Conclusion: Reading the Qur’ān as God’s Narrative

2021 ◽  
pp. 156-159
Author(s):  
Leyla Ozgur Alhassen

This chapter summarizes the book’s approach to Qur’ānic stories in Sūrat Āl ‘Imrān, Sūrat Maryam, Sūrat Yūsuf, SūratṬaha and Sūrat al-Qaṣaṣ. It discusses the development of a sustained analysis of the Qur’ān as an intertextual scripture that rewards the audience member who reads and listens carefully, notices echoing words or phrases and then follows them to other parts of the text, compares them with each other and reflects on them. It discusses the book’s analysis focusing on the overarching questions of how the Qur’ānic stories withhold knowledge, create consonance and make connections. The audience learns about the nature of knowledge, one’s proper place in relation to God and God’s message, and how to read the Qur’ān. The text imprints on the audience beliefs about God: God is omniscient and people are not and cannot ever be. People learn what God wills when they turn to God and to the Qur’ān. The narrator of the Qur’ān makes its reading an active process, and we see this through the alternate giving and withholding of information, causing readers to question, ponder and fill in details.

2018 ◽  
Author(s):  
Paolo Madeddu

The year 2018 marked the 110th anniversary of Goldmann’s discovery that vascularization is an active process in tissues1 and the 50th anniversary of the concomitant reports from Greenblatt and Shubik2 and Ehrmann and Knoth3 that soluble morphogenic factors are required for cancer angiogenesis. Many other radically transformative paradigms have been introduced in the last decades. To name a few, the molecular search for the identity of master regulators of vascular tone led to the discovery of the Endothelium-Derived Relaxing Factor (EDRF; i.e., NO4), while clinically inspired investigations led to the recognition of the pathophysiological relevance of neoangiogenesis in cancer and tissue healing. This brought about the proposal of blocking angiogenesis to halt tumor growth and stimulating angiogenesis to treat myocardial ischemia and heart failure5-7.


1981 ◽  
Vol 14 (2) ◽  
pp. 53-54
Author(s):  
Qu Xiang
Keyword(s):  

1996 ◽  
Vol 37 (2) ◽  
pp. 23-66
Author(s):  
Elizabeth Reitz Mullenix

On 29 December 1845, Charlotte Cushman did an extraordinary thing at the Haymarket theatre: she convincingly transformed herself into a man. Audience members who witnessed this performance were captivated by “the transmuting power” of Cushman's “genius” as she became Romeo. This production (and Cushman's Romeo in general) continues to fascinate both contemporary theatre historians and feminist scholars, who are equally impressed with Cushman's seeming ability to create an unsettling paradox. In a recent article, Anne Russell discusses the positive reception that Cushman's Romeo received and questions how the cross-dressed actress could have been so successful “in a period when dominant gender ideologies assumed clearly delineated separate spheres for men and women, when stage reviewers as a manner of routine assessed the ‘womanliness’ or ‘manliness’ of characters and performers.” As Russell explains, the nineteenth-century audience member, critic, and/or commentator read the human figure on stage as either male or female; indeed, such antithetic thinking was pervasive throughout nineteenth-century culture. Cushman was unique, however, in that she repeatedly defied such categorization, both in her theatrical performances and in her “private” life.


2016 ◽  
Vol 46 ◽  
pp. 79-96

In the West, recent years have witnessed a big increase in accepting sexual fluidity, as manifested in the growing visibility of the LGBT community. It was different in antiquity, where a binary culture of masculinity and femininity prevailed, although reality will have been more diverse. Ancient historians and literary scholars have worked on concepts of masculinity in antiquity, but more recent studies of Greek religion have mainly analysed positions and representations of women, in so far as they have focused on gender differences at all. I will therefore first look at some elements of the female life cycle and daily life (§1), then consider representations of women in art and myth, and goddesses as possible role models (§2), and conclude with a discussion of the most important women's festivals (§3). At all times, we should keep in mind, however, that the real life of women probably differed significantly from male ideologies of their worth and proper place. This means that, although I focus on female gendered roles, male gendered roles will play a role too, even if more indirectly than directly in this chapter.


2015 ◽  
Vol 112 (48) ◽  
pp. E6663-E6672 ◽  
Author(s):  
Yichun Shuai ◽  
Areekul Hirokawa ◽  
Yulian Ai ◽  
Min Zhang ◽  
Wanhe Li ◽  
...  

Recent studies have identified molecular pathways driving forgetting and supported the notion that forgetting is a biologically active process. The circuit mechanisms of forgetting, however, remain largely unknown. Here we report two sets of Drosophila neurons that account for the rapid forgetting of early olfactory aversive memory. We show that inactivating these neurons inhibits memory decay without altering learning, whereas activating them promotes forgetting. These neurons, including a cluster of dopaminergic neurons (PAM-β′1) and a pair of glutamatergic neurons (MBON-γ4>γ1γ2), terminate in distinct subdomains in the mushroom body and represent parallel neural pathways for regulating forgetting. Interestingly, although activity of these neurons is required for memory decay over time, they are not required for acute forgetting during reversal learning. Our results thus not only establish the presence of multiple neural pathways for forgetting in Drosophila but also suggest the existence of diverse circuit mechanisms of forgetting in different contexts.


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