scholarly journals Works of fiction within social realism: experience of «double» life and «double» speech. Review of T. Sharova’s monograph «An author and text in social realism system: the nature of aesthetic conformism and the poetics of artistic compromise (based on the material of K. Gordienko’s works)» (Melitopol, 2019)

2020 ◽  
Vol 13 (22) ◽  
pp. 96-98
Author(s):  
Svitlana Zhurba ◽  
Keyword(s):  
Scientific Work ◽  
Social Realism ◽  
Fiction Writing ◽  
Interesting Approach ◽  
History Of ◽  
The Aesthetic ◽  
Adaptation Practices ◽  
First Time ◽  
Theoretical Issues

The critical research is aimed to review T. Sharova’s monograph «An author and text in social realism system: the nature of aesthetic conformism and the poetics of artistic compromise (based on the material of K. Gordienko’s works)». The attention is paid to the relevance of the book, defined in three aspects. First, the researcher shows one of the possible solutions to the important issue of aesthetic conformism and the poetics of compromise, due to socio-political and historical reasons. Secondly, a successful attempt to explore semantic inversions in the structure of «the patriarch of Ukrainian prose» K. Gordienko’s fiction text, whose work reflects the stages of artistic reorientation and the ways of «reconciliation» with reality, has been made. Third, an interesting approach to substantiation and testing of new mechanisms for the analysis of Soviet discursive practices based on a specific fiction material has been demonstrated. It is proved that sense and value of T. Sharova’s work is that the author focuses not only on historical and fiction issues, but also presents for the first time a number of theoretical issues, such as general markers of the socialist paradigm, «language of cooperation», political regulation of aesthetic norms, etc. Moreover, within the monograph, this aspect is considered both at the level of writer’s individual creative reactions and at the level of fiction writing strategies. The author of the scientific work has characterized the integral components of Ukrainian social realism and generalized the technology of formation and representation in the aesthetic conformism literature. It has been emphasized that the work of K. Gordienko, firstly, illustrates clearly the role of the artist in totalitarian conditions; secondly, it reflects the tragic result of balancing the ethical and aesthetic principles with the imposed Soviet «from above» style; thirdly, it reveals the adaptation practices of the author-creator, sheds light on the logic of both forced and voluntary conformism. In conclusion, T. Sharova’s monograph from a theoretical standpoint as well as historical and literary points of view makes a significant contribution to the study of the history of the twentieth century’s Ukrainian literature. In particular, a complex and ambiguous layer of social realistic literature has been studied.

Idleness and Freedom in Michel de Montaigne’s “Essays”

2019 ◽  
Vol 29 (1) ◽  
pp. 189-202
Keyword(s):  
Intellectual History ◽  
Ancient Rome ◽  
Spiritual Quest ◽  
Guiding Principle ◽  
Sextus Empiricus ◽  
History Of ◽  
Self Knowledge ◽  
The Aesthetic ◽  
The Relationship

The article advances a hypothesis about the composition of Michel de Montaigne’s Essays. Specialists in the intellectual history of the Renaissance have long considered the relationship among Montaigne’s thematically heterogeneous thoughts, which unfold unpredictably and often seen to contradict each other. The waywardness of those reflections over the years was a way for Montaigne to construct a self-portrait. Spontaneity of thought is the essence of the person depicted and an experimental literary technique that was unprecedented in its time and has still not been surpassed. Montaigne often writes about freedom of reflection and regards it as an extremely important topic. There have been many attempts to interpret the haphazardness of the Essays as the guiding principle in their composition. According to one such interpretation, the spontaneous digressions and readiness to take up very different philosophical notions is a form of of varietas and distinguo, which Montaigne understood in the context of Renaissance philosophy. Another interpretation argues that the Essays employ the rhetorical techniques of Renaissance legal commentary. A third opinion regards the Essays as an example of sprezzatura, a calculated negligence that calls attention to the aesthetic character of Montaigne’s writing. The author of the article argues for a different interpretation that is based on the concept of idleness to which Montaigne assigned great significance. He had a keen appreciation of the role of otium in the culture of ancient Rome and regarded leisure as an inner spiritual quest for self-knowledge. According to Montaigne, idleness permits self-directedness, and it is an ideal form in which to practice the freedom of thought that brings about consistency in writing, living and reality, in all of which Montaigne finds one general property - complete inconstancy. Socratic self-knowledge, a skepticism derived from Pyrrho of Elis and Sextus Empiricus, and a rejection of the conventions of traditional rhetoric that was similar to Seneca’s critique of it were all brought to bear on the concept of idleness and made Montaigne’s intellectual and literary experimentation in the Essays possible.

