scholarly journals The Uses of Art: Contemporary Changes in Cultural Consumption and the Function of Art

2011 ◽  
Vol 3 (3) ◽  
pp. 475-488 ◽  
Author(s):  
Birgit Eriksson
Keyword(s):  
Cultural Studies ◽  
Social Function ◽  
The Other ◽  
Social Implications ◽  
Cultural Consumption ◽  
Aesthetic Taste ◽  
The Social ◽  
Sociology Of Art ◽  
The One ◽  
Aesthetic Concepts

In recent years aesthetics and cosmopolitanism have been linked in new ways. On the one hand, contemporary research in the sociology of art indicates an increasing openness and a potential cosmopolitanism in aesthetic taste and consumption. On the other hand, aesthetic concepts and ideals play an important but often implicit role in some of the theories of globalization and cosmopolitanism that inform cultural studies. By examining the interaction between these two tendencies and relating it to sociological and aesthetic theories, I will discuss the characteristics and the possible social implications of the apparent new openness. Does it indicate an increasing tolerance and commonality? Or does it rather point towards a new and more individualized understanding of the social function and legitimacy of art?

scholarly journals Disciplining Media Studies: An Expanding Field and its (Self-) Definition

2019 ◽  
Author(s):  
Jens Schröter
Keyword(s):  
Social Sciences ◽  
Cultural Studies ◽  
Media Studies ◽  
The Other ◽  
Special Focus ◽  
Self Reflection ◽  
The Social ◽  
History Of ◽  
The One ◽  
Anglophone World

This chapter is a modified translation of the foreword to the Handbuch Medienwissenschaft(Handbook of Media Studies, Schröter ed.) published in Germany in 2014. The purpose ofthis handbook is to provide an overview of the vibrant and heterogeneous field ofkulturwissenschaftliche Medienwissenschaft – media studies as oriented toward humanitiesand cultural studies interests and approaches rather than those of communication studiesand the social sciences, subsequently referred to simply as “media studies.” Some of thecategories used to structure the handbook have been generated from the historicaldiscussions in the field; and inevitably, these same historical discussions have shown thedifficulties of defining the external boundaries of the field of media studies, its internaldifferentiations and the way they re-connect to traditional disciplines. It gives an overview ofthe history of the disciplinary constitution of ‘media studies’ with a special focus on differentapproaches to disciplinary self-reflection that have accompanied the field from the verybeginning.2 In this way, it introduces the reader to a variety of sources not very well known inthe Anglophone world. Therefore, the penultimate section of this chapter, originally titled “The structure of this handbook” might on the one hand appear to some to be too specific for the current volume. On the other hand, however, it serves as a concrete example of how the field may be configured.

scholarly journals Exposed Pedagogy: Architecture as (a) Medium (of communication)

2021 ◽  
Author(s):  
◽  
Michael Smith
Keyword(s):  
Public Discourse ◽  
The Other ◽  
Social Implications ◽  
The Public ◽  
The Social ◽  
The One ◽  
Stimulation Of ◽  
Three Components

<p>Architecture schools are often isolated from the profession and the public they serve both pedagogically and physically, and often this is justified. Schools are not typically very public. However, schools could play a much greater role in the stimulation of a public discourse around architecture. The intent of this thesis is to examine how architecture can stimulate that discussion and ultimately how architecture could frame that discourse. The thesis proposes that an architecture school can and should be a vehicle for public discourse by way of framing that discourse on the one hand and overtly stimulating it on the other. Specifically, an architecture school has the capacity to contribute to public discourse through the visual affects of form making and the social implications of that same form. The research is divided into three components that chronicle an argument from contextualisation, through investigation to application.</p>

scholarly journals Exposed Pedagogy: Architecture as (a) Medium (of communication)

2021 ◽  
Author(s):  
◽  
Michael Smith
Keyword(s):  
Public Discourse ◽  
The Other ◽  
Social Implications ◽  
The Public ◽  
The Social ◽  
The One ◽  
Stimulation Of ◽  
Three Components

<p>Architecture schools are often isolated from the profession and the public they serve both pedagogically and physically, and often this is justified. Schools are not typically very public. However, schools could play a much greater role in the stimulation of a public discourse around architecture. The intent of this thesis is to examine how architecture can stimulate that discussion and ultimately how architecture could frame that discourse. The thesis proposes that an architecture school can and should be a vehicle for public discourse by way of framing that discourse on the one hand and overtly stimulating it on the other. Specifically, an architecture school has the capacity to contribute to public discourse through the visual affects of form making and the social implications of that same form. The research is divided into three components that chronicle an argument from contextualisation, through investigation to application.</p>

scholarly journals CINTA SEBAGAI RELIGIOUS PEACE BUILDING (Perspektif Muhammad Fethullah Gülen)

