scholarly journals Heavy Metal Toxicity in Rice and its Effects on Human Health

2020 ◽  
Vol 10 (1) ◽  
pp. 1833-1845
Keyword(s):  
Lower Risk ◽  
Oryza Sativa L ◽  
Calorie Intake ◽  
The World ◽  
The Face ◽  
Food Grain ◽  
Cadmium Lead ◽  
Liver Changes ◽  
Harmful Effects ◽  
Scientific Name

Nowadays, rice is the staple food grain of billions of people worldwide. The scientific name of rice is Oryza sativa L. There are four types of rice found in all over the world. Heavy metals, such as arsenic, cadmium, lead, iron, etc. are also found in rice, which causes harmful effects in the human body. Recently, rice has also been identified as a major exposure route. Rice is the most important grain concerning human nutrition and calorie intake, providing more than one-fifth calories consumed worldwide by humans. Acute toxic effects of rice are lower risk of heart disease, diabetes, possibly stroke, obesity, etc. and the side effects of rice are swelling around the drip site, hearing changes, liver changes, sore mouth, diarrhea, flushing of the face, changes in blood pressure, etc.

‘Green revolution’ dwarf gene sd1 of rice has gigantic impact

2020 ◽  
Vol 19 (5-6) ◽  
pp. 390-409
Author(s):  
Vikram Singh Gaur ◽  
Giresh Channappa ◽  
Mridul Chakraborti ◽  
Tilak Raj Sharma ◽  
Tapan Kumar Mondal
Keyword(s):  
Oryza Sativa L ◽  
Green Revolution ◽  
Evolutionary Relationship ◽  
Climatic Conditions ◽  
Cultivated Rice ◽  
Dwarf Gene ◽  
The World ◽  
Food Grain ◽  
High Yielding Varieties ◽  
The 1960S

Abstract Rice (Oryza sativa L.) is one of the most important cereal that has fed the world over a longer period. Before green revolution, cultivated rice is believed to have consisted of thousands of landraces each adapted to its specific climatic conditions by surviving against different abiotic and biotic selection pressure. However, owing to the low yield, photo-period sensitivity, late maturity and sensitivity to lodging of these landraces grown world-wide, serious concerns of impending global food crisis was felt during the 1960s because of (i) unprecedented increase of the population and (ii) concomitant decline in the cultivable land. Fortunately, high-yielding varieties developed through the introgression of the semi-dwarf1 gene (popularly known as sd1) during the 1960s led to significant increments in the food grain production that averted the apprehensions of nearing famine. This historical achievement having deep impact in the global agriculture is popularly referred as ‘Green Revolution.’ In this paper, we reviewed, its genetics as well as molecular regulations, evolutionary relationship with orthologous genes from other cereals as well as pseudo-cereals and attempted to provide an up-to-date information about its introgression to different rice cultivars of the world.

Power of Darkness: Narrative and Biographical Reflexivity in A Series of Unfortunate Events

2008 ◽  
Vol 1 (2) ◽  
pp. 200-212
Author(s):  
ELIZABETH BULLEN
Keyword(s):  
The Self ◽  
Risk Society ◽  
Project Risk ◽  
Young Readers ◽  
The World ◽  
The Face ◽  
High Earning ◽  
Textual Culture ◽  
Children’S Exposure ◽  
Central Claim

This paper investigates the high-earning children's series, A Series of Unfortunate Events, in relation to the skills young people require to survive and thrive in what Ulrich Beck calls risk society. Children's textual culture has been traditionally informed by assumptions about childhood happiness and the need to reassure young readers that the world is safe. The genre is consequently vexed by adult anxiety about children's exposure to certain kinds of knowledge. This paper discusses the implications of the representation of adversity in the Lemony Snicket series via its subversions of the conventions of children's fiction and metafictional strategies. Its central claim is that the self-consciousness or self-reflexivity of A Series of Unfortunate Events} models one of the forms of reflexivity children need to be resilient in the face of adversity and to empower them to undertake the biographical project risk society requires of them.