scholarly journals EXPRESS: Pulmonary Hypertension Associated With Neurofibromatosis Type 2

2021 ◽  
pp. 204589402110295
Author(s):  
Hirohisa Taniguchi ◽  
Tomoya Takashima ◽  
Ly Tu ◽  
Raphaël Thuillet ◽  
Asuka Furukawa ◽  
...  
Keyword(s):  
Pulmonary Hypertension ◽  
Neurofibromatosis Type ◽  
Pulmonary Vascular Remodeling ◽  
Life Threatening ◽  
History Of ◽  
Pulmonary Arterial ◽  
First Time

Although precapillary pulmonary hypertension (PH) is a rare but severe complication of patients with neurofibromatosis type 1 (NF1), its association with NF2 remains unknown. Herein, we report a case of a 44-year-old woman who was initially diagnosed with idiopathic pulmonary arterial hypertension (IPAH) and treated with PAH-specific combination therapy. However, a careful assessment for a relevant family history of the disease and genetic testing reveal that this patient had a mutation in the NF2 gene. Using immunofluorescence and Western blotting, we demonstrated a decrease in endothelial NF2 protein in lungs from IPAH patients compared to control lungs, suggesting a potential role of NF2 in PAH development. To our knowledge, this is the first time that precapillary PH has been described in a patient with NF2. The altered endothelial NF2 expression pattern in PAH lungs should stimulate work to better understand how NF2 is contributing to the pulmonary vascular remodeling associated to these severe life-threatening conditions.

Fracturismul în câmpul literar românesc

Transilvania ◽  
2021 ◽  
pp. 1-18
Author(s):  
Mihnea Bâlici
Keyword(s):  
Social Reality ◽  
Literary Field ◽  
Cultural Expression ◽  
Literary Expression ◽  
History Of ◽  
A Priority ◽  
The Aesthetic ◽  
Revolutionary History ◽  
Contemporary Author

Fracturism proved to be the “spearhead” of the 2000 generation. The first and by far the most radical literary group formed after 1989, this promotion became the cultural expression of a difficult context in the post-revolutionary history of Romania. The aim of this study is to analyze the origin, the function and the effects of the Fracturist ideas proposed by Marius Ianuș and Dumitru Crudu in 1998. Most literary interpretations failed to capture the specificity of this promotion. This is due to the fact that the aesthetic program was never a priority for the Fracturists. It can be emphasized that Fracturism appeared in a specific set of historical, political, social, institutional and cultural circumstances. The present analysis aims to clarify the complex links between the difficult post-communist transition, the crisis of the Romanian literary field and the ostentatious literary expression of the new authors. In this regard, a certain performative dimension of fracturism can be theorized: the poets and prose writers of the new millennium will militate against a distressing social reality by changing the very role of the contemporary author.

scholarly journals Features of positioning of German university libraries on official websites

2021 ◽  
pp. 43-52
Author(s):  
N. Khymytsia ◽  
M. Kuchma
Keyword(s):  
Rock Music ◽  
Music Programs ◽  
University Libraries ◽  
Sound Recordings ◽  
Cultural Phenomenon ◽  
Creative Music ◽  
History Of ◽  
Historical Phenomenon ◽  
First Time

The problem of space music as a special cultural phenomenon requires scientific understanding. The purpose of the article is to study the features of the emergence and development of space rock as a specific trend in modern popular culture using the history of the “HAWKWIND” group as an example. The chronology of sound recordings of the “HAWKWIND” group as one of the founders of the “Space Rock Music” is established. The role of Dave Broсk, Bob Kalvert and other group participants in the creation of creative music programs is noted. It is proved that these musicians are the principles of the historical phenomenon, which received popularity as “Space Rock”. For the first time, the analysis of “HAWKWIND” sound documents through the prism of the history of space music development has been proposed.

