scholarly journals Whitewashing Narratives: Israeli Media and the Framing of the Kidnapped Yemenite Babies Affair

Author(s):  
Shoshana Madmoni-Gerber

This essay offers a review of ongoing media analysis of the kidnapped Yemenite Babies Affair in light of recent changes in public awareness since the emergence of social media and the more recent formal governmental recognition. It argues that the government’s efforts to silence this affair over decades would not have been possible without the media’s full cooperation. Moreover, the public denial of this affair contributes to the ongoing intra-Jewish rift and racism in Israeli society today. Questions regarding the reconciliation and remembrance of this affair in the public sphere will strongly influence the identity formation of Yemenite and Mizrahi children of future generations.  

2020 ◽  
Vol 3 (01) ◽  
pp. 1-17
Author(s):  
Rahmi Nur Fitri ◽  
Indah Rama Jayanti

Religious behavior nowadays has became a sector which has a lot of change. Modernity and globalization formed a society that was worried on their religious identity. This problem deliver to a new trend amongst young people and Indonesian celebrities. Campaigns of movement extensively spread on media social, self convertion to religious individuals also known as “seleb hijrah”. The massive movement of hijrah lead by various groups that caused alteration the meaning of it and increased activities of religion commodification. Society today has liberation to select literature of hijrah concept that are available in the media. Media extention facilitate spreading of the existence of seleb hijrah which eventually form new communities such as “Kajian MuSaWaRah”. Data obtain through social media, various video and articles discussing the same topic. This paper aims to scientifically explore and critically examine the phenomenon of seleb hijrah that have occurred among artists in recent years. Examine further the emergence of tendency of exclusivism in modern social circle. In addition, the article also explain the tendency of religious commodification in artists circle, in which called them selves with preacher. Nadirsyah Hosen said that hijrah activity amongst celebrities should not only be a popular trend to moving stage in seek of audiences. The majority of artists who are members of the group, innovate to maintain their existence in the public sphere. Keywords: hijrah, artist, exclusivism, identity  Abstrak Perilaku keagamaan masa kini telah menjadi bidang yang banyak mengalami perubahan. Modernitas dan globalisasi kemudian membentuk masyarakat yang terguncang akan identitas keagamaannya. Kekhawatiran ini kemudian menghasilkan tren baru di kalangan anak muda dan selebriti Indonesia. Kampanye gerakan untuk menjadi pribadi religius yang dilakoni para artis kemudian marak ditemukan di media sosial atau yang juga dikenal dengan seleb hijrah. Gerakan massif hijrah yang dilakukan oleh berbagai kalangan, menyebabkan terjadinya pergeseran makna hijrah serta meningkatnya aktivitas komodifikasi yang menjadikan agama sebagai obyeknya. Masyarakat dewasa ini bebas untuk memilih referensi hijrah dari sekian banyak sumber yang telah tersedia di media. Ekstensi media mempermudah penyebaran eksistensi artis hijrah yang akhirnya membentuk sebuah komunitas baru seperti Kajian MuSaWaRah. Data didapatkan melalui media sosial, berbagai video kajian serta artikel-artikel yang membahas topik yang sama. Tulisan ini bertujuan untuk menelusuri dan mengkritisi secara ilmiah fenomena seleb hijrah yang terjadi di kalangan artis beberapa tahun terakhir. Menelaah lebih jauh munculnya kecenderungan ekslusivisme kelompok sosial modern. Selain itu, artikel juga memaparkan terjadinya kecenderungan komodifikasi agama di dalam kelompok artis yang mulai mengidentifikasikan diri sebagai kelompok pendakwah. Mengutip tulisan Nadirsyah Hosen, aktivitas hijrah di kalangan artis seharusnya tidak hanya menjadi tren populer perpindahan panggung dalam mencari audiensi. Mayoritas artis yang tergabung ke dalam kelompok ini kemudian berinovasi untuk tetap mempertahankan eksistensi mereka di ranah publik. Kata kunci: hijrah, artis, eksklusivisme, identitas  


2020 ◽  
Vol 59 (1) ◽  
pp. 404-427
Author(s):  
Leticia Cesarino

ABSTRACT In the past decade or so, populism and social media have been outstanding issues both in academia and the public sphere. At this point, evidence from multiple countries suggest that perceived parallels between the dynamics of social media and the mechanics of populist discourse may be more than just incidental, relating to a shared structural field. This article suggests one possible path towards making sense of how the dynamics of social media and the mechanics of populist mobilization have co-produced each other in the last decade or so. Navigating the interface between anthropology and linguistics, it takes key aspects of Victor Turner’s notion of liminality to suggest some of the ways in which social media’s anti-structural affordances may help lay a foundation for the contemporary flourishing of populist discourse: markers of social structure are suspended; communitas is formed; the culture core is addressed; mimesis and anti-structural inversions are performed; subjects become influenceable. I elaborate on this claim based on Brazilian materials, drawn from online ethnography on pro-Bolsonaro WhatsApp groups and other platforms such as Twitter and Facebook since 2018.


