scholarly journals Zurqānī’s Ideas on the Compilation Process of Qur'ān in the the Context of Jam' al-Qur'ān

Author(s):  
Süleyman Yıldız

The process of compiling the Qur'ānic verses (jamʿ al-Qur'ān) between two covers into a single musḥaf, and hence reproducing copies whereof constitutes one of the most important stages in regard to both history and recitation (qirāʾāh) of Qur’an. From the earlier periods, it is possible to see individual works written on the subject as well as works that are produced within different fields of expertise such as hadīth, tafseer, qirāʾāt and history. This issue which has grabbed the attention of orientalists and was used as a manipulating tool against the Qur’an for so long, still stands to be contemporary too. Therefore, answering the question of the authenticity of the Quran by taking current questions and problems into consideration is both a necessity and begs for continuity. Zurqānī, who is among the authors of ‘ulūm al-Qur’ān of the modern period, has expressed opinions on the issue at stake. His work is attention-grabbing in the sense that it deals with the of compilation process of Qur’ān with a contemporary edge in order to prevent and overcome any current doubts. This study examines Zurqānī’s approaches to the compilation process of Qur’ān in the context of jamʿ al-Qur'ān. Also, it seeks to touch upon the allegation of distortion in the musḥaf since it is related to the subject.

2021 ◽  
Vol 6 (15) ◽  
pp. 454-481
Author(s):  
Engincan Doğmuş

Postmodern culture, which developed after the modern period, is in a structure in which postfordist consumption understanding is adopted instead of fordist consumption and consumption for image purposes is at the forefront. In this context, brands create their images in order to be remembered in the current culture and to create a lifestyle for the continuity of consumption. The creation process of images, on the other hand, is through advertisements where the continuous production and consumption of high reality and commodities is made, and it shows a common development with postmodern culture brand images. Within the scope of the study, a descriptive approach and content analysis method were preferred in order to make sense of how brand images are produced through advertisements in the postmodern period and to deal with the constructing dimension. Accordingly, the top 10 brands in the ranking of the Brand Finance 2021 Turkey Report were selected as a sample and the ads of the selected brands between 1 June 2021 and 5 June 2021 with the theme of world environment day were analyzed. As a result of the analysis, within the framework of advertising and consumption; brand images in the postmodern period, where there are higher realities, fragmented consumer structure, production and consumption change places and the subject is decentralized; Impressions can be evaluated in various ways such as symbolism, personification, meanings and messages and psychological elements. Looking at the general position, it has been concluded that the structural features of postmodernity are effective in creating and creating brand image characters, and in this respect, it shapes brand images.


2021 ◽  
pp. 371-397
Author(s):  
Sanja Zubčić

The Glagolitic space refers to the area where in the Middle Ages or the Early Modern Period the Glagolitic script was used in texts of different genres and on different surfaces, and/or where the liturgy was held in Croatian Church Slavonic, adopting a positive and affirmative attitude towards Glagolitism. In line with known historical and social circumstances, Glagolitism developed on Croatian soil, more intensely on its southern, especially south-western part (Istria, Northern Croatian Littoral, Lika, northern Dalmatia and adjacent islands). Glagolitism was also thriving in the western periphery of that space, in today’s Slovenia and Italy, leading to the discovery and description of different Glagolitic works. It is the latter, their structure and language, that will be the subject of this paper. Starting from the thesis that innovations in language develop radially, i.e. starting from the center and spreading towards the periphery, it is possible to assume that in the western Glagolitic periphery some more archaic dialectal features will be confirmed among the elements of the vernacular. It is important that these monuments were created and used in an area where the majority language is not Croatian, so the influence of foreign language elements or other ways of expressing multilingualism can be expected. The paper will outline the Glagolitic activity in the abovementioned space and the works preserved therein. In order to determine the differences between Glagolitic works originating from the peripheral and central Glagolitic space, the type and structure of Glagolitic inscriptions and manuscripts from Slovenia and Italy will also be analysed, especially with respect to potential periphery-specific linguistic features. Special attention is paid to the analysis of selected isoglosses in the Notebook or Register of the Brotherhood of St. Anthony the Abbot from San Dorligo della Valle.


