scholarly journals KAJIAN KOMPARATIF HISTORIS FILM 'PENGABDI SETAN'

2018 ◽  
Vol 2 (1) ◽  
pp. 196-202
Author(s):  
Garcia Iktia
Keyword(s):  
Comparative Research ◽  
Horror Film ◽  
Film Festival ◽  
Literature Study ◽  
Film Genre ◽  
Horror Genre ◽  
The Many ◽  
The One ◽  
In The Beginning ◽  
Made In

Indonesian films experience development over time. In the beginning film in Indonesia served as a massmobilizer and propaganda, then suspended animation. Now Indonesian films are taken into account to internationalfestivals, especially the horror film genre. The object to be analyzed in this study is a horror film, entitled 'PengabdiSetan' by director Rudi Sudjarwo produced in 2017 which is also nominated for the Indonesian Film Festival. Researchthrough the analysis of historical studies with comparative research methods, literature study of two films that have beenadapted to the same genre, namely the horror genre. Both films have good unity in the story and cinematography, but inthe film “Pengabdi Setan” made in 2017 the audience is treated to a different cinematography than the one made in 1980and the many cinematographic developments in the Indonesian film horror genre.

Who’s Afraid of Photography?

2020 ◽  
pp. 94-98
Author(s):  
Hana Čeferin
Keyword(s):  
21St Century ◽  
Chemical Compounds ◽  
Identity Theft ◽  
Horror Film ◽  
Film Genre ◽  
Horror Genre ◽  
Open Questions ◽  
The Common ◽  
The 19Th Century ◽  
Deceased People

In contemporary horror, the photographic image is often used as the object of horror or even represents the main antagonist of the story. We can trace the origin of such depictions to the very invention of the technique of photography in the 19th century, which was also the heyday of spiritualist theories about photography making the soul of the deceased visible to the human eye using chemical compounds. A notorious example is the case of photographer William Mumler who offered well-off relatives of recently deceased people in the States to make portraits with the ghosts of their loved ones. There are also reports of some peoples that allegedly also consider the soul to be closely bound to photography and in consequence abhor photography, as the film is supposedly capable of capturing and depriving the photographed person of their soul. Films like The Ring, The Others, Peeping Tom, and The Invisible Man demonstrate how frequently uncanny photography appears in the horror film genre and open questions about the reasons of such depictions. While the theory of horror claims that horror uses specific iconography of fear to reflect the common fears of the time (e.g. an invasion of giant insects and carnivorous plants in the 50s as a consequence of American fear of a communist invasion), the article explores the issue of photography as the main antagonist in the horror genre of the 21st century and whether this means that it appears as the universal fear of digital identity, surveillance, and identity theft.

XXIV.—The Scattering of Light

1914 ◽  
Vol 33 ◽  
pp. 264-281
Author(s):  
James Robert Milne
Keyword(s):  
Light Scattering ◽  
Systematic Study ◽  
Ground Surface ◽  
Single Layer ◽  
The Other ◽  
Total Emission ◽  
Special Apparatus ◽  
The Many ◽  
The One ◽  
Made In

SummaryThe present paper describes a number of experiments made in connection with Christiansen's experiment in which a beam of light is passed through a transparent insoluble powder immersed in a liquid, with the result that light of the particular colour for which the indices of powder and liquid are the same passes unaffected, while light of all other colours is scattered. In this communication only the simplest case of the above is dealt with, that, namely, in which a flat piece of glass, ground on one side, takes the place of the powder, the rugosities of the ground surface representing a single layer of grains, and air takes the place of the liquid. In such a case there is, of course, no colour of light for which the indices of solid and liquid are alike, and indeed it was found that the colour of the light made very little difference to the results. On the other hand, however, it soon became apparent that different ways of grinding the glass surface led to very different effects. Accordingly, as no previous work appears to have been done in this field, and as it seemed a promising one, it was decided to make a systematic study of the various cases. Each specimen of glass employed was photomicrographed, and had its polar light distribution measured by a photometer. Two methods of characterising the particular scattering power of a screen soon suggested themselves and have been formally defined—the one connected with the Angle of Maximum Total Emission, and the other with the Equivalent Cavity.It is hoped to continue the investigation not only on the above lines, but also in the direction of ascertaining the effect of a number of plates, i.e. of successive layers of light-scattering particles; and in investigating the polarisation effects, which some rough preliminary experiments have shown to be marked.I am glad of this opportunity of acknowledging the help I have received from the Trustees of the Carnegie Trust in the form of grants for the construction of the special apparatus necessary; and desire to tender my grateful thanks to Professor MacGregor for the many facilities for carrying on the work which he kindly placed at my disposal.

