Introduction

2007 ◽  
Vol 3 (1) ◽  
pp. 1-4 ◽  
Author(s):  
Richard Begam
Keyword(s):  
Substantial Distance ◽  
Form Of Expression

Opera has generally been regarded as an art of extravagance, dedicated to the melodramatic, the hyperbolic, the sentimental, a form of expression that prefers feeling to thought, sensation to reflection. Given its interest in producing effects that are overdrawn and exaggerated - at times, even kitschy - opera would seem to stand at a substantial distance from the cool formalism we often associate with modernism. Admittedly, the idea that modernism is detached and abstracted - presided over by a God indifferently paring his fingernails - has been justifiably challenged in recent years.

Cute Girls, Tough Boys

2014 ◽  
Vol 7 (1) ◽  
pp. 85-111
Author(s):  
Alexandra Gueydan-Turek
Keyword(s):  
Gender Identity ◽  
Social Norms ◽  
Graphic Art ◽  
Masculinity And Femininity ◽  
Gender Performances ◽  
Primary Focus ◽  
Form Of Expression ◽  
The Way

This article explores the way in which masculinity and femininity are constructed in Algerian manga, an emerging, understudied sub-genre within the field of Algerian graphic art. Through the exploration of youth-oriented publications of shōjo and shōnen manga, I will demonstrate how these new local works offer a privileged form of expression for and platform to address disaffected Algerian youths. The primary focus of this investigation will be the differences (or lack thereof) between ideals of gender performances as expressed in Algerian manga and ideals of gender identity in society at large. This article will demonstrate that, while some differences manifest a desire for change on the part of both artists and readers, they certainly do not constitute radical revisions of the popular Algerian notions of masculinity and femininity. Ultimately, this study will demonstrate the limits of manga as an imported genre within an Arab-Islamic context, oscillating between the promulgation of alternative social ideals and the reinforcement of social norms.

Notes on the Writing of Scientific English for Japanese Physicists

2014 ◽  
Vol 03 (01) ◽  
pp. 39-53
Author(s):  
Anthony J. Leggett
Keyword(s):  
Good Deal ◽  
Mental Effort ◽  
The Other ◽  
Simple Rule ◽  
Major Point ◽  
Sentence Construction ◽  
Wear And Tear ◽  
Guiding Principles ◽  
Elegant Form ◽  
Form Of Expression

The main guiding principles I have used are the following. First, it is much more important that the English written by Japanese authors be clear and easily readable than that it be elegant. Therefore, in a situation where there is a choice between an elegant form of expression which, however, may easily lead to confusion if misused and a less elegant but practically "foolproof" one, I have never hesitated to recommend the latter. Secondly, the importance of avoiding a mistake is roughly proportional to the amount of misunderstanding it may entail and/or the amount of psychological "wear and tear" it may cause on the reader's nerves. Accordingly, I have spent a good deal of space on "macroscopic" points like sentence construction, and proportionately less on "microscopic" ones like the correct use of "a" and "the"; prepositions, which most Japanese writers seem to consider a major point of difficulty in writing English, I have scarcely mentioned, not only because this is the sort of point for which one can easily refer to dictionaries but because I believe the reader can usually correct any mistakes for himself with very little mental effort. Thirdly, the usefulness of a set of notes such as this is much reduced if the rules given become too complicated. Therefore, rather than give a complicated set of rules which would ensure correctness 100% of the time, I have often preferred to give a simple rule which will be right 95% of the time, provided that in the other 5% of cases, it is unlikely to lead to confusion. I do not claim that anyone who tries to follow the advice given here will write beautiful or even invariably correct English; but I hope that what he writes will be clear and readable and that any mistakes he does make will be minor ones.

scholarly journals Unusual Deviation of the Main Foramen from the Root Apex

2016 ◽  
Vol 27 (5) ◽  
pp. 589-591 ◽  
Author(s):  
Marco Aurélio Versiani ◽  
Hany Mohamed Aly Ahmed ◽  
Manoel Damião de Sousa-Neto ◽  
Gustavo De-Deus ◽  
Paul Michael Howell Dummer
Keyword(s):  
Computed Tomography ◽  
Short Communication ◽  
Root Apex ◽  
Micro Computed Tomography ◽  
Tooth Type ◽  
The Subject ◽  
Relationship Of ◽  
The Relationship ◽  
Substantial Distance

Abstract The relationship of the main foramen to the anatomic root apex has been the subject of several studies. Although they are anatomically close, they rarely coincide, and their distance can vary according to age or tooth type, ranging from 0.2 to 3.0 mm. The aim of this short communication was to evaluate the distance between the main foramen of independent middle mesial canals (MMCs) and the anatomical mesial root apex of mandibular first molars using the micro-computed tomography. Twenty-five mandibular first molars with MMCs were scanned (resolution of 9.9 µm), and the distance from its main foramen to the anatomical apex was evaluated. Overall, the distance ranged from 0.2 to 2.4 mm; however, in 3 specimens the distance was greater than 3 mm. This report demonstrates that the exit of the main foramen of the MMC varies considerably and could approach a substantial distance from the anatomical apex greater than previously reported in the literature.

scholarly journals New Century – ‘New Essays’?