1998 ◽  
Vol 61 (3) ◽  
pp. 437-464 ◽  
Author(s):  
Leonard Lewisohn

Following the political upheavals of 1978, the history and development of Shiite religious thought in modern-day Persia has been the subject of detailed scholarly studies, but the modern development of Sufism—the mystical tradition that lies at the heart of traditional Persian culture, literature and philosophy, which is, from the cultural and literary point of view at least, the most fascinating aspect of the Perso-Islamic religious tradition—remains almost completely uncharted. In contrast to the classical and medieval periods of Persian Sufism which have undergone much scholarly investigation in recent years, the study of the modern period of Iranian tasawwuf, though far better known and documented, has been seriously neglected by scholars.


2019 ◽  
Vol 14 (1) ◽  
pp. 31-44
Author(s):  
Canay Tunçer Yıldırım

Purpose The purpose of this paper is to test and present the level of introversion/extroversion of the urban housing in Istanbul in three periods – traditional, modern and contemporary. It intends to examine changes in the boundaries between housing and urban environment in the city by evaluating housing interfaces and their components. Design/methodology/approach By adopting literature review, observation and comparison methods, the hypothesis that houses in Istanbul are becoming introvert in contemporary period is stated and tested. The qualifications of housing interfaces and their components are examined in the context of three different periods of housing – traditional, modern and contemporary. Common components of interfaces in all periods are identified and different housing types from all periods are compared accordingly. Findings The results of the comparison made within the study shows that contemporary housing units are much more introvert than previous periods in Istanbul, while housing units of modern period have the most potentiality to be extrovert. It is seen that the analysis method comparing interfacial components and its results are compatible with the hypothesis of the study. Originality/value Considering recent and great number of urban problems in Istanbul, the subject of introversion–extroversion in contemporary urban housing gains importance, which lacks in the literature and needs studying. Introversion of housing units affects both domestic life and their urban environment. Developing contemporary housing projects with a human ecological perspective would cure both interior and exterior of urban boundaries.


AJS Review ◽  
2014 ◽  
Vol 38 (2) ◽  
pp. 423-430
Author(s):  
David Sorkin

Throughout his career Salo Baron wrote about emancipation. In his scholarship on the modern period, it was perhaps the subject that concerned him most and, not surprisingly, he offered the most geographically comprehensive and conceptually inclusive understanding of emancipation of all his contemporaries. Baron freed himself from the parti pris positions of both emancipationist and nationalist historians, as well as other ideologically constrained, often mono-causal explanations.


2006 ◽  
Vol 65 (2) ◽  
pp. 423-437 ◽  
Author(s):  
Paul Du Plessis

JURISTIC writing and Imperial Constitutions on the subject of locatio conductio, collected by the compilers to produce D.19.2 and C.4.65, do not present a complete picture of the Roman law of lease. Not only were most of these texts severed from their original context, but the statements in the Introductory Constitutions to different parts of the Corpus Iuris Civilis also indicate that a large number were eliminated in the compilation process. Although it can hardly be disputed that what the compilers chose to include in these two titles was an accurate account of the law of letting and hiring in force during the time of Justinian, it has been credibly suggested that these titles were given a specific focus in order to project a particular image of the Roman rental economy.


2012 ◽  
Vol 2 (1) ◽  
pp. 83-132 ◽  
Author(s):  
Nadja Nesselhauf

In this paper, the semantic developments of the major future time expressions in Late Modern English are traced in detail, with the aim of uncovering mechanisms of language change in a complex functional system. The results of the study reveal that to express a pure prediction, the major shift that has taken place in the Late Modern period is from a comparatively frequent use of shall to a comparatively frequent use of ’ll; that to express a prediction based on the intention of the subject, BE going to and the present progressive have replaced will and shall to a certain degree; and that to express a prediction based on a previous arrangement, earlier uses of the simple present have been replaced to a considerable degree by the progressive with future time reference. In addition, the construction WANT to is identified as what may be called an emerging future marker, which has started to be used for predictions based on the subject’s intention. Finally, the possible contribution of certain stylistic and socio-cultural changes to the many recent changes in the system of English future time expressions is also considered, such as the complexification of society, (pseudo-)democratization, and a tendency of many text types towards a more personal style.


