“MDCXVI”
This article examines the legacy of Ben Jonson's folio Workes of 1616, in particular the attention that has been paid to the volume's material instantiation. It discusses some of the bibliographical features that distinguish it from the better-known Shakespeare First Folio as well as some aspects of its printing history. It then looks at how changes in graduate training over the past forty years have affected scholarly approaches to editing and book history. Next, it looks at how three scholarly editions have incorporated important material and design characteristics of the Workes into their completed work: C. H. Hereford and Percy and Evelyn Simpson's Oxford Ben Jonson (1925–52), Ian Donaldson, Martin Butler, and David Bevington's Cambridge Edition of the Works of Ben Jonson (2012), and the Cambridge Edition of the Works of Ben Jonson Online (2014). Finally, it offers a few thoughts on the current limits of electronic publishing and possible future developments.