The Rain Calls of Frogs and the Reigning Paradigm of American Herpetology

2020 ◽  
pp. 1-35
Author(s):  
Gordon L. Miller
Keyword(s):  
Twentieth Century ◽  
Animal Communication ◽  
The United States ◽  
Emotional States ◽  
Breeding Sites ◽  
Gradual Disappearance ◽  
The Times ◽  
Traditional Natural ◽  
Breeding Seasons ◽  
The Comparative Study

American zoologists and herpetologists during the past fifty years have successfully deciphered the mating calls of frogs and toads with ever increasing precision and sophistication. However, the vocalizations most commonly termed “rain calls,” which typically occur beyond both normal breeding seasons and breeding sites, have remained a persistent puzzle. This article traces the gradual disappearance of rain calls, along with a corresponding decline in any mention of emotional states, from herpetological studies of anuran vocalizations in the United States from the middle of the twentieth century to the present and examines the historical roots of this disappearance. This evaporation of rain calls is indicative of a much larger change in the scientific climate of the times involving the transition from traditional natural history to the Neo-Darwinian, adaptationist paradigm of contemporary biology. Rain calls thus increasingly became anomalous, thereby eliminating a possibly fruitful line of inquiry in the comparative study of human-animal communication, in this case with evolution's earliest vocalizers. The contours and benefits of a more encompassing paradigm, envisioned by some leading early twentieth-century zoologists, are briefly discussed.

There are Many Alternatives: Margaret Thatcher in the History of Economic Thought

2002 ◽  
Vol 24 (3) ◽  
pp. 307-311 ◽  
Author(s):  
Bradley W. Bateman
Keyword(s):  
Twentieth Century ◽  
Soviet Union ◽  
Former Soviet Union ◽  
Free Market ◽  
The United States ◽  
Economic Thought ◽  
Margaret Thatcher ◽  
The Times ◽  
The Moment ◽  
Investment Boom

The last twenty-five years of the twentieth century were freighted with important moments for historians of economic thought: the collapse of the Keynesian consensus, the rise (and fall) of monetarism, the collapse of the former Soviet Union and the other Marxist-Leninist states in central and eastern Europe, the rise of neo-liberalism, and arguments over the possible emergence of a “New Economy” following the internet investment boom at the end of the 1990s. Each of these moments will require its own history as we slowly move away from the tumult of the times and begin to weigh them for their own significance. But several of the moments have a common iconic face in Margaret Thatcher, the Prime Minister of Great Britain from 1979 to 1990. Few other individuals so readily embody the sense of the times. Thatcher's election—a full year and a half before Ronald Reagan's—marks for many people the moment when Keynesian policies finally and irretrievably lost their legitimacy. Likewise, the timing of her election, just two months before Paul Volcker's selection as the chair of the Federal Reserve Board of Governors in the United States, also means that for many people Thatcher's is the public face of monetarism's ascendancy. Finally, there is probably no one person whose name is so clearly associated with the rise of free market thinking and neo-liberalism during the end of the twentieth century.

scholarly journals Mexican Village: Josefina Niggli’s Border Crossing Narrative

Text Matters ◽  
2018 ◽  
pp. 353-364
Author(s):  
Jadwiga Maszewska
Keyword(s):  
United States ◽  
Twentieth Century ◽  
National Identity ◽  
Mexican Revolution ◽  
The United States ◽  
Border Crossing ◽  
Mexican Culture ◽  
The Times

The paper presents Josefina Niggli (1910–83), an American mid-twentieth-century writer who was born and grew up in Mexico, and her novel Mexican Village (1945). A connoisseur of Mexican culture and tradition, and at the same time conscious of the stereotypical perceptions of Mexico in the United States, Niggli saw it as her literary goal to “reveal” the “true” Mexico as she remembered it to her American readers. Somewhat forgotten for several decades, Niggli, preoccupied with issues of marginalization, hybridization, and ambiguity, is now becoming of interest to literary critics as a forerunner of Chicano/a literature. In her novel Mexican Village, set in the times of the Mexican Revolution, she creates a prototypical bicultural and bilingual Chicano protagonist, who becomes witness to the rise of Mexico’s modern national identity.

cAbdullah Yūsuf cAlī & Muhammad Asad: Two Approaches to the English Translation of the Qur'an

2000 ◽  
Vol 2 (1) ◽  
pp. 107-123 ◽  
Author(s):  
Muzaffar Iqbal
Keyword(s):  
Twentieth Century ◽  
Comparative Study ◽  
Life Experiences ◽  
Academic Career ◽  
British India ◽  
Human Understanding ◽  
English Translations ◽  
Political Milieu ◽  
The Times

This article attempts to present a comparative study of the role of two twentieth-century English translations of the Qur'an: cAbdullah Yūsuf cAlī's The Meaning of the Glorious Qur'ān and Muḥammad Asad's The Message of the Qur'ān. No two men could have been more different in their background, social and political milieu and life experiences than Yūsuf cAlī and Asad. Yūsuf 'Alī was born and raised in British India and had a brilliant but traditional middle-class academic career. Asad traversed a vast cultural and geographical terrain: from a highly-disciplined childhood in Europe to the deserts of Arabia. Both men lived ‘intensely’ and with deep spiritual yearning. At some time in each of their lives they decided to embark upon the translation of the Qur'an. Their efforts have provided us with two incredibly rich monumental works, which both reflect their own unique approaches and the effects of the times and circumstances in which they lived. A comparative study of these two translations can provide rich insights into the exegesis and the phenomenon of human understanding of the divine text.

