Semangat Reformasi Persembahan Umat Pasca Pembuangan Menurut Maleakhi 3:6-12

The tithe offering to God shows the repentance of the people to Him. Obedience in giving a true tithe offering is a practice of covenant between God and His people, but n its implementation, people break their covenants against God's decree. people still practice the wrong practices of worshipping God, especially regarding things. The real tithe is not of how much the people give to God, but rather a form of obedience to Him. This condition was conveyed by Malachi to the people of Israel. This study aims to analyze the text of Malachi 3:6-12 to gain an understanding of the spirit of reform of post-exile offerings. The method used in this study is qualitative by applying descriptive methods through the analysis of the social history of the text. In terms of the spirit of reform of the people after the exile according to the text of Malachi 4:6-12, it is obtained an understanding of the spirit of reform of the offering of the people as obedience through thanksgiving to God and to the common welfare.AbstrakPersembahan persepuluhan kepada Allah menunjukkan pertobatan umat kepada-Nya. Ketaatan dalam memberikan persembahan persepuluhan yang benar merupakan salah satu praktik perjanjian antara Allah dan umat-Nya, namun pada pelaksanaannya, umat melanggar perjanjian mereka terhadap ketetapan Allah itu. umat masih saja melakukan praktik peribadatan yang salah kepada Allah, khususnya mengenai persembahan perse-puluhan. Kondisi ini disampaikan Nabi Maleakhi kepada umat Israel. Penelitian ini bertujuan untuk menganalisa teks Maleakhi 3:6-12 untuk mendapatkan pemahaman semangat reformasi persembahan umat pasca pembuangan. Metode yang dipakai dalam penelitian ini adalah kualitatif, dengan menerapkan metode deskriptif melalui analisis sejarah sosial teks. Dalam hal semangat reformasi persmbahan umat pasca pembuangan menurut teks Maleakhi 4:6-12, maka didapatkan pemahaman mengenai semangat reformasi persembahan umat sebagai ketaatan melalui ucapan syukur kepada Allah dan untuk kesejahteraan bersama

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The Origins of Unions: Some Miscellaneous Sydney Workers in 1910

Journal of Industrial Relations ◽

10.1177/002218569103300301 ◽

1991 ◽

Vol 33 (3) ◽

pp. 295-308

Author(s):

Christopher Sheil

Keyword(s):

Social History ◽

Trade Union ◽

Occupational Group ◽

Social Conditions ◽

Union Formation ◽

Simple Fact ◽

Common Assumption ◽

The Social ◽

History Of ◽

The Common

In considering the causes and possible corrections for the current decline in Australian trade union membership, it may help to reflect on the origins of the movement. This article presents evidence and an argument about one aspect of the origins of the Federated Miscellaneous Workers Union (FMWU). The evidence concerns the social history of watchmen, caretakers and cleaners, who formed the original core of the union's membership. The argument is that these workers amounted to such an improbable basis for a union that the simple fact of their organization represents a substantial challenge to the common assumption in labour history that it is the cohesion of an occupational group that empowers it. To the extent that the origins of the union are typical, it can be suggested that the period of tremendous Australian trade union formation and growth between 1907 and 1913 owed much more to general political and, by extertsion, social conditions than it did to the specific circumstances of any particular section of workers.

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Curation as research. A case study in orphaned and underreported archaeological collections

Archaeological Dialogues ◽

10.1017/s1380203812000219 ◽

2012 ◽

Vol 19 (2) ◽

pp. 145-169 ◽

Cited By ~ 48

Author(s):

Barbara L. Voss

Keyword(s):

Social History ◽

Chinese Diaspora ◽

Overseas Chinese ◽

Archaeological Research ◽

Innovative Research ◽

Archaeological Collections ◽

The Social ◽

History Of ◽

The Common

AbstractAs archaeologists grapple with the international curation crisis, new attention is being given to the problem of ‘orphaned’ archaeological collections and collections that are underanalysed and underreported. The common rationale for curating such collections is to restore research potential, but such efforts are met with frustration because of the difficulties of re-establishing provenance and quantitative control for artefacts long separated from their original archaeological context. Moreover, most archaeologists view curation as a process that manages, rather than investigates, archaeological collections. To the contrary, this article argues that accessioning, inventory, cataloguing, rehousing and conservation are not simply precursors to research, but rather meaningful generative encounters between scholars and objects. Examples from the curation of the Market Street Chinatown archaeological collection illustrate how the process of curation can generate innovative research undertakings. Because archaeological research on this collection cannot proceed in a typical way, the research developed through the curation process departs from archaeological conventions to bring new perspectives on the social history of the Overseas Chinese diaspora.

