FEATURES OF CULTURAL CREATION AS DOMINANTS OF HUMANITARIAN INTEGRITY OF UKRAINIAN CULTURE

Author(s):  
Roman Chornyi

The article is devoted to the definition of stylistic guidelines of cultural creation as a dominant of the humanitarian integrity of Ukrainian culture. Ukrainian Baroque is defined as the creative epicentre of cultural creativity of the twentieth century. Ukrainian culture has always faced the choice of solving the cultural situation and way of life, which appeals to the individual, who in turn is the bearer of responsibility, the bearer of humanitarian security, the opportunity to be and not to be, to carry and not to carry the world. Ukrainian history has shown all these possibilities. Worldview matrices, possibilities of typological comprehension of cultural creativity as an ecosystem, due to which the integrity of man as the unity of man and nature, man and culture, man and absolute, tradition and creativity are formed, are analyzed.

Author(s):  
S. Ananyeva ◽  
◽  
O. Арукенова ◽  

Myths, tales and legends have been referencing readers of S. Sanjeev's prose to the ancient times of the Great Steppe, despite the fact that the action of fiction take place in the twentieth century. The story of Satimzhan Sanbaev «White Aruana», which has become the hallmark of the Kazakh writer's prose, is devoted to the urgent topic «man and nature». The motives of freedom, longing for the lost great past, the indestructible call of the Motherland are central to the story. Formation of the national identity of the Kazakh people is mainly based on works imprinted in oral folklore. The problem of “man and nature” is solved by the author in terms of the increased responsibility of the inhabitants of the planet Earth for the world. The narrator reinforces mythology, psychological overtones, and tragedy against the background of an ordinary household plot. The life of the inhabitant of steppe has depicted in the fate of one family. This skill has become a peculiarity of the style of the Kazakh prose writer. The failures of the protagonist Myrzagali are perceived as a consequence of the gradual decline of the ancient and great culture of nomadism, the cosmos of Tenriism. The loneliness of the individual in nomadic culture is determined by nature, living conditions, infinity and boundless vastness of the steppe, in which the problem of «man and space» is relevant in the twenty-first century.


2020 ◽  
pp. 43-51
Author(s):  
Yael Tamir

This chapter examines the bottom-up justification for the formation of the modern nation-state. It suggests that borderless states are dystopian, noting that in order to be democratic and promote justice, states must depend on a clear definition of territory and membership. The chapter elaborates how the borders and demarcation helped individuals define their identity, providing them with interpretive tools to decipher reality and make sense of their daily actions. It then explains the term human, human features, and identity. The chapter also explicates the need to belong to a cultural community, a nation, or any other particular group. It argues that it is an epistemological need for systems of interpretation that will allow us to understand the world and choose a way of life as well as a creative need for means of interpretation, exchange, and expression. Ultimately, the chapter assesses the negative effect of divided communities on human behavior.


Author(s):  
Sten Ebbesen

‘Averroism’, ‘radical Aristotelianism’ and ‘heterodox Aristotelianism’ are nineteenth- and twentieth-century labels for a late thirteenth-century movement among Parisian philosophers whose views were not easily reconcilable with Christian doctrine. The three most important points of difference were the individual immortality of human intellectual souls, the attainability of happiness in this life and the eternity of the world. An ‘Averroist’ or ‘Radical Aristotelian’ would hold that philosophy leads to the conclusions that there is only one intellect shared by all humans, that happiness is attainable in earthly life and that the world has no temporal beginning or end. Averroists have generally been credited with a ‘theory of double truth’, according to which there is an irreconcilable clash between truths of faith and truths arrived at by means of reason. Averroism has often been assigned the role of a dangerous line of thought, against which Thomas Aquinas opposed his synthesis of faith and reason. The term ‘Averroism’ is also used more broadly to characterize Western thought from the thirteenth through sixteenth centuries which was influenced by Averroes, and/or some philosophers’ self-proclaimed allegiance to Averroes.