THE HISTORY OF THE "TURKESTAN COLLECTION" AND THE ROLE OF VLADIMIR IZMAYLOVICH MEZHOV IN ITS STRUCTURE

2021 ◽  
Vol 4 (6) ◽  
pp. 56-61
Author(s):  
Farhod U. Rayimov ◽  
Keyword(s):  
Central Asia ◽  
Scientific Work ◽  
History Of ◽  
Foundation Stone

This article focuses on the history of the Turkestan Collection and the work of Vladimir Izmailovich Mejov, who laid the foundation stone for its creation. The article also elaborates on Mejov’s origins, how he formed the collection, the government’s attitude to him, and the reasons whyhe didn’t make it. At the same time, it is explained in detail why the "Turkistan Collection" created by Mejov stopped, and who formed the last parts of the collection. It was concluded that the "Turkestan Collection", created as a result of Medjov's scientific work, contains valuable information not only about the history, culture and traditions of Central Asia, but also about neighboring countries.Index Terms: Turkestan Collection, Meyjov, Central Asia, Governor-General of Turkestan, Kaufman, Rosenbach

Historiosophy of N.Ya. Danilevsky

2020 ◽  
Vol 58 ◽  
pp. 13-17
Author(s):  
Victor V. Aksyuchits
Keyword(s):  
20Th Century ◽  
World History ◽  
Russian Culture ◽  
Russian People ◽  
The World ◽  
History Of ◽  
First Time

According to the author of the article, N.Ya. Danilevsky anticipated a lot of ideas of the 20th century, in particular those of O. Spengler and A. Toynbee, by offering his concept of cultural and historical types in the book “Russia and Europe”. At the same time N.Ya. Danilevsky was in many aspects the follower of Slavophils while interpreting the originality of Russian people and Russian culture. After the turn of the educated society circles to Russian national self-comprehension initiated by Slavophils, N.Ya. Danilevsky not only scientifically formulated the problems brought forth by the Slavophils, but also offered for the first time the resolution of new important questions by analyzing the world history and the history of Slavic peoples. The author especially stresses the role of N.Ya. Danilevsky in creating the historiosophic concept that forestalled the epoch for many decades.

Agafonov’s Early Kharkiv Creative Period: Dialogue with the Theatre

2020 ◽  
Vol 2020 (3) ◽  
pp. 82-93
Author(s):  
V. Chechyk ◽  
Keyword(s):  
Art History ◽  
Artistic Practice ◽  
Partial Reconstruction ◽  
Theatrical Space ◽  
Native Art ◽  
History Of ◽  
Artistic Values ◽  
First Time ◽  
History Of Formation

This article is dedicated to the study of the nature of E. Agafonov’s creative ties with the theater – a topic that has been insufficiently covered in the native art history. The author’s field of view is set in the artist’s early Kharkiv period, marked as the years of 1905–1913. The article focuses on the exceptional role of E. Agafonov in the organization and the artistic practice of the first modernist theater “Blakytne Oko” in Kharkiv (1909–1911). Agafonov belonged to the constellation of masters who was very sensitive to the problem of evolving the artistic speech. He viewed the theater as a convincing platform for promoting and approving of the latest artistic values, discovered by Impressionism and Post-Impressionism. Experiments in easel art (with color, plastic, line, techniques, materials, etc.), largely inspired by the work of D. Burliuk (1906–1908), were directly reflected in Agafonov’s stage practice, namely in numerous designs of the modernist productions based on plays by M. Maeterlinkc, A. Schnitzler, S. Pshybyshevsky and O. Blok. In turn, it was established that theatrical motives were reflected in E. Agafonov’s easel art, as well as in the art of the students of his artistic studio – O. Rybnikov, I. Terentyev, M. Sinyakova, and K. Storozhnichenko. In this regard, a special attention is given to the linocuts by F. Nadezhdin. It was found that the program of “total” design of theatrical space (stage and auditorium), as well as the implementation of production ideas in the cabaret theater “Blakytne Oko” were the result of the master’s fascination with the concepts of artistic synthesis, actualized in the era of Modern. Agafonov moved from dramatization of paintings (of A. Beklin, F. Malyavin, and O. Rodin) to staging experimental show-programs like “The Evening of Autumn”, “Visiting Pierrot” and “In the Middle of Nowhere”, partial reconstruction of which was undertaken for the first time by the author of the article. Agafonov was close to the idea of artistic synthesis, identified by him in F. Malyavin’s paintings, in V. Komissarzhevska’s theatre and I. Duncan’s choreography. The study of E. Agafanov’s theatrical art expands the understanding of the history of formation and development of Ukrainian scenography at the beginning of the twentieth century.

