Mechanisms of language change in a functional system

2012 ◽  
Vol 2 (1) ◽  
pp. 83-132 ◽  
Author(s):  
Nadja Nesselhauf

In this paper, the semantic developments of the major future time expressions in Late Modern English are traced in detail, with the aim of uncovering mechanisms of language change in a complex functional system. The results of the study reveal that to express a pure prediction, the major shift that has taken place in the Late Modern period is from a comparatively frequent use of shall to a comparatively frequent use of ’ll; that to express a prediction based on the intention of the subject, BE going to and the present progressive have replaced will and shall to a certain degree; and that to express a prediction based on a previous arrangement, earlier uses of the simple present have been replaced to a considerable degree by the progressive with future time reference. In addition, the construction WANT to is identified as what may be called an emerging future marker, which has started to be used for predictions based on the subject’s intention. Finally, the possible contribution of certain stylistic and socio-cultural changes to the many recent changes in the system of English future time expressions is also considered, such as the complexification of society, (pseudo-)democratization, and a tendency of many text types towards a more personal style.

2008 ◽  
Vol 22 ◽  
pp. 1-14 ◽  
Author(s):  
Philippe De Brabanter ◽  
Patrick Dendale

This volume brings together thoroughly reworked versions of a selection of papers presented at the conference The Notion of Commitment in Linguistics, held at the University of Antwerp in January 2007. It is the companion volume to a collection of essays in French to be published in Langue Française and devoted to La notion de prise en charge. Commitment is a close counterpart toprise en charge, and two contributors, Celle and Lansari, use it essentially as a translation of the French term. However, commitment and its verbal cognates (to commit NP to and to be committed to) do not cover the exact same range of meanings as prise en charge. For a thorough assessment of the French term, we refer readers to the introduction to the Langue Française volume. In the present article, we focus entirely on commitment. The term is widely used in at least three major areas of linguistic enquiry:1 studies on illocutionary acts, studies on modality and evidentiality, and the formal modelling of dialogue/argumentation. In spite of its frequent use, the notion has rarely been theorised and has never been the subject of a monograph or a specialised reader. In keeping with this is the fact that none of the many dictionaries and encyclopaedias of linguistics or philosophy that we have consulted devotes a separate entry to it. Section 1 of this introduction briefly reviews what commitment means in the three fields just mentioned. Now and then, with respect to a particular issue, pointers are given to which articles in this collection have something to say about the issue. In section 2, we take a lexical and syntactic look at the ways in which the contributors to the present volume use the term. In section 3, we outline each of the contributions, with a focus on the role that commitment plays in them.


2021 ◽  
Author(s):  
Erik Smitterberg

Syntactic Change in Late Modern English presents a stability paradox to linguists; despite the many social changes that took place between 1700 and 1900, the language appeared to be structurally stable during this period. This book resolves this paradox by presenting a new, idiolect-centred perspective on language change, and shows how this framework is applicable to change in any language. It then demonstrates how an idiolect-centred framework can be reconciled with corpus-linguistic methodology through four original case studies. These concern colloquialization (the process by which oral features spread to writing) and densification (the process by which meaning is condensed into shorter linguistic units), two types of change that characterize Modern English. The case studies also shed light on the role of genre and gender in language change and contribute to the discussion of how to operationalize frequency in corpus linguistics. This study will be essential reading for researchers in historical linguistics, corpus linguistics and sociolinguistics.


2010 ◽  
Vol 14 (2) ◽  
pp. 163-186 ◽  
Author(s):  
NADJA NESSELHAUF

This article provides the first comprehensive analysis of the development of the future time expressions will, ’ll, shall, be going to, progressive with future time reference, and be to in the course of the late modern period. The article focuses on possible reasons for the considerable changes that have taken place in the past few centuries. To what degree can the changes be described as certain forms having been (partially) replaced by others? To what degree have general or register-specific changes in discourse affected the use of future time expressions? These questions are investigated on the basis of the British part of ARCHER (A Representative Corpus of Historical English Registers).The analysis reveals that it is a complex interaction of both types of processes that is responsible for the recent evolution of future time expressions. Redistribution processes turn out to be highly complex in themselves, going far beyond the frequently described replacement of shall by will and probably proceeding in chains. With respect to discourse change, one result is an unexpected overall decrease in the tendency of writers (and speakers) to refer to their own plans, intentions, etc. Partly responsible for this development is a discourse change in science writing, where the author has increasingly disappeared from the text, so that text structure is much less frequently expressed in terms of the author's intention. A further register-specific discourse change that the investigation brings to light is a development in diaries from an earlier restriction to reporting past events to the expression of more personal views, including hopes and fears for the future.


2000 ◽  
Vol 43 (1) ◽  
pp. 277-293 ◽  
Author(s):  
H. R. FRENCH

The ‘middle sort of people’ is a social group that has been the subject of increased historical research in the last decade. Many studies have been written, and many definitions offered of the group, its identity, and its membership. As a result, these overlapping groups and contrasting methods of definition have caused the nature and identity of the group to remain elusive. This study charts the evolution of the historiography of the ‘middle sort’, and the many attempts to produce positive and accurate definitions of the group. It suggests that the identity of the ‘middle sort’ may, in fact, be more complex than is allowed for by existing studies, with different identities being adopted according to social context. It concludes that while the term ‘middle sort of people’ is an appropriate contemporary collective term for use by historians, it is much more problematic as a description of an active, cohesive social group in the early modern period.


2020 ◽  
Vol 14 (1) ◽  
pp. 75-79
Author(s):  
Eliasz Engelhardt

ABSTRACT The nature of memory and the search for its localization have been a subject of interest since Antiquity. After millennia of theoretical concepts, shifting from the heart to the brain, then from the ventricles to solid parts, the core memory-related structures finally began to be identified through modern scientifically-based methods at the diencephalic and cortical (hippocampal and neocortical) levels, mostly in the late Modern period, culminating in the current state of knowledge on the subject.


