scholarly journals Religiosity in Charles Dickens’ Novel a Christmas Carol Through Genetic Structural Method

This study aims to examine comprehensively the meaning and the existence of religiosity in Charles Dickens’ Novel A Christmas Carol. It is a qualitative research using a structural genetic approach. The data were collected from the text of the novel and analyzed through a content analysis. The results of this study are as follows: (1) Autonomous structures of the novel such plot, character, setting and theme have a coherent as a whole and are interconnected to describe the problem of religiosity in the novel A Christmas Carol which indicate transformation of religiosity such as religious belief, religious practices and religious values to improve the quality of human life. (2) Social structure of English Society in Industrial Revolution indicates its significance in describing social context of English society in the novel of A Christmas Carol. Such as, the problem of population density, low labor salaries, the high cost of daily living in the City of London, and the degradation of religiosity in the British Society. (3) The author’s world view indicates the need of change of man’s religiosity through his or her affection of social and religious experience to recover the meaning and the application of religiosity in human life especially in the aspect of solidarity. religiosity based on structural genetics, the autonomous structure of the novel A Christmas Carol, the social structure of British society during the Industrial Revolution, and the worldview of the author has a unified whole to prove that there is a homologous relationship between social reality, especially religions of British society during the Industrial Revolution

2020 ◽  
pp. 26-58
Author(s):  
Jessica R. Valdez

While Benedict Anderson has argued that newspapers enable readers to imagine national community, Charles Dickens’s writings are attentive to the varying ways that the newspaper press might shape, inhibit, or fragment community through its uncontrolled production of miscellaneous content and matter. This first chapter shows the growing distinction that Dickens drew between fiction and nonfiction, novel and newspaper, in his communal visions for serial publication. Early Dickens characterised the newspaper press as a meteorological force of destruction, a thunderstorm threatening to engulf the city of London, yet continually produced to meet the endless public appetite for more news. Over the course of his career, Dickens experimented with other metaphors for the working of serial narrative and its influence on a reading public. From an intangible creature telling stories to a weaver at his loom, Dickens encourages readers to see the instance of a particular serial output linked to its larger structure over time. In doing so, he privileges the power of serial fiction to cultivate new ways of envisioning community.


2007 ◽  
Vol 5 (3) ◽  
pp. 415
Author(s):  
Fahruddin Faiz

The patriarchal culture that is gender biased has been proven to bring a negative effect in the harmony of human life. Men and women ideally must complete one-another and support each other in different ways. However patriarchal culture has made men became the main actors, dominant and hegemonic, and women became the figurant side, on the border and unable to express themselves. This 'sidedness' in the world of informational technology is one of the real facts in this problem. This article tries to prove how women's access to the technological world has been 'walled' since the beginning and how women are positioned only as a profitable object by exploiting their body and sexuality by technological practitioners. In the end of this article, the writer advises the need of a world-view patriarchal deconstruction, a cultural revolution, and a reformation of social structure as a way out of this problem.


2000 ◽  
pp. 41-58
Author(s):  
Brittany Roberts

The British short story is still an understudied form in Victorian studies, and particularly so in studies of sensation fiction. Despite rich and growing scholarship on sensation fiction and its relationship with literary markets and commodity culture, scholars have a had a difficult time shaking off its enduring brand “the novel with a secret,” which has problematically discounted an incredible body of periodical fiction that falls “short” of our expectations about what this kind of fiction looks like. Short periodical works, however, are crucial if we are to understand the nexus of consumerism, mass marketing, social anxiety, and literary production that first peaked in the 1860s, things which have largely come to organise our understanding of what was so sensational about this historical moment in time. This essay compares short and long works from Wilkie Collins, Charles Dickens, Ellen Wood, and J.S. Le Fanu to explore how short stories could take up common themes and features of sensation novels (mistaken identity, unchecked passion, family secrets, shocking revelations, etc.) while also considering how formal considerations of length encouraged greater reliance on impressions and feelings to resolve conflicts in the text. These sensation stories so often suggest that deviance is best discerned through the body rather than the mind, and they create a path to pleasurable revelation where trusting one’s gut offers the most effective form of policing. These supposedly “unimportant” periodical works – sensational not only in the way they glutted periodicals with their sheer volume – could in turn promote suspicion and distrust in readers that were capable of damaging real-life bonds and relationships. Although short fiction could provoke anxieties about shifting roles and hierarchies in an increasingly fast-paced, automated British society, the tremendous visibility of the novel effectively shielded them from comparable criticism.


