter human model is represented in index signs of characters that worship only material values. The study investigates the versatility of the pictorial model of the Russian society, represented not only as a community absorbed in the routine of the everyday life, but also as a group of people whose life is elevated upwards to the true existence. The research has resulted in the typology of characters of paintings of the genre art, where the type of the character depends on the model of the society represented by the work of art. In its conclusion the study discloses two models of representing the society in Russian painting of the genre art in the 19th century. According to the first model, the everyday principle acts as an absorber of being. The second model represents a society in which everyday life manifests true existence, in harmony with nature and filled with the divine essence.


2020 ◽  
pp. 112-116
Author(s):  
Peter A. Iskenderov ◽  

The article is devoted to the life and activities of a prominent Russian diplomat of the 19th century Ivan Yastrebov (1839–94). The author pays particular attention to the diplomat’s written records evidencing the everyday life of the Serbs as well as the Albanians. The genesis of the Slav peoples in the Balkan Peninsula is also under examination.


2022 ◽  
Vol 74 (1-2) ◽  
pp. 23-32
Author(s):  
Daniela Záveská ◽  
Helena Medřická

This text examines the photography collection of František Řehoř, created in the last quarter of the 19th century. The archives consisting of photographs and negatives are just one of the many components of the extensive research and collection activities carried out by the researcher. The collection constitutes a valuable insight into the everyday life of the inhabitants of rural settlements in eastern Galicia. The informative value of the collection is greatly enhanced by the detailed descriptions with which the author has accompanied his photographs.


Author(s):  
Svetlana M. Sankova

The article traces the transformation of the artistic public's view on the clergy and their place in the life of Russia on the basis of the images of priests created by domestic masters of the genre in the 19th – early 20th centuries. Genre painting originated in Russia in the second quarter of the 19th century and allowed artists to move away from symbolic academic themes and turn to subjects from the everyday life of their contemporaries. However, as a rule, there was no place for the clergy in those works. The exception was the work of A.G. Venetsianov, who was at the root of the creation of genre painting in Russia. In the period of liberal reforms, the church was viewed as something reactionary and clergy was often portrayed in sharply satirical or comic situations (V.G. Perov, F.S. Zhuravlev). In the post-reform period and with the development of realistic worldview, the images of the priest lost their comic focus on the canvases of K.A. Savitsky, G.G. Myasoedov and I.E. Repin. Late 19th and early 20th centuries for the Russian culture was the period of searching spirituality and coming to understand approaching social upheavals in Russian culture, which was clearly demonstrated by M.V. Nesterov's turn to depicting the image of a priest. His disciple P.D. Korin, who witnessed active persecution of the church in the early 1920s, emphasized in his famous, but unfinished portraits of priests the heroic resistance of the clergy to impending persecution. It is important to say that after decades the artist did not get back to the unfinished canvas, since the situation in the country changed, and the genre of the painting changed to historical.


2020 ◽  
pp. 17-27
Author(s):  
D. Meshkov

The article presents some of the author’s research results that has got while elaboration of the theme “Everyday life in the mirror of conflicts: Germans and their neighbors on the Southern and South-West periphery of the Russian Empire 1861–1914”. The relationship between Germans and Jews is studied in the context of the growing confrontation in Southern cities that resulted in a wave of pogroms. Sources are information provided by the police and court archival funds. The German colonists Ludwig Koenig and Alexandra Kirchner (the resident of Odessa) were involved into Odessa pogrom (1871), in particular. While Koenig with other rioters was arrested by the police, Kirchner led a crowd of rioters to the shop of her Jewish neighbor, whom she had a conflict with. The second part of the article is devoted to the analyses of unty-Jewish violence causes and history in Ak-Kerman at the second half of the 19th and early years of 20th centuries. Akkerman was one of the southern Bessarabia cities, where multiethnic population, including the Jews, grew rapidly. It was one of the reasons of the pogroms in 1865 and 1905. The author uses criminal cases` papers to analyze the reasons of the Germans participation in the civilian squads that had been organized to protect the population and their property in Ackerman and Shabo in 1905.


Author(s):  
Tine Damsholt

The article deals with questions of subjectivation. The emotional bonds between a landscape and the individual as interpreted in Danish patriotic songs from the 19th-century are seen as crucial in the process of subjectivation turning the Danish population into a patriotic or selfconscious people. In the songs the sensing self is turned into a Danish self, an individual subject but part of a certain landscape, history and nation. Furthermore the Danish folkhigh-schools are seen as institutions of subject-ivation, since singing patriotic songs here became a natural part of everyday life. In the light of the Foucauldian perspective the emotional and bodily experiences at the folk-highschools (often staged outdoors in the Danish landscape) are interpreted as "technologies of the national self", since it is precisely via individuals’ work with themselves that the national subjectivation takes place.  


2015 ◽  
Vol 80 (10) ◽  
pp. 1321-1338 ◽  
Author(s):  
Vesna Milanovic ◽  
Dragica Trivic ◽  
Biljana Tomasevic

The teaching of chemistry in Serbia as a separate subject dates from 1874. The first secondary-school chemistry textbooks appeared in the second half of the 19th century. The aim of this paper is to gain insight, by analysing two secondary-school chemistry textbooks, written by Sima Lozanic (1895) and Mita Petrovic (1892), into what amount of scientific knowledge from the sphere of chemistry was presented to secondary school students in Serbia in the second half of the 19th century, and what principles textbooks written at the time were based on. Within the framework of the research conducted, we defined the criteria for assessing the quality of secondary-school chemistry textbooks in the context of the time they were written in. The most important difference between the two textbooks under analysis that we found pertained to the way in which their contents were organized. Sima Lozanic?s textbook is characterized by a greater degree of systematicness when it comes to the manner of presenting its contents and consistency of approach throughout the book. In both textbooks one can perceive the authors? attempts to link chemistry-related subjects to everyday life, and to point out the practical significance of various substances, as well as their toxicness.


2017 ◽  
pp. 136-140
Author(s):  
Maryna Budzar

The use of the epistolary heritage is one of the main requirements of the researchers who study Ukrainian cities. An important task is to reconstruct the history of Kyiv through the impressions of its inhabitants. Such a task is realized in the article, which is the publication of one of the letters of Hryhorii Pavlovych Galagan, the great landlord, influential public and cultural figure of the middle and second half of the 19th century, to his wife’s uncle, Oleksandr Vasyliovych Kochubey, the representative of the higher echelons of the imperial elite, a member of the State Council of Russian Empire. The document is a significant source. Apart the main theme of the letter — the visit of Emperor Alexander II to Kyiv in autumn of 1857, here is highlighted a number of socio-political and private-family issues. The publication of the document is important for the study of the Ukrainian elite of the 19th century in multidimensional manifestations of social and everyday life.


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