Modernism and American Ballet

Author(s):  
Andrea Harris

This chapter explores the international and interdisciplinary backdrop of Lincoln Kirstein’s efforts to form an American ballet in the early 1930s. The political, economic, and cultural conditions of the Depression reinvigorated the search for an “American” culture. In this context, new openings for a modernist theory of ballet were created as intellectuals and artists from a wide range of disciplines endeavored to define the role of the arts in protecting against the dangerous effects of mass culture. Chapter 1 sheds new light on well-known critical debates in dance history between Kirstein and John Martin over whether ballet, with its European roots, could truly become “American” in contrast to modern dance. Was American dance going to be conceived in nationalist or transnationalist terms? That was the deeper conflict that underlay the ballet vs. modern dance debates of the early 1930s.

2018 ◽  
Vol 7 (2) ◽  
pp. 117-128 ◽  
Author(s):  
Erin Sullivan ◽  
Marie Louise Herzfeld-Schild

This introduction surveys the rise of the history of emotions as a field and the role of the arts in such developments. Reflecting on the foundational role of the arts in the early emotion-oriented histories of Johan Huizinga and Jacob Burkhardt, as well as the concerns about methodological impressionism that have sometimes arisen in response to such studies, the introduction considers how intensive engagements with the arts can open up new insights into past emotions while still being historically and theoretically rigorous. Drawing on a wide range of emotionally charged art works from different times and places—including the novels of Carson McCullers and Harriet Beecher-Stowe, the private poetry of neo-Confucian Chinese civil servants, the photojournalism of twentieth-century war correspondents, and music from Igor Stravinsky to the Beatles—the introduction proposes five ways in which art in all its forms contributes to emotional life and consequently to emotional histories: first, by incubating deep emotional experiences that contribute to formations of identity; second, by acting as a place for the expression of private or deviant emotions; third, by functioning as a barometer of wider cultural and attitudinal change; fourth, by serving as an engine of momentous historical change; and fifth, by working as a tool for emotional connection across communities, both within specific time periods but also across them. The introduction finishes by outlining how the special issue's five articles and review section address each of these categories, while also illustrating new methodological possibilities for the field.


2021 ◽  
Vol 45 (2) ◽  
pp. 233-260
Author(s):  
Pau de Soto ◽  
Cèsar Carreras

AbstractTransport routes are basic elements that are inextricably linked to diverse political, economic, and social factors. Transport networks may be the cause or result of complex historical conjunctions that reflect to some extent a structural conception of the political systems that govern each territory. It is for this reason that analyzing the evolution of the transport routes layout in a wide territory allows us to recognize the role of the political organization and its economic influence in territorial design. In this article, the evolution of the transport network in the Iberian Peninsula has been studied in a broad chronological framework to observe how the different political systems of each period understood and modified the transport systems. Subsequently, a second analysis of the evolution of transport networks in the northeast of the Iberian Peninsula is included in this article. This more detailed and geographically restricted study allows us to visualize in a different way the evolution and impact of changes in transport networks. This article focuses on the calculation of the connectivity to analyze the intermodal transport systems. The use of network science analyses to study historical roads has resulted in a great tool to visualize and understand the connectivity of the territories of each studied period and compare the evolution, changes, and continuities of the transport network.


Author(s):  
Konstantin E. Meshcheryakov ◽  

The article investigates the evolution of the Russian-Uzbekistani relations in the last years of the presidency of Islam Karimov (2012–2016). Based on a wide range of official sources and periodicals, it identifies the main trends, achievements and issues of bilateral cooperation in the political, trade, economic and humanitarian spheres. It determines the factors that influenced the interaction between Moscow and Tashkent, and pays a particular attention to the role of the presidents of the two states in the development and strength- ening of their cooperation. The author concludes that throughout the period under review the Rus- sian-Uzbekistani relations faced serious challenges. They were remarkably conflicting, unpredictable, inconsistent, and quite turbulent, what provoked the discussions about the correspondence of their real political condition to their high legal status (in 2004, Russia and Uzbekistan became strategic part- ners, and in 2005, allied states). Nevertheless, the two countries overcame most of their differences and took a course towards the further expansion and deep- ening, as well as modernization of their relations. As a result, at present Uzbeki- stan remains one of the most important Russia’s partners not only in Central Asia, but throughout the post-Soviet space, as well as within the framework of the leading international organizations.


1999 ◽  
Vol 33 (1) ◽  
pp. 19-44 ◽  
Author(s):  
KATHLEEN G. DONOHUE

The 1890s and the 1930s were periods of intense consumer activism during which organized consumers pressured government to regulate business on behalf of the consuming public. In both periods, however, the heightened awareness of the consumer had an impact that extended beyond the realm of grass-roots activism or government regulation. One of the areas profoundly affected by this heightened awareness was political–economic thought. In both periods, political–economic theorists turned their attention to the consumer, debating such issues as whether humans were fundamentally producers or consumers, whether civic identity should be rooted in the consumer or the producer identity, and whether the “good society” was one based on “producerist” or “consumerist” values.


