scholarly journals Ways of cross-media research formation

2020 ◽  
pp. 3-27
Author(s):  
Lesia Heneraliuk
Keyword(s):  
Literary Criticism ◽  
20Th Century ◽  
Media Studies ◽  
Research Direction ◽  
Time Frame ◽  
Research Field ◽  
Cross Media ◽  
Leading Role ◽  
Media Research ◽  
The Cross

The paper offers to extend the historical time frame of modern cross-media studies formation. The start of this research direction dates not from the 1950-60s, as it is usually considered to be, but from the early 20th century, the ‘synthesis epoch’. Development of neosyncretism was accompanied by creating bright theories in aesthetics and art criticism and promoting the concept of arts’ interaction by the humanities. Three scholars — H. Wolfin, M. Dessoir, and A. Warburg were the pioneers of the modern interdisciplinary research field. The author considers that the range of influences on the cross-media studies in literary criticism should be broadened with the works of philosophers and art critics who started to use the cross-media strategies (not the term itself) when analyzing the works of literature and arts. The leading role belonged to the Iconology school (E. Panofsky, R. Wittkower, E. Gombrich et al.). Their methods were based on applying tools of various disciplines. In the first place, they took into account connections between literature and visual arts. Henceforth, philology interpolated the iconological method into visual and comparative studies. One of the contemporary leading cross-media researchers, W. J. T. Mitchell, named his first book “Iconology: Image, Text, Ideology” (1986). In the middle of the 20th century, philosophy had a considerable influence on the cross-media research formation. In particular, literary critics referred to phenomenology (the works by M. Dufrenne, R. Ingarden. M. Merleau-Ponty) and actualized the analysis of interacting arts once more. A visual turn in culture caused growing attention to the issues of apperceptive cross-sensual experience. The newest works in the fields of perception psychology, gestalt psychology, neurolinguistics, and neurophysiology also support the general cross-media theory. It is possible that, due to the mutual influences of sciences, a uniform platform for studying syncretic phenomena will be created.

Researching intersectionality in media studies: Theoretical approaches, methods and applications in communication and media research practice

2019 ◽  
Vol 15 (3) ◽  
pp. 345-360
Author(s):  
Assimina Gouma ◽  
Johanna Dorer
Keyword(s):  
Media Studies ◽  
Social Power ◽  
Research Field ◽  
Communication Studies ◽  
Research Practice ◽  
Critical Approach ◽  
Theoretical Approaches ◽  
Social Discourses ◽  
Media Research ◽  
Race Ethnicity

Abstract Intersectionality is a critical approach to theorizing and exploring the interlocking of social inequality categories such as gender, race, ethnicity, class and sexuality in various levels of policies, social discourses, institutions and subject positionings. While social discourses do not arise in isolation from an all-encompassing media world, media, as co-producers of social power relations, are particularly interesting for the concept of intersectionality. However, the intersectional approach is rather a research field at the margins of German communication studies. This article discusses the theoretical prerequisites and methodological implications of intersectionality and provides examples of how an empirical implementation is possible in media research.

“Moral Enigma” in Shakespeare’s Othello? An Exercise in Philosophical Hermeneutics

Janus Head ◽  
2018 ◽  
Vol 16 (2) ◽  
pp. 128-155
Author(s):  
Norman Swazo ◽  
Keyword(s):  
Literary Criticism ◽  
20Th Century ◽  
Early 20Th Century ◽  
Philosophical Hermeneutics ◽  
Moral Significance ◽  
Poetic Justice

Literary criticism of Shakespeare’s Othello since the early 20th century leaves us with various complaints that Shakespeare fails to achieve poetic justice therein, or that this work leaves us, in the end, with a moral enigma—despite what seems to be Shakespeare’s intent to represent a plot and characters having moral probity and, thereby, to foster our moral edification through the tragedy that unfolds. Here a number of interpretive views concerning the morality proper to Othello are reviewed. Thereafter, it is proposed that Heidegger’s thought about the relation of appearance, semblance, and reality enables a novel interpretation of the moral significance of this tragedy, thereby to resolve the question of moral enigma.

