scholarly journals There’s No Nostalgia Like Hollywood Nostalgia

Humanities ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 101 ◽  
Author(s):  
Thomas Leitch
Keyword(s):  
Great Britain ◽  
American Literature ◽  
American Culture ◽  
National Cultures ◽  
Hollywood Cinema ◽  
American Cinema ◽  
Hollywood Films ◽  
Wide Range

This essay argues that the complexities of the nostalgic impulse in Hollywood cinema are inadequately described by Svetlana Boym’s particular description of Hollywood as “both induc[ing] nostalgia and offer[ing] a tranquilizer” and her highly influential general distinction between restorative and reflective nostalgia. Instead, it contends that Hollywood departs in important ways from the models of both the restorative nostalgia established by the heritage cinema and Great Britain and the reflective nostalgia commonly found in American literature. Using a wide range of examples from American cinema, American literature, and American culture, it considers the reasons why nostalgia occupies a different place and seeks different kinds of expressions in American culture than it does in other national cultures, examines the leading Hollywood genres in which restorative nostalgia appears and the distinctive ways those genres inflect it, and concludes by urging a closer analysis of the more complex, multi-laminated nostalgia Hollywood films offer as an alternative to Boym’s highly influential categorical dichotomy.

Film Noir

2017 ◽  
Author(s):  
William Luhr
Keyword(s):  
American Culture ◽  
Film Noir ◽  
Black Film ◽  
American Cinema ◽  
Hollywood Films ◽  
Multiple Media ◽  
Aesthetic Distance

Film noir is a term coined by French critics in 1946 to describe what they considered an emerging and exciting trend in Hollywood films—one that signaled a new maturity in American cinema. The term translates into English as “black film,” and the darkness to which it refers applies both to the grim themes and events in many of these movies, as well as to their dark look. Many of them deal with doomed characters entangled in immoral and/or criminal activities that go horribly wrong. Such characters lose their psychological mooring and become increasingly desperate, and the depiction of that desperation can at times destabilize the traditional securities and aesthetic distance of the viewer from the events of the film. The cinematography of many of these movies often features images crisscrossed with ominous shadows and filled with dark, mysterious spaces. This article explores the origins of the genre in the 1940s, major influences upon it, its development and many transformations, its intersections with other genres, its place in Hollywood history as well as postwar American culture, its frequent bouts with industry censorship, reasons for the difficulties that critics encounter with defining it, its ongoing popularity, and its extensive influence upon multiple media.

Modernism and American Ballet

2017 ◽  
Author(s):  
Andrea Harris
Keyword(s):  
Mass Culture ◽  
American Culture ◽  
Modern Dance ◽  
The Political ◽  
Cultural Conditions ◽  
The Arts ◽  
Wide Range ◽  
Political Economic

This chapter explores the international and interdisciplinary backdrop of Lincoln Kirstein’s efforts to form an American ballet in the early 1930s. The political, economic, and cultural conditions of the Depression reinvigorated the search for an “American” culture. In this context, new openings for a modernist theory of ballet were created as intellectuals and artists from a wide range of disciplines endeavored to define the role of the arts in protecting against the dangerous effects of mass culture. Chapter 1 sheds new light on well-known critical debates in dance history between Kirstein and John Martin over whether ballet, with its European roots, could truly become “American” in contrast to modern dance. Was American dance going to be conceived in nationalist or transnationalist terms? That was the deeper conflict that underlay the ballet vs. modern dance debates of the early 1930s.

scholarly journals Glycaemic index values for commercially available potatoes in Great Britain

2005 ◽  
Vol 94 (6) ◽  
pp. 917-921 ◽  
Author(s):  
C. Jeya K. Henry ◽  
Helen J. Lightowler ◽  
Caroline M. Strik ◽  
Michael Storey
Keyword(s):  
Blood Glucose ◽  
Great Britain ◽  
Glycaemic Index ◽  
Crossover Design ◽  
Repeated Measure ◽  
Glycaemic Response ◽  
Potato Varieties ◽  
Glycaemic Load ◽  
Wide Range ◽  
Finger Prick

