"The Mobile Shall Worship Thee": Cant language in Thomas Shadwell’s The Squire of Alsatia (1688)

Sederi ◽  
2016 ◽  
pp. 175-193
Author(s):  
Paula Schintu Martínez

The dramatic increase in criminality in sixteenth-century England was behind the emergence of a new type of literary work known as “rogue literature,” which dealt with the life and activities of beggars and lawbreakers. These rogues’ language, cant, became a major concern for many authors, who attached glossaries to their works for the benefit of those who were not familiar with it, marking the beginning of canting lexicography. It is within this framework that Thomas Shadwell (1640–1692) wrote his famous The Squire of Alsatia (1688), which is the focus of this study. This paper explores the use of cant language in this celebrated play from a linguistic and lexicographic point of view, arguing that its profuse employment of canting terminology, much of which is first documented in the play, made a significant contribution to studies in canting lexicography and proved its reliability as a historical portrait of seventeenth-century English cant.

2020 ◽  
Vol 6 (2) ◽  
pp. 356-361
Author(s):  
A. Antipina

The article uses the model of classical, non-classical and post-non-classical rationality. Post-non-classics is defined in the perspective of increasing the dependence of the object of Science on its method; the paper also analyzes the subjectivity of a new type in the modern theory of knowledge. On the basis of the undertaken analysis, the conclusion is made about the adequacy of phenomenological sociology of a new type of paradigmality — both its General worldview principles and transformations of the social theory itself. Thus, it is shown that phenomenological sociology makes a significant contribution to overcoming the extremes of mentalism and behaviorism in the explanation of human actions by social theory; from the point of view of the General ideological orientation, phenomenology outlines a new vector of relations between natural science and humanitarian knowledge.


2021 ◽  
pp. 44-81
Author(s):  
N.B. Mankovskaya ◽  

The article reconstructs the early romantic philosophical aesthetics of Madame de Stael, which was embodied in her literary work. She made a significant contribution to the creation of the theory of romanticism, compared the romantic and classical types of creativity. De Stael was one of the first French romantics to use the term “romanticism”, define it and analyze from a philosophical and aesthetic point of view a number of key concepts for this new direction of artistic life: love, passion, enthusiasm, spirituality, sensitivity, reflection, self-reflection, melancholy, self-sacrifice, loneliness, alienation, imagination, inspiration, imagery, aesthetic pleasure, taste, talent, genius, ideal. She conceptualized the trend that would become prevalent in mature romanticism — a combination of the incongruous, sharp contrasts and tragic collisions of opposite principles — the sublime and the low, the beautiful and the ugly. De Stael attached particular importance to the national characteristics of artistic creativity, its rootedness in popular culture, and the influence of social institutions on art. She made a significant contribution to the development of aesthetic aspects of literary theory, put forward an innovative thesis about the “metaphysical” language that distinguishes the romantic style. The aesthetic vector of de Stael is directed to the future associated with the development of romantic art. All these ideas were reflected in her literary works.


1998 ◽  
Vol 2 (2) ◽  
pp. 158-179 ◽  
Author(s):  
John W Cairns

This article, in earlier versions presented as a paper to the Edinburgh Roman Law Group on 10 December 1993 and to the joint meeting of the London Roman Law Group and London Legal History Seminar on 7 February 1997, addresses the puzzle of the end of law teaching in the Scottish universities at the start of the seventeenth century at the very time when there was strong pressure for the advocates of the Scots bar to have an academic education in Civil Law. It demonstrates that the answer is to be found in the life of William Welwood, the last Professor of Law in St Andrews, while making some general points about bloodfeud in Scotland, the legal culture of the sixteenth century, and the implications of this for Scottish legal history. It is in two parts, the second of which will appear in the next issue of the Edinburgh Law Review.


Author(s):  
Daniel R. Melamed

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.


Author(s):  
Bridget Heal

Chapter 5 focuses on one particular type of Lutheran devotional image: the crucifix. It examines transformations in Lutheran Passion piety from the early Reformation to the era of Paul Gerhardt (1607–76), using this to illustrate the increasing significance accorded to images. Luther himself had condemned the excesses of late-medieval Passion piety, with its emphasis on compassion for Christ and the Virgin Mary, on physical pain and on tears. From the later sixteenth century onwards, however, Lutheran sermons, devotional literature, prayers and poetry described Christ’s suffering in increasingly graphic terms. Alongside this, late-medieval images of the Passion were restored and new images were produced. Drawing on case studies from the Erzgebirge, a prosperous mining region in southern Saxony, and Upper Lusatia, the chapter investigates the ways in which images of the Passion were used in Lutheran communities during the seventeenth century.