1999 ◽  
Vol 52 (1) ◽  
pp. 180-196 ◽  
Author(s):  
Jodi Bilinkoff

The important early Jesuit Pedro de Ribadeneyra (1526-1611) has the distinction of having been a biographer of men, a biographer of women, an autobiographer, and the subject of biography. As such he and his texts seem particularly apt subjects for study given the current interest by scholars in a number of disciplines in the various forms of “life-writing“ produced so abundantly in the early modern period. In this essay I briefly examine Ribadeneyra's most famous biography, that of his mentor Ignatius Loyola, as well as two little-known and virtually unstudied texts: his Life of the pious laywoman Estefanía Manrique de Castilla and his autobiography or Confessions. I focus upon the ways in which he treated issues of authority and obedience in constructing as exemplary the lives of these three Spanish nobles and explore his strategies for enlisting life-writing in the campaign for a renewed, activist Catholicism.


2014 ◽  
Vol 11 (01) ◽  
pp. 35-42
Author(s):  
M. Hermans

SummaryThe author presents his personal opinion inviting to discussion on the possible future role of psychiatrists. His view is based upon the many contacts with psychiatrists all over Europe, academicians and everyday professionals, as well as the familiarity with the literature. The list of papers referred to is based upon (1) the general interest concerning the subject when representing ideas also worded elsewhere, (2) the accessibility to psychiatrists and mental health professionals in Germany, (3) being costless downloadable for non-subscribers and (4) for some geographic aspects (e.g. Belgium, Spain, Sweden) and the latest scientific issues, addressing some authors directly.


Author(s):  
Pierre Iselin

Pierre Iselin broaches the subject of early modern music and aims at contextualising Twelfth Night, one of Shakespeare’s most musical comedies, within the polyphony of discourses—medical, political, poetic, religious and otherwise—on appetite, music and melancholy, which circulated in early modern England. Iselin examines how these discourses interact with what the play says on music in the many commentaries contained in the dramatic text, and what music itself says in terms of the play’s poetics. Its abundant music is considered not only as ‘incidental,’ but as a sort of meta-commentary on the drama and the limits of comedy. Pinned against contemporary contexts, Twelfth Night is therefore regarded as experimenting with an aural perspective and as a play in which the genre and mode of the song, the identity and status of the addressee, and the more or less ironical distance that separates them, constantly interfere. Eventually, the author sees in this dark comedy framed by an initial and a final musical event a dramatic piece punctuated, orchestrated and eroticized by music, whose complex effects work both on the onstage and the offstage audiences. This reflection on listening and reception seems to herald an acoustic aesthetics close to that of The Tempest.


2021 ◽  
Author(s):  
Andi Asrifan ◽  
Abd Ghofur

Anyone who wants to get ahead in academic or professional life today knows that it’s a question of publish or perish. This applies to colleges, universities, and even hospital Trusts. Yet writing for publication is one of the many skills which isn’t formally taught. Once beyond undergraduate level, it’s normally assumed that you will pick up the necessary skills as you go along.Writing for Academic Journalsseeks to rectify this omission. Rowena Murray is an experienced writer on the subject (author of How to Write a Thesis and How to Survive Your Viva) and she is well aware of the time pressures people are under in their professional lives. What she has to say should be encouraging for those people in ‘new’ universities, people working in disciplines which have only recently been considered academic, and those in professions such as the health service which are under pressure to become more academic.


2020 ◽  
Vol 384 (2) ◽  
pp. 222-232
Author(s):  
P. V. Menshikov ◽  
G. K. Kassymova ◽  
R. R. Gasanova ◽  
Y. V. Zaichikov ◽  
V. A. Berezovskaya ◽  
...  

A special role in the development of a pianist as a musician, composer and performer, as shown by the examples of the well-known, included in the history of art, and the most ordinary pianists, their listeners and admirers, lovers of piano music and music in general, are played by moments associated with psychotherapeutic abilities and music features. The purpose of the study is to comprehend the psychotherapeutic aspects of performing activities (using pianists as an example). The research method is a theoretical analysis of the psychotherapeutic aspects of performing activities: the study of the possibilities and functions of musical psychotherapy in the life of a musician as a “(self) psychotherapist” and “patient”. For almost any person, music acts as a way of self-understanding and understanding of the world, a way of self-realization, rethinking and overcoming life's difficulties - internal and external "blockages" of development, a way of saturating life with universal meanings, including a person in the richness of his native culture and universal culture as a whole. Art and, above all, its metaphorical nature help to bring out and realize internal experiences, provide an opportunity to look at one’s own experiences, problems and injuries from another perspective, to see a different meaning in them. In essence, we are talking about art therapy, including the art of writing and performing music - musical psychotherapy. However, for a musician, music has a special meaning, special significance. Musician - produces music, and, therefore, is not only an “object”, but also the subject of musical psychotherapy. The musician’s training includes preparing him as an individual and as a professional to perform functions that can be called psychotherapeutic: in the works of the most famous performers, as well as in the work of ordinary teachers, psychotherapeutic moments sometimes become key. Piano music and performance practice sets a certain “viewing angle” of life, and, in the case of traumatic experiences, a new way of understanding a difficult, traumatic and continuing to excite a person event, changing his attitude towards him. It helps to see something that was hidden in the hustle and bustle of everyday life or in the patterns of relationships familiar to a given culture. At the same time, while playing music or learning to play music, a person teaches to see the hidden and understand the many secrets of the human soul, the relationships of people.


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