scholarly journals The Grammatical Form of Content and Functions Words in Chinese Textbook for Indonesian Students

2021 ◽  
Vol 1 (1) ◽  
pp. 10-14
Author(s):  
Karisma Erikson Tarigan ◽  
Margaret Stevani
Keyword(s):  
Qualitative Method ◽  
Function Words ◽  
Grammatical Form ◽  
Parts Of Speech ◽  
Modern Chinese ◽  
Dynamic Form ◽  
And Function ◽  
Contemporary Chinese ◽  
Chinese Textbook

With the rapid of China‘s society development, chinese content and function words had their own development in static and dynamic form in grammatical form. Indonesian students have to know well about the functions and characteristics of Chinese content and function words in order to learn and used Chinese words. This research used qualitative method and the category based on Modern Chinese Dictionary (现代汉语词典Xiandai Hanyu Cidian) to categorize the vocabularies in Contemporary Chinese textbook. The results showed that 46% of content words were nouns, 26% were verbs, and 13% were adjectives. The content words in Contemporary Chinese textbook include six parts of speech in the category of content words were nouns, verbs, adjectives, numerals, measure words and pronouns. The function words in these content words were categorized into four of six parts, there were adverbs, prepositions, conjunctions, auxiliary words. There were no exclamation words, onomatopoetic words in the textbook. 42% of function words were adverbs, 17% conjunction words, 13% were prepositions, and some function words category had unique characteristics, such as the adverb ―把ba and―离li, the auxiliary words (―的de，―得de，―地de).

scholarly journals Chinese Classical Aesthetic in the View of Inter-Subjectivity

2008 ◽  
Vol 2 (2) ◽  
pp. 211
Author(s):  
Zhang Haitao
Keyword(s):  
Qualitative Method ◽  
Traditional Culture ◽  
Aesthetic Theory ◽  
Contemporary China ◽  
Modern Chinese ◽  
Chinese Aesthetics ◽  
Classical Chinese ◽  
Contemporary Chinese ◽  
Dimensions Of Space

In contemporary China, the theory of intersubjectivity causes great significance to the construction of modern Chinese aesthetic theory but this kind of transverse dimensions of space on the outside of the transplantation of theory gave rise to some bad effects to traditional culture and classical Chinese aesthetics. Article presents a qualitative method. Its purpose to conduct research on intersubjectiveness spirit of Chinese aesthetics and literature from the dimensions of the longitudinal time. The discussion will also cause a vital significance to the building of contemporary Chinese aesthetics in this direction.

scholarly journals GRAMMATICAL FEATURES OF FUNCTION WORDS EXPRESSING THE RELATIONS OF REASON AND PURPOSE IN MODERN CHINESE

2017 ◽  
pp. 93-100
Author(s):  
Anna V. Shatravka ◽  
◽  
Olesya A. Cherednichenko ◽  
Keyword(s):  
Grammatical Function ◽  
Function Words ◽  
Literary Works ◽  
Modern Chinese ◽  
Contemporary Chinese

The article describes the features of grammatical function of words that express the relations of reason and purpose in modern Chinese. In the field of morphology and syntax we can single out certain features of functional words that convey these relations. This research is based on literary works by contemporary Chinese writers such as Su Tong, Chen Zhuo, Wang Hai and others.

On Sinofuturism

Screen Bodies ◽  
2020 ◽  
Vol 5 (2) ◽  
pp. 46-62
Author(s):  
Yunying Huang
Keyword(s):  
Artificial Intelligence ◽  
Pop Culture ◽  
Chinese People ◽  
Modern Chinese ◽  
The Future ◽  
Dominant Design ◽  
Urban Rural ◽  
Cultural Expressions ◽  
Contemporary Chinese

Dominant design narratives about “the future” contain many contemporary manifestations of “orientalism” and Anti-Chineseness. In US discourse, Chinese people are often characterized as a single communist mass and the primary market for which this future is designed. By investigating the construction of modern Chinese pop culture in Chinese internet and artificial intelligence, and discussing different cultural expressions across urban, rural, and queer Chinese settings, I challenge external Eurocentric and orientalist perceptions of techno-culture in China, positing instead a view of Sinofuturism centered within contemporary Chinese contexts.

A Guide to Old Spanish

2018 ◽  
Author(s):  
Steven N. Dworkin
Keyword(s):  
The Body ◽  
Standard Language ◽  
Function Words ◽  
Sound System ◽  
Old Spanish ◽  
And Function ◽  
Linguistic Structures ◽  
Verb Tense ◽  
Modern Standard