The Insidious Momentum of American Mass Incarceration

2020 ◽  
Author(s):  
Franklin E. Zimring
Keyword(s):  
United States ◽  
Public Policy ◽  
Twentieth Century ◽  
Mass Incarceration ◽  
The United States ◽  
Next Generation ◽  
Single Generation ◽  
American Life ◽  
Peak Rate ◽  
Or Practice

The phenomenal growth of penal confinement in the United States in the last quarter of the twentieth century is still a public policy mystery. Why did it happen when it happened? What explains the unprecedented magnitude of prison and jail expansion? Why are the current levels of penal confinement so very close to the all-time peak rate reached in 2007? What is the likely course of levels of penal confinement in the next generation of American life? Are there changes in government or policy that can avoid the prospect of mass incarceration as a chronic element of governance in the United States? This study is organized around four major concerns: What happened in the 33 years after 1973? Why did these extraordinary changes happen in that single generation? What is likely to happen to levels of penal confinement in the next three decades? What changes in law or practice might reduce this likely penal future?

Orientalized Aztecs: Observations on the Americanization of Theatrical Dance

2019 ◽  
Vol 51 (2) ◽  
pp. 35-50
Author(s):  
K. Mitchell Snow
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Manifest Destiny ◽  
The United States ◽  
United States Policy ◽  
Ballets Russes

The opening decades of the twentieth century saw a passing fashion for “Aztec” dancing in the vaudeville theaters of the United States. Russian classical dancers Kosloff and Fokine tapped the orientalist currents of the Ballets Russes, adopting the Aztec as superficial signs of the American. Conversely, works by Shawn and film director Cecil B. DeMille, which served as points of reference for the Russians, represented a continuation of equally orientalist attitudes toward Mexico's past, forged during the realization of the United States’ policy of Manifest Destiny. The emergence of a cadre of trained dancers from Mexico, trained by students of Kosloff and Shawn, would bring a distinctively different perspective on the presentation of their heritage to the dance stage, one that was no longer based in the imagination of an expansionist America.

A Century of America on Chinese Screens

2010 ◽  
Vol 17 (4) ◽  
pp. 305-323 ◽  
Author(s):  
Zhiwei Xiao
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Print Media ◽  
The United States ◽  
Sharp Contrast ◽  
American People ◽  
Early Twentieth Century ◽  
History Of ◽  
Chinese Films ◽  
New Millennium

AbstractNo serious study has been published on how Chinese filmmakers have portrayed the United States and the American people over the last century. The number of such films is not large. That fact stands in sharp contrast not only to the number of "China pictures" produced in the United States, which is not surprising, but also in contrast to the major role played by Chinese print media. This essay surveys the history of Chinese cinematic images of America from the early twentieth century to the new millennium and notes the shifts from mostly positive portrayal in the pre-1949 Chinese films, to universal condemnation during the Mao years and to a more nuanced, complex, and multi-colored presentation of the last few decades.

scholarly journals These Stories Must Be Told: Preliminary Observations by a Black Scholar Practitioner on Silences in the Archive

Collections ◽  
2020 ◽  
pp. 155019062098103
Author(s):  
Shonda Nicole Gladden
Keyword(s):  
Critical Race Theory ◽  
United States Of America ◽  
Social Enterprise ◽  
The United States ◽  
Oral Histories ◽  
Systemic Racism ◽  
Black Scholar ◽  
Arts And Humanities ◽  
The Times ◽  
Archival Practices

As a scholar practitioner, a trained philosophical theologian, Methodist clergywoman, and social enterprise founder who is conducting oral histories as part of my doctoral internship in the IUPUI Arts and Humanities Institute, my scholarly lens and methodological skills are being defined as I interrogate the COVID-19 archive. In this article I attempt to offer some preliminary reflections on my oral history curation focused on how Black and brown artists and activists, primarily based in Indianapolis, IN, frame their lived experiences of death, dying, mourning, and bereavement in the wake of COVID-19 utilizing critical archival practices: those practices that take seriously the methods of critical race theory, critical gender theory, Womanist, mujerista, and feminist methodologies, to name a few. The COVID-19 archive is a collection of oral histories, stories and artifacts depicting the times in which we are living, through the lenses of storytellers grappling with the pandemics of systemic racism, COVID-19, distrust in government, and various relics representing the idea of the United States of America in 2020, as such, I conclude with a brief exploration of how art emerges as both an outlet for creators and a mode of illumination for consumers.

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