2017 ◽  
Vol 22 (3) ◽  
pp. 120-142 ◽  
Author(s):  
Hana Hašková ◽  
Radka Dudová

The article compares the development of policies pertaining to care for preschool children in the course of the second half of the 20th century in France and in the Czech Republic. It aims at identifying the key factors that led to the differentiation of the policies and institutions in the two countries, especially with respect to support for extra-familial care and formal care institutions (nurseries). We build on the theories of ‘new’ institutionalisms and we apply framing analysis, which allows us to understand the formation of ideas that precede policy changes. Specifically, we discuss the role of expert discourse and the framings of care for young children in the process of social policy change. We argue that expert knowledge in interaction with the political, economic, and demographic contexts and how it has been presented in public have had a fundamental impact on the formation of childcare policies and institutions in the two countries.


2009 ◽  
Vol 26 (4) ◽  
pp. 517-539 ◽  
Author(s):  
Joshua I. Newman ◽  
Adam S. Beissel

This article profiles the ascent of stockcar racing from parochial pastime of the late industrial American South into an internationally-distributed corporate sport conglomerate. We explicate the role NASCAR (the sport’s governing body), its spectacles, and its consumer-spectators played in reproducing the political, economic, and cultural conditions by which it was made both “local” and “global.” It also briefly illustrates the problematic nature of recent initiatives to sell historically localized NASCAR commodities to “nontraditional” national and international markets.


2017 ◽  
pp. 103-111
Author(s):  
Vira Berkovets

This study is devoted to the identification and description of areas of functioning of phonetic words (rhythmical structures, accent-rhythmical structures, rhythmical groups, tacts) in modern Ukrainian. The article highlights the features of using of phonetic words as means of language play in the colloquial, artistic, journalistic (media) functional styles. Also there were investigated the figurative and expressive potential of phonetic words in fiction; the derivational specificity of such words in aspects of general language and occasional derivation in different functional styles in modern Ukrainian; the functioning of phonetic words as verbal attractants in the modern Ukrainian advertising text. Special attention was paid to role of phonetic words in the occurrence of possible communicative misunderstandings in oral communication by one language or several languages. Finally, we examined the use of phonetic words in the structure of hashtags and memes of different thematic focuses (in particular with the political, economic, promotional, informational and cultural orientation) in modern Ukrainian Internet discourse.


The Athenaeum ◽  
2020 ◽  
pp. 133-156
Author(s):  
Michael Wheeler

This chapter assesses the Athenæum's 'hospitality' towards a wide range of ideologies and social backgrounds among candidates and members. Non-partisan politically, it accommodated both sides in the Reform debates of the 1830s, with members engaging in pamphlet wars rather than calling for resignations, as happened at the political clubs. Similarly, the pattern of early Rule II elections indicates a willingness to introduce new members of outstanding ability in science, literature, and the arts who were known to be the chief antagonists of equally prominent existing members. The chapter looks at some of the flashpoints in the club's history between 1860 and 1890, when liberal opinion in politics, religion, and science assumed the ascendancy in Britain, and the Athenæum strove to maintain its tradition of tolerance and balance. It is at these flashpoints, and at times when conservative sexual mores influenced public life, that the relationship between national developments and the life of the club, conducted on the margins between the private and the public, is most revealing.


Author(s):  
Nikolai Vukov

This chapter focuses on the circumstances of displacement, the reception and settlement of refugees, and the state’s attempts to address the political, economic and social shock of accepting thousands of refugees from the lost territories. It outlines the centrality of the refugee issue to the development of the modern Bulgarian state particularly after the Balkan wars. The chapter focuses on three main episodes: before 1912, when a quarter of a million refugees already fled to Bulgaria whose population was around 4.5 million in 1912; between 1913 and 1918, when 120,000 refugees settled in the country; and in the years 1919-25 during which time Bulgaria witnessed the influx of an additional 180,000 refugees. Some consideration is given to prevailing social and economic conditions, such as the impact of refugees on urban and rural life in Bulgaria, and to the role of refugee relief organisations. Attention is also devoted to the international repercussions of the refugee crisis.


Prospects ◽  
1999 ◽  
Vol 24 ◽  
pp. 339-375
Author(s):  
Laural Weintraub

In 1891, the influential literary realist William Dean Howells stated that “the arts must become democratic” in order to have “the expression of America in art.” This vision of a democratic culture, though modified, continued to inspire American writers and artists well after the turn of the century. The idea of democracy in American culture remained an important touchstone for conservative as well as progressive-minded writers on art and literature even as modernism took hold in the second decade of the century. For James Oppenheim, for example, editor of the eclectic little magazine The Seven Arts, which published some of the most significant cultural criticism of the day, the role of democracy in American art was an unresolved yet still vital issue. “Our moderns slap democracy on the back,” he wrote in 1916, “but what are they giving it in art?” “Yes,” he goes on to state, “we have magazines that circulate in the millions: we have cities sown thick with theaters: we have ragtime and the movies.” These manifestations are signs of cultural democracy, he implies, albeit devoid of art.


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