This book describes the linguistic structures that constitute Medieval or Old Spanish as preserved in texts written prior to the beginning of the sixteenth century. It emphasizes those structures that contrast with the modern standard language. Chapter 1 presents methodological issues raised by the study of a language preserved only in written sources. Chapter 2 examines questions involved in reconstructing the sound system of Old Spanish before discussing relevant phonetic and phonological details. The chapter ends with an overview of Old Spanish spelling practices. Chapter 3 presents in some detail the nominal, verbal, and pronominal morphology of the language, with attention to regional variants. Chapter 4 describes selected syntactic structures, with emphasis on the noun phrase, verb phrase, object pronoun placement, subject-verb-object word order, verb tense, aspect, and mood. Chapter 5 begins with an extensive list of Old Spanish nouns, adjectives, verbs, and function words that have not survived into the modern standard language. It then presents examples of coexisting variants (doublets) and changes of meaning, and finishes with an overview of the creation of neologisms in the medieval language through derivational morphology (prefixation, suffixation, compounding). The book concludes with an anthology composed of three extracts from Spanish prose texts, one each from the thirteenth, fourteenth, and fifteenth centuries. The extracts contain footnotes that highlight relevant morphological, syntactic, and lexical features, with cross references to the relevant sections in the body of the book.

scholarly journals 「テイル」形と「タ」形の派生アスペクト「パーフェクト性」と インドネシア語の機能語SudahとTelah

2019 ◽  
Vol 4 (2) ◽  
pp. 84-95
Author(s):  
Nandang Rachmat
Keyword(s):  
Morphological Aspect ◽  
Contrastive Analysis ◽  
Future Event ◽  
Function Words ◽  
Basic Meaning ◽  
And Function

The basic meaning of the morphological aspect of Japanese is the opposition between the form -ru/-tawhich expresses perfective,  and -teiru/-teitawhich expresses imperfective. Also there are perfect meanings which derivate from the basic meaning of -taand -teiru/-teitaforms. They refer to the fact that a certain result or effect of previous activity remain at a certain point of time. In Indonesian function wordssudahand telah, which are generally considered as perfective markers, can often be the equivalent of perfect meanings in Japanese. Therefore, it is necessary to clarify the differences between perfect aspect meanings in both languages mainly regarding the use of words sudahandtelah. This paper aims to explain perfect meanings in Japanese and Indonesian through the use of -ta, -teiru, -teitaforms and function words sudahand telah by contrastive analysis. The analysis showed that the perfect meanings cannot be fully matched with the use of sudahandtelah. They are not interchangeable because of differences in aspectual, modal, and contextual meanings. Some of them are expressed without using sudahor telah at all. Sudahmeans ingressive aspect, and refers to the result or effect of previous activities. As modal meanings, sudah indicates two things, that the speaker possesses predictions about a future event and the speaker’s attitude to provide the hearer information. Telah means completive aspect. It does not refer to the meaning of the effect of a previous activity, therefore it can not function as taxis on future perfect aspect.

scholarly journals Bel Canto's Influence on the Development of Modern Chinese Opera Singing

2021 ◽  
Author(s):  
Kesin Van
Keyword(s):  
Chinese Art ◽  
Bel Canto ◽  
Chinese Opera ◽  
Artistic Experience ◽  
Modern Chinese ◽  
National Music ◽  
Contemporary Chinese

Since the emergence of bel canto in China, traditional Chinese singing has been greatly influenced. Modern Chinese opera not only inherits the essence of Chinese national music, but also includes the unique vocal abilities of bel canto. It is thanks to Chinese national music and bel canto, which give Chinese opera singing in modern opera a whole new artistic experience that makes contemporary Chinese opera singing aimed at diversified development. The article analyzes the direction of development of bel canto in the field of Chinese art and the influence of bel canto on the direction of development of Chinese opera singing. Clarify the direction of development of the Chinese operatic art.

scholarly journals DISFEMISME PADA KOLOM KOMENTAR AKUN INSTAGRAM @rahmawatikekeyiputricantikka23

Hasta Wiyata ◽  
2021 ◽  
Vol 4 (2) ◽  
pp. 106-130
Author(s):  
Widya Ayu ◽  
◽  
Anisa Nur Aziza ◽  
Amalia Kusuma ◽  
Ika Nurul
Keyword(s):  
Social Media ◽  
Data Collection ◽  
Research Method ◽  
Qualitative Method ◽  
Freedom Of Speech ◽  
Research Data ◽  
Collection Method ◽  
Recording Technique ◽  
Form And Function ◽  
And Function

Social media becomes a space to express feelings and opinions freely. However, freedom of speech is now abused by internet citizens to freely express words that mean rude, blasphemous, insulting, or in language science called disfemism. This research aims to describe the form and function of disfemism in the comment column of kekeyi public figure's Instagram @rahmawatikekeyiputricantikka23. The research method uses a descriptive qualitative method. The research data are words, phrases, and sentences containing disfemism in the comments column of the Instagram @rahmawatikekeyiputricantikka23 in July 2020. The data collection method uses the simak method with a recording technique—data collection techniques with documentation techniques. Data analysis uses the agih method with basic natural elements, substitution or substitution techniques, and removal techniques. Based on the results of this study found 279 data on disfemism. The found forms of disfemism are words, phrases, and phrases. The word disfemism form amounts to 90 data, the form of phrase disfemism amounts to 100 data, and the expression disfemism form amounts to 89 data. There are seven functions of disfemism found in this study, among them: (a) as an intermediary to express taboo or indecent things, (b) as a sign of dislike, hate, and disrespect, (c) as an intermediary to express anger or aggravation, (d) as a negative depiction of something, (e) as a means of insulting and mocking, (f) as a means of criticizing, and (g) as a means to exaggerate something and scold.

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