Author(s):  
Charles B. Guignon

The term ‘existentialism’ is sometimes reserved for the works of Jean-Paul Sartre, who used it to refer to his own philosophy in the 1940s. But it is more often used as a general name for a number of thinkers in the nineteenth and twentieth centuries who made the concrete individual central to their thought. Existentialism in this broader sense arose as a backlash against philosophical and scientific systems that treat all particulars, including humans, as members of a genus or instances of universal laws. It claims that our own existence as unique individuals in concrete situations cannot be grasped adequately in such theories, and that systems of this sort conceal from us the highly personal task of trying to achieve self-fulfilment in our lives. Existentialists therefore start out with a detailed description of the self as an ‘existing individual’, understood as an agent involved in a specific social and historical world. One of their chief aims is to understand how the individual can achieve the richest and most fulfilling life in the modern world. Existentialists hold widely differing views about human existence, but there are a number of recurring themes in their writings. First, existentialists hold that humans have no pregiven purpose or essence laid out for them by God or by nature; it is up to each one of us to decide who and what we are through our own actions. This is the point of Sartre’s definition of existentialism as the view that, for humans, ‘existence precedes essence’. What this means is that we first simply exist - find ourselves born into a world not of our own choosing - and it is then up to each of us to define our own identity or essential characteristics in the course of what we do in living out our lives. Thus, our essence (our set of defining traits) is chosen, not given. Second, existentialists hold that people decide their own fates and are responsible for what they make of their lives. Humans have free will in the sense that, no matter what social and biological factors influence their decisions, they can reflect on those conditions, decide what they mean, and then make their own choices as to how to handle those factors in acting in the world. Because we are self-creating or self-fashioning beings in this sense, we have full responsibility for what we make of our lives. Finally, existentialists are concerned with identifying the most authentic and fulfilling way of life possible for individuals. In their view, most of us tend to conform to the ways of living of the ‘herd’: we feel we are doing well if we do what ‘one’ does in familiar social situations. In this respect, our lives are said to be ‘inauthentic’, not really our own. To become authentic, according to this view, an individual must take over their own existence with clarity and intensity. Such a transformation is made possible by such profound emotional experiences as anxiety or the experience of existential guilt. When we face up to what is revealed in such experiences, existentialists claim, we will have a clearer grasp of what is at stake in life, and we will be able to become more committed and integrated individuals.


Author(s):  
Victor Buchli

The domestic sphere or ‘home cultures’ as the term is used here is the location of many disciplinary investigations into the home. It is in the domestic sphere that one investigates the key elements of the human condition. This article's essence happens to be households and home cultures. It is where family, gender, and the nature of the individual are understood. It is also where the basic elements of cosmology and religious life and the elemental context for the understanding of political and economic life are lived and perceived. Here public and private realms are forged; nature/culture boundaries are created and negotiated. The home is typically how we know the world and know about people who inhabit the world. It is the key point of orientation for members of a given society as it is to its visitors and outsiders. A study of the gradual change in the domestic realm in the twentieth century concludes this article.


2014 ◽  
Vol 75 ◽  
pp. 203-230 ◽  
Author(s):  
Matthew Kieran

We praise and admire creative people in virtually every domain from the worlds of art, fashion and design to the fields of engineering and scientific endeavour. Picasso was one of the most influential artists of the twentieth century, Einstein was a creative scientist and Jonathan Ive is admired the world over as a great designer. We also sometimes blame, condemn or withhold praise from those who fail creatively; hence we might say that someone's work or ideas tend to be rather derivative and uninspired. Institutions and governmental advisory bodies sometimes aspire, claim or exhort us to enable individual creativity, whether this is held to be good for the individual as such or in virtue of promoting wider socio-economic goods. It is at least a common thought that people are more self-fulfilled if they are creative and society more generally is held to be all the better for enabling individual creativity.


2015 ◽  
Vol 21 (4) ◽  
pp. 218-222 ◽  
Author(s):  
Paulina Szyszka ◽  
Andrzej Mastalerz

