scholarly journals Toronto’s Little Shop Of Horrors: A Cultural Criminology Examination On Serial Killer Bruce McArthur And The News Media

2021 ◽  
Author(s):  
Emma Margaret Smith

<div>Contributing to the dynamic and interdisciplinary field of cultural criminology, this project works to emphasize the destructive, modern forces of consumerism and violence within Toronto’s crime-news industry. The paper fuses the canonical and emerging methodologies of content analysis, discourse analysis, and liquid ethnography, to evaluate the framing and editing techniques used to relay the story of Bruce McArthur’s predations in The Village (over the 2018 news year). A sample of 365 articles, retrieved from five print media sources, are methodically examined to understand both the local and national agenda-setting strategies of contemporary journalism. Actively contributing to the transformation of human suffering and violence into mass-market pleasure, a carnival of crime model (Presdee, 2000) serves as a primary lens for evaluating the hyper-sensationalized reporting styles of modern news makers. Weaving theoretical contributions from the fields of sociology and media studies, the embeddedness of heteronormative, racialized, and ethnocentric tropes common to the news and crime-infotainment industries is also critically evaluated towards raising greater political and social accountability. Crime-centric podcasts are further identified as a leading technological medium for fueling public obsessions with murder and transgressions. Formed by enthusiastic hobbyists and motivated journalists, the producers of podcasting content hastily straddle the realms of entertainment and information sharing. As such, this research calls for immediate awareness and tending to the neoliberal symptoms of boredom and fear existing in our modern world, building on Stanley Cohen’s (1972) moral panic theory.</div><div><br></div><div>Keywords: cultural criminology, serial killer, news media, crime infotainment, McArthur<br></div>

2021 ◽  
Author(s):  
Emma Margaret Smith

<div>Contributing to the dynamic and interdisciplinary field of cultural criminology, this project works to emphasize the destructive, modern forces of consumerism and violence within Toronto’s crime-news industry. The paper fuses the canonical and emerging methodologies of content analysis, discourse analysis, and liquid ethnography, to evaluate the framing and editing techniques used to relay the story of Bruce McArthur’s predations in The Village (over the 2018 news year). A sample of 365 articles, retrieved from five print media sources, are methodically examined to understand both the local and national agenda-setting strategies of contemporary journalism. Actively contributing to the transformation of human suffering and violence into mass-market pleasure, a carnival of crime model (Presdee, 2000) serves as a primary lens for evaluating the hyper-sensationalized reporting styles of modern news makers. Weaving theoretical contributions from the fields of sociology and media studies, the embeddedness of heteronormative, racialized, and ethnocentric tropes common to the news and crime-infotainment industries is also critically evaluated towards raising greater political and social accountability. Crime-centric podcasts are further identified as a leading technological medium for fueling public obsessions with murder and transgressions. Formed by enthusiastic hobbyists and motivated journalists, the producers of podcasting content hastily straddle the realms of entertainment and information sharing. As such, this research calls for immediate awareness and tending to the neoliberal symptoms of boredom and fear existing in our modern world, building on Stanley Cohen’s (1972) moral panic theory.</div><div><br></div><div>Keywords: cultural criminology, serial killer, news media, crime infotainment, McArthur<br></div>


2021 ◽  
pp. 026732312110121
Author(s):  
Iris Wigger ◽  
Alexander Yendell ◽  
David Herbert

Controversy over immigration and integration intensified in German news media following Chancellor Merkel’s response to the refugee crisis of 2015. Using multidimensional scaling of word associations in reporting across four national news publications in conjunction with key event, moral panic and framing theories, we argue that reporting of events at Cologne station on New Year’s Eve 2015–2016 reframed debate away from terror-related concerns and towards anxieties about the sexual predation of dark-skinned males, thus racializing immigration coverage and resonating with a long history of Orientalist stereotyping. We further identify an increased clustering of ‘race’, gender, religion, crowd-threat and national belonging terms in reporting on sexual harassment incidents following Cologne, suggesting an increased criminalization of immigration discourse. The article provides new empirically based insights into the dynamics of news media reporting on migrants in Germany and contributes to scholarly debates on media framing of migrants, sexuality and crime.