The glycaemic response to eight potato varieties commercially available in Great Britain was compared against a glucose standard in a non-blind, randomised, repeated measure, crossover design trial. Seventeen healthy subjects (three males, fouteen females), mean age 32 (sd 13) years and mean BMI 22·3 (sd 3·6) kg/m2, were recruited to the study. Subjects were served portions of eight potato varieties and a standard food (glucose), on separate occasions, each containing 50 g carbohydrate. Capillary blood glucose was measured from finger-prick samples in fasted subjects (0 min) and at 15, 30, 45, 60, 90 and 120 min after the consumption of each test food. For each potato variety, the glycaemic index (GI) value was calculated geometrically by expressing the incremental area under the blood glucose curve (IAUC) as a percentage of each subject's average IAUC for the standard food. The eight potato varieties exhibited a wide range in GI values from 56 to 94. A trend was seen whereby potatoes with waxy textures produced medium GI values, whilst floury potatoes had high GI values. Considering the widespread consumption of potatoes in Great Britain (933–1086 g per person per week), this information could be used to help lower the overall GI and glycaemic load of the diets of the British population.

Cylindrocarpon olidum var. olidum. [Descriptions of Fungi and Bacteria].

1987 ◽  
Author(s):  
D. Brayford
Keyword(s):  
Great Britain ◽  
North America ◽  
Geographical Distribution ◽  
Wide Range ◽  
Medicago Saliva

Abstract A description is provided for Cylindrocarpon olidum var. olidum. Information is included on the disease caused by the organism, its transmission, geographical distribution, and hosts. HOSTS: Wide range. At IMI there are records on: Asparagus, Camellia, Cocos, Cordylina, Heterodera (nematode), Medicago saliva, Narcissus, Pelargonium, Picea, Pinus, Pyrus, Secale, Solanum.DISEASE: Root rotting. GEOGRAPHICAL DISTRIBUTION: Africa: Ghana, Zimbabwe; Australasia: Australia; Europe: Germany, Great Britain; North America: Canada, Honduras, USA. TRANSMISSION: Soil-borne; slimy spores are probably spread by water.

scholarly journals Interfaith dialogue of churches as a dialogue of cultures

2016 ◽  
Vol 1 (19) ◽  
pp. 123-130
Author(s):  
Valentina Anatoliyivna Bodak
Keyword(s):  
Interfaith Dialogue ◽  
Joint Work ◽  
National Cultures ◽  
Common Life ◽  
Wide Range

Religion and culture are of great importance in the conditions of residence on the same territory and close social interconnections of people of different national cultures and beliefs, since they relate, on the basis of interaction between different religions and cultural and everyday traditions, a wide range of issues of organization of their common life, starting from their stay in children's and school establishments and ending with conditions of joint work and rest.

Screening Europe in Australasia

2022 ◽  
Author(s):  
Julie K. Allen
Keyword(s):  
World War I ◽  
Silent Film ◽  
Early Cinema ◽  
Film Culture ◽  
World War ◽  
American Cinema ◽  
Sound Film ◽  
Hollywood Films ◽  
Feature Films ◽  
Dramatic Shift

This book challenges the historical myopia that treats Hollywood films as always having dominated global film culture through a detailed study of the circulation of European silent film in Australasia in the early twentieth century. Before World War I, European silent feature films were ubiquitous in Australia and New Zealand, teaching Antipodean audiences about Continental cultures and familiarizing them with glamorous European stars, from Asta Nielsen to Emil Jannings. After the rise of Hollywood and then the shift to sound film, this history—and its implications for cross-cultural exchange—was lost. Julie K. Allen recovers that history, with its flamboyant participants, transnational currents, innovative genres, and geopolitical complications, and brings it vividly to life. She reveals the complexity and competitiveness of the early cinema market, in a region with high consumer demand and low domestic production, and frames the dramatic shift to almost exclusively American cinema programming during World War I, contextualizing the rise of the art film in the 1920s in competition with mainstream Hollywood productions.

