scholarly journals FORMATION OF A CREATIVE CLASS AS AN INTENTION FOR HIGHER EDUCATION DEVELOPMENT

2020 ◽  
pp. 42-54
Author(s):  
I. Lisakova
Keyword(s):  
Nonprofit Organizations ◽  
Workforce Development ◽  
Creative Industries ◽  
Creative Class ◽  
Creative Economy ◽  
Education Development ◽  
Industrial Age ◽  
Concert Halls ◽  
Definition Of ◽  
Access To Knowledge

More and more cultural and government leaders are recognizing the scope and impact of the creative industries on the economy. Commercial enterprises (such as publishing, design, advertising, music, and theater), and nonprofit organizations (such as museums, concert halls, folk life centers, art schools and conservatories), – all of them are gaining recognition as an important engine of the 21st-century economy. The main manpower of creative industries is the creative class. The guiding principles of the creative class include freedom of imagination, inquiry, and expression, as well as freedom of opportunity for all to participate in a vital and diverse culture. It is fundamentally different from the industrial age workforce. And it provokes important issues about training and workforce development, preservation of culture, and access to knowledge. The policies affecting the creative economy are being formed at a global level within international and multilateral institutions. This makes tracing their ramifications particularly complex. The article highlights modern approaches to the definition of "creative industries", "creative class". The transformational processes taking place on the world labor market and influencing the national socio-cultural space are analyzed. It is determined that the gap in the economic growth of countries is based on the disproportion of intellectual capital, technology, accumulated knowledge, and ways to use them. The means of eliminating such a disproportion is the development of a special creative class, the formation of which will contribute to a number of state, political, legal decisions, and, in particular, restructuring the education system, its reorientation to overcome standardization and stimulate creativity, diversity of cultural events, science, art, technology.

Conceptual accommodation facilities as an element of a creative cluster

2015 ◽  
Vol 9 (5) ◽  
pp. 158-172
Author(s):  
Светлана Казакова ◽  
Svetlana Kazakova ◽  
Татьяна Кривошеева ◽  
Tatiana Krivosheeva
Keyword(s):  
Design Thinking ◽  
Creative Industries ◽  
Creative Class ◽  
Creative Economy ◽  
Creative Industry ◽  
Creative Imagination ◽  
Element Bearing ◽  
Boutique Hotels ◽  
Intellectual Activities ◽  
Production Resource

Currently, is much spoken about the transition from the industrial era to the intellectual, in particular, about the development of the creative economy, which is based on intellectual activities, generation new knowledge, design thinking, creative imagination and creativity. Creative potential is becoming a major production resource. And creative class, people who are able to be creative and to generate something new that attracts attention, is a key element of this kind of economy. The ability to enter the market with the results of creativity brings to birth the effect of the creative industry - generation of communities of creative enterprises and industries that shape creative cluster. The definitions of the term «cluster» for a detailed consideration of the concept of «creative cluster» are generalized in the article. Special attention is paid to creative industries as a phenomenon of modernity and as part of a creative cluster. The article presents the characteristic of the conceptual accommodation facilities, among which design-, art- and boutique hotels are allocated, as well as their role in a creative cluster as an element bearing creative burden is defined.

scholarly journals Creative economy as a tool of competitiveness

2020 ◽  
Vol 83 ◽  
pp. 01007
Author(s):  
Jana Centárová
Keyword(s):  
Intellectual Property ◽  
Natural Environment ◽  
Driving Force ◽  
Economic Value ◽  
Creative Industries ◽  
Creative Class ◽  
Creative Economy ◽  
Creative Industry ◽  
Creative Potential ◽  
Creative City

Creativity is a fundamental manifestation of human existence and is present in every human being in different forms. The creative economy is a natural environment for innovative ideas, development and exploitation of creative potential. Over the last two decades, it has been observed that creativity is gradually becoming a driving force for economies, and as a result the importance of creative industries is also increasing. The creative industry is increasingly becoming part of EU documents and policies. The governments of the creative countries gradually introduced the concept of the creative industry, the creative class and the creative city and their importance. The creative industry refers to those parts of the economy that create economic value on the basis of individual creative input or artistic talent. It is a sector based on the exploitation of intellectual property. The aim of this work is to briefly map the concept of creative economy and its measurement in the work of foreign and Slovak authors and describe the possible potential of this industry.

