scholarly journals The Pragmatics Model of Bhur'maen “Beggar” Madura in Social Construction Perspective

Author(s):  
Fajar Surahman ◽  
Ishomuddin Ishomuddin ◽  
Tri Sulistyaningsih ◽  
Rinikso Kartono

Bhur'maen is a social entity in Madurese terminology that is pinned on certain people or forms of society that are accustomed to begging for daily activities in the form of harvests or money whose modus operandi is to visit people's homes. This study aims to understand by describing the phenomenon of social problems in the context of the habits of the bhur’maens in Madura which have been carried on for generations (regeneration), thereby popping the pragmatic model of the bhur’maen community in the perspective of social construction. The analytical approach used is a qualitative approach. In the interest of this research the research paradigm rests on the paradigm of social definition by using the dialectical model of Peter L. Berger and Thomas Luckmann's Social Construction as a theoretical foundation for a sociological perspective, which focuses on the social construction of society towards the reality of bhurmaens in the Tlanakan area of Pamekasan Madura which is stigmatized as a sub-district of bhurmaen . Data collection is done by observation, interview, documentation and focus group discussion (FGD) techniques. The results and in-depth discussion in the research show: First, that the socio-cultural construction of bhur'maen is formed based on the knowledge and experiences of individuals and or actors in understanding the reality of bhur'maens in Madura. Secondly, that the bhur’maen socio-cultural construction is formed based on the values that are held by individuals and or actors in understanding the reality of bhur’maens in Madura. Third, that the socio-cultural construction of bhur'maen is formed based on the recognition (legitimacy), beliefs and beliefs of individuals and / or actors in understanding the reality of bhur’maen in Madura.

2014 ◽  
Vol 17 (2) ◽  
pp. 89-102
Author(s):  
Karman Karman

Baduy Community is very obedient to local rules/custom, e.g. lunang (sundanesse to express obedience to whoever the winner), and ngasuh rati, ngayak menak. Surprisingly, the voter number in Baduy have increased from 2013 to 2014. They have their own mechanism in determining leader, that is by deliberation among customary figures. The social-political changes make-up the result of their construction change toward reality. The issue in this study is how Baduy community (re-)construct general election. This one aims to understand Baduy’s  construction to electoral activities, their understanding to the obligation to participate in election, and the adaptation process of different realities (reality in Baduy and Reality in external). By harnessing the Social Construction of Reality introduced by Berger, and Social Adaptation System introduced by Giddens, this research show Baduy objectifies and participates in general elections as an obedience to the customary rules. Understanding about obligations to participate in election is legitimized by customary institution, regarding dualism of different structure, they must adapt theirselves to different realities.


Author(s):  
I Wayan Wirta ◽  
Ida Bagus Putu Supradi

<p>This research entitled: "<em>Siwa-sisya</em> Relationship at <em>Ngaben</em> Ceremony in <em>Adat</em> Village / <em>Pakraman</em> Belayu, Marga, Tabanan". Obsessed with fulfilling the curiosity of the practice of holding a ceremonial ceremony involving a <em>siwa-sisya</em> relationship. This <em>siwa-sisya</em> relationship still seems to be held in Belayu. Whereas in some other traditional villages in Bali the <em>siwa-sisya</em> relationship has begun to diminish. This means that this research requires the disclosure of facts behind the diversity of these <em>siwa-sisya</em> relationship.The research with the title of the <em>siwa-sisya</em> relationship on the <em>Ngaben</em> ceremony in Belayu, which was reviewed from the perspective of phenomenal communication, had never been examined by other researchers before, so it was open for being research. Thus there are three specific objectives to be achieved by this study, namely: to describe and interpret data regarding (1) the reality of the <em>siwa-sisya</em> relationship on the <em>Ngaben</em> ceremony in Belayu; (2) social construction of <em>siwa-sisya</em> relationship on the <em>Ngaben</em> ceremony in Belayu; and (3) communication management <em>siwa-sisya</em> relationship on the <em>Ngaben</em> ceremony in Belayu. This study uses qualitative research methods, while the data collection is done through observation, interviews, and document use. The collected data is analyzed by data reduction techniques, and data display, then conclusions or verification are drawn from both. The theoretical foundation used to interpret data is social exchange theory, social construction theory, and communication management theory. This study produced three findings, namely (1) the reality model of the <em>siwa-sisya</em> relationship on the <em>Ngaben</em> ceremony in Belayu; (2) the social construction model of the <em>siwa-sisya</em> relationship on the <em>Ngaben</em> ceremony in Belayu; (3) management model of student communication on the <em>Ngaben</em> ceremony in Belayu. These findings are at once the conclusions of this study.</p>


2002 ◽  
Vol 96 (1) ◽  
pp. 266-267
Author(s):  
Cynthia Weber

Conceptualizing the sovereign nation-state remains a core concern in the discipline of international relations (IR). Yet, as the volumes by Sarah Owen Vandersluis and Beate Jahn demonstrate, the theoretical location of this conceptual debate is shifting. Questions of identity, like those regarding sovereign nation-states, were answered in the 1990s with reference to terms like social construction. In the new millennium, “the social” is increasingly joined by “the cultural” as an intellectual marker of how serious IR scholars must pose questions of identity. Why this shift? And what difference does it make to our understandings of sovereign nation-states, not to mention IR theory more generally?


