scholarly journals ‘Not a country at all’: Landscape and Wuthering Heights

2016 ◽  
Vol 13 (1) ◽  
pp. 214-231 ◽  
Author(s):  
Sue Thornham
Keyword(s):  
Cultural Geography ◽  
Literary Tradition ◽  
Film History ◽  
Original Novel ◽  
Feminist Philosophy ◽  
The Novel ◽  
Wuthering Heights ◽  
Time Space ◽  
Film Making

This article explores the issue of women's representational genealogies through an analysis of Andrea Arnold's 2011 Wuthering Heights. Beginning with 1970s feminist arguments for a specifically female literary tradition, it argues that running through both these early attempts to construct an alternative female literary tradition and later work in feminist philosophy, cultural geography and film history is a concern with questions of ‘alternative landscapes’: of how to represent, and how to encounter, space differently. Adopting Mary Jacobus' notion of intertextual ‘correspondence’ between women's texts, and taking Arnold's film as its case study, it seeks to trace some of the intertextual movements – the reframings, deframings and spatial reorderings – that link Andrea Arnold's film to Emily Brontë’s original novel. Focusing on two elements of her treatment of landscape – her use of ‘unframed’ landscape and her focus on visceral textural detail – it points to correspondences in other women's writing, photography and film-making. It argues that these intensely tactile close-up sequences which puncture an apparently realist narrative constitute an insistent presence beneath, or within, the ordered framing which is our more usual mode of viewing landscape. As the novel Wuthering Heights is unmade in Arnold's adaptation and its framings ruptured, it is through this disturbance of hierarchies of time, space and landscape that we can trace the correspondences of an alternative genealogy.

scholarly journals Lexical Choices and Ideology in Translation: A Case Study of 'The old Man and the Sea

2011 ◽  
Vol 2 (6) ◽  
pp. 258-265
Author(s):  
Maryam Najafian
Keyword(s):  
Ernest Hemingway ◽  
Real Life ◽  
The Other ◽  
Critical Study ◽  
Original Novel ◽  
Original Text ◽  
The Novel ◽  
Original Sample ◽  
Significant Difference

The present research aims at conducting a critical study of the novel 'The Old Man and the Sea' written by Ernest Hemingway (1976) and its two translated versions in Persian; one rendered by Faramarzi (2006) the other by Shahin (1979). The researchers apply a comparative lexical analysis proposed by Newmark (1988) and Venuti (1995). An attempt has been made to reveal the ideology behind the original sample words and to show how translators and the effect thereof handle it. The data of this research consists of 10 ideological laden terms selected randomly among 45 words from the original text and the corresponding Persian translations. The results of this study suggest a significant difference between the two Persian translations and the original novel. It revealed that one of the translators has attempted to 'domesticate' his translation while another has been attentive to 'foreignize' it. As for implication, it seems necessary to note that translational decisions made by actual translators under different socio-cultural and ideological settings in real life and real situations should be considered. The perlocutionary consequences resulted from adoption of such decisions are of importance.

scholarly journals Trespassing Boundaries in Wuthering Heights Geographical and Environmental Perspectives

2021 ◽  
Author(s):  
Nicoletta Brazzelli
Keyword(s):  
Natural World ◽  
Literary Texts ◽  
The Novel ◽  
Spatial Turn ◽  
History And Memory ◽  
Wuthering Heights ◽  
Nature And Culture ◽  
Wide Range ◽  
Different Sources

The Spatial Turn as a transdisciplinary phenomenon in the Humanities was established in the 1990s, and, especially in the last few decades, geography seems to have pervaded critical analysis and language. According to contemporary geographical and environmental perspectives, the setting in narratives is not only a background defining the place where the plot is located but a complex system that is central to the construction of literary texts. Wuthering Heights (1847) provides an excellent case study. Emily Brontë’s novel is certainly characterized by its topography. Although different sources had been collected by the writer from a wide range of models across the country in Yorkshire, they were then reassembled to form a landscape that is both familiar and uncanny, self-consistent and reminiscent of real buildings and sceneries. Besides, the dynamics between displacement, departures and arrivals and the seeming immobility of the landscape is a crucial pattern of the novel. In Wuthering Heights, the natural world of the moors and its geographies are reminders of history and memory. Brontë’s weaving together of emotional stories into the moorlands suggests a mutual exchange between nature and culture. The writer constructs a textured geography representing the cycles of change, family history, and passion that have created that space.