Persons in a World of Things

2018 ◽  
Author(s):  
Alan L. Mittleman
Keyword(s):  
Explanatory Power ◽  
The World ◽  
The Face ◽  
Classic Essay

This chapter focuses on the reality of persons in a world of things. It begins and ends with some relevant views drawn from the Jewish philosophers Buber (1878–1965), Heschel (1907–72), and Joseph B. Soloveitchik (1903–93). Framed by the Jewish concerns, it turns to a philosophical exploration of human personhood. The chapter begins by consiering Sellars's classic essay on the scientific and manifest images of “man-in-the-world.” Sellars shows how urgent and difficult it is to sustain a recognizable image of ourselves as persons in the face of scientism. With additional help from Nagel and Kant, it argues that persons cannot be conceptually scanted in a world of things. Notwithstanding the explanatory power of science, there is more to life than explanation. Explanation of what we are needs supplementing by a conception of who we are, how we should live, and why we matter. Those are questions to which Jewish sources can speak.

Too WEIRD, Too Fast: Preprints about COVID-19 in the Psychological Sciences

2020 ◽  
Author(s):  
Arathy Puthillam
Keyword(s):  
Overwhelming Majority ◽  
Global Pandemic ◽  
The Us ◽  
The World ◽  
The Face ◽  
Conducting Research ◽  
Psychological Studies

That American and European participants are overrepresented in psychological studies has been previously established. In addition, researchers also often tend to be similarly homogenous. This continues to be alarming, especially given that this research is being used to inform policies across the world. In the face of a global pandemic where behavioral scientists propose solutions, we ask who is conducting research and on what samples. Forty papers on COVID-19 published in PsyArxiV were analyzed; the nationalities of the authors and the samples they recruited were assessed. Findings suggest that an overwhelming majority of the samples recruited were from the US and the authors were based in US and German institutions. Next, men constituted a large proportion of primary and sole authors. The implications of these findings are discussed.

Aplikasi Kuartu Berbasis Android Sebagai Media Pertukaran Informasi Kartu Nama

2017 ◽  
Vol 9 (1) ◽  
pp. 25-32
Author(s):  
Nandi Syukri ◽  
Eko Budi Setiawan
Keyword(s):  
Mobile Devices ◽  
Information Exchange ◽  
Smart Phone ◽  
Black Box ◽  
Qr Code ◽  
Business Card ◽  
Large Numbers ◽  
The World ◽  
The Face ◽  
Index Terms

Business Card is the most efficient, effective and appropriate tool for every business men no matter they are owners, employees, more over marketers to provide information about their businesses. Unfortunately, it is very difficult to bring and manage business card in large numbers also to remember the face of the business card owner. A Business Card application need to be built to solve all those issues mentioned above. The Application or software must be run in media which can be accessed anywhere and anytime such as smart phone. Kuartu is as business card application run in mobile devices. Kuartu is developed using object base modeling for mobile sub system. The platform of the mobile sub system is android, as it is the most widely used platform in the world. The Kuartu application utilizing NFC and QR Code technology to support the business card information exchange and the Chatting feature for communication. Based on the experiment and test using black box methodology, it can be concluded that Kuartu application makes business card owner to communicate each other easily, business card always carried, easy to manage the cards and information of the business card owner can be easily obtained. Index Terms— Business Card, Android, Kuartu, NFC, QrCode, Chatting.

The Writings of Skryabin

2018 ◽  
Author(s):  
Simon Nicholls ◽  
Michael Pushkin ◽  
Vladimir Ashkenazy
Keyword(s):  
World View ◽  
Creative Activity ◽  
Creative Play ◽  
Religious Feeling ◽  
The World ◽  
The Face ◽  
Section Viii ◽  
The Universe ◽  
Final Text ◽  
Life Work