Literary Fact ◽  
2020 ◽  
pp. 8-67
Author(s):  
Andrei Babikov

The material offered to the readers is a translation into Russian, with extensive notes, of an excerpt from the First Part of Vladimir Nabokov’s novel Ada, or Ardor: A Family Chronicle (1969). The published material consists of a translator’s Preface, five chapters from the novel, notes by V.V. Nabokov and the translator’s annotations. The Preface to the publication describes the creative and biographical circumstances of the creation of one of the most significant and controversial novels of the twentieth century, and indicates the sources of its conception, which goes back to the English short story of Nabokov Time and Ebb (1944), and considers its formal peculiarities. The Preface outlines the basic principles of Ada’s poetics, which distinguish it from the number of other works of the outstanding master and innovator of prose and affect it’s readers perception, such as: deliberate complexity of the narrative technique and an unprecedented variety of language tools used by Nabokov. The author of the Preface draws attention to the fact that the subtitle of the novel, indicating that it belongs to the genre of family chronicles, serves as one of the elements of Nabokov’s game poetics, since the classical tradition becomes the subject of parody in Ada. The novel is considered by the author of the Preface and translator of Ada as a grand compendium of European literature of Modern period, as an experiment in combining many varieties of the novel, from pastoral and Enlightenment utopian fiction of the 16– 17 centuries to the Nouveau roman of the 1950s and 1960s. The new Russian version of Nabokov’s most untranslatable novel took into account detailed annotations (in progress) by B. Boyd, works by A. Appel, Jr., and other researches, observations by one of the German translators of Ada, D. Zimmer, and the text of the French translation of the novel, which was prepared under Nabokov’s supervision. The Preface to the publication and the translator’s annotations involve archival material, in particular the draft of several chapters of the Russian translation of Ada, prepared by Véra Nabokov.


Author(s):  
Antoni Lubelczyk ◽  

The subject of the article is a gate of the medieval and modern period castle “Golesz” in the former Sandomierz land. First of all, there is a description of the gate as the only element of the castle that survived on the surface in a degenerate form and was described in this form at the turn of the 19th and 20th centuries. Later, the results of archaeological research and conservation work carried out in 2010–2019 have been presented. A gate system (12×10 m) was recognized, with a thickened section housing two small rooms on the right, a 4-meter-wide passageway in the centre and an outer wall with a buttress on the left. The exposed walls were secured and left in the form of a permanent ruin. Both stages of work at the site have been thoroughly documented on the basis of 3D laser scanning technologies.


Author(s):  
K.J. Kesselring

Homicide can seem timeless, somehow, determined by unchanging human failings. But a moment’s reflection shows this is not true: homicide has a history. In early modern England, that history saw two especially notable developments: one, the emergence in the sixteenth century of a formal distinction between murder and manslaughter, made meaningful through a lighter punishment than death for the latter in most cases, and two, a significant reduction in the rates of homicides individuals perpetrated on each other. This book explores connections between these two changes. It demonstrates the value in distinguishing between murder and manslaughter, or at least in seeing how that distinction came to matter in a period which also witnessed dramatic drops in the occurrence of homicidal violence. Focused on the ‘politics of murder’, the book examines how homicide became more effectively criminalized from c. 1480 to 1680, with chapters devoted to coroners’ inquests, appeals and private compensation, duels and private vengeance, and print and public punishment. The English had begun moving away from treating homicide as an offence subject to private settlements or vengeance long before other Europeans, at least from the twelfth century. What happened in the early modern period was, in some ways, a continuation of processes long underway, but intensified and refocused by developments from the late fifteenth to late seventeenth centuries. Exploring the links between law, crime, and politics, bringing together both the legal and social histories of the subject of homicide, the book argues that homicide became more fully ‘public’ in these years, with killings seen to violate a ‘king’s peace’ that people increasingly conflated with or subordinated to the ‘public peace’ or ‘public justice’.


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