Creative economy assessment: a case study of Kish Island

2017 ◽  
Vol 44 (12) ◽  
pp. 1940-1956 ◽  
Author(s):  
Elham Lafzi Ghazi ◽  
Miguel Goede
Keyword(s):  
Performance Measures ◽  
Design Methodology ◽  
Creative Industries ◽  
Creative Class ◽  
Small Island ◽  
Creative Economy ◽  
Content Type ◽  
Tourist Attractions ◽  
Creative City

Purpose The purpose of this paper is to evaluate the case of Kish, which is a small island off the coast of Iran, using the creative indicators of a creative economy. Design/methodology/approach Based on the extant literature, a set of performance measures and factors are identified for the creative economy. This set is mainly based on Florida’s theory on the creative class. The case of Kish Island is evaluated based on these indicators, and after analysis, conclusions are drawn. Findings Kish Island, with its numerous tourist attractions, shows remarkable creative industries that highlight the presence of the creative class and the development of a creative economy in this area. Originality/value The paper illustrates the model of a creative economy assessment for the small Kish Island and finally provides a good understanding of the concept of the creative economy as a key element of the creative city.

scholarly journals INTERLINKS OF CULTURAL AND CREATIVE ECONOMIES THROUGH CREATIVE PRODUCTS AND SERVICES / KŪLTŪROS IR KŪRYBOS EKONOMIKŲ SĄSAJOS PER KŪRYBINIUS PRODUKTUS IR PASLAUGAS

2012 ◽  
Vol 4 (3) ◽  
pp. 256-261
Author(s):  
Rasa Levickaitė
Keyword(s):  
Creative Industries ◽  
Community Identity ◽  
Cultural Value ◽  
Cultural Economy ◽  
Creative Economy ◽  
Cultural Products ◽  
Different Types ◽  
Points Of View ◽  
Creative Products ◽  
Definition Of

The paper focuses on contemporary creative cultural economy concepts and presents formation background and confrontational points of view discussed by variety of authors. The scope of the creative economy is determined by creative industries exponent. If culture is perceptible in the anthropological or functional sense, one might use the concept of the cultural product. An alternative definition of creative products and services originates from a created value type: one might say these products and services, no matter what commercial value they would obtain, together hold a cultural value which financially cannot be evaluated to the final point. It means different types of cultural activities and products or services produced are evaluated both by producers and consumers due to social and cultural reasons which add or exceed purely economic evaluation. For example, aesthetical value or community identity is hardly measured and interspersed into traditional evaluation characteristics. Cultural value is designated and is perceived as an observed characteristic whereas cultural products and services could be equalized with other product types. Santrauka Straipsnyje pateikiamos šiuolaikinės kultūros ir kūrybos ekonomikos koncepcijos, nurodomos susiformavimo prielaidos ir konfrontuojantys autorių požiūriai. Kūrybos ekonomikos apimtys nustatomos pagal kūrybinių industrijų rodiklius. Kai pati kultūra suprantama antropologine arba funkcine prasme, galima vartoti kultūrinių produktų sąvoką. Alternatyvus arba papildomas kultūrinių produktų ir paslaugų apibrėžimas kyla iš jų įkūnijamo arba kuriamo vertės tipo, t. y. galima sakyti, kad šie produktai ir paslaugos, kad ir kokią komercinę vertę įgytų, papildomai turi kultūrinę vertę, kurios neįmanoma iki galo įvertinti pinigais. Kitaip tariant, įvairių rūšių kultūrinė veikla ir ją vykdant sukurtos prekės ir paslaugos yra vertinamos – ir jos gamintojų, ir jos vartotojų – dėl socialinių ir kultūrinių priežasčių, kurios tikriausiai papildo ar viršija grynai ekonominį įvertinimą. Tai gali būti estetiniai svarstymai arba veiklos įnašas į bendruomenės kultūrinės tapatybės supratimą. Jei taptų įmanoma nustatyti tokią kultūrinę vertę, ja būtų galima pasinaudoti kaip stebima charakteristika, kurią taikant išskirti kultūriniai produktai ir paslaugos būtų lyginamos su kitais produktų tipais.

scholarly journals LA CREATIVIDAD RECURSO ECONÓMICO: COMO ESTRATEGIA DE CRECIMIENTO

2020 ◽  
Vol 13 (21) ◽  
pp. 23
Author(s):  
Hael Karina Saucedo Estrada
Keyword(s):  
Economic Growth ◽  
Economic Theory ◽  
Creative Industries ◽  
Creative Class ◽  
Creative Economy ◽  
Cultural Economic ◽  
Economic Growth Model ◽  
Regional Strategies ◽  
Bibliometric Review ◽  
The Relationship