2016 ◽  
Vol 10 (2) ◽  
pp. 141
Author(s):  
Ahmad Kholil
Keyword(s):  
Social Cohesion ◽  
Social Life ◽  
Social Function ◽  
The Other ◽  
Peace Building ◽  
Human Being ◽  
Absolute Truth ◽  
The Social ◽  
Double Function ◽  
The One

Sociologically, religion has a double function. On the one hand, religion can be a factor of social cohesion and harmony creation, but on the other hand it can also be a factor religious disharmony between people of different religions. This paper examines the views of  Fethullah Gülen on the social function of  religion that is based on love and peace. Differences of religion, according to him, is a consequence of the choice of each human being in order to establish the absolute truth based on how they believe. Therefore, differences in religion is not something scar y or even harmful for social life, as long as people are able to live in the light of love and peace.

Facebook Has It

2012 ◽  
pp. 234-247
Author(s):  
Tommaso Bertolotti
Keyword(s):  
Social Networks ◽  
Social Networking ◽  
Social Evolution ◽  
Social Practices ◽  
The Other ◽  
Social Implications ◽  
Human Beings ◽  
Critical Knowledge ◽  
The Social ◽  
The One

Over the past years, mass media increasingly identified many aspects of social networking with those of established social practices such as gossip. This produced two main outcomes: on the one hand, social networks users were described as gossipers mainly aiming at invading their friends’ and acquaintances’ privacy; on the other hand the potentially violent consequences of social networking were legitimated by referring to a series of recent studies stressing the importance of gossip for the social evolution of human beings. This paper explores the differences between the two kinds of gossip-related sociability, the traditional one and the technologically structured one (where the social framework coincides with the technological one, as in social networking websites). The aim of this reflection is to add to the critical knowledge available today about the effects that transparent technologies have on everyday life, especially as far as the social implications are concerned, in order to prevent (or contrast) those “ignorance bubbles” whose outcomes can be already dramatic.

scholarly journals YY. Kryptonimy Jerzego Jankowskiego

2020 ◽  
Author(s):  
Marta Baron-Milian
Keyword(s):  
Literary History ◽  
Social Function ◽  
Point Of View ◽  
The Other ◽  
Modern City ◽  
Avant Garde ◽  
Starting Point ◽  
The Social ◽  
Key Word ◽  
The One

The article is an attempt to interpret the only book published by Jerzy Jankowski, a forerunner of Polish futurism who is often overlooked in literary history related to the beginnings of the avant-garde movement. Tram wpopszek ulicy (Tram crossways on the street), published in 1920, is presented in terms of innovative phenomena in Polish and European poetry. Such a point of view reveals its precursory character, despite its passeism repeatedly diagnosed by critics. The key word and the starting point of the analysis is the first word of the title – tram, whose ambiguity makes it not only a sign of a modern city but also a metaphor of the construction of the entire book and its historical location. Further analysis leads to conclusions that, on the one hand, reveal the complicated meaning of the vitalistic futurist concept of life and, on the other, indicate aporias and tensions between symbolism and avant-garde, originality and repetition, materiality and spirituality, as well as aesthetics and the social function of art. These seem to be a hidden dimension of Jankowski’s work.

Lorenzo at ‘The Theatre’ Meeting actors and audience

2018 ◽  
pp. 13-38
Author(s):  
N. Ceramella
Keyword(s):  
Social Structure ◽  
Social Situation ◽  
The Other ◽  
Detailed Account ◽  
The Social ◽  
New Perspective ◽  
The One

The article considers two versions of D. H. Lawrence’s essay The Theatre: the one which appeared in the English Review in September 1913 and the other one which Lawrence published in his first travel book Twilight in Italy (1916). The latter, considerably revised and expanded, contains a number of new observations and gives a more detailed account of Lawrence’s ideas.Lawrence brings to life the atmosphere inside and outside the theatre in Gargnano, presenting vividly the social structure of this small northern Italian town. He depicts the theatre as a multi-storey stage, combining the interpretation of the plays by Shakespeare, D’Annunzio and Ibsen with psychological portraits of the actors and a presentation of the spectators and their responses to the plays as distinct social groups.Lawrence’s views on the theatre are contextualised by his insights into cinema and its growing popularity.What makes this research original is the fact that it offers a new perspective, aiming to illustrate the social situation inside and outside the theatre whichLawrenceobserved. The author uses the material that has never been published or discussed before such as the handwritten lists of box-holders in Gargnano Theatre, which was offered to Lawrence and his wife Frieda by Mr. Pietro Comboni, and the photographs of the box-panels that decorated the theatre inLawrence’s time.