2020 ◽  
Vol 2 (2) ◽  
pp. 136-150
Author(s):  
Yuel Yuel

This study aims to examine the phenomenon of religio magis putri mayang sari among Tamiang Layang Christian adolescents. The research method used is qualitative. The technique of collecting data by means of interviews, observation and documentation. The research subjects were students of SMAN 1 Tamiang Layang, caretakers of the tombs, and parents of students. The results showed that the socio-cultural construction of the Ma'anyan community towards the Puteri Mayang Rite as a social reality is an expression of Ma'anyan appreciation of the world and transcendent values are religio magis. Then, the Ma'anyan adolescent social construction of the Princess Mayang Rite was implemented in Christian Religious Education learning through interactive, inspirational, challenging learning strategies and participant observation as well as in multicultural learning. The social construction of Ma'anyan youth towards the Princess Mayang Rite contains an understanding of religious, social values, a sense of pride in one's own culture (local culture), and tolerance obtains support from educators. The results of the study recommend that Christian Religious Education teachers support the social construction of Ma'anyan adolescents so that they are conveyed in the learning process in the classroom. Penelitian ini bertujuan untuk mengkaji fenomena religio magis putri mayang sari di kalangan remaja Kristen Tamiang Layang. Metode penelitian yang digunakan adalah kualitatif. Teknik pengumpulan data dengan wawancara, observasi, dan dokumentasi. Adapun subyek penelitian adalah siswa SMAN 1 Tamiang Layang, juru kunci makam, dan orang tua siswa. Hasil penelitian menunjukkan bahwa konstruksi sosial budaya masyarakat Ma’anyan terhadap Ritus Puteri Mayang sebagai realitas sosial adalah ungkapan penghayatan Ma’anyan tentang dunia dan nilai transenden bersifat religio magis. Kemudian, konstruksi sosial remaja Ma’anyan terhadap Ritus Puteri Mayang diimplementasikan pada pembelajaran Pendidikan Agama Kristen melalui strategi pembelajaran interaktif, inspiratif, menantang, dan observasi partisipan serta dalam pembelajaran multikultural. Konstruksi sosial remaja Ma’anyan terhadap Ritus Puteri Mayang mengandung pemahaman tentang nilai religius, sosial kemasyarakatan, ada rasa bangga terhadap kebudayaan sendiri (budaya lokal), dan toleransi memperoleh dukungan dari para pendidik. Hasil penelitian merekomendasikan agar guru Pendidikan Agama Kristen mendukung konstruksi sosial remaja Ma’anyan agar disampaikan dalam proses pembelajaran di kelas.


2011 ◽  
Vol 16 (3) ◽  
pp. 94-105
Author(s):  
John S. McKenzie

Many studies on the westward transplantation of Buddhism focus on the retention of traditional authenticity. The sociological perspective provided here moves the emphasis to the social construction of such claims. The social construction of traditional authenticity will be explored through a study of the Tibetan Buddhist organisation, Rokpa Scotland (RS) and it will be demonstrated that RS constructs claims to traditional authenticity by adapting to the local culture whilst demonstrating links with an ancient practice. These claims are then reified by limiting adaptations and retaining core features associated with Buddhism. None the less adapting to the West can be seen as detraditionalization and can present a threat to claims to traditional authenticity. However, RS can claim to control the detraditionalization process by responding to the effects of reflexive modernization and controlling the flow of information. In controlling detraditionalization RS provides the plausibility structures to maintain claims to traditional authenticity.


2016 ◽  
Vol 8 (1) ◽  
pp. 61
Author(s):  
Nita Nurhayati ◽  
Aquarini Priyatna ◽  
Lina Meilinawati Rahayu

Tulisan ini mengkaji identitas tokoh perempuan lintas budaya yang terdapat dalam kumpulan cerpen Malam Terakhir karya Leila S. Chudori. Kajian ini menggunakan teori identitas, lintas budaya, dan naratologi. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan struktural yang menganalisis struktur narasi yang membangun konstruksi identitas tokoh perempuan lintas budaya. Metode yang digunakan dalam penelitian ini adalah metode deskriptif analitis. Hasil analisis menunjukkan bahwa identitas tokoh perempuan lintas budaya dalam cerpen-cerpen karya Chudori ditampilkan sebagai identitas yang cair, identitas yang dapat berubah sesuai dengan konteks sosial dan budaya tempat tokoh perempuan berada. Gambaran tokoh perempuan lintas budaya dapat dilihat melalui ciri-ciri fisik tokoh yang dapat dibedakan dengan penduduk setempat dan pendatang, interaksi tokoh dengan penduduk setempat, dan keterasingan yang dialami tokoh perempuan. Selain itu, identitas perempuan lintas budaya juga dapat ditunjukkan melalui penggambaran latar yang terdapat dalam cerpen-cerpen karya Chudori.Abstract:This paper examines cross cultural identities of female protagonist in Chudori’s short stories compilation “Malam Terakhir”. The study uses the theory of identity, cross-cultural theory, and naratology. The approach applied in the research is   structural%it  analyzes narrative struc- ture which builds  cross-cultural construction of female identity. The method used in this research is analytic descriptive method. The results of the research show that cross-cultural identity of fe- male characters in Chudori’s short stories compilation are fluid identity, the identity of a female protagonist which can change   according to the social and cultural context where the female character lives. The image of cross cultural identitiy of female protagonist can be seen through physical characteristics which can be distinguished from the natives and settlers, interaction with the native, and the alienation experienced by the female protagonist. In addition, cross-cultural identity of female protagonist can be seen through setting description in Chudori’s short stories compilation.


1992 ◽  
Vol 37 (11) ◽  
pp. 1186-1186
Author(s):  
Garth J. O. Fletcher

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