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Imitating Africans, Listening for Angels

Journal of Musicology ◽

10.1525/jm.2021.38.2.141 ◽

2021 ◽

Vol 38 (2) ◽

pp. 141-182

Author(s):

Andrew A. Cashner

Keyword(s):

Native American ◽

Social History ◽

Harmonious Society ◽

Spanish Empire ◽

The People ◽

The Social ◽

Local Contexts ◽

The World ◽

African Slaves ◽

History Of

Church ensembles of Spaniards across the Spanish Empire regularly impersonated African and other non-Castilian characters in the villancicos they performed in the Christmas Matins liturgy. Although some scholars and performers still mistakenly assume that ethnic villancicos preserve authentic Black or Native voices, and others have critiqued them as Spaniards’ racist caricatures, there have been few studies of the actual music or of specific local contexts. This article analyzes Al establo más dichoso (At the happiest stable), an ensaladilla composed by Juan Gutiérrez de Padilla for Christmas 1652 at Puebla Cathedral. In this performance his ensemble impersonated an array of characters coming to Christ’s mangers, including Indian farm laborers and African slaves. The composer uses rhythm to differentiate the speech and movement of each group, and at the climax he even has the Angolans and the angels sing together—but in different meters. Based on the first edition of this music, the article interprets this villancico within the social and theological context of colonial Puebla and its new cathedral, consecrated in 1649. I argue that through this music, members of the Spanish elite performed their own vision of a hierarchical and harmonious society. Gutiérrez de Padilla was himself both a priest and a slaveholder, and his music elevates its characters in certain ways while paradoxically also mocking them and reinforcing their lowly status. Building on Paul Ricoeur’s concept of the “three worlds of the text,” the article compares the representations imagined within the musical performance with archival evidence for the social history of the people represented and the composer’s own relationships with them (the world behind the text). Looking to the world projected “in front of” the text, I argue that these caricatured representations both reflected and shaped Spaniards’ attitudes toward their subjects in ways that actively affected the people represented. At the same time, I argue that Spanish representations mirrored practices of impersonation among Native American and African communities, especially the Christmastide Black Kings festivals, pointing to a more complex and contradictory vision of colonial society than what we can see from the slaveholder’s musical fantasy alone.

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Sergey Timofeyevich Konenkov’s Mythopoetics

Observatory of Culture ◽

10.25281/2072-3156-2021-18-1-55-65 ◽

2021 ◽

Vol 18 (1) ◽

pp. 55-65

Author(s):

Elena I. Bulycheva

Keyword(s):

Social History ◽

New World ◽

European Origin ◽

Soviet Art ◽

Folk Traditions ◽

The Social ◽

History Of ◽

The Common ◽

Process Characteristic ◽

Ideological Context

The article deals with the features of mythopoetic models in S.T. Konenkov’s sculpture. Despite the fact that monographs, albums, dozens of articles are devoted to the maestro’s works and they are quite well studied, the nature of the mythologism of S.T. Konenkov’s artistic thinking has not been fully revealed. In the ideological context of Soviet art studies, which were based on the methodology of the “social history of art”, only the fact of the sculptor’s deep interest in archaic folk traditions was noted, while this topic can be considered as a natural manifestation of the myth-making process characteristic of the art of the 20th century as a whole. Using the example of S.T. Konenkov’s works, the article attempts to retrace the formation specifics of the “non-classical artistic language” of mythopoetics in the Russian land, which consisted in the fact that, unlike Western European artists who would immerse in the exotic world of archaic art of non-European origin (primarily Africa), Russian masters were fascinated by their home antiquity. When considering the mythological structures that served as the basis for the mythopoetic models of S.T. Konenkov’s sculptural projects, three basic groups can be conditionally distinguished: a direct appeal to ancient mythology, pagan Slavic reminiscences, and a mythological interpretation of a freshly created new world. It is thanks to myth-making that the characters of S.T. Konenkov’s sculptural compositions, despite all the heterogeneity of specific subjects, belong to the integrity of a single cosmos created by the mythopoetic consciousness of the maestro. At the same time, the common mythological foundations of the Russian sculpture development in that period determine the commonality of the mythopoetic models, characteristic not only of S.T. Konenkov’s works. In many ways, they are also quite clearly manifested in the works of S.D. Erzia, A.S. Golubkina, and others.