Interactional means of teaming up: enacting the features of contemporary working life in a theater performance

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Riikka Nissi ◽  
Melisa Stevanovic
Keyword(s):  
Working Life ◽  
Social World ◽  
The Other ◽  
Social Setting ◽  
Live Performance ◽  
Societal Issues ◽  
The Core ◽  
The Social ◽  
Workplace Organization ◽  
The One

Abstract The article examines how the aspects of the social world are enacted in a theater play. The data come from a videotaped performance of a professional theater, portraying a story about a workplace organization going through a personnel training program. The aim of the study is to show how the core theme of the play – the teaming up of the personnel – is constructed in the live performance through a range of interactional means. By focusing on four core episodes of the play, the study on the one hand points out to the multiple changes taking place both within and between the different episodes of the play. On the other hand, the episodes of collective action involving the semiotic resources of singing and dancing are shown to represent the ideals of teamwork in distinct ways. The study contributes to the understanding of socially and politically oriented theater as a distinct, pre-rehearsed social setting and the means and practices that it deploys when enacting the aspects of the contemporary societal issues.

Benson and Miller in Perspective

1979 ◽  
Vol 3 (3-4) ◽  
pp. 242-244 ◽  
Author(s):  
Bruce Kuklick
Keyword(s):  
Social Sciences ◽  
Social Policy ◽  
Applied Science ◽  
The Other ◽  
Social Knowledge ◽  
The Past ◽  
The Social ◽  
The World ◽  
The One ◽  
Stock Of Knowledge

Despite differences in coloration Miller and Benson are birds of a feather. Although he is no Pollyanna, Miller believes that there has been a modest and decent series of advances in the social sciences and that the most conscientious, diligent, and intelligent researchers will continue to add to this stock of knowledge. Benson is much more pessimistic about the achievements of yesterday and today but, in turn, offers us the hope of a far brighter tomorrow. Miller explains Benson’s hyperbolic views about the past and future by distinguishing between pure and applied science and by pointing out Benson’s naivete about politics: the itch to understand the world is different from the one to make it better; and, Miller says, because Benson sees that we have not made things better, he should not assume we do not know more about them; Benson ought to realize, Miller adds, that the way politicians translate basic social knowledge into social policy need not bring about rational or desirable results. On the other side, Benson sees more clearly than Miller that the development of science has always been intimately intertwined with the control of the environment and the amelioration of the human estate.

The Body in Theory

1998 ◽  
Vol 16 (4) ◽  
pp. 387-400 ◽  
Author(s):  
Felicity J Callard
Keyword(s):  
Queer Theory ◽  
20Th Century ◽  
The Body ◽  
The Other ◽  
Industrial Capitalism ◽  
Late 20Th Century ◽  
The Social ◽  
Theoretical Investigations ◽  
The One ◽  
Do So

Geographers are now taking the problematic of corporeality seriously. ‘The body’ is becoming a preoccupation in the geographical literature, and is a central figure around which to base political demands, social analyses, and theoretical investigations. In this paper I describe some of the trajectories through which the body has been installed in academia and claim that this installation has necessitated the uptake of certain theoretical legacies and the disavowal or forgetting of others. In particular, I trace two related developments. First, I point to the sometimes haphazard agglomeration of disparate theoretical interventions that lie under the name of postmodernism and observe how this has led to the foregrounding of bodily tropes of fragmentation, fluidity, and ‘the cyborg‘. Second, I examine the treatment of the body as a conduit which enables political agency to be thought of in terms of transgression and resistance. I stage my argument by looking at how on the one hand Marxist and on the other queer theory have commonly conceived of the body, and propose that the legacies of materialist modes of analysis have much to offer current work focusing on how bodies are shaped by their encapsulation within the sphere of the social. I conclude by examining the presentation of corporeality that appears in the first volume of Marx's Capital. I do so to suggest that geographers working on questions of subjectivity could profit from thinking further about the relation between so-called ‘new’ and ‘fluid’ configurations of bodies, technologies, and subjectivities in the late 20th-century world, and the corporeal configurations of industrial capitalism lying behind and before them.

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