October ◽  
2017 ◽  
Vol 159 ◽  
pp. 3-6
Author(s):  
Hal Foster

In the face of Trumpism and its peculiar mix of the buffoonish and the lethal, Foster suggests that we “pump up” past theoretical concepts by raising them to a higher degree. Social media, for example, could thereby be considered the “fifth estate,” a force that outdoes the “fourth estate” of journalistic media and thereby evacuates the last residues of the public sphere that, over fifty years ago, Jürgen Habermas associated with the advent of print culture. Peter Sloterdijk's notion of cynical reason, too, must be raised to a higher power in order to comprehend the Trumpist mentality; perhaps in this post-truth era, we should speak instead of “noncynical unreason”? And while the concept of the “primal father” is so outrageous that it cannot be inflated, Foster argues, it is one that we must grapple with in the face of a figure who, like Freud's figure, embodies the law and simultaneously performs its transgression.


Author(s):  
Will Hanley

The public sphere of the bourgeois effendiya, reflected in the sources that dominate the historiography Egypt before World War One, engaged only a narrow set of ideas about political membership. But police and legal records show that many residents of Egypt relied on a more generic and flexible label—“local”—which they refined in contradistinction to foreign nationalities. The term had a clear social meaning, particularly in imperial context, where it was a polite synonym of “native.” Localness began to gather a legal garb, particularly in the sphere of social rights such as education and government employment, until it began to resemble a nationality. This chapter argues that one key to explaining Egypt’s political quiescence between 1882 and 1919 is recognizing identity formation taking place under the banner of “local” status, rather than the more familiar category of Egyptian national citizen, which emerged only in the decades that followed.


2020 ◽  
pp. 175-190
Author(s):  
Christian Stiegler

This article applies and extends the concept of social media logic to assess the politics of immersive storytelling on digital platforms. These politics are considered in the light of what has been identified as mass media logic, which argues that mass media in the 20th century gained power by developing a commanding discourse that guides the organization of the public sphere. The shift to social media logic in the 21st century, with its grounding principles of programmability, popularity, connectivity, and datafication, influenced a new discourse on the logics of digital ecosystems. Digital platforms such as Facebook are offering all-surrounding mediated environments to communicate in Virtual Reality (‘Facebook Spaces') as well as immersive narratives such as Mr. Robot VR. This article provides an understanding of the politics of immersive storytelling and of its underlying principles of programmability, user experience, popularity, and platform sociality, which define immersive technologies in the 21st century.


Author(s):  
Badreya Nasser Al-Jenaibi

The use of Twitter to coordinate political dialogue and crisis communication has been a vital key to its legitimization. In the past few years, the users of Twitter were increased in the GCC. Also, the use of social media has received a lot of ‘buzz' due to the events that unfurled in the uprisings in Tunisia and Egypt during the Arab Spring. Although not as dramatic as overthrowing a regime, the use of social media has been revolutionary in most areas of the Middle East, especially in the most conservative societies that have been relatively closed to the flow of information. Saudi Arabia and the UAE, for example, now have the largest-growing Twitter community of all the nations in the Arabian Gulf. Known for its tight rein on public discourse and the flow of information, even elements of the current regime are opening doors to a new public discourse, due in large part to the influence of social media. This paper explores the social media phenomenon that has had such an impact on the relatively closed societies of the Arab world, examining how it has changed the nature of the public sphere. The researcher used content analysis of four GCC journalists' accounts for four months. The paper concludes that the use of Twitter is shifting the Arab public's discourse and opinions in the region because those opinions are being heard instead of censored. Social media is having a major impact on the conservative Saudi, Qatar, and UAE societies.


Screen Bodies ◽  
2019 ◽  
Vol 4 (1) ◽  
pp. 1-18
Author(s):  
Mari E. Ramler

Breastfeeding mothers and their babies are simultaneously in the public sphere and hidden from public view. Although social media has the potential to normalize attitudes toward breastfeeding by increasing visibility, Facebook and Instagram maintain an unpredictable censorship policy toward “brelfies”—female breast selfies—which has undermined progress. Combining Iris Marion Young’s “undecidability” of the breasted experience with Brett Lunceford’s rhetoric of nakedness, this article investigates what breastfeeding mothers communicate online via digital images when they expose their breasts. By deconstructing controversial case studies, this article concludes that brelfies have increased breastfeeding’s accessibility and acceptability in the material world.


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