Public Politics and Demonstrations of the Unemployed

Author(s):  
Malcolm Petrie

The political culture of the late nineteenth- and early twentieth-century placed a premium on the physical occupation of contested public spaces. Rooted in local custom, this confrontational tradition was sustained by the holding of mass rallies, demonstrations and public meetings. During the 1920s, however, the public traditions of popular politics were discredited, and increasingly identified with political extremism and especially Communism. As such, the response of the local and national authorities to such traditions changed. Concentrating on demonstrations of the unemployed, this chapter shows that the Labour Party, hoping to avoid association with the activities of the Communist Party, dissociated itself from local traditions of protest, preferring instead to stress the party’s fitness for local and national office.

Author(s):  
Malcolm Petrie

The years between 1918 and 1939, witnessing as they did the unprecedented extension of the franchise, the decline of the Liberal Party, and the emergence of Labour as a party of government, are central to an understanding of modern Scottish politics. This book presents a distinctive reading of this period, reinterpreting the consequences of the expanded post-war electorate by focusing on the political culture of urban Scotland and re-evaluating the decline of the radical left in the inter-war years. In particular, it examines shifting understandings of political representation, and explores the extent to which national party loyalties supplanted local class identities. Focusing on the relationship between the Labour Party and the Communist Party of Great Britain, the book also traces the declining importance of the public traditions of popular politics. Drawing upon a range of untapped sources including local newspapers, cartoons, and contemporary accounts of demonstrations, the book illuminates the political perspectives of ordinary Scots in an age of mass democracy.


Author(s):  
Malcolm Petrie

Disruption and rowdyism at political meetingswas a feature of Victorian and Edwardian electioneering. The advent of mass democracy, and the rise of Communism in Europe, ensured that such behaviour came to be portrayed as evidence of political extremism and a threat to political stability. As a result, Labour candidates, keen to position their party as one capable of governing for the nation as a whole, distanced themselves from popular electoral traditions now synonymous with a confrontational, and unacceptable, politics of class. Heckling, rowdyism and disruption came, by the 1930s, to be associated primarily with the Communist Party.


Author(s):  
Francine May

Methods for studying the public places of libraries, including mental mapping, observation and patron mapping are reviewed. Reflections on the experience of adapting an observational technique for use in multiple different library spaces are shared. Sont passées en revue les méthodes pour étudier la place publique des bibliothèques, y compris les représentations mentales, l’observation et la catégorisation des usagers. L’auteure partage ses réflexions sur l’expérience d’adapter une technique d’observation à différents espaces de bibliothèque. ***Full paper in the Canadian Journal of Information and Library Science***


2021 ◽  
pp. 239965442110338
Author(s):  
David Jenkins ◽  
Lipin Ram

Public space is often understood as an important ‘node’ of the public sphere. Typically, theorists of public space argue that it is through the trust, civility and openness to others which citizens cultivate within a democracy’s public spaces, that they learn how to relate to one another as fellow members of a shared polity. However, such theorizing fails to articulate how these democratic comportments learned within public spaces relate to the public sphere’s purported role in holding state power to account. In this paper, we examine the ways in which what we call ‘partisan interventions’ into public space can correct for this gap. Using the example of the Communist Party of India (Marxist) (CPIM), we argue that the ways in which CPIM partisans actively cultivate sites of historical regional importance – such as in the village of Kayyur – should be understood as an aspect of the party’s more general concern to present itself to citizens as an agent both capable and worthy of wielding state power. Drawing on histories of supreme partisan contribution and sacrifice, the party influences the ideational background – in competition with other parties – against which it stakes its claims to democratic legitimacy. In contrast to those theorizations of public space that celebrate its separateness from the institutions of formal democratic politics and the state more broadly, the CPIM’s partisan interventions demonstrate how parties’ locations at the intersections of the state and civil society can connect the public sphere to its task of holding state power to account, thereby bringing the explicitly political questions of democratic legitimacy into the everyday spaces of a political community.


2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.


2021 ◽  
Vol 13 (15) ◽  
pp. 8296
Author(s):  
Carlo Berizzi ◽  
Salvatore Nirta ◽  
Gaia Nerea Terlicher ◽  
Luca Trabattoni

Outdoor tourism is a form of outdoor holiday that is growing rapidly today, and that stands out from other forms of tourism for its immediate relationship with the landscape which becomes for the tourist the main attraction of the holiday intended as a break from ordinary urban life. Outdoor tourism today represents a growing percentage in the tourism sector, in which mobile homes are the real players. Despite the considerable use of this product in open-air accommodations located in relevant landscapes, there is still no sensitivity in the constructive approach and in the choice of materials in terms of sustainability. In the open-air tourism sector, the lack of ecological sensitivity results from two levels of application: one regarding the whole settlement and the public spaces of outdoor accommodations and one regarding the mobile unit from the design to the production process. This paper will provide some practical strategies to introduce the ecological theme in the mobile home for the tourism sector. The research aims to analyze the production system of mobile homes in order to introduce alternative materials within the existing assembly line. The research demonstrates the possibility of a product being sustainable both economically and environmentally, healthy, and well-integrated with landscape by adopting an approach that makes it possible to use the same assembly line currently in use.


2018 ◽  
Vol 52 (2) ◽  
pp. 310-333
Author(s):  
Ipek Türeli ◽  
Meltem Al

In 2013, the Gezi Park protests created a wave of optimism in Istanbul – until it was brutally suppressed by the government. Although the ephemeral movement ended without having achieved its immediate goals, it continues to have ripple effects on the public culture of Istanbul. The ruling party, for example, has emulated the forms and formats of performance that emerged during the protests in order to mobilize its own support base. In a post-Gezi Istanbul, however, the occupation of public spaces in protest of the government has become nearly impossible, rendering alternative artistic and activist practices all the more important.


1998 ◽  
Vol 89 (1) ◽  
pp. 11-20 ◽  
Author(s):  
Gary Warner ◽  
Ross Gibson

Museums and ‘interpreted’ public spaces have become important sites for the deployment of new multimedia systems. Given that these locations areimbued with historical, architectural and aesthetic complexities, it is becoming ever more apparent that standard information technology approaches to data systems are inadequate to the tasks of evoking and interpreting such sites. For 20 years now, Gary Warner has worked to introduce lucidity and nuance into the public deployment of multimedia. His work at the Australian Film Commission, the Museum of Sydney, and more recently as Director of CDP Media has led him to understand that he is practising a kind of electronic ecology. He discusses this idea — and many others — with Ross Gibson.


2021 ◽  
pp. 1-19
Author(s):  
Gerardo Serra ◽  
Morten Jerven

Abstract This article reconstructs the controversies following the release of the figures from Nigeria's 1963 population census. As the basis for the allocation of seats in the federal parliament and for the distribution of resources, the census is a valuable entry point into postcolonial Nigeria's political culture. After presenting an overview of how the Africanist literature has conceptualized the politics of population counting, the article analyses the role of the press in constructing the meaning and implications of the 1963 count. In contrast with the literature's emphasis on identification, categorization, and enumeration, our focus is on how the census results informed a broader range of visual and textual narratives. It is argued that analysing the multiple ways in which demographic sources shape debates about trust, identity, and the state in the public sphere results in a richer understanding of the politics of counting people and narrows the gap between demographic and cultural history.


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