The Ends of Media Studies

2021 ◽  
Author(s):  
Nicole Starosielski
Keyword(s):  
Media Studies ◽  
Media Analysis ◽  
Wide Range ◽  
Cable Systems ◽  
Media Research ◽  
The Many

Abstract This article poses the question: what are the ends of media studies? It discusses a turn to “nature” and the elements that has pushed media studies beyond its traditional objects and subjects. While the conceptualization of environments and bodies as communicative substrates offers new avenues for media research, mediation has also been taken up in a wide range of disciplinary and intellectual contexts. Rather than establishing limits or an essential core of media studies, the article suggests that media scholars take an etic orientation and attend to the questions whose invisibility is constitutive of the field. Using the example of undersea cable systems, the article describes some of the many conceptual, institutional, and pedagogical ends of media analysis.

scholarly journals Glasnost in Soviet literary criticism: current debates on the Russian national character (1988-1990)

Literator ◽  
1991 ◽  
Vol 12 (3) ◽  
pp. 89-102
Author(s):  
H. Mondry
Keyword(s):  
Cultural Heritage ◽  
Literary Criticism ◽  
National Character ◽  
Literary Texts ◽  
The Past ◽  
Political Reforms ◽  
Leading Role

Re-evaluation of the cultural heritage of the past has been an integral part of Soviet literary criticism. From 1987 up to the present, literary criticism has played a leading role in the promotion of the economic, social and political reforms of perestroika. Literary critics use the methodology of social deconstruction in the interpretation of the literary texts of the past, actualising the problematics of the texts in accordance with their relevance to contemporary Soviet issues.

scholarly journals Nikkei as a complete cross-media system

2020 ◽  
pp. 56-60
Author(s):  
B. Pashchenko
Keyword(s):  
Scientific Paper ◽  
Global Market ◽  
Media Theory ◽  
Information Networks ◽  
Cross Media ◽  
Daily Press ◽  
Media System ◽  
Media Platform ◽  
The Cross ◽  
The Relationship

The scientific paper is devoted to the cross-media system which is built around Japanese economic newspaper Nikkei. The work considers the phenomenon of cross-media, the preconditions of its establishment in Japan, and its functioning with complete Nikkei cross-media platform as an example. Research shows how traditional Japanese daily press evolves into cross-media. The academic work considers the peculiarities of the most influential economic newspaper Nikkei, its history, topics and different channels through which the audience consumes information within the cross-media system. In addition, the author analyzes the circulation of various editions of the newspaper, tracing its changes from 2012 to 2019. The article analyzes how the newspaper builds a cross-media platform around print media, online publications, television, radio, information networks, participation in educational projects and exhibitions, and the introduction of augmented reality elements. The research compares cross-media categories by Gary Hayes with Nikkei cross-media elements, illustrating each category. The author also considers how Nikkei enters the global market, analyzes the processes of globalization and digitization of Japanese media model. The author defines the relationship between the development of online cross-media elements and the steady decline of the print circulations. The results of the work can be used for the further studies of Japanese media theory in domestic and foreign scientific discourses.

scholarly journals КРОС-МЕДІЙНІ ІНСТРУМЕНТИ МОНЕТИЗАЦІЇ ТЕЛЕВІЗІЙНОГО Й ІНТЕРНЕТ-КОНТЕНТУ

2019 ◽  
Vol 2 (1(31)) ◽  
pp. 8-16
Author(s):  
Черемних І. В.
Keyword(s):  
Online Content ◽  
Cross Media ◽  
Media Consolidation ◽  
Internet Tv ◽  
Cross Platform ◽  
The Media ◽  
Pay Tv ◽  
The Cross ◽  
Media Market

The article is devoted to the problems of finding new forms of interaction between various media market players and new tools for converting TV and Internet content into profit. Changing the paradigm of consumption of TV and online content creates new conditions for the functioning of media business in Ukraine. Media can effectively monetize content through cross-platform processes such as co-branding, sampling, media baying, PayWall, b2b, b2c partnership, Transmedia Storytteling and others. First of all, it concerns the co-operation of traditional and Internet TV, PAY-TV, IPTV / OTT, digital, cable and satellite penetration, TV and Internet content producers, operators, providers. Through the cross-media consolidation of resources, the combination and distribution of content, players of the media market have the opportunity to successfully finance their budgets and receive greater dividends from the integration of efforts.

The Cross-media Problem

1982 ◽  
pp. 3-9
Author(s):  
JULIAN LOWE ◽  
DAVID LEWIS ◽  
MARTIN ATKINS
Keyword(s):  
Cross Media ◽  
The Cross
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