Abstract Introduction. The snatch technique is a discipline in Olympic weightlifting. The lifter has to raise the barbell from the platform directly above their head in one movement. While reviewing the literature on biomechanical analysis of the techniques of weightlifting, one can find positions on the analysis of parameters, such as barbell track, horizontal displacement, and angular positions of the joints in the individual phases of the lifter's movement. Many texts concern female and male lifters taking part in World or European Championships. The parameters of the best competitors are outlined - mostly those who finish in the top five places in competition. Mostly these are parameters regarding male lifters, and less frequently those of female lifters. In the literature review, an overlooked aspect is that of the definition of the diversity of indicators as regards the snatch technique practiced by female lifters depending on score. Material and methods. In the research, registered snatch attempts during the World Championship were used. Videos were used by judges to establish a maximum weight limit for female lifters. The attempts were registered by two cameras and were later digitally processed by the APAS 2000 system. Barbell parameters, maximum speed, average of the bar, and the parameters of the lifter-bar collocation (horizontal displacement of barbell weights and height elevation) were assessed. Results. The analysed attempts show the margin of error for measurement of the average speed of the barbell as 0.03 m/s. The difference in maximum speed of analysed attempts is 15%. The height of clearance of the first-placed female lifter's barbell was 12.7 cm, 30 cm for the last-placed. Conclusions. The sporting level of weightlifting by female lifters influences the analysed biomechanical indicators of the snatch. Those indicators, which are similar in the case of both the World Championship winner and the female lifter who came last, may be described as the average speeds of the barbell. The high sporting level of female lifters performing heavy lifting is characterized by the clearance of the barbell.


KÜLÖNBSÉG ◽  
2013 ◽  
Vol 13 (1) ◽  
Author(s):  
Erzsébet Lamár

Nietzsche criticized the tradition of Western metaphysics (based on the principle of representation, the duality of subject and object of representation, the metaphysics of presence as Derrida puts it) and its language use. In place of this he presents a world view he calls Dionysian: it is a possibility of cognition in which the individual disappears and the tragic subject is merged with archaic substance in an experience that eliminates the dualism of appearance and reality. Nietzsche claims there is a basic tension between life and cognition in Western metaphysics, but this is a symptom of the ascetic ideal which manifests itself in illness and in wanting nothing. Instead the ascetic ideal a new kind of sensibility is necessary which affirms life and gives rise to a new view of the world and to new values. Deleuze claims Nietzsche’s philosophy has three basic tenets: evaluation, affirmation, and the superman as a new way of life. He adds that “Nietzsche attributes such importance to art because art has already achieved the whole program.” The paper shows that Nietzsche’s aesthetics is a creative aesthetic, a selective ontology based on the principle of double affirmation. The paper argues that Dionysus is the one who returns to Nietzsche eternally, and together with him haunts the idea of creative aesthetics, a key element of the idea of eternal return.


Author(s):  
Andrea Bachner

This chapter analyzes the use of inscriptive metaphors in trauma theories, from Freud’s psychoanalytical models of the late nineteenth and early twentieth century to contemporary theorists such as Agamben, Caruth, Hirsch, and Lyotard. As an unregistered shock that continues to haunt the individual, trauma is an inscription whose impact leaves no trace. Accordingly, the inscriptive metaphors deployed in theories of trauma tend to multiply since they are caught in the dilemma of representing trauma without sacrificing a definition of trauma as the unrepresentable par excellence. For a thorough analysis of the ways in which trauma turns inscriptive, this chapter zooms in on a scandalous counterpoint: that between the number tattoos of Holocaust victims and the mark of circumcision. Whereas the number tattoo brands and produces a human body as inhuman, but can be rewritten as a corporeal memorial, circumcision can be misconstrued as traumatic mark, as a supplement to castration, but can also serve as a model for an ethical thought.


Author(s):  
David Clark

Cicely Saunders founded St Christopher’s Hospice in London in 1967 as a centre for teaching, research, and care. Its influence quickly spread around the world. Cicely Saunders — A Life and Legacy shows how she played a crucial role in shaping a new discourse of care at the end of life. From the nihilism of ‘there is nothing more we can do’, medicine and healthcare gradually adopted a more purposeful approach to care in the face of advanced disease and at the end of life. This came to be known as palliative care. This biography links for the first time the ideas and practice of Cicely Saunders to the spreading global interest in hospice and palliative care. It explores her deep reflection on the nature of suffering at the end of life, the possibilities of a more informed approach to the medical management of pain and other symptoms, and above all the importance of remaining focussed on the personal and spiritual concerns of the individual patient as death approaches. It is a story of a remarkable personal and professional life and of a seismic shift in twentieth-century medical history.


Sign in / Sign up

Export Citation Format

Share Document