scholarly journals Bewegung, Mythologie der Moderne

2021 ◽  
pp. 41-54
Author(s):  
Walburga Hülk

Paul Valéryʼs remark »Nouvelle mythologie / les formes en mouvement / connaître c’est former« (1894) states the argument of the present article. Its intention is to highlight the importance of movement in modern arts and research studies. It observes the fascination which movement held for artists and scientists who were trying to comprehend the dynamics of physical and mental processes in creative work and to find appropriate forms for volatility and complexity in traditional and recent arts and media. The focal point of this article are the works of Charles Baudelaire, Hippolyte Taine and the futurist avantgarde, especially Umberto Boccioni, as well as physiological studies on the effects of huge cities, crowds, sports, acceleration, and aeroplanes (Angelo Mosso, William James). In this context, Valéry’s poems, essays and notes appear as a crossover project and Valéry himself as a protagonist of the intense dialogue between the arts, media and sciences concerningmovement as physical and mental phenomenon and stylistic challenge.

2018 ◽  
Vol 41 ◽  
Author(s):  
Ana Gantman ◽  
Robin Gomila ◽  
Joel E. Martinez ◽  
J. Nathan Matias ◽  
Elizabeth Levy Paluck ◽  
...  

AbstractA pragmatist philosophy of psychological science offers to the direct replication debate concrete recommendations and novel benefits that are not discussed in Zwaan et al. This philosophy guides our work as field experimentalists interested in behavioral measurement. Furthermore, all psychologists can relate to its ultimate aim set out by William James: to study mental processes that provide explanations for why people behave as they do in the world.


2003 ◽  
Vol 11 ◽  
pp. 144
Author(s):  
Eberhard Lammert

Resumo: O presente artigo contribui para uma reflexão sobre a influência da técnica sobre as artes na Era da Informatização. Desde o início da Era Industrial, nota-se a inversão gradativa de papéis entre máquina e homem: a "ascensão das máquinas" teria transformado o homem em "servo". Nem mesmo o campo das artes esteve livre dos efeitos de tal "ascensão", sobretudo no contato com os meios de comunicação de massa, como o rádio, o cinema e a televisão. Na verdade, tudo não passou de um prelúdio para o que ainda estava por vir: a informática atingiu as artes e nossa cultura fundada na tradição escrita, resultando em transformações muito mais amplas no âmbito da comunicação individual e social.Palavras-chave: arte; técnica; mediatização.Abstract: The present article brings up issues on the influence of technique on art in the Information Age. Since the beginning of the Industrial Age, there has been a progressive inversion of roles in the relation between man and machine : the "rise of machine" seems to have turned man into a "servant". Not even the field of art remained untouched by the effects of such "rise", specially in its contact with communication media like radio, cinema and television. In fact, all that was but a prelude to what was still to come: informatics reached into the arts and our writing­ based culture, causing widespread transformations in the realms of social and individual communication.Keywords: art; technique; mediatization.


2020 ◽  
Vol 34 (3) ◽  
pp. 537-596
Author(s):  
Carlos S. Alvarado

There is a long history of discussions of mediumship as related to dissociation and the unconscious mind during the Nineteenth Century. After an overview of relevant ideas and observations from the mesmeric, hypnosis, and spiritualistic literatures, I focus on the writings of Jules Baillarger, Alfred Binet, Paul Blocq, Théodore Flournoy, Jules Héricourt, William James, Pierre Janet, Ambroise August Liébeault, Frederic W.H. Myers, Julian Ochorowicz, Charles Richet, Hippolyte Taine, Paul Tascher, and Edouard von Hartmann. While some of their ideas reduced mediumship solely to intra-psychic processes, others considered as well veridical phenomena. The speculations of these individuals, involving personation, and different memory states, were part of a general interest in the unconscious mind, and in automatisms, hysteria, and hypnosis during the period in question. Similar ideas continued into the Twentieth Century.


2011 ◽  
Vol 7 (2 (9)) ◽  
pp. 154-162
Author(s):  
Maxim Fomin

The present article examines the folklore genre of maritime memorates of Irish and Scottish origin. It describes the maritime traditions of Gauls when various supernatural creatures and inanimate objects appeared from the sea, as well as the spells and magic tricks producing winds. The article studies contemporary legends which tell about omens and visions bewitching a storm. * This contribution is based upon the findings of the research project ‘Stories of the Sea: A Typological Study of Maritime Memorates in Modern Irish and Scottish Gaelic Folklore Traditions’ supported by the Arts and Humanities Research Council (AHRC, UK).


2016 ◽  
Vol 12 (2) ◽  
pp. 263-267
Author(s):  
Tatiana Bularga

Abstract The present article describes purposes, learning content and requirements of an educational academic and postgraduate (internships for teachers) process, focused on teacher training in respect of the most subtle and valuable framework for education, the achievement of the individual potential of each pupil, qualified as a unique personality. Therefore, it is proposed a synthesis on the formative program geared towards the assimilation of the future and current teachers of artistic disciplines (music, choreography, painting) of the action and behavioral models appropriate to the domain, to the effectively organization of individualized educational process.