A novel method for the determination of linting propensity of paper

TAPPI Journal ◽  
2012 ◽  
Vol 11 (10) ◽  
pp. 9-17
Author(s):  
ALESSANDRA GERLI ◽  
LEENDERT C. EIGENBROOD
Keyword(s):  
Ash Content ◽  
The Novel ◽  
Offset Printing ◽  
Excellent Correlation ◽  
End Conditions ◽  
Bottom Side ◽  
Novel Method ◽  
Total Fraction

A novel method was developed for the determination of linting propensity of paper based on printing with an IGT printability tester and image analysis of the printed strips. On average, the total fraction of the surface removed as lint during printing is 0.01%-0.1%. This value is lower than those reported in most laboratory printing tests, and more representative of commercial offset printing applications. Newsprint paper produced on a roll/blade former machine was evaluated for linting propensity using the novel method and also printed on a commercial coldset offset press. Laboratory and commercial printing results matched well, showing that linting was higher for the bottom side of paper than for the top side, and that linting could be reduced on both sides by application of a dry-strength additive. In a second case study, varying wet-end conditions were used on a hybrid former machine to produce four paper reels, with the goal of matching the low linting propensity of the paper produced on a machine with gap former configuration. We found that the retention program, by improving fiber fines retention, substantially reduced the linting propensity of the paper produced on the hybrid former machine. The papers were also printed on a commercial coldset offset press. An excellent correlation was found between the total lint area removed from the bottom side of the paper samples during laboratory printing and lint collected on halftone areas of the first upper printing unit after 45000 copies. Finally, the method was applied to determine the linting propensity of highly filled supercalendered paper produced on a hybrid former machine. In this case, the linting propensity of the bottom side of paper correlated with its ash content.

The Pornographer and McGahern's Allusive Practice

2017 ◽  
Vol 47 (2) ◽  
pp. 281-297
Author(s):  
Tom Walker
Keyword(s):  
Social Practice ◽  
Literary Tradition ◽  
The Novel ◽  
Present Value ◽  
The Past

Allusions to other texts abound in John McGahern's fiction. His works repeatedly, though diffidently, refer to literary tradition. Yet the nature of such allusiveness is still unclear. This article focuses on how allusion in The Pornographer (1979) is depicted as an intellectual and social practice, embodying particular attitudes towards the function of texts and the knowledge they represent. Moreover, the critique of the practice of allusion that the novel undertakes is shown to have broader significance in terms of McGahern's whole oeuvre and its evolving attempts to salvage something of present value from the literature of the past.

Slow scholarship for social work: A praxis of resistance and creativity

2021 ◽  
pp. 147332502199086
Author(s):  
Stéphanie Wahab ◽  
Gita R Mehrotra ◽  
Kelly E Myers
Keyword(s):  
Domestic Violence ◽  
Social Work ◽  
Knowledge Production ◽  
Relational Ontology ◽  
Research Project ◽  
Useful Knowledge ◽  
Time Space ◽  
Rapid Production ◽  
Time Frames

Expediency, efficiency, and rapid production within compressed time frames represent markers for research and scholarship within the neoliberal academe. Scholars who wish to resist these practices of knowledge production have articulated the need for Slow scholarship—a slower pace to make room for thinking, creativity, and useful knowledge. While these calls are important for drawing attention to the costs and problems of the neoliberal academy, many scholars have moved beyond “slow” as being uniquely referencing pace and duration, by calling for the different conceptualizations of time, space, and knowing. Guided by post-structural feminisms, we engaged in a research project that moved at the pace of trust in the integrity of our ideas and relationships. Our case study aimed to better understand the ways macro forces such as neoliberalism, criminalization and professionalization shape domestic violence work. This article discusses our praxis of Slow scholarship by showcasing four specific key markers of Slow scholarship in our research; time reimagined, a relational ontology, moving inside and towards complexity, and embodiment. We discuss how Slow scholarship complicates how we understand constructs of productivity and knowledge production, as well as map the ways Slow scholarship offers a praxis of resistance for generating power from the epistemic margins within social work and the neoliberal academy.

scholarly journals Becoming a Crorepati: From Glocal TV Game to Grobal Fiction

2020 ◽  
Vol 73 (3) ◽  
pp. 497-520
Author(s):  
Nicola Pozza
Keyword(s):  
Effective Means ◽  
The Novel ◽  
Cultural Products ◽  
Slumdog Millionaire ◽  
Interactive Nature ◽  
Tv Show ◽  
Shed Light ◽  
The Way

AbstractNumerous studies have dealt with the process of globalization and its various cultural products. Three such cultural products illustrate this process: Vikas Swarup’s novel Q and A (2005), the TV quiz show Kaun banega crorepati? (Who Wants to Be a Millionaire?), and Danny Boyle’s film Slumdog Millionaire (2008). The novel, the TV show and the film have so far been studied separately. Juxtaposing and comparing Q and A, Kaun banega crorepati, and Slumdog Millionaire provides an effective means to shed light on the dialogic and interactive nature of the process of globalization. It is argued through this case study that an analysis of their place of production, language and content, helps clarify the derivative concepts of “glocalization” and “grobalization” with regard to the way(s) contemporary cultural products respond to globalization.