2017 ◽  
Vol 17 (1) ◽  
pp. 102
Author(s):  
Siti Nurfitriani

This study aims to determine the social reality in the novel Pulang  Leila Chudori works were assessed on the basis of genetic structuralism approach. Social reality examined in this study extend short story structure, social structure, and the author's view of the world (world view). The method used in this study is a qualitative method that is supported by the study of genetic structuralism.The results showed that there subfokus social reality in a novel structure Pulang Leila Chudori work, especially in the theme of the story. Social reality contained in the theme in the form of the struggle of the political exiles to return to set foot into the ground water. Events experienced by the characters in the story according to the social aspect that occurs in the political exiles in Indonesia. In addition to the social reality theme also appears in the background, viewpoint, and the characterizations. In the next subfokus realtas society in terms of social structure can be seen that there is a social reality in the novel in accordance with the social structure of which is G30SPKI events, events supersmar, Chinese ethnic cleansing, as well as the May Tragedy. While the authors found subfokus world view through a problematic figure in the story that the author in an interview stated that political eksil an Indonesian citizen who is entitled to a decent living as citizens of Indonesia in general. Based on these results until it can be understood thoroughly and deeply concerning novel Leila Chudori when viewed from the study of genetic structuralism. Research results obtained show that the novel Pulang to contain social reality that can be used as reading material for students and the general public to broaden insight into the history.Keywords: social reality, history, genetic structuralism


2017 ◽  
Vol 1 (1) ◽  
pp. 23
Author(s):  
Nimer Abuzahra ◽  
Nawras Imraish

<p><em>This paper investigates how the Industrial Revolution affected the life of the British society’s families in the Hard Times novel. Throughout this discussion, the researchers will examine the main dimensions that had its negative influence on changing the situations of the families and the internal relationships among the families’ members till everything was muddled and hard as this novel is titled. In Hard Times, Charles Dickens represents four families of different social framework, Gradgrind’s family, Stephen’s family, Bounderby’s family, and the circus performers’ family. When the researcher explores each one of those families, she finds that the industrial revolution’s impact is really tough, since those families keep suffering throughout the novel due to its cruelty. This revolution is powerful enough to make the relationship among parents and their children, and among husbands and wives cold, uncomfortable, and lacking the usual warm familiar atmosphere.</em></p>


2017 ◽  
Vol 3 (2) ◽  
pp. 91
Author(s):  
Ika Kana Trisnawati ◽  
Sarair Sarair ◽  
Maulida Rahmi

This paper describes the types of irony used by Charles Dickens in his notable early work, Oliver Twist, as well as the reasons the irony was chosen. As a figurative language, irony is utilized to express one’s complex feelings without truly saying them. In Oliver Twist, Dickens brought the readers some real social issues wrapped in dark, deep written expressions of irony uttered by the characters of his novel. Undoubtedly, the novel had left an impact to the British society at the time. The irony Dickens displayed here includes verbal, situational, and dramatic irony. His choice of irony made sense as he intended to criticize the English Poor Laws and to touch the public sentiment. He wanted to let the readers go beyond what was literally written and once they discovered what the truth was, they would eventually understand Dickens’ purposes.


2020 ◽  
Vol 19 (2) ◽  
pp. 190-212
Author(s):  
Avelinus Moat Simon

In the age of Industrial Revolution 4.0, human life is influenced by various of sophisticated technologies. One of them is social media that increasingly develop, and take some impacts in human life. The fact is there are some priests ignore their pastoral duty and this takes the result that the church is separated. Many of priests don’t live up to their calling as good shepherds. They cannot recognize the church members who entrusted to them by a bishop. This study focus on the influence of social media for a priest’s duty. The research method used in the issue is a qualitative method by using literature approach. I found out that a priest is a shepherd for members of catholic community. A priest ordained by a bishop to continue Christ duty. Social media can become a tool and an equipment for a priest to develop the spiritual life and ministry. The attendance of a priest is the presence Christ as a good shepherd for His sheeps.


2016 ◽  
Vol 44 (2) ◽  
pp. 279-296 ◽  
Author(s):  
Jacob Jewusiak

“Suspend it all,” writes Charles Dickens in the ninth number plan for his novelLittle Dorrit(“Working Notes” 207). Referring to the thirtieth chapter, in which Blandois – formerly Rigaud – arrives on the doorstep of Mrs. Clennam's house, this phrase aptly describes how much the chapter moves the plot forward. Mysteries are gestured toward, but the stakes of the mystery are left blank. Rigaud shows surprise upon seeing Flintwinch, but such surprise is inexplicable until we learn at the end of the novel that Rigaud has met Flintwinch's twin brother abroad. We learn more about the mysterious watch that the dying Mr. Clennam bequeathed to his wife, but not much more than the meaning of the letters “D.N.F.” inscribed within it: “Do not forget.” Dickens suspends so much from the reader that it is hard to feel suspense about anything, a fact that is amplified by Rigaud's insistence on “Secrets!” that can be read as a meta-commentary on the chapter itself: “I say there are secrets in all families,” he tells Flintwinch, adding that the house is “so mysterious” (381–82; bk.1, ch. 30).


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