Author(s):  
Scott C. Levi

While it may seem counterintuitive, the increase in Mughal India’s maritime trade contributed to a tightening of overland commercial connections with its Asian neighbors. The primary agents in this process were “Multanis,” members of any number of heavily capitalized, caste-based family firms centered in the northwest Indian region of Multan. The Multani firms had earlier developed an integrated commercial system that extended across the Punjab, Sind, and much of northern India. In the middle of the sixteenth century, Multanis first appear in historical sources as having established their own communities in Central Asia and Iran. By the middle of the seventeenth century, at any given point in time, a rotating population of some 35,000 Indian merchants orchestrated a network of communities that extended across dozens, if not hundreds, of cities and villages in Afghanistan, Central Asia, and Iran, stretching up the Caucasus and into Russia.


Author(s):  
Jonathan Hehn

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.


Information ◽  
2020 ◽  
Vol 12 (1) ◽  
pp. 13
Author(s):  
Thierry Bellet ◽  
Aurélie Banet ◽  
Marie Petiot ◽  
Bertrand Richard ◽  
Joshua Quick

This article is about the Human-Centered Design (HCD), development and evaluation of an Artificial Intelligence (AI) algorithm aiming to support an adaptive management of Human-Machine Transition (HMT) between car drivers and vehicle automation. The general principle of this algorithm is to monitor (1) the drivers’ behaviors and (2) the situational criticality to manage in real time the Human-Machine Interactions (HMI). This Human-Centered AI (HCAI) approach was designed from real drivers’ needs, difficulties and errors observed at the wheel of an instrumented car. Then, the HCAI algorithm was integrated into demonstrators of Advanced Driving Aid Systems (ADAS) implemented on a driving simulator (dedicated to highway driving or to urban intersection crossing). Finally, user tests were carried out to support their evaluation from the end-users point of view. Thirty participants were invited to practically experience these ADAS supported by the HCAI algorithm. To increase the scope of this evaluation, driving simulator experiments were implemented among three groups of 10 participants, corresponding to three highly contrasted profiles of end-users, having respectively a positive, neutral or reluctant attitude towards vehicle automation. After having introduced the research context and presented the HCAI algorithm designed to contextually manage HMT with vehicle automation, the main results collected among these three profiles of future potential end users are presented. In brief, main findings confirm the efficiency and the effectiveness of the HCAI algorithm, its benefits regarding drivers’ satisfaction, and the high levels of acceptance, perceived utility, usability and attractiveness of this new type of “adaptive vehicle automation”.


1976 ◽  
Vol 26 ◽  
pp. 211-228 ◽  
Author(s):  
G. R. Elton

WHEN on the previous two occasions I discussed Parliament and Council as political centres, as institutions capable of assisting or undermining stability in the nation, I had to draw attention to quite a few unanswered questions. However, I also found a large amount of well established knowledge on which to rely. Now, in considering the role of the King's or Queen's Court, I stand more baffled than ever, more deserted. We all know that there was a Court, and we all use the term with frequent ease, but we seem to have taken it so much for granted that we have done almost nothing to investigate it seriously. Lavish descriptions abound of lavish occasions, both in the journalism of the sixteenth century and in the history books, but the sort of study which could really tell us what it was, what part it played in affairs, and even how things went there for this or that person, seems to be confined to a few important articles. At times it has all the appearance of a fully fledged institution; at others it seems to be no more than a convenient conceptual piece of shorthand, covering certain people, certain behaviour, certain attitudes. As so often, the shadows of the seventeenth century stretch back into the sixteenth, to obscure our vision. Analysts of the reigns of the first two Stuarts, endeavouring to explain the political troubles of that age, increasingly concentrate upon an alleged conflict between the Court and the Country; and so we are tempted, once again, to seek the prehistory of the ever interesting topic in the age of Elizabeth or even Henry VIII.


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