scholarly journals A Long Time Ago in a Library Far, Far Away ... The Adventures of the Gladiatoria Manuscript from New Haven

2015 ◽  
Vol 3 (1) ◽  
Author(s):  
Dierk Hagedorn
Keyword(s):  
World War Ii ◽  
Original Structure ◽  
New Haven ◽  
World War ◽  
British Art ◽  
Long Time ◽  
History Of ◽  
The Many ◽  
The One ◽  
In The Beginning

In this paper I will describe the adventurous history of an important late medieval German fechtbuch—a fighting manual—that belongs to a number of manuscripts known as the Gladiatoria group. In the beginning, the extent and the characteristics of this group of codices are explained; later on I will deal with one specific specimen that formerly belonged to a library in Germany—the Herzogliche Bibliothek in Gotha—from where it vanished during or after World War II. Until quite recently this manuscript was believed to be lost. I was able to identify a Gladiatoria manuscript from the Yale Center for British Art in New Haven, Connecticut, as that missing manuscript. The article presents a detailed description of the manuscript; it follows the path of the many places the codex passed through from the days of its creation until the present time; it offers a thorough line of argument that proves on one hand that the manuscript from New Haven is in fact identical to the one that disappeared from Gotha, and that verifies on the other hand an assumption by the renowned researcher Hans-Peter Hils that it is identical to yet another believed-to-be-lost manuscript that was sold by auction in Heidelberg in the 1950s and 1960s as single leaves; and finally it makes an attempt to reconstruct the original structure of the manuscript after it had been pulled apart.

scholarly journals A Long Time Ago in a Library Far, Far Away ... The Adventures of the Gladiatoria Manuscript from New Haven

2015 ◽  
Vol 3 (1) ◽  
pp. 183-208
Author(s):  
Dierk Hagedorn
Keyword(s):  
World War Ii ◽  
Original Structure ◽  
New Haven ◽  
World War ◽  
British Art ◽  
Long Time ◽  
History Of ◽  
The Many ◽  
The One ◽  
In The Beginning

Abstract In this paper I will describe the adventurous history of an important late medieval German fechtbuch—a fighting manual—that belongs to a number of manuscripts known as the Gladiatoria group. In the beginning, the extent and the characteristics of this group of codices are explained; later on I will deal with one specific specimen that formerly belonged to a library in Germany—the Herzogliche Bibliothek in Gotha—from where it vanished during or after World War II. Until quite recently this manuscript was believed to be lost. I was able to identify a Gladiatoria manuscript from the Yale Center for British Art in New Haven, Connecticut, as that missing manuscript. The article presents a detailed description of the manuscript; it follows the path of the many places the codex passed through from the days of its creation until the present time; it offers a thorough line of argument that proves on one hand that the manuscript from New Haven is in fact identical to the one that disappeared from Gotha, and that verifies on the other hand an assumption by the renowned researcher Hans-Peter Hils that it is identical to yet another believed-to-be-lost manuscript that was sold by auction in Heidelberg in the 1950s and 1960s as single leaves; and finally it makes an attempt to reconstruct the original structure of the manuscript after it had been pulled apart.

Costumes and Choreography from Bodenwieser's Trunk: The Coat as Affective Memory

2019 ◽  
Vol 37 (1) ◽  
pp. 89-110
Author(s):  
Rachel Fensham
Keyword(s):  
Modern Dance ◽  
Human Condition ◽  
Personal Life ◽  
Creative Thought ◽  
Cain And Abel ◽  
Embodied Research ◽  
The Many ◽  
The One ◽  
Material Evidence ◽  
Selection Of

The Viennese modern choreographer Gertrud Bodenwieser's black coat leads to an analysis of her choreography in four main phases – the early European career; the rise of Nazism; war's brutality; and postwar attempts at reconciliation. Utilising archival and embodied research, the article focuses on a selection of Bodenwieser costumes that survived her journey from Vienna, or were remade in Australia, and their role in the dramaturgy of works such as Swinging Bells (1926), The Masks of Lucifer (1936, 1944), Cain and Abel (1940) and The One and the Many (1946). In addition to dance history, costume studies provides a distinctive way to engage with the question of what remains of performance, and what survives of the historical conditions and experience of modern dance-drama. Throughout, Hannah Arendt's book The Human Condition (1958) provides a critical guide to the acts of reconstruction undertaken by Bodenwieser as an émigré choreographer in the practice of her craft, and its ‘materializing reification’ of creative thought. As a study in affective memory, information regarding Bodenwieser's personal life becomes interwoven with the author's response to the material evidence of costumes, oral histories and documents located in various Australian archives. By resurrecting the ‘dead letters’ of this choreography, the article therefore considers how dance costumes offer the trace of an artistic resistance to totalitarianism.