Author(s):  
Maria Helena Roxo Beltran ◽  
Vera Cecilia Machline

Studies on history of science are increasingly emphasizing the important role that, since ancient times, images have had in the processes of shaping concepts, as well as registering and transmitting knowledge about nature and the arts. In the past years, we have developed at Center Simão Mathias of Studies on the History of Science (CESIMA) inquiries devoted to the analysis of images as forms of registering and transmitting knowledge about nature and the arts – that is to say, as documents pertaining to the history of science. These inquiries are grounded on the assumption that all images derive from the interaction between the artistic technique used in their manufacture and the concept intended to be expressed by them. This study enabled us to analyze distinct roles that images have had in different fields of knowledge at various ages. Some of the results obtained so far are summarized in the present article.


2008 ◽  
Vol 92 (524) ◽  
pp. 235-241
Author(s):  
John Mahony

Readers might at times have wondered at some of the reflector shapes to be seen at airports and satellite communication centres around the world. Typically, such shapes occur when a cone of energy emanates from a focal point to illuminate an offset portion of a paraboloidal reflector (a parabola of revolution). The purpose of this note is to show how such shapes can be determined mathematically using the tools of trigonometry and geometry established at school level. The cross-section of the energy cone is usually circular but in some instances it is elliptic and it is this case that is the focus of the present article.


1939 ◽  
Vol 4 (4) ◽  
pp. 314-327 ◽  
Author(s):  
Gordon C. Baldwin

The architecture and burials of the prehistoric pueblo of Kinishba have been presented in a previous issue of American Antiquity. The present article is a preliminary report of the lesser objects of material culture as represented by the pottery, stone and bone implements, ornaments, a few charred fragments of basketry and textiles, food, and ceremonial objects. The majority of these specimens are made from imperishable material. Clothing, sandals, baskets, various types of textiles, wooden implements, and other perishable materials have but a very short existence in open sites such as Kinishba. Hence the following description of the artifacts presents only a limited picture of the arts and crafts of these prehistoric people.


Religions ◽  
2019 ◽  
Vol 10 (11) ◽  
pp. 607
Author(s):  
Kim

This essay attempts to determine whether Daisaku Ikeda can be seen as a Jamesian psychologist of religion. Concerning the development of this essay, it first focuses on a common concern that exists if we look at the work of William James and the Psychology of Religion in terms of how it exists as a distinct movement and how it is related to Ikeda’s perception of religion within a secular world. Next, this essay articulates his notion of self and the role of mediating symbols as this exists, especially in religion, in discourse, and in the arts in correspondence and relation to James’ Psychology of Religion. Finally, this essay critically raises questions that point to further developments as regards the thesis of this article.


1965 ◽  
Vol 10 (2) ◽  
pp. 80-92
Author(s):  
Gustav Morf

A mental process has repeatedly been observed and described under different names, such as intuition, flair, hunch, revelation, sudden insight (Einfall), creative ideas, inspiration etc. This process is characterized by the sudden emergence of a new and often startling idea or insight at any odd moment, without apparent preparation and definitely without the co-operation of conscious mental processes such as thinking. The phenomenon has been observed by scientists, by artists but also by common people. The creative ideas produced may belong to the realm of science, of art and of religion, but also pertain to social life. The phenomena have been observed and described too often to be doubted. One would expect that this curious mental phenomenon would have interested the psychologists, but rather the opposite is the case. Most leading psychologists ignore it, some try to rationalize it away, very few freely acknowledge its existence. The attitude of the psychologist seems widely to depend on his geographical location: Americans and Russians ignore it, the Germans and French, on the whole, accept its existence. Those who theorize on intuition agree that it is an unconscious process, the final result only becoming conscious, whereas the beneficiaries of intuitive insights tend to consider it as a revelation of a hidden truth and therefore as infallible. Most psychologists as far as they have dealt with the problem of intuition at all, believe that the intuitive way of gaining knowledge is just as fallible as conscious reasoning. A few, like Freud after 1930, belittle intuition as mere guesswork, to believe in its reliability is an illusion. C. G. Jung is the only modern psychologist who squarely put intuition on the same level with thinking. His intuitive type is not smarter than the thinking type but smart in a different way. Thinking will solve problems which intuition would not solve and vice versa. Those who have enjoyed the benefit of intuitively obtained creative thoughts have practically put intuition on one level with inspiration. Many intuitions, as described by those who had them, were actually premonitions, anticipations of discoveries ahead and solutions to hitherto insolvable problems coming as a sudden insight.


Sign in / Sign up

Export Citation Format

Share Document