Hoy en día la Creatividad aún permanece poco visible en nuestro país y para los economistas, donde la creatividad desempeña un papel importante en el desarrollo de estrategias regional en los últimos años, mostrando una evidencia de datos. El presente artículo tiene como objetivo mostrar el valor dinámico a partir de la teoría económica de las clases creativas de Florida (2002), manifestándose a través de una revisión bibliométrica y cuatro modelos que muestran la relación entre las industrias creativas y la economía en su conjunto y descubriendo una base metodológica de este hallazgo donde los modelos 3 y 4 son los más apropiados para una política económica creativa y cultural.Palabras Claves: Creatividad, Clase Creativa, Economía Creativa, Crecimiento Económico Abstract:Today, Creativity still remains poorly visible in our country and for economists, where creativity plays an important role in the development of regional strategies in recent years, showing evidence of data. This article aims to show the dynamic value from the economic theory of the creative classes of Florida (2002), manifesting itself through a bibliometric review and four models that show the relationship between the creative industries and the economy as a whole and discovering a methodological basis for this finding where models 3 and 4 are the most appropriate for a creative and cultural economic policy.Keywords: Creativity, Creative Class, Creative Economy, Economic Growth Model

scholarly journals DEVELOPMENT OF IT EDUCATION AS A FACTOR OF THE FORMATION OF CREATIVE HUMAN CAPITAL

2021 ◽  
pp. 5-16
Author(s):  
Tatiana Posnova ◽  
◽  
Hanna Tereshchenko ◽  
Keyword(s):  
Human Capital ◽  
General Structure ◽  
Value Added ◽  
Creative Industries ◽  
Creative Economy ◽  
Educational Training ◽  
School Students ◽  
Education Development ◽  
It Education ◽  
And Mathematics

Nowadays in Ukraine the problem of educational training of IT specialists is relevant as a factor of the formation of creative human capital. The problem of IT education development is one of the key tasks in the process of ensuring the growth of creative industries, the contribution of which can be assessed by their share in GDP, value added, number of jobs, export potential and foreign exchange inflows. The article uses general scientific research methods such as analysis, synthesis, comparison, induction, deduction and statistical method. The purpose of the article is to assess the development of IT education, identify issues and assess prospects for the formation of a creative economy. The article analyzes the Creative outputs of European countries in 2020; the analysis includes the dynamics of growth of the number of IT specialists in Ukraine for 2014-2020; the share of IT specialists in the general structure of employment, the level of formation of mathematical literacy of students in Ukraine against the background of the achievements of their peers in the OECD countries; regional data on the results of the participants in the external independent assessment in mathematics; the number of people who graduated in IT and mathematics. Based on the analysis, the main directions of the development of IT education as a factor of the formation of creative human capital were identified. Conclusions are made on the directions of the development of IT education as a factor of the formation of creative human capital, including the following: increasing funding for training of IT specialists, as well as broad involvement of students in research, which will ensure the development of innovative competencies of future graduates; increasing the mathematical competencies of general secondary school students; ensuring the ability of higher education institutions to train such specialists who meet the requirements of the labor market; creation of innovative business universities, which, in turn, will provide an opportunity to respond quickly to the needs of the IT sector; ensuring stable cooperation with leading IT companies, which will help adapt educational programs to the needs of the creative IT industry.

scholarly journals Mapowanie sektorów kreatywnych. W poszukiwaniu definicji i metody

2016 ◽  
pp. 268-283
Author(s):  
Anna Wróblewska
Keyword(s):  
Film Industry ◽  
Creative Industries ◽  
Creative Class ◽  
Cultural Industries ◽  
Anglo Saxon ◽  
Sources Of Knowledge ◽  
Review Analysis ◽  
Government Data ◽  
Definition Of ◽  
Quantitative And Qualitative Methods

The author discusses a new method, rarely used in Poland so far − a method of mapping cultural industries and creative industries. The concept of mapping creative industries is founded on the Anglo-Saxon ground and goes beyond the usual plotting of the maps. This method enables countries, regions and cities to estimate the value of the creative sectors. It is based on determining a set of analytical methods for collecting and presenting information on the scale and the scope of the creative industries. In mapping, both quantitative and qualitative methods are used, as well as such sources of knowledge, as literature review, analysis of official government data, research on specific sectors, analysis of data from non-governmental sources, analysis of the industry informants and case studies. Mapping can be a valuable tool in lobbying the creative class, but its main purpose is to deepen the knowledge about this sector of the economy, which is still not sufficiently analyzed. The author considers and analyses not only mapping as a way to describe the dynamic sectors of culture, but also the very definition of mapping the creative sector, outlining the opinion and comments of Krzysztof Stachowiak, a researcher of problems of concentration of cultural industries. What serves as a frame of the article, is the description of the film industry growing currently in Gdynia and the ways in which this mini-industry can be described using the principles of mapping creative industries.