scholarly journals Building Telemedicine Capacity for Trainees During the Novel Coronavirus Outbreak: a Case Study and Lessons Learned

2020 ◽  
Vol 35 (9) ◽  
pp. 2675-2679 ◽  
Author(s):  
Katharine Lawrence ◽  
Kathleen Hanley ◽  
Jennifer Adams ◽  
Daniel J Sartori ◽  
Richard Greene ◽  
...  
Keyword(s):  
Lessons Learned ◽  
The Novel ◽  
Novel Coronavirus

Hierogamy versus Wedlock: Types of Marriage Plots and Their Relationship to Genres of Prose Fiction

PMLA ◽  
1976 ◽  
Vol 91 (5) ◽  
pp. 900-913 ◽  
Author(s):  
Evelyn J. Hinz
Keyword(s):  
The Novel ◽  
Prose Fiction ◽  
Wuthering Heights ◽  
Mythic Narrative

Because we conventionally think of marriage in social and moral terms, we tend to regard it as a subject practically indigenous to the novel. Hence a work like Wuthering Heights poses problems for the traditional genre critic, since while this work is concerned with marriage its conventions are not those of the novel. The usual tactic is to call Brontë's work a “romance,” but marriage is not compatible with the “romance” as the term is usually defined. It is thus important to recognize that there are two types of marriage plots in prose fiction: one indigenous to the novel, that might be called “wedlock”; another, indigenous to works like Wuthering Heights, that may be called “hierogamy.” Thus, works like Wuthering Heights should not be classified as “displaced novels” but as examples of an autonomous genre which for the present might be designated “mythic narrative.”

UNDERSTANDING PERCEPTIONS OF CHANGE: A PATHWAYS CONTRIBUTION TO COMMUNITY CONSULTATION AND ENVIRONMENTAL DECISION-MAKING

2004 ◽  
Vol 06 (02) ◽  
pp. 189-211 ◽  
Author(s):  
MARK LEMON ◽  
PAUL JEFFREY ◽  
BRIAN S. MCINTOSH ◽  
TIM OXLEY
Keyword(s):  
Environmental Change ◽  
Relevant Information ◽  
Clear Understanding ◽  
Community Consultation ◽  
The Public ◽  
Environmental Decision Making ◽  
Individual Perceptions ◽  
Time Space ◽  
The Uk

Participation has become part of the language of environmental management. While this move is positive there remains a danger that overly formalised and restricted participatory procedures, in terms of the information sought, may constrain and hinder dialogue and learning between the public and management agencies. Responses to specific issues are often sought from members of the public without a clear understanding about whether those issues are salient to them, where they are salient or how they fit into multiple and dynamic interpretations of environmental change. This paper uses case study material from the UK to demonstrate a novel Pathways Approach to the recording and analysis of individual perceptions about environmental change. The approach seeks to concentrate on experience and interpretation and is based on the conceptualisation of perceived cause–effect relationships and the pathways that support them. The links between time, space and community are considered within this analysis, as is the potential for improved participation through the provision of policy relevant information to planners and environmental managers operating in complex, multi-perspective situations.

Nanomaterial synthesis and characterization for toxicological studies: TiO2 case study

2008 ◽  
Vol 72 (1) ◽  
pp. 515-519 ◽  
Author(s):  
E. Valsami-Jones ◽  
D. Berhanu ◽  
A. Dybowska ◽  
S. Misra ◽  
A. R. Boccaccini ◽  
...  
Keyword(s):  
Surface Modifications ◽  
Model System ◽  
Synthesis And Characterization ◽  
The Novel ◽  
Commercial Products ◽  
Nanomaterial Synthesis ◽  
Toxicological Studies

AbstractIn recent years it has become apparent that the novel properties of nanomaterials may predispose them to a hitherto unknown potential for toxicity. A number of recent toxicological studies of nanomaterials exist, but these appear to be fragmented and often contradictory. Such discrepancies may be, at least in part, due to poor description of the nanomaterial or incomplete characterization, including failure to recognise impurities, surface modifications or other important physicochemical aspects of the nanomaterial. Herew em ake a casef or the importance of good quality, well-characterized nanomaterials for future toxicological studies, combined with reliable synthesis protocols, and we present our efforts to generate such materials. The model system for which we present results is TiO2 nanoparticles, currently used in a variety of commercial products.

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