scholarly journals A Theological Implication of ‘Humility’ in Mark 10: 13-16 from the Perspective of the Parable of the Kingdom of God

2019 ◽  
Vol 2 (2) ◽  
pp. 83
Author(s):  
Halim Wiryadinata
Keyword(s):  
Twentieth Century ◽  
Liberation Theology ◽  
Jesus Christ ◽  
Kingdom Of God ◽  
Historical Jesus ◽  
New Approach ◽  
The People ◽  
History Of ◽  
Theological Implication ◽  
The Way

The parable of the Kingdom of God brings the seriousness of studying about the meaning of what the Lord Jesus Christ wants to say. There are many arguments to say about the meaning of the Kingdom of God, while a new approach of the twentieth century appears. The study of historical Jesus by N. T Wright gives the idea of Jesus, Israel, and the Cross. If the parable of the Kingdom of God is retelling the story of Israel, then the new concept of the Kingdom of God should be different from the old Israel. The concept of humility should be seen as the way out of the Kingdom of God. Mark 10: 13 – 16 where the Lord Jesus Christ uses the concept of the little children, it apparently shows the helplessness and humility concepts as the way out for the Kingdom of God. However, the concept of humility should be seen as the proclamation of the Kingdom of God in the perspective of a mission to the people. Finally, the concept of humility also should not beyond the limitation of the Gospel. It should be in the line of the meaning of the Gospel itself. We are encouraged not to repeat what history happens, but rather to learn from the history of Liberation Theology.   

Sedition, Law, and the British Empire in India: The Trial of Tilak (1908)

2017 ◽  
Vol 16 (3) ◽  
pp. 454-476 ◽  
Author(s):  
Mithi Mukherjee
Keyword(s):  
Twentieth Century ◽  
British Empire ◽  
Historical Inquiry ◽  
The People ◽  
History Of ◽  
History Of Empire ◽  
The Way

This article is a historical inquiry into the sedition trial in 1908 of Bal Gangadhar Tilak, one of the most important anticolonial leaders in twentieth-century India. It argues that Tilak, in the grand spectacle of this political trial, rejected the British discourse of imperial justice that had served as the ground of the British Empire until then, and claimed a new discourse of legislative freedom for the people of India. The trial thus marked a fundamental discursive rupture in the history of empire and paved the way for mass anticolonial movements under the leadership of Gandhi.

scholarly journals The Heroic Epic of Manas and Mukhtar Auezov’s Role in Its Popularization

2020 ◽  
Vol 15 (5) ◽  
pp. 70-78
Author(s):  
Akmatov Bolotbek M. ◽  
Keyword(s):  
Twentieth Century ◽  
Literary Practice ◽  
New Approach ◽  
Spiritual Culture ◽  
The People ◽  
Heroic Epic ◽  
The World ◽  
History Of ◽  
The Law ◽  
The Republic

heroic epic of Manas and the publication of its parts in the twentieth century. The purpose of the article is to determine the place of the famous monograph “The Kyrgyz heroic epic of Manas” by M. O. Auezov in a series of works on epic studies. Objectives of the article: to describe M. O. Auezov’s research dedicated to the Kyrgyz epic of Manas from the standpoint of defining the functions of manaschi (storyteller, poet, shaman) and the preserved pre-Islamic cult of ancestors among the Kyrgyz; to substantiate M. O. Auezov in the aspect of Kyrgyz studies and Manas studies. The relevance of the work consists in summarizing the contribution of M. O. Auezov to Kyrgyz and Manas Studies in connection with new trends in education in the Republic of Kyrgyzstan, caused by the adoption of the Law “On the Manas Epic” in 2011. The scientific novelty of the work lies in a new approach to understanding the works by M. O. Auezov in the aspect of theory of mentality, that is practically not involved in literary practice. M. O. Auezov introduced into scientific circulation the terms associated with the performers of the epic, yrchi and zhomokchi. He was the first to describe the history of Kyrgyz manaschi ‒ storytellers: from a contemporary of Manas Keldibek to Sagymbay Orozbаkov, a contemporary of M. O. Auezov. Manas himself chooses those who will perform the epic dedicated to him. The text of the epic keeps the spirit of the people, i. e. the heroic epic of Manas contains the spiritual basis of Kyrgyz culture, its mentality. M. O. Auezov summarized the data on manaschi and outlined their main functions: a storyteller, a poet, a shaman. The scientist pointed to the pre-Islamic cult of ancestors that has come down to us among the Kyrgyz people. Keywords: the epic of Manas, manaschi, pre-Islamic Turkic spiritual culture, works by M. O. Auezov, mentality, myth, cult of ancestors, the Kyrgyz language picture of the world

LEADERS AND TIMES OF CRISIS: JEREMIAH 5:1–6 A CASE IN POINT

2017 ◽  
Vol 24 (2) ◽  
pp. 657-677 ◽  
Author(s):  
Wilhelm J. Wessels
Keyword(s):  
Ordinary People ◽  
Covenant Theology ◽  
The People ◽  
History Of ◽  
Book Of Jeremiah ◽  
Definitive Role ◽  
Ethical Obligations ◽  
Moral Demands ◽  
The Way ◽  
Crisis Situations