Troubling Masculinities

2020 ◽  
Author(s):  
Glen Donnar
Keyword(s):  
National Identity ◽  
Science Fiction ◽  
American History ◽  
War Films ◽  
Hollywood Cinema ◽  
American Cinema ◽  
Media And Politics ◽  
American National Identity ◽  
The Impact ◽  
Genre Study

The association of the attacks of 9/11 with Hollywood science fiction and disaster spectacle was immediate and pervasive. Succeeding calls in media and politics for the reassuring return of ‘strong’ masculine types—predominantly drawn from Hollywood westerns, action and war films—were widespread, revealing renewed cultural fears of threats to America from both within and without.Troubling Masculinities is the first dedicated multi-genre study of representations of masculinity in encounters with terror in post-9/11 American cinema. The book examines the impact of “terror-Others”, from Arab terrorists to giant monsters, across a broad range of sub-genres—including disaster melodrama, monster movies, post-apocalyptic science fiction, discovered footage and ‘home invasion’ horror, action-thrillers and ‘frontier’ westerns—especially in relation to cinematic representations of masculinity in previous periods of national turmoil. The book demonstrates that the supposed reassertion of masculinity and American national identity in post-9/11 cinema repeatedly unravels across genres. Engaging critical arguments about how Hollywood cinema attempts to resolve male crisis in part through Orientalizing figures of terror, he shows how this unraveling reflects an inability to effectively extinguish the threat or frightening difference of terror. The heroes in these movies are unable to heal themselves or restore order, often becoming as destructive as the threats they encounter. The book concludes by showing how interrelated anxieties about masculinity and nation continue to affect contemporary American cinema and politics. By showing how persistent these cultural fears are, Troubling Masculinities offers an important counternarrative in this supposedly unprecedented moment in American history.

The Deterritorialization of American Literature

2011 ◽  
Author(s):  
Paul Giles
Keyword(s):  
United States ◽  
American Literature ◽  
Gilles Deleuze ◽  
The United States ◽  
Felix Guattari ◽  
Wide Range ◽  
Contested Terrain ◽  
Over Time

This book explores relationship between American literature and globalization and how this equation has fluctuated and evolved over time. In addition to works of fiction or poetry that are organized explicitly around particular conceptions of place, the book considers how a wide range of texts are informed implicitly by other kinds of geographical projection, of the type found in cartography and other forms of mapping. It argues that the connection between American literature and geography, far from being something that can be taken as natural, involves contested terrain. The book also examines how the United States has moved from a national phase to a matrix of transnationalism and relates it to the idea of deterritorialization first broached in 1972 by French theorists Gilles Deleuze and Félix Guattari, and how this move toward a transnational infrastructure has manifested itself in American literature.

scholarly journals Molecular Detection of Arthropod-Borne Pathogens in Eurasian Badgers (Meles meles) from the United Kingdom

Animals ◽  
2020 ◽  
Vol 10 (3) ◽  
pp. 446
Author(s):  
Lisa Guardone ◽  
Valentina Virginia Ebani ◽  
Ranieri Verin ◽  
Simona Nardoni ◽  
Antonio Consolazione ◽  
...  
Keyword(s):  
Public Health ◽  
Great Britain ◽  
Coxiella Burnetii ◽  
Anaplasma Phagocytophilum ◽  
Molecular Detection ◽  
Meles Meles ◽  
Widespread Distribution ◽  
The United Kingdom ◽  
Wide Range ◽  
Domestic Carnivores

Arthropod-borne diseases (ABD) are of increasing interest in veterinary and public health. Eurasian badgers (Meles meles) are known to harbor a wide range of pathogens, but information on their role as ABD reservoirs and their potential epidemiological relevance is limited. This study aimed to investigate the occurrence of arthropod-borne pathogens, specifically piroplasmids and the bacteria Anaplasma phagocytophilum, Ehrlichia canis, Coxiella burnetii, Francisella tularensis and Bartonella spp., in badgers from Great Britain (GB). Blood and heart samples from 18 badgers were examined using PCR and sequencing. A neighbour-joining (NJ) phylogram was also produced. Nine animals tested positive for Babesia sp., while none of the samples was positive for the investigated bacteria. The sequences obtained clustered with other sequences of Babesia sp. from badgers from GB and elsewhere, including China, Hungary, Spain and Italy, showing a widespread distribution of this parasite in badgers. Badger-associated Babesia DNA was also found recently in a wild cat in Bosnia Herzegovina, in a wolf in Italy and in dogs in Hungary. Further investigations are needed to understand the epidemiology of this putative pathogen and its impact on the health of wild and domestic carnivores.

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