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The Ballad History of the Reign of James I

Transactions of the Royal Historical Society ◽

10.2307/3678360 ◽

1911 ◽

Vol 5 ◽

pp. 21-61 ◽

Cited By ~ 3

Author(s):

C. H. Firth

Keyword(s):

Social History ◽

The Political ◽

James I ◽

The People ◽

Political Events ◽

The Social ◽

History Of ◽

General Aspects ◽

Limited Period

A verylarge number of ballads written during the reign of James I have been preserved in various collections, though the dates of these productions are often obscured by the fact that those editions of them which have survived bear the imprint of publishers of a later time. The ‘Stationers' Registers,’ so far as the entry of ballads is concerned, were very carelessly kept during the twenty-two years that the king's reign covered, and during some years only two or three appear in the lists. Of those which can be dated, many are amorous and romantic ballads, or illustrate the general aspects of the social history of England during the whole century rather than the limited period with which we are concerned. There remain, however, after all these deductions, a considerable number of still extant ballads which supply a kind of commentary on the political events of the reign, and show what the feeling of the people was at the time when those events happened.

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ANDEH SETIA: Women's Economic Mobilizer in Sulit Air in Early 20th Century

HUMANISMA : Journal of Gender Studies ◽

10.30983/humanisme.v5i1.3675 ◽

2021 ◽

Vol 5 (1) ◽

pp. 11

Author(s):

Addi Arrahman

Keyword(s):

Social History ◽

20Th Century ◽

Early 20Th Century ◽

Economic Independence ◽

The People ◽

The Social ◽

History Of ◽

History Approach

Weaving handicrafts became the motor Minangkabau's economy at the beginning of the 20th. It encouraged the establishment of weaving centers, such as Amai Setia (1911) and Andeh Setia (1912). Amai Setia handicrafts' are still standing strong nowadays, while Andeh Setia is thus no longer known by the people of Sulit Air today. This paper uses the social history approach and exposes the history of the emergence and fall of Andeh Setia as an economic movement in Sulit Air. The establishment of Andeh Setia is inseparable from the role of ninik mamak and women in Sulit Air. Andeh Setia's success was ultimately drowned due to the loss of driving figures, the reduction in women's interest in weaving crafts, and the overflow of merantau. This finding also suggests that the economic independence of the people in Sulit Air, depends heavily on the role of perantau. This situation is thus an obstacle to the realization of economic independence. Kerajinan tenun menjadi penggerak perekonomian di Minangkabau pada awal ke-20. Ini mendorong terbentuknya pusat kerajaninan tenun, seperti Amai Setia (1911) dan Andeh Setia (1912). Kerajinan Amai Setia hingga saat ini masih dapat ditemukan, sedangkan Andeh Setia justeru tidak dikenal lagi oleh masyarakat Sulit Air hari ini. Padahal, pada tahun 1912, kualitas tenun Andeh Setia sangat diminati pasar. Itulah sebabnya, Andeh Setia menjadi penggerak ekonomi perempuan di Sulit Air. Artikel ini juga menemukan bahwa sebab hilangnya Andeh Setia adalah karena kehilangan tokoh penggerak, menurunnya minat kaum perempuan terhadap kerajinan tenun, dan menguatnya arus merantau.