scholarly journals Creative Economy in the Republic of Sakha (Yakutia)

2021 ◽  
Author(s):  
Anna Mikhaylova
Keyword(s):  
Intellectual Property ◽  
Property Rights ◽  
Intellectual Property Rights ◽  
New Economy ◽  
Educational Programs ◽  
Creative Industries ◽  
Creative Class ◽  
Creative Economy ◽  
Intellectual Work ◽  
The Republic

The article is devoted to the analysis of the concept of a new creative economy. Creative economy is a special sector of the economy, combining activities related to intellectual work, creativity. The creative economy is based on intellectual work, generating income not only from the final product created, but also from trading in its results and intellectual property rights as opposed to traditional factors of production. In the creative economy, the kreatosphere is formed. The kreatosphere is a type of activity in the creative economy. Features of the products of the creative economy are the high added values created by intellectual effort. On the example of the Republic of Sakha (Yakutia), accelerators of the development of the kreatosphere are highlighted: the development of educational programs, the preparation of creative, creative-minded specialists; support of innovation centers and investments in creative industries; development of creative projects. Keywords: new economy, creative economy, digital economy, kreatosphere, creative class, creativity

scholarly journals INFLUENCE OF THE CREATIVE ECONOMY ON MODERN MANAGEMENT OF CREATIVE INDUSTRIES

2020 ◽  
pp. 120-127
Author(s):  
D. A. Prokofeva ◽  
N. V. Shamardina
Keyword(s):  
Modern Society ◽  
Quality Characteristics ◽  
Creative Industries ◽  
Creative Class ◽  
Self Organization ◽  
Creative Economy ◽  
Work Processes ◽  
Creative Potential ◽  
Working Process ◽  
Modern Approach

The features of the modern approach to the organization of working process in creative industries, where the key is the concept of “teal organization” distinctive quality characteristics of which are self-government and self-organization, implying independent implementation of the work processes and projects realization by the employees, have been considered. The rules of creating competent communication with the creative class, people who are the driving force of the creative economy, play an essential role in organizing the management of creative industries in modern society. The functioning of “teal organizations” exclusively within the framework of a creative economy, where the greatest value is the realization of the creative potential of the employee, has been examined in the article.

scholarly journals FOUR APPROACHES TO THE CREATIVE ECONOMY: GENERAL OVERVIEW

2011 ◽  
Vol 9 (1) ◽  
pp. 81-92 ◽  
Author(s):  
Rasa Levickaitė
Keyword(s):  
Business Processes ◽  
Market Access ◽  
Social Indicators ◽  
Creative Industries ◽  
Creative Economy ◽  
City Development ◽  
Economic Phenomenon ◽  
Creative City ◽  
Definition Of ◽  
Technology And Economy

The article presents the concept of the creative economy as a new economic phenomenon in the globalized environment. Four approaches on the new occurrence are presented. According to John Howkins theory, the fifteen creative industries (listed by the author) are the core of the creative economy. Both creativity and economy aren’t new, but brand new are its interaction and scope. A wide definition of creativity has formed Richard Florida’s theory of the developing creative class, which is a group of professionals, researchers and artists whose presence creates socioeconomic and cultural dynamism in cities especially. Richard Caves characterizes creative industries on the basis of seven economic properties and presents an idea that creative industries as such aren’t unique but the sectors of creative industries driven by creativity generate new approaches to business processes, the demand-supply chain and covers both economic and social indicators of the country development. Charles Landry has proposed a creative city concept, which states that cities are dependent on one resource only – its people. Creativity changes place, natural resources, market access, and becomes the key to dynamism of city development. A creative city defines a metropolis with variety of cultural activities glued to urban economical and social functioning. Key activities highly influencing rapid growth of the creative industries worldwide are related to both technology and economy. Digital revolutions and economic environments where revolutions took place, changes in technology and communications altogether have formed new conditions for development of creative economy as a new economic phenomenon.

Sign in / Sign up

Export Citation Format

Share Document