Learning from a Frozen Ocean: The Changing Face of Antarctic Ocean Ecology

2016 ◽  
Author(s):  
Hugh W. Ducklow
Keyword(s):  
Research Collaboration ◽  
Scientific Work ◽  
Principal Investigator ◽  
Rate Of Change ◽  
Short Term ◽  
Temporal Perspective ◽  
Ocean Science ◽  
Long Term Ecological Research ◽  
History Of ◽  
First Time

The temporal perspective provided by the Long-Term Ecological Research (LTER) program places individual, limited, short-term observations and experiments in a valuable context. Proper interpretation of short-term results may be incomplete without a longer-term perspective. This often makes me skeptical of individual studies. The remote location and harsh environment of Antarctica place special demands and constraints on research, collaboration, and education. Meeting these challenges is one of the most exhilarating aspects of our LTER project. Keeping the proper balance between maintaining continuity of observations and keeping the research program new and innovative is another key challenge for research in the LTER program. But rather than constraining them, the ongoing nature of the LTER program facilitates and enhances creative observations and innovation. In 2001, I joined the LTER network as lead principal investigator for the Palmer LTER project (PAL), one of two pelagic marine sites in the LTER network. That was my first formal exposure to the LTER program, about midway through my scientific career. After majoring in the history of science in college, I received my PhD in environmental engineering from Harvard in 1977. I was originally trained as an environmental microbiologist and gradually evolved into a biological oceanographer and ocean biogeochemist. Prior to joining PAL, I worked in other large, multidisciplinary, and interdisciplinary ocean science programs. In addition to leading PAL, I study the roles of ocean microbes in the biogeochemical cycling of carbon and other elements in the ice-influenced ocean surrounding Antarctica. As a principal investigator, I participate in planning and guiding the LTER network. Network participation has significantly broadened my perspective on my own personal scientific work. This participation has been one of my more interesting and fulfilling experiences as a scientist. Over the past 20 years, research has shown that the western Antarctic Peninsula is one of the most rapidly warming regions on earth, and we are gradually beginning to understand how the ecosystem is responding to this unprecedented rate of change. Joining PAL changed my life. (Actually, going to Antarctica for the first time changed my life, but the LTER program gave me the opportunity to go there every year.)

Τὸ καλόν as a Criterion for Judging Innovation (τὸ καινόν) in Greek Musical Pedagogy

2019 ◽  
Vol 7 (1) ◽  
pp. 21-32
Author(s):  
Antonietta Gostoli
Keyword(s):  
Lyric Poetry ◽  
Fourth Century ◽  
Epic Poetry ◽  
History Of ◽  
The Aesthetic ◽  
And Training

Abstract The Pseudo-Plutarchan De musica provides us with the oldest history of Greek lyric poetry from pre-Homeric epic poetry to the lyric poetry of the fourth century BC. Importantly, the work also contains an evaluation of the role of music in the process of educating and training citizens. Pseudo-Plutarch (Aristoxenus) considers the καλόν in the aesthetic and ethical sense, which makes it incompatible with the καινόν dictated by the new poetic and musical season.

scholarly journals It’s All in the Reading

Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 19
Author(s):  
Déirdre Kelly
Keyword(s):  
Contemporary Art ◽  
Mass Production ◽  
Large Scale ◽  
Book Production ◽  
Art Practice ◽  
The Arts ◽  
History Of ◽  
First Time ◽  
The City

It seems inherent in the nature of contemporary artist’s book production to continue to question the context for the genre in contemporary art practice, notwithstanding the medium’s potential for dissemination via mass production and an unquestionable advantage of portability for distribution. Artists, curators and editors operating in this sector look to create contexts for books in a variety of imaginative ways, through exhibition, commission, installations, performance and, of course as documentation. Broadening the discussion of the idea of the book within contemporary art practice, this paper examines the presence and role of book works within the context of the art biennale, in particular the Venice Art Biennale of which the 58th iteration (2019) is entitled ‘May You Live In Interesting Times’ and curated by Ralph Rugoff, with an overview of the independent International cultural offerings and the function of the ‘Book Pavilion’. Venetian museums and institutions continue to present vibrant diverse works within the arena of large-scale exhibitions, recognising the position that the book occupies in the history of the city. This year, the appearance for the first time, of ‘Book Biennale’, opens up a new and interesting dialogue, taking the measure of how the book is being promoted and its particular function for visual communication within the arts in Venice and beyond.

Sign in / Sign up

Export Citation Format

Share Document