An introduction by Boris de Schloezer gives the genesis of the final text in the section, the Preliminary Action, and explains its relation to Skryabin’s projected life-work, the Mystery. Section I: an effusion of Orthodox religious feeling from teenage years. Sections II-VII: Around 1900, an expression of rejection of God in the face of disillusion is followed by the text of the choral finale of the First Symphony, declaring faith in the power of art. An unfinished opera libretto, symbolic in narrative, expressing belief in Art’s power to seduce and persuade. Three notebooks develop a world view in which the world is the result of the self’s creative activity. The creation of art and of the universe are identical. There is a higher self, identical with divinity. Forgetfulness of individuality leads to freedom and universal consciousness. Section VIII: The literary poem written during the composition of the symphonic Poem of Ecstasy summarises the scenario developed in the notebooks. Life starts with the desire to create, delight in creative play meets opposition, the creative goal is achieved and disappointment sets in. The process is repeated until it is realized that the struggle is itself joyful and self-affirmation is achieved. Section IX: The text of the Preliminary Action is symbolic in structure. Primal Male and Female Principles emerge; the Female is identified with Death. Life arises from the union of energies. Struggle and bloodshed follow. The conclusion is an impulse towards unification, the synthesis of experience and dematerialisation. Both the complete first draft and the incomplete revision are included.

Mansfield Park

2008 ◽  
Author(s):  
Jane Austen ◽  
Jane Stabler
Keyword(s):  
The Novel ◽  
Mansfield Park ◽  
Sexual Jealousy ◽  
The Family ◽  
The World ◽  
The Face

‘Me!’ cried Fanny … ‘Indeed you must excuse me. I could not act any thing if you were to give me the world. No, indeed, I cannot act.’ At the age of ten, Fanny Price leaves the poverty of her Portsmouth home to be brought up among the family of her wealthy uncle, Sir Thomas Bertram, in the chilly grandeur of Mansfield Park. There she accepts her lowly status, and gradually falls in love with her cousin Edmund. When the dazzling and sophisticated Henry and Mary Crawford arrive, Fanny watches as her cousins become embroiled in rivalry and sexual jealousy. As the company starts to rehearse a play by way of entertainment, Fanny struggles to retain her independence in the face of the Crawfords’ dangerous attractions; and when Henry turns his attentions to her, the drama really begins… This new edition does full justice to Austen’s complex and subtle story, placing it in its Regency context and elucidating the theatrical background that pervades the novel.

Montaigne on Monsters and Monstrosity

2016 ◽  
Author(s):  
Kathleen Long
Keyword(s):  
Natural World ◽  
Knowledge Systems ◽  
Human Knowledge ◽  
Divine Omnipotence ◽  
Human Creativity ◽  
The World ◽  
The Face

Monsters take on many roles in Montaigne’s Essays, almost always in novel ways. They do not take on their usual roles as markers of other races, genders, or bodies, as threats or objects of repulsion. Rather, the authorial self and his work are seen as monstrous; Europeans and their culture are seen as monstrous; the knowledge systems that create monsters are themselves monstrous; man’s vanity is monstrous. But most of all, the monster is the provocation to meditation on man’s presumption, and on the limitations of human knowledge and power in the face of the world and the divine. As the sign of the diversity and mutability of the natural world and thus of divine omnipotence, the monstrous and unusual is valued by Montaigne over the normal or usual. It is also the mark of human creativity, dependent as it is on the vagaries of the imagination, new and radically different from the rhetorical, literary, and artistic norms. This is why the Essays themselves can be considered a monstrous work.

II. The Question of God in the Struggle for Racial Justice

Horizons ◽  
2021 ◽  
Vol 48 (1) ◽  
pp. 172-194
Author(s):  
Christopher Pramuk
Keyword(s):  
Human Freedom ◽  
Whole Body ◽  
Racial Justice ◽  
The Earth ◽  
The World ◽  
The Face

In March 1943, having narrowly escaped Europe three years earlier, Abraham Joshua Heschel published “The Meaning of This War,” his first essay in an American publication. The essay shows, quite remarkably, his full command of literary English. It also shows, as biographer Edward Kaplan remarks, that Heschel “had found his militant voice.” “Emblazoned over the gates of the world in which we live,” the essay begins, “is the escutcheon of the demons. The mark of Cain in the face of man has come to overshadow the likeness of God. There have never been so much guilt and distress, agony and terror. At no time has the earth been so soaked with blood.” Heschel's extraordinary life's witness, his whole body of work, traverses precisely this anthropological and theological knife's edge: The mark of Cain in the face of man has come to overshadow the likeness of God. Where is God? Or better, Who is God? in relation to the rapacious misuse and idolatrous distortion of human freedom? Or simply, Is God?

Sign in / Sign up

Export Citation Format

Share Document