The book of Jeremiah reflects a particular period in the history of Judah, certain theological perspectives and a particular portrayal of the prophet Jeremiah. Covenant theology played a major role in Jeremiah’s view of life and determined his expectations of leaders and ordinary people. He placed high value on justice and trustworthiness, and people who did not adhere to this would in his view bear the consequences of disobedience to Yahweh’s moral demands and unfaithfulness. The prophet expected those in positions of leadership to adhere to certain ethical obligations as is clear from most of the nouns which appear in Jeremiah 5:1–6. This article argues that crisis situations in history affect leaders’ communication, attitudes and responses. Leaders’ worldviews and ideologies play a definitive role in their responses to crises. Jeremiah’s religious views are reflected in his criticism and demands of people in his society. This is also true as seen from the way the people and leaders in Judah responded to the prophet’s proclamation. Jeremiah 5:1–6 emphasises that knowledge and accountability are expected of leaders at all times, but in particular during unstable political times.

scholarly journals Art (and) Criticism: Hart Crane and David Siqueiros

Text Matters ◽  
2018 ◽  
pp. 229-243
Author(s):  
Alicja Piechucka
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Present Article ◽  
Art Criticism ◽  
Hart Crane ◽  
Historical Texts ◽  
Art And Literature ◽  
History Of ◽  
The Way

The article focuses on an analysis of Hart Crane’s essay “Note on the Paintings of David Siqueiros.” One of Crane’s few art-historical texts, the critical piece in question is first of all a tribute to the American poet’s friend, the Mexican painter David Siqueiros. The author of a portrait of Crane, Siqueiros is a major artist, one of the leading figures that marked the history of Mexican painting in the first half of the twentieth century. While it is interesting to delve into the way Crane approaches painting in general and Siqueiros’ oeuvre in particular, an analysis of the essay with which the present article is concerned is also worthwhile for another reason. Like many examples of art criticism—and literary criticism, for that matter—“Note on the Paintings of David Siqueiros” reveals a lot not only about the artist it revolves around, but also about its author, an artist in his own right. In a text written in the last year of his life, Hart Crane therefore voices concerns which have preoccupied him as a poet and which, more importantly, are central to modernist art and literature.

scholarly journals A full catalogue and analysis of a collection of postcards at the Art Gallery of Ontario depicting scenes of Toronto

2021 ◽  
Author(s):  
Brian Piitz
Keyword(s):  
Twentieth Century ◽  
Literature Survey ◽  
Production Cycle ◽  
Art Gallery ◽  
History Of ◽  
Art Gallery Of Ontario ◽  
Commercial Photography ◽  
The City ◽  
Photographic Imagery ◽  
The Way

This applied thesis is focused on the full cataloguing and contextualizing of a collection of one hundred and sixteen postcards at the Art Gallery of Ontario (AGO) depicting scenes of Toronto a the beginning of the twentieth century. Twenty-seven publishers representing international, national and regional manufacturers are identified with their imprint on the verso of the postcard. The applied thesis includes a literature survey discussing a rationale for the cataloguing of postcards, as well as a brief overview of the history of postcards and the history of the urbanization of the City of Toronto. A description and analysis of the AGO postcards provides information about the production cycle of postcards, the scope of commercial photography and the dissemination of photographic imagery in Toronto. The thesis also examines the way images were altered in the production cycle and the manner in which photographers and publishers exchanged photographs intended for postcard production.

scholarly journals A full catalogue and analysis of a collection of postcards at the Art Gallery of Ontario depicting scenes of Toronto

2021 ◽  
Author(s):  
Brian Piitz
Keyword(s):  
Twentieth Century ◽  
Literature Survey ◽  
Production Cycle ◽  
Art Gallery ◽  
History Of ◽  
Art Gallery Of Ontario ◽  
Commercial Photography ◽  
The City ◽  
Photographic Imagery ◽  
The Way

This applied thesis is focused on the full cataloguing and contextualizing of a collection of one hundred and sixteen postcards at the Art Gallery of Ontario (AGO) depicting scenes of Toronto a the beginning of the twentieth century. Twenty-seven publishers representing international, national and regional manufacturers are identified with their imprint on the verso of the postcard. The applied thesis includes a literature survey discussing a rationale for the cataloguing of postcards, as well as a brief overview of the history of postcards and the history of the urbanization of the City of Toronto. A description and analysis of the AGO postcards provides information about the production cycle of postcards, the scope of commercial photography and the dissemination of photographic imagery in Toronto. The thesis also examines the way images were altered in the production cycle and the manner in which photographers and publishers exchanged photographs intended for postcard production.

