scholarly journals COMPARATIVE ANALYSIS OF SOCIAL POETRIES OF EMILY DICKINSON AND MIGJENI

Author(s):  
Hyreme Gurra ◽  
Vjolica Berisha

This paper draws a comparison between two selected poets, Emily Dickinson and  Milosh Gjergj Nikolla which were not separated from each other by a century but  belonged to different gender groups and lived in different continents. In this  paper we are  going to analyse both of these poets’  major works and also we are going to emphasize what two poets have in common and what differs them. Inspired by the conditions and circumtancies of their nations, social theme was the  main theme which left its impact on all their  thinking and gave its tint to the majority of their poems. Not many poets or writers of that time were able to reflect on what concerned people, in this artistic and brave way as they did. They raised their voice against many issues and revealed this on their innovative and original creations. Both of them encouraged humans to indulge in a healthy level of doubt and scepticism, but not to the point of nihilistic despair. They searched for hope within another source – the human body comprising of a pure soul, which itself according to them, always contains a spark of divinity.

Author(s):  
E. B. Mirzoev ◽  
◽  
V. O. Kobyalko ◽  
O. A. Gubina ◽  
N. А. Frolova ◽  
...  

The content of lead in the liver, kidneys and spleen of male rats of the Wistar line was studied in chronic metal intake at doses of 0,0019; 0,0023 and 0,0039 mg/ kg of body weight. Clinically healthy animals (120 heads, age of 3-4 months) were divided into 4 (four) groups of 30 heads each. Group 1 of animals received basic diet and served as control. Rats of 2, 3 and 4 groups (experiment) received 5 g of meat with different concentrations of lead daily for 180 days of study with the main diet. The content of lead in meat did not exceed the permissible level (0,5 mg/kg) and was 0,13; 0,16 and 0,27 mg/kg, respectively. Samples of organs and tissues were taken of 5 (five) animals from each group for the 30, 60, 90, 120, 150 and 180 day of intoxication. Chronic intake of lead with a diet in male rats at doses of 0,0019; 0,0023 and 0,0039 mg/kg of body weight led to increasing of the concentration of metal in the liver, kidneys and spleen. The maximum values of the index were observed in animals of 4 groups, which received lead at a dose of 0,0039 mg/kg of body weight. The comparative analysis of lead concentration in organs revealed the maximum levels of metal in the kidneys, which exceeded the standards in the by-products of slaughter animals established both in Russia and in Europe. The received results allow to speak about necessity of revision of the permissible content of lead in meat and meat products of slaughter animals specified in Russian Federation (0,5 mg/ kg) and daily admission to the human body (0,0036 mg/kg of body weight) recommended by WHO.


Keruen ◽  
2020 ◽  
Vol 4 (69) ◽  
Author(s):  
Zh. A. Axakalova ◽  

The article by Aksakalova Zh. А. "The Search for spiritual psychology of M.Bekeev in the genre of everyday life" is devoted to the work of the talented Kazakh artist Marat Bekeev, contributing to the development of the modern Kazakh art. The article is focused on the artistic creativity of the artist and widely analyzes the works on the theme of "childhood". Through the stylistic and comparative analysis of the works were identified peculiar features of the artist, the ability to create compositions and maintain color harmony. At the same time, it was identified philosophical, psychological, spiritual, ideological, and meaningful search for the main theme of the artist's work.


2005 ◽  
Vol 11 (2) ◽  
pp. 95-100
Author(s):  
Valerija Marina

The paper presents a comparative analysis of English and Lithuanian metaphorical terms based on the names of the parts of human body, plants, animals, materials, clothes, utensils, etc. The analysis is aimed at identifying their common and differing features as well as spotting the specific patterns of English terms presenting difficulties for speakers of Lithuanian in their comprehension, translation and usage. It has been found that metaphorical terms are used by both languages, however, they are more common in English. The differences lie not only in the number of the respective terms but in the semantic structure as well. English terms of the models considered often do not allow for literal translation. The difficulties of their comprehension and translation may be overcome by applying the theory of linguistic relativity. Different approaches of the English and Lithuanian languages to classifying the objects of reality are also considered within the framework of linguistic relativity and some case studies are presented.


2014 ◽  
Vol 7 (3) ◽  
pp. 44-49
Author(s):  
Olga a. BOndarenkO ◽  
◽  
alexey g. danilOv ◽  
valeriy v . eskOv ◽  
aBduZHalil MOnOnOv ◽  
...  