2019 ◽  
pp. 13-35
Author(s):  
Dobrawa Lisak-Gębala
Keyword(s):  
Travel Writing ◽  
21St Century ◽  
Ordinary Objects ◽  
Works Of Art ◽  
The World ◽  
The Mediterranean ◽  
Second World ◽  
Cognitive Attitude ◽  
Animal World ◽  
Form Of Expression

This article constitutes an attempt at organising the non-conservative tendencies in Polish essays published in the 21st century, which apply to themes, the lowering of the tone, and forms of writing. One major stream is travel writing, which focuses not on the Mediterranean legacy, but on the ‘second world’: long-disadvantaged provincial areas. Many essayists abandon the traditional topic of books and works of art, and turn to ‘reading’ the animal world, the plant world, and the world of ordinary objects. The essay has also become a tool for introducing polarisation between that which is mainstream and that which is marginal and concerns minorities. The fact of choosing a non-traditional topic often entails a non-canonical cognitive attitude, which translates into experiments within the area of the form of expression. The author of this article argues that all those innovations can be accommodated by the flexible convention of the essay as a genre which, in principle, is supposed to constitute an artistic cognitive experiment.

Grotesque As Archetype of Poetic State In The Poetry of Frederik Rreshpa

2021 ◽  
Vol 9 (09) ◽  
pp. 728-731
Author(s):  
Hajri Mandri
Keyword(s):  
Literary Work ◽  
Point Of View ◽  
Special Point ◽  
National Book ◽  
Style Of Writing ◽  
Poetry Collection ◽  
Poetic Style ◽  
Form Of Expression ◽  
The Grotesque

Frederik Rreshpja, a famous Albanian poet, was born in Shkoder in 1940 and died in 2006. His   first literary work, the poetry collection, "Albanian Rhapsody" was published in 1967. He was imprisoned and served 17 years in prison during the communist regime.After he was released from prison, lived in Tirana and published the volumes "The time has come to die again" - 1994, "Selected lyrics" - 1996, a collection that was announced the best national book of the year, as well the volume of poetry "In solitude " was to be published in 2004.The focus of the article is on the features of the poetic style specifically on the grotesque as an author’s poetic preference that constitutes a special point of view of the author.The grotesque as an archetype of the poetic state in Rreshpa's poetry is conceived as a way of artistic reflection and as a style of writing. The key function of the metaphor-grotesque is the transfer, within the form of expression, from one context to another context with poetic undertones.Grotesque is a way of expression or way of presentation in which exaggerated sides are put together in powerful and unexpected contrast, or the most mixed, distorted and isolated forms of reality…

This is Not Magritte: Corneliu Porumboiu’s Theory of Representation

2020 ◽  
pp. 203-218
Author(s):  
Zsolt Gyenge
Keyword(s):  
Verbal Representation ◽  
Romanian Cinema ◽  
Theoretical Issues ◽  
Form Of Expression

The chapter attempts to provide an analysis of Porumboiu's body of work in a way that goes beyond the notions of Realism that is usually discussed in relation to the New Romanian Cinema. Theories of visual and verbal representation are identified that seem to be central to several of his Porumboiu's films from Foucault's seminal discussion of Magritte through Barthes's analysis of the Panzani commercial, Gadamer's description of the differences between signs, images and symbols, to Mitchell's notion of metapicture. Two important issues are highlighted: the mediality of representations and their relation to the represented reality. The author contends that although these theoretical issues are clearly brought up in the stories and dialogues of the films, Porumboiu fails to make them an intrinsic part of his own filmic form of expression.

Music Transcendent and Sublime

2017 ◽  
Author(s):  
Philip V. Bohlman
Keyword(s):  
Immanuel Kant ◽  
Large Scale ◽  
Human Beings ◽  
Universal History ◽  
The Enlightenment ◽  
The Sublime ◽  
History Of ◽  
The Masses ◽  
Form Of Expression

The translations in Song Loves the Masses close with Herder’s final large-scale essay on music, published in 1800 as a chapter in Kalligone, the culmination of his aesthetic work. With this late essay Herder, a polemic against his former teacher, Immanuel Kant (1724–1804), reveals the extent to which he has moved into a fully aesthetic domain in his concern for the universal history of humanity. Embodying the subjectivity of song and singing, music acquires the force of transcendence, and it therefore aspires to the Enlightenment ideals of the sublime. In Herder’s “On Music,” human beings are endowed with a degree of understanding that allows them to perceive the traits that make music unlike any other form of expression.

Introduction

World of Echo ◽  
2020 ◽  
pp. 1-26
Author(s):  
Adin E. Lears
Keyword(s):  
Social Effects ◽  
Margery Kempe ◽  
Medieval England ◽  
Late Medieval ◽  
Late Medieval England ◽  
Form Of Expression

This chapter focuses on texts pointing to a preoccupation with noise and unsignified vocalization, which shows how the denouncement of a corrupt and embodied form of expression associated with the laity. It looks at religious and literate authorities around Margery Kempe, wherein her crying and roaring was the confused expression of a woman who was too literal-minded in her focus on the bodily and the material. It also identifies a range of ways that the expression of laypeople was linked to noise and unsignified sound in late medieval England. The chapter discusses how medieval thinkers made use of a productive slippage between noise and literary making, even as they worried about its cognitive and social effects. It explains how the poem depends on medieval noise for its own existence and aural innovation despite the fact that the “Complaint” targets disruptive and nonsensical noise of a class of “brutish” laymen.

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