Simulation of the internal temperature in the Passol Laboratory, University of Debrecen

2012 ◽  
Vol 3 (1) ◽  
pp. 63-73 ◽  
Author(s):  
I. Csáky ◽  
F. Kalmár
Keyword(s):  
Temperature Variation ◽  
Air Temperature ◽  
Indoor Air ◽  
Storage Capacity ◽  
Building Structures ◽  
Internal Temperature ◽  
The One ◽  
Heavy Structure ◽  
East West ◽  
Made In

Abstract Nowadays the facades of newly built buildings have significant glazed surfaces. The solar gains in these buildings can produce discomfort caused by direct solar radiation on the one hand and by the higher indoor air temperature on the other hand. The amplitude of the indoor air temperature variation depends on the glazed area, orientation of the facade and heat storage capacity of the building. This paper presents the results of a simulation, which were made in the Passol Laboratory of University of Debrecen in order to define the internal temperature variation. The simulation proved that the highest amplitudes of the internal temperature are obtained for East orientation of the facade. The upper acceptable limit of the internal air temperature is exceeded for each analyzed orientation: North, South, East, West. Comparing different building structures, according to the obtained results, in case of the heavy structure more cooling hours are obtained, but the energy consumption for cooling is lower.

AFRICAN WOMEN AND FORBIDDEN GROUNDS: FEMALE SEXUALITY AND SELF-DETERMINATION IN AFRICAN LITERATURE

Imbizo ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 40-54
Author(s):  
Oyeh O. Otu
Keyword(s):  
Female Sexuality ◽  
Sense Of Self ◽  
African Literature ◽  
The Other ◽  
Self Determination ◽  
African Women ◽  
The Core ◽  
The Many ◽  
The One ◽  
Sexual Repression

This article examines how female conditioning and sexual repression affect the woman’s sense of self, womanhood, identity and her place in society. It argues that the woman’s body is at the core of the many sites of gender struggles/ politics. Accordingly, the woman’s body must be decolonised for her to attain true emancipation. On the one hand, this study identifies the grave consequences of sexual repression, how it robs women of their freedom to choose whom to love or marry, the freedom to seek legal redress against sexual abuse and terror, and how it hinders their quest for self-determination. On the other hand, it underscores the need to give women sexual freedom that must be respected and enforced by law for the overall good of society.

A Handbook to Eddic Poetry: Myths and Legends of Early Scandinavia, ed. Carolyne Larrington, Judy Quinn, and Brittany Schorn. Cambridge: Cambridge University Press, 2016, xii, 413 pp., 12 b/w ill.

Mediaevistik ◽  
2018 ◽  
Vol 31 (1) ◽  
pp. 366-366
Author(s):  
Albrecht Classen
Keyword(s):  
Old Norse ◽  
Entire Volume ◽  
Cambridge University ◽  
Critical Studies ◽  
Individual Contributions ◽  
The Many ◽  
The Individual ◽  
Made In ◽  
Scandinavian Literature

Eddic poetry constitutes one of the most important genres in Old Norse or Scandinavian literature and has been studied since the earliest time of modern-day philology. The progress we have made in that field is impressive, considering the many excellent editions and translations, not to mention the countless critical studies in monographs and articles. Nevertheless, there is always a great need to revisit, to summarize, to review, and to digest the knowledge gained so far. The present handbook intends to address all those goals and does so, to spell it out right away, exceedingly well. But in contrast to traditional concepts, the individual contributions constitute fully developed critical article, each with a specialized topic elucidating it as comprehensively as possible, and concluding with a section of notes. Those are kept very brief, but the volume rounds it all off with an inclusive, comprehensive bibliography. And there is also a very useful index at the end. At the beginning, we find, following the table of contents, a list of the contributors, unfortunately without emails, a list of translations and abbreviations of the titles of Eddic poems in the Codex Regius and then elsewhere, and a very insightful and pleasant introduction by Carolyne Larrington. She briefly introduces the genre and then summarizes the essential points made by the individual authors. The entire volume is based on the Eddic Network established by the three editors in 2012, and on two workshops held at St. John’s College, Oxford in 2013 and 2014.

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