Author(s):  
Anne Billson

These days it takes a very special vampire movie to stand out. Like Twilight, the Swedish film Let the Right One In is a love story between a human and a vampire but there the resemblance ends. Let the Right One In is not a romantic fantasy but combines the supernatural with social realism. Set on a housing estate in the suburbs of Stockholm in the early 1980s, it's the story of Oskar, a lonely, bullied child, who makes friends with Eli, the girl in the next apartment. 'Oskar, I'm not a girl,' she tells him and she's not kidding. They forge a relationship which is oddly innocent yet disturbing, two outsiders against the rest of the world. But one of these outsiders is, effectively, a serial killer. While Let the Right One In is startlingly original, it nevertheless couldn't have existed without the near century of vampire cinema that preceded it. This book looks at how it has drawn from, and wrung new twists on, such classics as Nosferatu (1922), how vampire cinema has already flirted with social realism in films like Near Dark (1987) and how vampire mythology adapts itself to the modern world.


2019 ◽  
Vol 46 (1) ◽  
pp. 105-121 ◽  
Author(s):  
Anne Fredrickson ◽  
Alexandra Farren Gibson ◽  
Kari Lancaster ◽  
Sally Nathan

Crystal methamphetamine (“ice”) has been a fixture in Australian newspapers since the early 2000s. This study explores discourses at work in constructing the ice “problem” in recent Australian media, possible implications for how people who use ice are discursively positioned, and the resulting significance for drug policy. Twenty-seven articles were selected for discourse analysis, sampled from a larger study of Australian ice-related news items. By critically engaging with sociological concepts of “moral panic” and the “risk society,” we demonstrate how three media discourses produce the subject of the “young person” as both victimized by ice and a catastrophic threat in and of themselves: (1) “ice traps and transforms youth,” (2) “ice does not discriminate,” and (3) “ice perverts sanctuary.” These discourses illustrate the tensions between the meanings of ice use and understandings of safety and risk, speaking to current anxieties in Western, neoliberal societies. Ice use is further constructed as a form of abjection, threatening traditional social boundaries and institutions. However, the agency and determinism simultaneously granted to ice the substance troubles the notion we are witnessing yet another “drug scare” that polices social behavior. Instead, we observe how these discourses mirror those in the biomedical literature, which construct ice as a uniform, agentic, and uniquely dangerous drug. With use attributed to entrapment and/or naturalized as addiction, the drug is constituted as engineering its own, always harmful, consumption. This limits conceptions of any “safer,” “rational,” or “pleasurable” forms of ice use and further justifies state intervention on its users. Overall, these discourses rationalize prohibitionist interventions around ice and singularize drug consumption as a behavior requiring institutional management.


Author(s):  
Jelisaveta Mojsilović

Mozart in the Jungle is a popular TV show in four seasons, which premiered in December 2014 from Amazon Studios. This series is the first of its type in the English language: focusing on classical music and the life of classical musicians as its topic. In this series, the concept of classical music applies to the world of artistic music from the baroque period to the 20th century music, and to institutions that in the modern world represent artistic music, people who are practice this music and the target group for which it is intended. Thus, Mozart in the Jungle indicates that world of artistic music exists in the way of the artworld, if we understand this term according to theoretician Arthur Danto. In such a way, we are discussing the concept of classical music, which is not just some abstract concept. On the contrary, it implies an actual institution of classical music starting from the infrastructure of the institution, people who are producing it, to the building itself of that institution. Therefore, we are ‘targeting’ stereotypes of classical music and musicians, and furthermore, we are coming to possible answers on the question regarding who is Mozart in the world of the classical music featured in this series. Article received: March 25, 2018; Article accepted: May 10, 2018; Published online: October 15, 2018; Preliminary report – Short CommunicationsHow to cite this article: Mojsilović, Jelisaveta. "The World of Classical Music in the TV Series Mozart in the Jungle." AM Journal of Art and Media Studies 17 (2018): 71−77. doi: 10.25038/am.v0i17.271