The Institution of Meter

2012 ◽  
Author(s):  
Meredith Martin
Keyword(s):  
Twentieth Century ◽  
Literary Study ◽  
English Poetry ◽  
Prime Mover ◽  
Gerard Manley Hopkins ◽  
Early Twentieth Century ◽  
History Of ◽  
Primary Measure ◽  
Successes And Failures ◽  
The Way

This chapter begins with a discussion of metrical mastery, outlining the way that Robert Bridges's intervention in his best-selling treatise Milton's Prosody expanded and popularized the theories that he and Gerard Manley Hopkins discussed together. It shows how Bridges and his influential competitor, George Saintsbury, were jostling for position during the height of the prosody wars between 1900 and 1910, and how their successes and failures characterize much of our contemporary thinking about early twentieth-century prosody. Author of the three-volume History of English Prosody (1906–10), Saintsbury was a prime mover in both the foundation of English literary study and the institutionalization of the “foot” as the primary measure of English poetry. Infused with Edwardian-era military rhetoric, Sainstbury's foot marched to a particularly English rhythm, which he traced through the ages with wit and martial vigor.

Gay Affections

2014 ◽  
Author(s):  
Gerard P. Loughlin
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
First Century ◽  
Late Nineteenth Century ◽  
Gay Identity ◽  
Same Sex ◽  
The People ◽  
History Of ◽  
Late Nineteenth ◽  
Gay Identities

This chapter considers how gay identities—and so gay affections—were formed in the course of the twentieth century, building on the late nineteenth-century invention of the ‘homosexual’. It also considers earlier construals of same-sex affections and the people who had them, the soft men and hard women of the first century and the sodomites of the eleventh. It thus sketches a history of continuities and discontinuities, of overlapping identities and emotional possibilities. The chapter resists the assumption that gay identity and experience can be reduced to anything less than the multitude of gay people, and that as Christians they have to give an account of themselves in a way that heterosexual Christians do not. The chapter warns against thinking gay identity undone in Christ.

scholarly journals Soviet Modernity: Stephen Kotkin and the Bolshevik Predicament

2014 ◽  
Vol 23 (2) ◽  
pp. 167-192 ◽  
Author(s):  
ANNA KRYLOVA
Keyword(s):  
Twentieth Century ◽  
Historical Analysis ◽  
Critical Discussion ◽  
Special Role ◽  
Master Narratives ◽  
Modern Times ◽  
Collective Property ◽  
History Of ◽  
The Subject ◽  
The Way

‘Modernity’ has long been a working category of historical analysis in Russian and Soviet studies. Like any established category, it bears a history of its own characterised by founding assumptions, conceptual possibilities and lasting interpretive habits. Stephen Kotkin's work has played a special role in framing the kind of scholarship this category has enabled and the kind of modernity it has assigned to twentieth-century Russia. Kotkin's 1995Magnetic Mountainintroduced the concept of ‘socialist modernity’. His continued work with the concept in his 2001Kritikaarticle ‘Modern Times’ and his 2001Armageddon Avertedmarked crucial moments in the history of the discipline and have positioned the author as a pioneering and dominant voice on the subject for nearly two decades. Given the defining nature of Kotkin's work, a critical discussion of its impact on the way the discipline conceives of Soviet modernisation and presents it to non-Russian fields is perhaps overdue. Here, I approach Kotkin's work on modernity as the field's collective property in need of a critical, deconstructive reading for its underlying assumptions, prescribed master narratives, and resultant paradoxes.

“An Essential Expression of the People”: Interpretations of Hasidic Song in the Composition and Performance History of Ernest Bloch's Baal Shem

2012 ◽  
Vol 65 (3) ◽  
pp. 777-820 ◽  
Author(s):  
Joshua S. Walden
Keyword(s):  
Twentieth Century ◽  
Jewish Identity ◽  
Art Music ◽  
Eastern European ◽  
Performance History ◽  
Jewish Communities ◽  
Jewish Music ◽  
The People ◽  
History Of ◽  
And Performance

Abstract This article examines Ernest Bloch's Baal Shem: Three Pictures of Chassidic Life, considering its score, its performance history, and early recordings of the second movement, “Nigun,” by Yehudi Menuhin, Joseph Szigeti, and Mischa Elman, to investigate the idea, promoted by the composer and many of his performers and critics, that the music represented Jewish identity through the evocation of Hasidic song. Bloch's score and Menuhin's performances were described as expressing what was often characterized during the early twentieth century as a self-affirming racial feeling that linked the modern diaspora in America to Eastern European Hasidic Jewish communities. With Baal Shem, Bloch and his performers and listeners participated in a self-conscious effort to construct a modern Jewish identity that they believed could be conveyed in the sounds and structures of art music. Menuhin's lifelong friendship and collaboration with Bloch underscores the crucial roles of Bloch's performers in working with the composer to devise compositional and performance tropes for the representation of Hasidic song, and in creating his broad reputation as a composer of a definitive Jewish music, a reputation Bloch would sometimes embrace and at other times disavow.

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