2020 ◽  
Author(s):  
Sergelen Batchuluun ◽  
Orgilbold Narandorj

This article describes the results of a comparative analysis of the ancient Greek sculpture Doryphoros in the western and eastern art canons, as well as the selected sculptures of the Bodhisattva Bodhisattva Maitreya from Gandharan, Indian, Nepalese, and Mongolian art. The authors also explore and integrate the aspects of the artistic notion of an ideal beauty, including aspects of oriental philosophy, aesthetics, human body’s proportion and compilation theory. This comparative analysis is based on G. Zanabazar’s sculpturing features and his skills through theoretical aspects. Studies have shown that Zanabazar’s Bodhisattva Maitreya is fully compatible with the classic western proportions and Buddhist strict canon. We show that both western and eastern artistic iconography have been developed to produce perfection in anthropomorphic expression. The classic correspondence was in religious art, as the western mentality seems to be the opposite and the imitation of both nature and the beauty of one’s sense of beauty. Keywords: human body proportion relevance with art, corporeality, Buddhist art, Zanabazar, Bodhisattva Bodhisattva Maitreya, golden ratio, artistic canon


2019 ◽  
Vol X (2 (27)) ◽  
pp. 27-46
Author(s):  
Dariusz Chemperek

The school theatre in a Protestant gymnasium in Leszno bloomed between 1639 and 1656 thanks to, amongst others, Jan Amos Komenski. One of the plays staged there was a drama Susanna, ex Danielis 13, tragoedia (1646) probably written by Jan Jerzy Szlichtyng who used the virtuous Susanna’s theme from the Bible in an original and yet utilitarian way. The author reduced theological and moral content, present in other adaptations of this theme, in order to focus on showing the stages of court proceedings in Poland, so the young actors – Lesnaeum students – had a chance of gaining some valuable knowledge about the law and practice the useful court rthetoric in Latin. The first act of the play, being an introduction to the main theme of the play (law and rhetoric in court) was taken by Szlichtyng (?) from a neolatin drama of Nikodem Frischlin, namely Susanna comoedia nova (1577). The comparative analysis of the original and the 17th century’s adaptation leads to a conclusion about the decorum of manners in the Protestant gymnasium. The Polish author removed not only the sexual abuse thread – Susanna strongly molested by the elders and forced to prostitution – but also passages from Frischlin regarding the use of rhetoric in ars amandi, as well as the heroine’s tirades proving her intelligence and scriptural erudition. As a result, the elders’ image has been a little whitewashed and Susanna appears solely as a chaste and noble wife. Such a representation of the heroine – honest but not too sophisticated – and elders – cunning but not too lecherous – was in a harmony with the 17th century’s cultural conventionalities unfamiliar with mulier docta and demanding that youth respects the elderly.


Africa ◽  
1964 ◽  
Vol 34 (4) ◽  
pp. 314-325 ◽  
Author(s):  
Victor W. Turner

Opening ParagraphIt is greatly to the credit of the editors of Witchcraft and Sorcery in East Africa that they have made generally available ten systematic accounts of witch beliefs in East and Central African societies. All teachers of anthropology must surely be grateful to them on this account alone. Moreover the book is spiced with many insights into sociocultural problems connected with the main theme. A permissive editorial policy has stimulated a rich diversity of viewpoints and presentations. But one is left with the feeling that Monica Wilson's plea for the comparative analysis of these ‘standardized nightmares’—a plea which forms the book's motto—as one of the ‘keys to the understanding of society’ has not met here with a wholly satisfactory response.


2021 ◽  
Vol 9 (10) ◽  
pp. 2472-2480
Author(s):  
Avula Srinivas

Jwara is one of the dreadful diseases, which affects the human body, mind as well as senses. The Jwara has been described in Charaka Samhita and Sushruta samhita in detail. Charaka Samhita is considered as medicine orient- ed where it is mentioned that due to Nidana the aggravated Dosas afflicts the Amasaya, mixes up with Agni and causes Sroto avarodha of Rasa and Sweda and further suppresses the Agni and expels heat from the site of diges- tion and spreads all over the body results in the Jwara. Whereas Sushruta Samhita is having the influence of sur- gical interventions mentions that a man comes to this world with Jwara and departs with it. Jwara was originated from the wrath of Lord Rudra, it is considered the king of all diseases and destroyer of all creatures. Jwara is also found in other literature like mahabharatas and Puranas etc, as Jwara destroys the body as well as Dhatus, it is called Kshaya, as Jwara produces Moha it is also called as Tama and as it kills the person like Yamaraja it is called as Yamatmaka. So here an attempt has been made to understand the Jwara chikitsa siddhanta (principles) among the Charaka samhita and Sushruta samhita with their similarities and specifications. Keywords: Jwara, Charaka samhita, Sushruta samhita, Fever.


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