Author(s):  
Robin Blom

Whereas some news outlets fully identify crime suspects with name, age, address, and other personal details, other news outlets refuse to fully identify any crime suspect—or even people who have been convicted for a crime. News media from a variety of countries have accused and fully identified people of being responsible for crimes, although those persons turned out to be innocent. Yet, when someone types the names of those people in online search engines, for many, stories containing the accusations will turn up at the top of the search results. This chapter examines the positive and negative aspects from those practices by examining journalistic routines in a variety of countries, such as the United States, Nigeria, and The Netherlands. This analysis demonstrates that important ethical imperatives—often represented in ethics codes of professional journalism organizations—can be contradictory in these decision-making processes. Journalists need to weigh whether they would like to “seek truth and report it” or “minimize harm” when describing crime suspects.


2020 ◽  
pp. 1-22
Author(s):  
Paul M. Renfro

The introduction sketches the contours of the book. It details the construction of a moral panic concerning the abduction of children by strangers in the late twentieth century and lays out the political and cultural ramifications of this panic. As the introduction indicates and the rest of the book demonstrates, this panic—precipitated by the bereaved parents of missing and slain children, the news media, and politicians—led to the consolidation of a “child safety regime” and the expansion of the American carceral state. The introduction situates this argument within the existing historiography of late twentieth-century United States politics and culture, as well as the growing literature on carceral studies.


Author(s):  
Karthikeyan P. ◽  
Karunakaran Velswamy ◽  
Pon Harshavardhanan ◽  
Rajagopal R. ◽  
JeyaKrishnan V. ◽  
...  

Machine learning is the part of artificial intelligence that makes machines learn without being expressly programmed. Machine learning application built the modern world. Machine learning techniques are mainly classified into three techniques: supervised, unsupervised, and semi-supervised. Machine learning is an interdisciplinary field, which can be joined in different areas including science, business, and research. Supervised techniques are applied in agriculture, email spam, malware filtering, online fraud detection, optical character recognition, natural language processing, and face detection. Unsupervised techniques are applied in market segmentation and sentiment analysis and anomaly detection. Deep learning is being utilized in sound, image, video, time series, and text. This chapter covers applications of various machine learning techniques, social media, agriculture, and task scheduling in a distributed system.


2021 ◽  
pp. 36-57
Author(s):  
Martha Minow

Chapter 2 anticipates objections to government involvement in news media by tracing the long-standing historical involvement of the federal government in enabling and shaping the development of the modern news media. Although private sector companies and investments have played a central role in the development of media news, for most of American history governmental involvement has been integral to the structure, financing, and effectiveness of the news industry while advancing free expression of ideas. The historic governmental actions shaping the news industry contradict the libertarian conception of the First Amendment that has grown in influence during the past several decades, a conception putting into jeopardy government actions to address the failing news industry.


Slavic Review ◽  
2009 ◽  
Vol 68 (3) ◽  
pp. 557-581 ◽  
Author(s):  
Keely Stauter-Halsted

In the early twentieth century, police-regulated prostitution experienced a burst of attention from Polish-language news media. In this article, Keely Stauter-Halsted considers the extended moment of “moral panic” that unfolded when a series of public exposes revealed the scope and potential dangers of sex trafficking. Taking into account the ways “respectable” urban audiences absorbed revelations of illicit commercial transactions on city streets and increased “white slavery” activity beyond the Polish lands, Stauter-Halsted stresses the image of the prostitute as a threat to the embattled nation. The figure of the impoverished, morally compromised streetwalker encroaching on bourgeois social spaces and invading the bourgeois home challenged the sense of middle-class respectability so crucial to Polish national regeneration. By exposing innocent members of the community to sexually dangerous behavior, the prostitute came to represent decay, degeneration, and venereal disease attacking the national body, a conclusion used by social purity activists in their protoeugenics campaigns.


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