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The Jesuits and Slavery

Journal of Jesuit Studies ◽

10.1163/22141332-0801p001 ◽

2020 ◽

Vol 8 (1) ◽

pp. 1-10

Author(s):

Adam Rothman

Keyword(s):

Social History ◽

Society Of Jesus ◽

Global History ◽

The People ◽

The Social ◽

History Of

Abstract Despite extensive historiography, most people are not aware that the Society of Jesus owned people. Even Jesuit historiography sometimes neglects that complicated history. The historiography of slavery, however, has long tapped into Jesuit sources and produced a rich scholarship on Jesuit debates over slavery and their slaveholding practices across the Americas. This essay places Jesuit slaveholding in the context of the Jesuits’ global history and argues that genealogical research and calls for reconciliation provide an opportunity to renew and reorient scholarship towards the social history of the people owned by the Jesuits.

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Archieve Media Promotion for Collective Memory Safety on Digital Natives Generations

Record and Library Journal ◽

10.20473/rlj.v5-i1.2019.50-61 ◽

2019 ◽

Vol 5 (1) ◽

pp. 50

Author(s):

Rom Ubaidillah Muhammad ◽

Ahdie Anwary

Keyword(s):

Collective Memory ◽

Social History ◽

Annual Report ◽

Digital Natives ◽

The People ◽

The Social ◽

History Of ◽

Mobile Phone Applications ◽

The Government ◽

State Archives

Background of the study: Archives as a collective memory of a nation make it important to be managed and disseminated to all Indonesian people, especially in the current generation of Indonesian youth, namely the generation of digital natives. The generation of young people being the successors of the Indonesian nation's struggle must know the long history of the social history of the people in Indonesia through archives. The government has made a solution through a conscious archive movement but in reality the conscious socialization of the archives seems to not be heard in the community especially by the generation of digital natives. Access to archives carried out domestically in ANRI's annual report in 2015-2016 shows that in 2015 there were 5,215 people and in 2016 there were 4,747, a decline in 2016 regarding access to archives.Purpose: This study aims to provide recommendations regarding the use of promotional media that can be carried out by ANRI institutions in maintaining the nation's collective memory, especially towards the generation of digital natives.Method: This paper uses a literature review method with data collection of various materials contained in the library, such as newspapers, books, magazines, manuscripts, documents and so on that are relevant to research with theoretical studies and literature.Findings: The results of this study indicate that the promotional media that is right for use by ANRI in promoting archives is through social media and media mobile phone applications based on the way of interaction of the generation of digital natives.Conclusion: With this research, it is expected that ANRI as the highest institution managing state archives can consider the importance of promotion for archives and utilizing promotional media for the general public, especially in the generation of digital natives

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THE ARCHITECTURE OF CONSTRUCTIVISM: THE CREATIVE TRANSFORMATION OF AESTHETIC CODES AND NARRATIVES

Creativity Studies ◽

10.3846/cs.2018.540 ◽

2018 ◽

Vol 11 (1) ◽

pp. 56-69 ◽

Cited By ~ 1

Author(s):

Larisa PISKUNOVA ◽

Liudmila STAROSTOVA ◽

Igor YANKOV

Keyword(s):

Visual Perception ◽

Social History ◽

Aesthetic Value ◽

Space Planning ◽

Avant Garde ◽

The People ◽

The Social ◽

History Of ◽

History Of Architecture ◽

Modernist Project

Abstract The architecture of constructivism (functionalism) has a kind of symbolic meaning associated with the modernist project. The authors conducted a study of the architectural avant-garde of Sverdlovsk, Russia which showed that the weak perception of the historical and cultural importance of constructivist buildings and complexes is associated not only with the lack of the people awareness, but also with the underestimation of their aesthetic value. Meanwhile, the study of space-planning solutions for specific architectural projects reveals really conceptual aesthetics of the buildings. In addition, the study of the social history of constructivist architectural complexes, conducted by the authors, helped us to identify and articulate their cultural and historical significance and to highlight in a creative way the visual perception of these architectural reference markers in the space of the city. The authors also rely on their own experience of the exhibition, publication and sightseeing activities. The analysis of this experience allows the authors to draw some conclusions about the practice of developing and shifting the visual perception of constructivist monuments by the people. The originality of the presented approach to the study of architecture is an appeal to the social history of architecture which helps to enhance its aesthetic value.

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